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Zoom In, Zoom Out is a groundbreaking visual reference book promising an amazing new experience with each turn of the page. Throughout the book the viewpoint changes, shifting our perspective through a run of spreads, zooming in, zooming out, as well as going sideways, forward, and backward. Through this inventive visual technique, readers are kept constantly engaged, and invited to consider the connections between different aspects of their world.
Invasion of the Body Snatchers by Barry Keith Grant Pdf
Upon its release in 1956, Don Siegel's Invasion of the Body Snatchers was widely perceived as another 'B' movie thriller in the cycle of science fiction and horror films that proliferated in the 1950s. Yet the film addresses numerous issues brewing in post-war US society, including the Cold War, McCarthyism and the changing dynamics of gender relations. In the fifty years since the film's release, its reputation has grown from cult status to become an acknowledged classic of American cinema. With its narrative of emotionless alien duplicates replacing average folk, Invasion of the Body Snatchers was the first post-war horror film to locate the monstrous in the everyday, thus marking it as a pivotal moment in American horror film history four years before Psycho. In this first comprehensive critical study of the film, Barry Keith Grant traces Invasion's historical and generic contexts to explore the importance of Communism and conformity, post-war modernity and gender politics in order to understand the film's cultural significance and metaphorical weight. He also provides an account of the film's fraught production history and offers an extended discussion of the distinctive contributions of the production personnel. Concluding with a consideration of the three remakes it has inspired, Grant illustrates how Invasion of the Body Snatchers' enduring popularity derives from its central metaphor for the monstrous, which has proven as flexible as that of the vampire and the zombie.
House of Horrors zooms in on some of the weird and wonderful creatures - such as spiders, silverfish, dust mites and woodworms - that share our houses. Learn how to follow a cockroach trail, and meet the beetles that love feasting on carpets.
Our world is filled with living things too small to see. Some of these microorganisms are harmful, and some are helpful. This book explores the amazing diversity of microorganisms and looks at how we depend on them.
Scale in Literature and Culture by Michael Tavel Clarke,David Wittenberg Pdf
This collection emphasizes a cross-disciplinary approach to the problem of scale, with essays ranging in subject matter from literature to film, architecture, the plastic arts, philosophy, and scientific and political writing. Its contributors consider a variety of issues provoked by the sudden and pressing shifts in scale brought on by globalization and the era of the Anthropocene, including: the difficulties of defining the concept of scale; the challenges that shifts in scale pose to knowledge formation; the role of scale in mediating individual subjectivity and agency; the barriers to understanding objects existing in scalar realms different from our own; the role of scale in mediating the relationship between humans and the environment; and the nature of power, authority, and democracy at different social scales.
A compilation of memories for anyone born in the 1950s, 1960s, 1970s, or 1980s features more than three thousande references on everything from television shows to dolls, and features such entertaining lists as "best toys" and "all-time coolest singers." Original.
A scholar examines 14 everyday objects featured in horror films and how they manifest their power and speak to society’s fears. Take a tour of the house where a microwave killed a gremlin, a typewriter made Jack a dull boy, a sewing machine fashioned Carrie’s prom dress, and houseplants might kill you while you sleep. In Household Horror, Marc Olivier highlights the wonder, fear, and terrifying dimension of objects in horror cinema. Inspired by object-oriented ontology and the nonhuman turn in philosophy, Olivier places objects in film on par with humans, arguing, for example, that a sleeper sofa is as much the star of Sisters as Margot Kidder, that The Exorcist is about a possessed bed, and that Rosemary’s Baby is a conflict between herbal shakes and prenatal vitamins. Household Horror reinvigorates horror film criticism by investigating the unfathomable being of objects as seemingly benign as remotes, radiators, refrigerators, and dining tables. Olivier questions what Hitchcock’s Psycho tells us about shower curtains. What can we learn from Freddie Krueger’s greatest accomplice, the mattress? Room by room, Olivier considers the dark side of fourteen household objects to demonstrate how the objects in these films manifest their own power and connect with specific cultural fears and concerns. “Provides a lively and highly original contribution to horror studies. As a work on cinema, it introduces the reader to films that may be less well-known to casual fans and scholars; more conspicuously, it returns to horror staples, gleefully reanimating works that one might otherwise assume had been critically “done to death” (Psycho, The Exorcist, The Shining).” —Allan Cameron, University of Auckland
In this cluster Max and Cat's classroom is invaded by insects in Buzz Off!, Max can't get away from his sister to read his comic in peace and in Alien Invasion aliens plan an attack on earth. Can Billy stop them? In the two non fiction titles in this cluster, find out about animals that invade where we live in When Animals Invade and about germs that invade our bodies in Body Invaders. Each book comes with notes for parents that highlight tricky words or concepts in the books, prompt questions and suggest a range of follow-up activities. The Invasion Guided Reading Notes provide step-by-step guided reading support for each book in the Invasion cluster, together with guidance about comprehension, assessment for learning and vocabulary enrichment. Hands-on follow-up activities and cross-curricular links are also provided for each book.
