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李喬（1934-），極具代表性的當代臺灣作家。本輯選譯其短篇小說八篇，包括：早期蕃仔林的故事〈哭聲〉；反映現代社會生活的壓抑、恐 懼、和痛苦的〈昨日水蛭〉、〈恐男症〉、〈蜘蛛〉、〈人球〉；關切政治議題的〈告密者〉和〈孽龍〉；以及主題帶有佛教思想的〈某種花卉〉。 Taiwan Literature: English Translation Series introduces to English readers the voices of Taiwanese writers and scholars, with viewpoints on their own literature, in order to improve understanding among readers and scholars abroad of the currents and tendencies of literature in Taiwan, as well as to enhance the study of Taiwan literature from international perspectives. In view of the importance of this task, starting from January 2011 the journal is published by the US-Taiwan Literature Foundation, a nonprofit public benefit corporation, as an institution to carry on research and translation of Taiwan literature in English, provide reading and teaching materials for libraries and schools, and facilitate cultural and educational activities. From July 2015, this journal, jointly published with National Taiwan University Press, will continue to carry out the long-term project of promoting Taiwan literature in English translation for an ever better presentation of the history and current state of literature as it has developed in Taiwan.
This book has been specially planned to both commemorate and celebrate this milestone, and we have invited University of California, Irvine, professor Bert Scruggs to serve as guest editor to assist with its preparation and realization. The issue is divided into two parts: the first part is dedicated to a review of the publication history of the journal, its manner of selecting works to publish, as well as its contributions to the scholarly field. There are also research essays that consider the works chosen for translation themselves. The second part of the issue commemorates my retirement after more than forty years of teaching at the University of California, Santa Barbara. The main objectives of my work have been the English translation and introduction of Taiwan Literature. We have, therefore, included articles that consider my poetry, English translation, and scholarly research. 創刊於1996年的《台灣文學英譯叢刊》持續了二十五年，共出版48集。我們特地策劃這一紀念專輯，以示慶祝。我們特地邀請爾灣加州大學台灣文學教授古芃擔任策劃和執行的客座編輯。這一專輯包括兩個部分：第一部分是關於《叢刊》出版史的回顧、選譯作品的特色、對學術界的貢獻和評價、以及針對譯介作品的研究論文。另一部分是關於以英文翻譯和介紹台灣文學為宗旨的創刊者杜國清的詩作英譯和研究論文。 文學翻譯只是文化研究的基礎。《叢刊》的出版，只是為台灣文學走向世界鋪路的奠基工程。二十多年來的努力，多少已完成階段性的任務。希望這份學術刊物，今後能有更多台灣文學的年輕學者和譯者參與，大家同心協力，朝向台灣文學走向世界的共同目標，以新的面貌接棒持續下去。
Taiwan Literature: English Translation Series, No. 50 (Special Issue on Taiwan Fiction and ‘Realism’) During the early stages of its development, Taiwan’s New Literature was intimately connected with realism. The year 2022 is the one-hundredth anniversary of fiction writing in Taiwan, and also the one-hundredth anniversary of modernist literature in the English-speaking world. For the former, this is the one-hundredth anniversary of the publication of Chui Feng’s “Where Will She Go?” For the latter, it is the one-hundredth anniversary of the publication of James Joyce’s (1882–1941) novel Ulysses, and Anglo-American writer T. S. Eliot’s (1888–1965) poem The Waste Land. When the Alphabet Lab was first established, it also paid tribute to the contribution of modernism in the development of post-war Taiwan literature. In this special fiftieth issue on “Taiwan Fiction and ‘Realism,’” we once again identify and trace out the pathways and objectives of Taiwan’s writer apostles over the past one-hundred years. 台灣新文學的發展，以追風的〈她要往何處去〉為濫觴，發表於1922年，至今剛好一百年。台灣新文學發軔時，歐美現代主義發展已達到高峰，台灣必然受到影響，可見現代主義與現實主義，在台灣的演變是與時並進的。在這一專輯的〈導言〉中，張教授將九篇小説平均分成三個階段：日治時期（1922–1945）、戰後（1945–1991）和當代（1992–），且對作品的創作背景和選錄的考量，一一加以説明。要而言之，所選譯的九篇「寫實主義」小説，題材涵蓋面廣，各以不同的歷史背景，寫實地反映出社會現實。
