Download Full eBooks in PDF
100 Years On Revisiting The First Russian Art Exhibition Of 1922 Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of 100 Years On Revisiting The First Russian Art Exhibition Of 1922 book. This book definitely worth reading, it is an incredibly well-written.
Author : Isabel Wünsche,Miriam Leimer
Publisher : Unknown
Page : 128 pages
File Size : 45,7 Mb
Release : 2022
Category : Electronic
ISBN : 3412525642
Author : Isabel Wünsche,Miriam Leimer
Publisher : Böhlau Köln
Page : 277 pages
File Size : 51,5 Mb
Release : 2022-12-12
Category : Art
ISBN : 9783412525651
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.
Author : Richard Anderson
Publisher : MIT Press
Page : 381 pages
File Size : 46,7 Mb
Release : 2024-04-09
Category : Architecture
ISBN : 9780262048781
How a visionary, never-realized architectural project, devised by one of the twentieth century’s greatest artists, shaped architectural culture in Europe between the world wars. After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a “horizontal skyscraper,” which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow’s Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In Wolkenbügel, Richard Anderson explores Lissitzky’s translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky’s singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
Author : Annely Juda Fine Art
Publisher : Unknown
Page : 84 pages
File Size : 49,8 Mb
Release : 2009
Category : Art, Modern
ISBN : STANFORD:36105215334991
The exhibition is in part made in homage to Camilla Gray, the great critic, author, curator and champion of Russian Art. Her major book 'The Great Experiment - Russian Art' was published in 1962, one of the first comprehensive publications on the subject. The exhibition also serves as a tribute to the late Annely Juda, founder of the gallery, who was widely recognised as a key figure in bringing these artists to the British public's attention.
Author : Roann Barris
Publisher : Taylor & Francis
Page : 171 pages
File Size : 51,6 Mb
Release : 2023-08-23
Category : Art
ISBN : 9781000927610
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
Author : Anonim
Publisher : Unknown
Page : 104 pages
File Size : 44,6 Mb
Release : 1924
Category : Art
ISBN : STANFORD:36105020551961
Author : Evgenija N. Petrova,Gosudarstvennyj Russkij Muzej,Ivan Samarine
Publisher : Unknown
Page : 337 pages
File Size : 47,8 Mb
Release : 2007
Category : Art, Russian
ISBN : 3940761036
This exhibition catalogue of works from many sources outside Russia publishes lesser known works by avant-garde painters of the twentieth century such as Goncharova, Malevich, Larionov, Konchalovskii, A. Exter; by many well-known artists of late imperial Russia such as Repin, Somov, Roerich, Korovin, Vasnetsov, and Dobuzhinskii; by major nineteenth-century figures such as Kiprenskii, Briullov, Venetsianov, Ivanov, and Troponin; by the first significant portraitists in Russian art, Rokotov and Borovikhovskii. Biographies of eighty-seven artists and two indexes facilitate the use of the book as a source on nineteenth- and twentieth-century Russian art. -- Summary written by John W. Emerich, Bronze Horseman Literary Agency.
Author : Margit Rowell,Angelica Zander Rudenstine
Publisher : Unknown
Page : 328 pages
File Size : 43,6 Mb
Release : 1981
Category : Art, Modern
ISBN : UOM:39015027875411
Author : Pavel Florensky
Publisher : Reaktion Books
Page : 316 pages
File Size : 40,5 Mb
Release : 2006-08-15
Category : Art
ISBN : 9781861896391
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
Author : Maria Taroutina
Publisher : Penn State Press
Page : 761 pages
File Size : 52,5 Mb
Release : 2018-11-26
Category : Art
ISBN : 9780271082554
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
Author : Anonim
Publisher : BRILL
Page : 395 pages
File Size : 48,8 Mb
Release : 2015-06-29
Category : History
ISBN : 9789004300019
Byzantium/Modernism examines the cross-temporal interchange between Byzantium and modernism and articulates how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture.