"Who Goes There?": The novella that formed the basis of "The Thing" is the John W. Campbell classic about an antarctic research camp that discovers and thaws the ancient, frozen body of a crash-landed alien. The creature revives with terrifying results, shape-shifting to assume the exact form of animal and man, alike. Paranoia ensues as a band of frightened men work to discern friend from foe, and destroy the menace before it challenges all of humanity The story, hailed as "one of the finest science fiction novellas ever written" by the SF Writers of America, is best known to fans as THE THING, as it was the basis of Howard Hawks' The Thing From Another World in 1951, and John Carpenter's The Thing in 1982. With a new Introduction by William F. Nolan, author of Logan's Run, and his never-before-published, suspenseful Screen Treatment written for Universal Studios in 1978, this is a must-have edition for scifi and horror fans
Contemporary Hollywood Cinema by STEVE NEALE,Murray Smith Pdf
A comprehensive overview of the film industry in Hollywood today, Contemporary Hollywood Cinema brings together leading international cinema scholars to explore the technology, institutions, film makers and movies of contemporary American film making.
American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. His latest film, Hemingway & Gellhorn(premiering May 2012 on HBO), stars Nicole Kidman and Clive Owen. In this study, Annette Insdorf argues that the stylistic and philosophical richness of Kaufman's cinema makes him a versatile auteur. She demonstrates Kaufman's skill at adaptation, how he finds the precise cinematic device for a story drawn from seemingly unadaptable sources, and how his eye translates the authorial voice from books that serve as inspiration for his films. Closely analyzing his movies to date (including Invasion of the Body Snatchers, The Wanderers, and Quills), Insdorf links them by exploring the recurring and resonant themes of sensuality, artistic creation, codes of honor, and freedom from manipulation. While there is no overarching label or bold signature that can be applied to his oeuvre, she illustrates the consistency of themes, techniques, images, and concerns that permeates all of Kaufman's works.
Body Snatchers in the Desert reveals the events that really happened in the New Mexico desert in 1947 that birthed the Rosewell Myth. "RAAF captures flying saucer on ranch in Roswell region." Ever since this provocative headline appeared on July 8, 1947, conspiracy theorists have sincerely believed that the U.S. government has maintained an extensive operation of cover-up-and-denial regarding its knowledge of alien life. But there was, in fact, no UFO crash with dead alien bodies. What really happened on that fateful day is much more sinister. The persistent rumors surrounding the UFO crash in Roswell, New Mexico, are part of a bigger conspiracy—one orchestrated and fostered by the government itself as a smokescreen to bury a truth that is much darker, and disturbingly, far more believable. Now, through never-before-revealed testimony from military whistleblowers, eyewitness intelligence reports, and an astonishing body of corroborative evidence, Nick Redfern lays out a shockingly plausible new theory on the Roswell incident: that the crash-site discovery of prototype military aircraft would expose a damning secret—a highly confidential, U.S. government-sanctioned program to conduct medical experiments on deformed, handicapped, disfigured, and diseased Japanese POWs, exploited as "expendable" victims by their captors. An important account that forces us to take a closer look at both the Roswell story and post-war American history, Body Snatchers in the Desert casts a startling, new light on a shocking conspiracy more than half a century in the making.