A Passionate Promise A Debt Paid In Marriage A Too Convenient Marriage
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A Passionate Promise/A Debt Paid In Marriage/A Too Convenient Marriage by Georgie Lee Pdf
A Debt Paid In Marriage Laura Townsend's plan to reclaim her family's merchandise backfires when she creeps into moneylender Philip Rathbone's house and threatens him with a pistol, only to find him reclining naked in his bath! The last thing she expects is to see this guarded widower on her doorstep a couple of days later armed with a very surprising proposal! A marriage of convenience may be Laura's chance to reclaim her future, but she won't settle for anything less than true passion. Can she hope to find it in Philip's arms...? A Too Convenient Marriage Late one night, Susanna Lambert, the illegitimate daughter of the Duke of Rockland, bursts uninvited into a stranger's carriage, turning both their worlds upside down. Suddenly, fun–loving Justin Connor finds himself forced to consider marriage! For Susanna, marrying Justin is a chance to finally escape her cruel stepmother and forget about the rake who ruined her. But as wedding bells begin to chime, Susanna discovers she's carrying a huge secret...one that could turn to dust all promises of happiness as Justin's wife!
"What am I to him? A contract? A convenient solution?" Laura Townsend's plan to reclaim her family's merchandise backfires when she creeps into moneylender Philip Rathbone's house and threatens him with a pistol, only to find him reclining naked in his bath! The last thing she expects is to see this guarded widower on her doorstep a couple of days later armed with a very surprising proposal. A marriage of convenience may be Laura's chance to reclaim her future, but she won't settle for anything less than true passion. Can she hope to find it in Philip's arms? "Lee's novel hits the sweet spot." —RT Book Reviews on Engagement of Convenience
A Debt Paid in the Marriage Bed by Jennifer Hayward,Natalie Anderson Pdf
A Debt Paid in the Marriage Bed Angelina's world is shattered when Lorenzo Ricci walks through the door of her engagement party and demands she call off the wedding--because she's still married to him! She left the formidable Italian to save her heart, now with her family business at stake, Angelina must consider his terms... In need of an heir, Lorenzo will use any means to reclaim his wayward wife and return her to their marriage bed. He'll make her debts disappear if she repays him...in desire! The chemistry may be alive and well between them, but can they survive their tempestuous reunion unscathed? The Forgotten Gallo Bride Zara Falconer's convenient wedding to tycoon Tomas Gallo freed her from her mercenary uncle. She believes their vows were swiftly annulled but, unbeknownst to Zara, a car crash wiped Tomas's memory before he could release her from their agreement. Grateful to her rescuer, Zara agrees to be housekeeper at Tomas's English mansion while he recovers. Prowling the corridors is the tortured shadow of a commanding man - who she's shocked to discover is still her husband! Being in close proximity to Tomas again awakens a powerful longing between them. Will this intense hunger remind him of the ties that bind them?
A Debt Paid In The Marriage Bed by Jennifer Hayward Pdf
The unwilling Ricci wife... Angelina's world is shattered when Lorenzo Ricci walks through the door of her engagement party and demands she call off her upcoming wedding – because she's still married to him! She left the formidable Italian to save her heart, now with her family business at stake, Angelina must consider his terms... In need of an heir, Lorenzo will use any means to reclaim his wayward wife and return her to their marriage bed. He'll make her debts disappear if she repays him...in desire! The chemistry may be alive and well between them, but can they survive their tempestuous reunion unscathed?
Mason St. Clair, the new Earl of Ashlin, has inherited a title for which there is no longer a fortune, thanks to his elder brother. Steeped in debt, with three ungainly nieces to marry off, Mason is desperate for relief. Only he doesn't expect it in the form of Madame Fontaine, a woman of questionable reputation. She arrives on his doorstep with partial payment on a debt owed to the former earl. When Mason demands full payment, she is at a loss. It's wacky Cousin Felicity who suggests that this woman, whom men cannot resist, can work off the rest of her debt by teaching the three wards how to attract worthy husbands. In a bind, Riley, as the Madame is known, agrees. Once the bargain has been struck, Mason finds that he too is falling under the Madame's spell, and it's not long before an additional couple is heading to the altar.