Yeh Shih-t'ao (1925-2008) was an outstanding Taiwanese novelist, literary critic and historian of Taiwan literature. In the history of the development of contemporary Taiwan literature he occupies an incomparably important position. As a literary historian, Yeh's magnum opus is An Outline History of Taiwan Literature (hereafter Outline). It is a comprehensive account that treats the subject of Taiwan literature from the perspective of Taiwan. Although it is only an outline, the book has very special significance in the history of Taiwan literature. 葉石濤（1925-2008）是台灣傑出的小説家、文學批評家、和台灣文學史家，在近代台灣文學發展史上具有無比重要的地位。作爲文學史家，他的巨著當推《台灣文學史綱》。這是以台灣的觀點所闡述的第一本通史。雖然只是綱要，這本書在台灣文學史上，具有特殊的意義，主要在於以台灣人的觀點詮釋台灣文學的歷史發展。
本輯選譯臺灣文學現代派作家王文興的兩篇小說、六篇散文，以及七篇論文。除了兩篇新近「出土」和發表的小說外，特別介紹作家過去鮮為人注意，有關作家成長過程、思想理念、宗教信仰的散文，和其多種文藝評論，呈現他對中國古典文學、電影、書法、英文小說的研究和寫作觀點，有助於英文讀者對王文興全面的認識。 Wang Wen-hsing is an internationally renowned modernist writer who has long been regarded by Taiwan writers as a bellwether of literary aesthetics. His reputation rests on his devotion to an innovative literary language and writing style, demonstrated primarily in his novels. His persistent pursuit of an ideal style has challenged standard aesthetic views of Chinese literary language and conventional reading strategies. He views writing much as he does painting, music, or any other art form: while acknowledging the importance of content, he foregrounds the form. His fictional works, therefore, are not only pieces of creative writing but also creative artworks; each word and sign should be appreciated like a musical note in a song or a brush stroke in a painting. This ideal pushes him constantly to search out a more precise method to describe a specific subject, and each new method he develops is added to the reservoir of Chinese rhetoric. Due to his peculiar approach, he writes extremely slowly. During the past three decades, he has been able to write only thirty-some characters a day. To date, he has published twenty-three short stories, one novella, three novels (the second novel is in two volumes), one one-act play, three volumes of essays, and numerous poems, prose works, translations, and pieces of criticism. 王文興是台灣文學現代派的代表作家。王文興以獨特的語言風格，聞名於文學界，他對文學藝術的忠誠，數十年不改其志，廣受國內外學界和文壇的崇敬。由於其千錘百鍊的創作手法，王文興的寫作速度極其緩慢，近三十多年來維持一天三十個字的紀錄。直至目前他的著作包含了二十三個短篇小說，一個中篇，三部長篇（第二部有上下兩冊），一篇獨幕劇，三本散文集，和諸多未集結成冊的散文、詩歌、翻譯以及評論文章。王絕非多產作家，但作品篇篇如同精雕細琢的藝術品，耐人品味。其高度實驗性的寫作手法，挑戰讀者的閱讀，但又回報以無以倫比的美感享受。在華文文學的世界，獨樹一格，散發出璀璨的光芒。
白先勇，可以說是當代華文作家中，不論是在台灣、在中國、在東南亞、在其他各地的華人世界中，最負盛名、最受肯定的作家。他的文學活動、創作成就和作家地位，與台灣文學的關係，是一個值得探討的現象，也是本叢刊這一專輯譯介他的作品的主要原因和探討的主題。 這一專輯，由白先勇提供尚未翻譯成英文的小說，共五篇。其中收錄在《紐約客》中的有四篇：〈謫仙怨〉、〈骨灰〉、〈Danny Boy〉、〈Tea for Two〉。加上1971年作者與夏志清合譯的〈謫仙記〉，以及1980年作者與尹佩霞合譯的〈夜曲〉，《紐約客》一書中的六篇，以此完結。此外另有一篇近作，〈Silent Night〉，該是屬於《紐約客》系列，最初發表於《聯合報》「當代小說特區」（2015年12月24-25日）。 除了五篇小說之外，我們另外選譯了四篇散文，代表四個不同的題材，呈現在評論方面的不同面向：對《現代文學》當初創刊的回顧、五四以來中國小說缺乏藝術經營的問題、小說與電影的關係，以及一篇對新詩的評論—白先勇知道台灣詩壇壁壘分明，向來不涉及新詩的評論，這篇〈望帝春心的哀歌—讀杜國清的《心雲集》〉，也可以看出小說家與詩人對人生愛與哀的情感書寫，自有一份戚戚然的知音共鳴。 It could be said that Pai Hsien-yung is the most renowned and broadly recognized contemporary Chinese writer, whether in Taiwan, China, Southeast Asia, or any other region of the Chinese world. His literary activities, achievements, and status as an eminent writer within the context of Taiwan literature is a phenomenon worthy of study. Therefore, we dedicate an entire issue to exploring it.