Author : Ágnes Kriza
Publisher : Oxford University Press
Page : 385 pages
File Size : 55,8 Mb
Release : 2022
Category : Christianity and art
ISBN : 9780198854302
The image of Divine Wisdom, traditionally associated with the Sophia Cathedral in Novgorod, is an innovation of the fifteenth century. The icon represents the winged, royal, red-faced Sophia flanked by the Mother of God and John the Baptist. Although the image has a contemporaneous commentary, and although it exercised a profound influence on Russian cultural history, its meaning, together with the dating and localisation of the first appearance of the iconography, has remained an art-historical conundrum. By exploring the message, roots, function, and historical context of the creation of the first, most emblematic and enigmatic Russian allegorical iconography, Depicting Orthodoxy in the Russian Middle Ages deciphers the meaning of this icon. In contrast to previous interpretations, Kriza argues that the winged Sophia is the personification of the Orthodox Church. The Novgorod Wisdom icon represents the Church of Hagia Sophia, that is, Orthodoxy, as it was perceived in fifteenth-century Rus. Depicting Orthodoxy asserts that the icon, together with its commentary, was a visual-textual response to the Union of Florence between the Catholic and Orthodox Churches, signed in 1439 but rejected by the Russians in 1441. This interpretation is based on detailed interdisciplinary research, drawing on philology, art history, theology, and history. Kriza's study challenges some key assumptions concerning the relevance of Church Schism of 1054, the polemics between the Greeks and the Latins about the bread of Eucharist, and the role of the Union of Florence in the history of Russian art. In particular, by studying both well- and lesser-known works of art alongside overlooked textual evidence, this volume investigates how the Christian Church and its true faith were defined and visualized in Rus and Byzantium throughout the centuries.
Author : Robin Aizlewood,Ruth Coates
Publisher : Academic Studies PRess
Page : 301 pages
File Size : 52,5 Mb
Release : 2019-08-28
Category : Literary Criticism
ISBN : 9781618119421
The Vekhi (Landmarks) symposium (1909) is one of the most famous publications in Russian intellectual and political history. Its fame rests on the critique it offers of the phenomenon of the Russian intelligentsia in the period of crisis that led to the 1917 Russian Revolution. It was published as a polemical response to the revolution of 1905, the failed outcome of which was deemed by all the Vekhi contributors to exemplify and illuminate fatal philosophical, political, and psychological flaws in the revolutionary intelligentsia that had sought it. Landmarks Revisited offers a new and comprehensive assessment of the symposium and its legacy from a variety of disciplinary perspectives by leading scholars in their fields. It will be of compelling interest to all students of Russian history, politics, and culture, and the impact of these on the wider world.
Author : A. S. Kant︠s︡edikas
Publisher : Unicorn Publishing Group
Page : 0 pages
File Size : 53,7 Mb
Release : 2017
Category : Art, Modern
ISBN : 1910787965
El Lissitzky (1880 - 1941) is unquestionably one of Russian Modernism's most well known artists. The subject of numerous monographs and exhibitions, his mature abstract paintings, drawings, photographs, and graphic work can be found in abundance in Western and Eastern public collections. In his early career, however, his work was more or less exclusively devoted to Jewish subjects, reflecting his religious education and family's heritage. While a handful of these works are well known and widely published, this fascinating book, El Lissitzky's Jewish Period: 1905 - 1923 by Alexander Kantsedikas, one of the world's leading scholars on the artist, is the first endeavor to look at this phase of his work. Amounting to a veritable catalogue raisonne of 500 plus works, the author has resurrected some of the more obscure but no less fascinating works by Lissitzky in Hebrew and Yiddish. Lavishly illustrated in color and black and white, the book tracks his evolution from an Expressionist style to one that is increasingly more abstract and non-objective. It also includes rare photographic material of the artist's family, as well as little-known correspondence from his father and his relationship with his first wife, who has heretofore been entirely obscured in the artist's biography.
Author : Louise Hardiman,Nicola Kozicharow
Publisher : Open Book Publishers
Page : 320 pages
File Size : 53,7 Mb
Release : 2017-11-13
Category : Art
ISBN : 9781783743414
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.