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The Papers of James Madison: 1 Jan.-30 Apr. 1783 by James Madison Pdf
V. 1. 16 Mar. 1751-16 Dec. 1779 -- v. 2. 20 Mar. 1780-23 Feb. 1781 -- v. 3. 3 Mar.-31 Dec. 1781 -- v. 4. 1 Jan.-31 July 1782 -- v. 5. 1 Aug.-31 Dec. 1782 -- v. 6. 1 Jan.-30 Apr. 1783 -- v. 7. 3 May 1783-20 Feb. 1784 -- v. 8. 10 Mar. 1784-28 Mar. 1786 -- v. 9. 9 Apr. 1786-24 May 1787, with suppl. 1781-1784 -- v. 10. 27 May 1787-3 Mar. 1788 -- v. 11. 7 Mar. 1788-1 Mar. 1789 -- v. 12. 2 Mar. 1789-20 Jan. 1790, with suppl., 24 Oct. 1775-24 Jan. 1789 -- v. 13. 20 Jan. 1790-31 Mar. 1791 -- v. 14. 6 Apr. 1791-16 Mar. 1793 -- v. 15. 24 Mar. 1793-20 Apr. 1795 -- v. 16. 27 Apr. 1795-27 Mar. 1797 -- v. 17. 31 Mar. 1797-3 Mar. 1801, with suppl., 22 Jan. 1778-9 Aug. 1795.
Catholic Trails West by Edmund Adams,Barbara Brady O'Keefe Pdf
Long out of print, this book identifies the families who settled the largest of the six pioneer Catholic parishes of Pennsylvania, that of St. Joseph's, which extended from Philadelphia up and down the Delaware, west into Berks County, north into New York, and east throughout New Jersey. Herein the researcher will find data on about 3,000 families and 12,000 family members.
The Handbook of British Chronology is acknowledged as the authoritative and indispensable record of all holders of major offices in England, Wales, Scotland and Ireland from the fifth century to the late twentieth century. The third edition (which first appeared in 1986) is now available from Cambridge University Press.
Denizations and Naturalizations in the British Colonies in America, 1607-1775 by Lloyd DeWitt Bockstruck Pdf
A compilation of naturalization and denization records in the British colonies in America between 1607 and 1775. Records were compiled from published literature, then expanded and improved by the examination of original source materials.
The Routledge Companion to Britain in the Eighteenth Century by Jeremy Gregory,John Stevenson Pdf
Enormously rich and wide-ranging, The Routledge Companion to Britain in the Eighteenth Century brings together, in one handy reference, a wide range of essential information on the major aspects of eighteenth century British history. The information included is chronological, statistical, tabular and bibliographical, and the book begins with the eighteenth century political system before going on to cover foreign affairs and the empire, the major military and naval campaigns, law and order, religion, economic and financial advances, and social and cultural history. Key features of this user-friendly volume include: wide-ranging political chronologies major wars and rebellions key treaties and their terms chronologies of religious events approximately 500 biographies of leading figures essential data on population, output and trade a detailed glossary of terms a comprehensive cultural and intellectual chronology set out in tabular form a uniquely detailed and comprehensive topic bibliography. All those studying or teaching eighteenth century British history will find this concise volume an indispensable resource for use and reference.
The book describes the observational work of William and Caroline Herschel. It focuses on deep-sky objects, observed 1774-1817. Most were discovered by William in the monumental sweep campaign (1783-1802), assisted by his talented sister. 2500 objects were published in three catalogues. The study of the sky from southern England also concerned double stars and the Solar System, yielding the Uranus discovery in 1781. But William Herschel was much more than a mere observer. He built large reflectors, developed new methods and thought about the nature and evolution of cosmic objects and the structure of the Milky Way. He was an extremely influential astronomer and had a worthy successor, his son John.
William Herschel Discoverer of the Deep Sky by Wolfgang Steinicke Pdf
The book describes the observational work of William and Caroline Herschel. It focuses on deep-sky objects, observed 1774-1817. Most were discovered by William in the monumental sweep campaign (1783-1802), assisted by his talented sister. 2500 objects were published in three catalogues. The study of the sky from southern England also concerned double stars and the Solar System, yielding the Uranus discovery in 1781. But William Herschel was much more than a mere observer. He built large reflectors, developed new methods and thought about the nature and evolution of cosmic objects and the structure of the Milky Way. He was an extremely influential astronomer and had a worthy successor, his son John.
Opéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en vaudevilles, that were a feature of the theatres held at the seasonal Parisian fairs of St Germain and St Laurent, and of the Comédie-Italienne. The similarity of the entertainments provided by the Comédie-Italienne and the fairs resulted in their amalgamation on 3 February 1756, when they established a theatre for their joint productions, the Hôtel Bourgogne. Their type of entertainment, combining existing popular tunes with spoken sections, lent its generic name to this house, which, regardless of its changing venue, would become known as the Opéra-Comique. The genre of opéra-comique exercised a powerful popular appeal because of its unique fusion of fixed musical form with fluid improvised dialogue. The well-known airs of the day, invariably strophic, came to be the genre’s staple medium of artistic expression—the couplets. But opéra-comique was not necessarily comic or light in nature. Indeed, the most famous example, Bizet’s Carmen (1875), is a tragedy. The genre, with its unique mixture of comedy and drama, its captivating musical fluency, its handling of serious and Romantic themes—expertly crafted by its most famous librettist Augustin-Eugène Scribe (1791-1861)—became universally popular in the masterpieces of its heyday between 1820 and 1870: Adrien Boieldieu’s La Dame blanche (1825), Daniel-François-Esprit Auber’s Fra Diavolo (1830) and Le Domino noir (1837), Ferdinand Hérold’s Zampa (1831) and Le Pré aux clercs (1832), Fromental Halévy’s L’Éclair (1835) and Ambroise Thomas’s Mignon (1866). The history of the opéra-comique between 1762 and 1915 reflects the political and cultural life of France—from the last days of the ancien régime, through the tumult of the Revolution and Napoleonic era, the July Monarchy and Second Empire, to the shattering defeat of France by Prussia in 1870. After this, apart from isolated works (by Bizet, Delibes, Offenbach, Massenet), new works by the younger generation of musicians now tended to be French adaptations of the Wagnerian aesthetic and the record of success is very thin. Hardly any native French works in this imitative mode premiered at the Opéra-Comique between 1870 and 1915 have survived—apart from Debussy’s unique Pelléas et Mélisande (1902). This study serves as a sourcebook for this very French genre, with details of forgotten composers, their operas—performance dates, plot summaries, the singers who created them, the names of important numbers in the works (from libretti and scores that are either now to be found only in the Paris libraries, or are lost completely), often with contemporary observations about the reception of particular works, the effectiveness of their dramaturgy and music. It provides a resource for operatic culture and convention, from the late 18th to the early 20th centuries. The record of the fortunes of the Opéra-Comique provides a way into the changing culture and aesthetic values of an age.