For this special issue on “New Generation Women's Fiction from Taiwan,” we have specially invited Professor Lee Kuei Yun of the Graduate Institute of Taiwan Literature at Taiwan's Tsing Hua University to be guest editor and take responsibility for the selections. Because of space limitations it has been possible only to select twelve short stories by eleven woman writers. These writers were all born in the 1970s or later and their works were published in the year 2000 or later. Thus, they represent a period of social change in twenty-first century Taiwan and the spirit of the new generation. The introduction that we asked Professor Lee to provide is entitled “Trauma, esire, Contemporary Women's Voices.” Aside from giving a brief account of the eleven writers and their works, Professor Lee sketches “a number of writerly qualities that become perceptible… [that] represent the internal trauma, female consciousness, physical lust, cat-uman metaphors, and everyday life, etc.” In her introduction, what she particularly stresses is that the sexual desire depicted in these works exposes the internal wounds derived from private individual experience hidden away in the deepest levels of the female consciousness that are exposed for direct observation, and “… [from this] we can tease out a clear semblance of a feminine texture that reverberates with the unique sound of contemporary women's voices.” This then is one of the most important qualities of the new generation of aiwanese women's fiction. In the final analysis, trauma and writing about desire are two major themes of Taiwanese women's literature. 《台灣新世代女性小説》這一專輯，我們特地請台灣清華大學台灣文學研究所李癸雲教授擔任客座編輯，負責選稿。因受篇幅的限制，只選11位女性小説家的短篇小説12篇，作者都是1970年以後出生、其作品發表於2000年以後，反映出二十一世紀台灣社會的變動現象和新世代的精神樣貌。同時我們請李教授撰寫一篇導輪，題爲〈創傷．情慾．時代女聲〉，除了簡述11位作家及其作品之外，還勾勒出其中「隱隱浮現某些書寫特徵，關於內在創傷、女性意識、身體情慾、人與貓的互喻、日常生活等」。本輯導論〈創傷．情慾．時代女聲〉中所特別强調的是，這些作品所書寫的情慾、流露出女性意識底層所隱含的個人私密經驗的内在創傷，而正視創傷，「藉此梳理出形貌清晰的女性肌理，迴盪出『時代女聲』的特殊音色」，成爲新世代台灣女性小説的一大特徵。
這一專輯所選的作品主要凸顯台灣文學在全球動物文學研究的舞台上的地方認同。台灣的自然書寫涉及地理環境所具有的地方意義，以及與台灣獨特的文化歷史的記憶。尤其是吳明益的兩篇小說，〈國姓爺〉以及和台灣美濃地方有關的〈往靈魂的方向〉都是很好的例子。李喬的〈修羅祭〉，未能收入本叢刊第36 集「李喬專輯」（2015年7月），卻收入「台灣文學的動物書寫」這一專輯，更能顯示動物抒寫對生命的哲學思考。本期也收錄了杜國清教授所創作與動物主題有關之三首詩：內容涉及台灣對待動物的生態環境和動物保護意識的〈阿河，阿河〉、表現人與狗之間親近關係的〈我的憂傷〉，以及描寫「人狗神」生命流浪、輪迴不已的〈三界輪迴〉，而與李喬的〈修羅祭〉佛教超越現世的生命哲學觀互相呼應。 In the thirty years since the 1980s, a significant volume of creative work and research in Taiwan has been produced under the general category of nature writing. There have been conferences and proceedings, M.A. theses and Ph.D. dissertations, research articles, books, and anthologies. There are four representative and well-recognized writers in the field: Liu Ka-shiang, who has dedicated himself to birdwatching and nature writing; Liao Hung-chi, who is known for his writings on whale and ocean experiences; Wu Ming-yi, who has concentrated on butterflies and broken new ground in ecological writing; as well as Syaman Rapongan, who has devoted himself to reconstructing the ocean-centric culture of the indigenous Taos people. It is in view of all the above that this issue of the journal has been dedicated to “Animal Writing in Taiwan Literature.” Recalling that our publication has a mission to “introduce the voices of Taiwan literature from recent publications to English readers, and especially to introduce the views of Taiwanese writers and scholars regarding their own literature,” we have asked Professor Chia-ju Chang of Brooklyn College to be guest editor of this special issue. The works selected for translation here were recommended primarily by Professor Chang. She has chosen works that highlight the local characteristics of animal literature in Taiwan as distinct from international animal literature. These works refer to the geographical environment and to memory of the unique cultural history of Taiwan. The two stories by Wu Ming-yi, “Koxinga” and“The Compass of the Soul,” are excellent examples of this. Lee Chiao's“A Sacrifice to the Asuras” was originally intended for the special issue on the author (No. 36, July 2015), but it turned out to be very appropriate for this issue on animal writing in Taiwan as it ponders animal life from a philosophical perspective. Furthermore, three poems related to animal writing by Prof. Tu are collected in this issue. “A-he, A-he,” about a hippo, concerns attitudes toward animals as well as environmental consciousness and animal protection in Taiwan. “My Grief ” expresses the close relationship between a man and his dog. And the third poem, “Reincarnation of the Three Realms—After watching the movie God Man Dog,” considers the Buddhist concept of incarnation in the three realms of life, echoing Lee Chiao's Buddhist philosophy on life beyond this life.
本輯以王禎和的短篇小說為主題，除了凸顯王禎和於台灣文學史上作為鄉土文學的先驅地位，也旨在向英語讀者譯介其具台灣鄉土特色的系列作品。本輯特邀臺大外文系鄭恆雄教授擔任客座編輯，撰寫〈導論〉並選擇英譯的作品：〈那一年冬天〉、〈兩隻老虎〉、〈小林來台北〉、〈伊會唸咒〉、〈素蘭要出嫁〉、〈老鼠捧茶請人客〉，以及〈素蘭小姐要出嫁──終身大事〉。前述七篇王禎和之原著則分別由長期耕耘台灣文學英譯的黃瑛姿、葛浩文（Howard Goldblatt）、林麗君、陶忘機（John Balcom）、古芃（Bert M. Scruggs）以及台灣學者董崇選、強勇傑擔綱譯出。 The latest special issue of Taiwan Literature: English Translation Series focuses on the short stories written by Wang Chen-ho not only to reveal his leading role in the Nativist literature that rose in Taiwan during the 1990s, but to introduce his works in the unique local language of Taiwan for English language readers. In this special issue on Wang Chen-ho, seven stories were selected for translation: “The Winter That Year,” “Two Tigers,” “Little Lin Comes to Taipei,” “She Really Can Put Curses on People,” “Sulan's Gonna Get Married,” “The Mouse Serves a Guest Tea,” and “Miss Sulan's Gonna Get Married—A Lifetime of Marital Bliss.” These seven stories span the two periods of Wang's works mentioned above. The first five belong to the first period of Naturalism, while the last two break away from Naturalism to embrace broader themes, even containing a lot of comedy, as in the final story, “Miss Sulan's Gonna Get Married—A Lifetime of Marital Bliss.”
Taiwan Literature: English Translation Series, no. 43 [台灣文學英譯叢刊（No. 43）] by Anonim Pdf
本輯以鄭清文的小說與兒童文學為主題，承鄭清文女兒谷苑的協助，推薦具有代表性的小說暨兒童文學作品多篇，並請她寫一篇關於父親作品的文章〈A Storyteller—In Memory of Tzeng Ching-wen〉。散文方面，Taipei, City of Displacements（《錯置，臺北城》）的作者周文龍教授（Joseph R. Allen），對臺北的地理變遷和文化空間的歷史演變具有深入的研究，特地請他幫忙翻譯〈大水河畔的童年〉，相得益彰。其餘幾篇鄭清文之原著則分別由由長期耕耘台灣文學英譯的黃瑛姿、葛浩文（Howard Goldblatt）、林麗君、陶忘機（John Balcom）與羅德仁（Terence Russell）擔綱譯出。 The latest special issue of Taiwan Literature: English Translation Series focuses on the fictions and children's stories written by Tzeng Ching-wen. For this special issue, we are thankful to Angela Ku-yuan Tzeng for her assistance in recommending representative stories for translation and for her essay, “A Storyteller—In Memory of Tzeng Ching-wen,” in memory of her father. For the essay, “Boyhood on the Banks of the Grand River,” we appreciate expert assistance from Joseph R. Allen, the author of Taipei: City of Displacements, a comprehensive study of Taipei with regard to its geographical changes and historical development in terms of cultural space.
Chen Chien-wu 陳千武, Lin Hengtai 林亨泰, Xiang Ming 向明, Cheng Chiung-ming 鄭炯明, Bai Ling 白靈, Chen Ichih 陳義芝, Lu Han-hsiu 路寒袖, Walis Nokan 瓦歷斯．諾幹,,Chan Tah Wei 陳大為, Tu Kuo-ch’ing 杜國清, Wu Sheng 吳晟, Lee Min Yung 李敏勇, Su Shao-Lian 蘇紹連, Li Yu-Fang 利玉芳, Ling Yu 零雨, Du Ye 渡也, Chen Li 陳黎,Xiang Yang 向陽, Chang Fang Ci 張芳慈, Yan Ai-Lin 顏艾琳, Li Kuei-shien 李魁賢, Hsiao Hsiao 蕭蕭, Horng Shuling 洪淑苓, Lee Chin-Wen 李進文
Author : Chen Chien-wu 陳千武, Lin Hengtai 林亨泰, Xiang Ming 向明, Cheng Chiung-ming 鄭炯明, Bai Ling 白靈, Chen Ichih 陳義芝, Lu Han-hsiu 路寒袖, Walis Nokan 瓦歷斯．諾幹,,Chan Tah Wei 陳大為, Tu Kuo-ch’ing 杜國清, Wu Sheng 吳晟, Lee Min Yung 李敏勇, Su Shao-Lian 蘇紹連, Li Yu-Fang 利玉芳, Ling Yu 零雨, Du Ye 渡也, Chen Li 陳黎,Xiang Yang 向陽, Chang Fang Ci 張芳慈, Yan Ai-Lin 顏艾琳, Li Kuei-shien 李魁賢, Hsiao Hsiao 蕭蕭, Horng Shuling 洪淑苓, Lee Chin-Wen 李進文 Publisher : 國立臺灣大學出版中心 Page : 274 pages File Size : 45,8 Mb Release : 2020-11-01 Category : Literary Criticism ISBN : 9789863504153
台灣文學英譯叢刊 (Taiwan Literature: English Translation Series, No. 46) by Chen Chien-wu 陳千武, Lin Hengtai 林亨泰, Xiang Ming 向明, Cheng Chiung-ming 鄭炯明, Bai Ling 白靈, Chen Ichih 陳義芝, Lu Han-hsiu 路寒袖, Walis Nokan 瓦歷斯．諾幹,,Chan Tah Wei 陳大為, Tu Kuo-ch’ing 杜國清, Wu Sheng 吳晟, Lee Min Yung 李敏勇, Su Shao-Lian 蘇紹連, Li Yu-Fang 利玉芳, Ling Yu 零雨, Du Ye 渡也, Chen Li 陳黎,Xiang Yang 向陽, Chang Fang Ci 張芳慈, Yan Ai-Lin 顏艾琳, Li Kuei-shien 李魁賢, Hsiao Hsiao 蕭蕭, Horng Shuling 洪淑苓, Lee Chin-Wen 李進文 Pdf
This issue contains the verse of twenty-four poets. From 1924, when Hsieh Chun-mu first published four “Poems in Imitation,” the development of new poetry in Taiwan has a history of almost one hundred years. The roots of new poetry in Taiwan with its “twin flower bulbs,” to use the phrase coined by Chen Chien-wu, has now bloomed and borne fruit. It manifests diversified themes, and places great stress on both artistic expression and social concern. It recognizes globalization as the major trend of the times, and maintains a dynamic balance between nativist consciousness and the ensibilities of the Chinese cultural diaspora. Taiwan literature and its new poetry written in Chinese should have a place in the Chinese world community,as well as in the history of world literature. Limited by the space allowed for the journal, we could only select works related to “local” and “quotidian” writing. Yet we hope to observe through these works the manner in which the unique charm and gracefulness of contemporary poetry from Taiwan has blossomed in the garden of world literature. 這一專輯精選具有代表性的詩人二十四家。 從1924年謝春木發表「詩的模仿」四首算起，台灣新詩的發展也有將近一百年的歷史。新詩「兩個球根」在台灣已經開花結果，呈現出主題多元，創作藝術與關懷現實並重，面對全球化的時代趨勢，保持本土意識與文化離散互相呼應和抗衡。台灣文學和以華文創作的新詩，不僅在華人世界，甚至在世界文學的大花園裡，都應該占有一席之地。我們出版這一專輯，收到篇幅的限制，只能以「地方與日常」選錄相關詩作，藉以展現台灣當代詩在世界花園裡一枝獨秀的風姿。
Taiwan Literature: English Translation Series, No. 45 (台灣文學英譯叢刊（No. 45）) by Anonim Pdf
The New Generation of Taiwan writers, born after 1970, has unquestionably established a distinguished presence in today’s literary circles, and they continue to scale the creative peaks. This issue is entitled, “Special Issue on the New Generation Writers,” and is intended to locate these works within the context of the development of Taiwan literature so that we may observe the special qualities they have brought to literary modulation and generational change. We have also attempted to summarize in stages the imagination/composition that this new generation has projected on a period of history and on their generation. 關於台灣新世代作家，本輯選譯的作品，只限於短篇小說。新世代小說的特點，諸如鄉土題材、家族故事、俚俗人物、民俗儀典、地誌景觀、比喻修辭等的敘述方式和表現技巧，與前行代的書寫類型迥然不同。出生於1970年後的台灣新世代作家在當今文壇，泰半已卓然成家，且持續攀登創作的峰頂。本輯定題為「新世代作家小說專輯」，即在於將這些作品放置於台灣文學發展脈絡裡，來觀看文學演化與世代流變的特徵，並嘗試階段性地總理新世代投射一個時代與世代的想像╱書寫。
台灣文學英譯叢刊（No. 44） by Kuo-ch'ing Tu,Terence Russell Pdf
這一專輯，譯介本叢刊的創辦者和主要編者杜國清一生的業績。在推展台灣文學上的重要角色之外，杜國清是一位著名的詩人和研究對象，也是台灣六○年代開始推動現代詩運動的重要詩人之一。然而，關於他的作品，英語讀者知道的很少，可惜這是由於歷史和審美趣味的原因。因此這一專輯，我們的用意在於提供杜國清作品的代表作以及一些研究論文的英文翻譯。如此，我們希望華文以外的讀者能夠有機會欣賞他的創作成就，以及瞭解他對華文現代詩發展的貢獻。 This very special issue of Taiwan Literature: English Translation Series is dedicated to the life work of the journal's founder and main editor, Tu Kuo-ch'ing. Apart from his important role in the promotion of Taiwan literature, Professor Tu is a celebrated and much-studied poet who has been one of the most significant poets in the Modernist poetry movement in Taiwan since the 1960s. However, very little of his work is available to English language readers. This is unfortunate for both historic and aesthetic reasons. Therefore, it is our intention with this special issue to provide a representative selection of Tu's poetic oeuvre, as well as a number of studies of his verse in English translation. Our hope is that in this way readers outside of the Chinese-speaking world will be afforded the opportunity both to enjoy Tu's outstanding accomplishment as a poet and to gain an understanding of his contribution to the development of Modernist verse in the Chinese language.
本輯選譯臺灣新文學作家楊逵八篇小說，包括：綠島時期的著名作品〈春光關不住〉（後改題為〈壓不扁的玫瑰花〉）；奠定作者小說家地位的 〈新聞配達夫〉；其他篇章為〈模範村〉、〈無醫村〉、〈增產の蔭に－吞氣のな爺さんの話〉、〈泥人形〉、〈水牛〉與〈鵞鳥の嫁入〉。閱讀楊逵如何透過文 學，真實且批判性地反映時代與社會。 Yang K'uei (1906-1985), the first Taiwanese writer recognized in the literary circles of Japan during the period of Japanese rule, referred to himself as a “humanitarian socialist.” He was a pragmatic author who used his literary works to pursue the realization of his ideals, while throwing himself into the farmers and laborers movement as well as promotion of social, political and cultural reforms. For this special issue on Yang K’uei, we thank Professor Yang Tsui (Yang K’uei’s granddaughter) for her recommendation of works, from which we selected eight stories with particular consideration to both the theme and the literary quality of the works, as well as to which works are most representative of Yang K’uei’ fiction. Among them, “Behind the Increases of Production” and “Clay Dolls” are translated from the Japanese texts into English for the first time. The translation of “Mother Goose Gets Married,” published earlier in Journal No. 20, January 2007, was based on the Chinese texts, and in this issue we have purposely provided a new version based on the Japanese texts. Since Yang K’uei’s works have often been revised by the author, we have responded to the critic Chang Heng-hao’s appeal to “keep its true features,” as stated in his article, “Cun qi zhenmao—tan ‘Songbaofu’ yiben jiqi yanshen wenti.” [Keep Its True Features— On Translations of ‘Newspaper Carrier’ and the Issues Derived.] For reference convenience, we have reprinted the translation of “The Newspaper Carrier” published in the journal, which was carefully translated from the original text by Robert Backus. This version is hopefully close to the original features and will provide a reference point for a comparative study of the different versions of Yang K’uei’s works in Japanese, Chinese, and English. 楊逵（1906-1985）是日治時期最早獲得日本文壇肯定的台灣小說家，自稱 「人道的社會主義者」，透過文學作品追求實踐理想而投入農民勞工運動、社會政治運動，以及文化運動的實用主義文學家。 本書在選擇作品時，承楊逵孫女楊翠教授推薦，我們最後決定短篇小說八篇，兼顧作品的思想性和文學性，可以說是最足以代表楊逵在小說方面的代表作。其中， 〈增產之背後〉和〈泥娃娃〉是根據日文首次翻譯成英文。叢刊第20 集翻譯的〈鵝媽媽出嫁〉，是根據中文版本，本書特地推出根據日文的英文譯本。由於楊逵作品屢經作者修改，引起評論家張恆豪呼籲〈存其真貌—談〈送報伕〉譯 本及其延伸的問題〉。為讀者參照方便，我們特地重刊Robert Backus 根據日文精心翻譯的〈新聞配達夫〉，或許較近原貌，可以為楊逵作品日中英三種版本比較研究提供方便的資料。
Taiwan Literature: English Translation Series, No. 47 by Anonim Pdf
Apart from “new poetry” composed in the vernacular language, the tradition of classical poetry originating in China has also been maintained in Taiwan. We cannot ignore the fact that those poets who continued to compose classical verse, as well as the activities of their poetry societies, are yet another aspect of the diversity of Chinese-language poetic development in Taiwan which at the same time has unique local characteristics. Professor Huang's organization of the issue includes an introductory essay, entitled “Poems that Speak of Taiwan—Speaking of Taiwan Poetry” in which she gives a brief summary of the historical background and special character of the development of classical poetry in Taiwan. According to her careful plan, Professor Huang divided the poems translated for this special edition into six thematic sections: 1) Taiwan and Taiwanese in the Interstices of History (6 poems) 2) Crossing the Ocean to Taiwan, Putting Down Roots that Grow Along with Chinese Culture (5 poems) 3) Poems on the Aesthetics of Natural Landscape Scenery (6 poems) 4) Climate, Natural Resources, and Food (6 poems) 5) Folk Customs, Festivals, and Sacrificial Ceremony (4 poems) 6) Poems Expressing Emotions, Sentiments and Criticisms (7 poems) In the poetry selected for this issue we see the rich, expansive content of classical Chinese verse from Taiwan. That verse manifests the responses of Taiwanese poets to their times, to nature, to places and to people. It also reflects the many faces of Taiwan's specific temporal and geographical background through depictions of local experiences and the local spirit. 台灣詩歌的發展，除了以白話文創作的新詩之外，還有繼承中國古典詩歌傳統、延續不絕的古典詩歌創作者及其詩社活動，呈現出台灣漢詩發展的多樣性，同時又有其在地特色。 在黃美娥教授的策劃下，這一專輯的內容，除了詩選以外，本輯還有特地請黃教授撰寫一篇導論〈詩說台灣．說台灣詩〉，簡述台灣古典詩發展的歷史背景和主要特色。另一篇是黃教授撰寫的學術論文，〈實踐與轉化：日治時代臺灣傳統詩社的現代性體驗〉（摘譯）。關於詩選，共選31家，34首，根據題材，分成6個主題，以呈現台灣古典漢詩的特色。在題材上，反映社會和生活的開闊性和呼應歷史和時代的現代性。