From the creator of the popular website Ask a Manager and New York’s work-advice columnist comes a witty, practical guide to 200 difficult professional conversations—featuring all-new advice! There’s a reason Alison Green has been called “the Dear Abby of the work world.” Ten years as a workplace-advice columnist have taught her that people avoid awkward conversations in the office because they simply don’t know what to say. Thankfully, Green does—and in this incredibly helpful book, she tackles the tough discussions you may need to have during your career. You’ll learn what to say when • coworkers push their work on you—then take credit for it • you accidentally trash-talk someone in an email then hit “reply all” • you’re being micromanaged—or not being managed at all • you catch a colleague in a lie • your boss seems unhappy with your work • your cubemate’s loud speakerphone is making you homicidal • you got drunk at the holiday party Praise for Ask a Manager “A must-read for anyone who works . . . [Alison Green’s] advice boils down to the idea that you should be professional (even when others are not) and that communicating in a straightforward manner with candor and kindness will get you far, no matter where you work.”—Booklist (starred review) “The author’s friendly, warm, no-nonsense writing is a pleasure to read, and her advice can be widely applied to relationships in all areas of readers’ lives. Ideal for anyone new to the job market or new to management, or anyone hoping to improve their work experience.”—Library Journal (starred review) “I am a huge fan of Alison Green’s Ask a Manager column. This book is even better. It teaches us how to deal with many of the most vexing big and little problems in our workplaces—and to do so with grace, confidence, and a sense of humor.”—Robert Sutton, Stanford professor and author of The No Asshole Rule and The Asshole Survival Guide “Ask a Manager is the ultimate playbook for navigating the traditional workforce in a diplomatic but firm way.”—Erin Lowry, author of Broke Millennial: Stop Scraping By and Get Your Financial Life Together
Risking everything...for love! Having struggled so hard to become a successful business owner, Jamaica-born Psyche Winthrop-Abeni has no interest in relinquishing her freedom or property to a husband. But when gentleman Will Barclay comes to her aid, their intense connection tempts her into a thrillingly passionate, temporary affair! It's the perfect arrangement...until Will feels honour-bound to propose. His offer is one she'd never dared to dream of, but can she trust Will enough to take the risk?
The Subject of Tragedy (Routledge Revivals) by Catherine Belsey Pdf
First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related.
A Finalist for the 2019 Kirkus Prize in Nonfiction "Nayeri combines her own experience with those of refugees she meets as an adult, telling their stories with tenderness and reverence.” —The New York Times Book Review "Nayeri weaves her empowering personal story with those of the ‘feared swarms’ . . . Her family’s escape from Isfahan to Oklahoma, which involved waiting in Dubai and Italy, is wildly fascinating . . . Using energetic prose, Nayeri is an excellent conduit for these heart–rending stories, eschewing judgment and employing care in threading the stories in with her own . . . This is a memoir laced with stimulus and plenty of heart at a time when the latter has grown elusive.” —Star–Tribune (Minneapolis) Aged eight, Dina Nayeri fled Iran along with her mother and brother and lived in the crumbling shell of an Italian hotel–turned–refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton University. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. In these pages, a couple fall in love over the phone, and women gather to prepare the noodles that remind them of home. A closeted queer man tries to make his case truthfully as he seeks asylum, and a translator attempts to help new arrivals present their stories to officials. Nayeri confronts notions like “the swarm,” and, on the other hand, “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. With surprising and provocative questions, The Ungrateful Refugee challenges us to rethink how we talk about the refugee crisis. “A writer who confronts issues that are key to the refugee experience.” —Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer and The Refugees
A grieving Marquess in need of a wife sets his sights on a beautiful widow in this is delightful Regency romance. After the loss of his wife and children, the Marquess of Huntercombe closed his heart to love. But now that he must marry to secure an heir, he’s determined that the beautiful, impoverished widow Lady Emma Lacy should be his . . . Emma has vowed never to marry for money so must refuse him. But when her children’s grandfather sets to steal them away from her, she has no other option: she must become the marquess’s convenient bride!
The Subtle Art of Not Giving a F*ck by Mark Manson Pdf
#1 New York Times Bestseller Over 10 million copies sold In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people. For decades, we’ve been told that positive thinking is the key to a happy, rich life. "F**k positivity," Mark Manson says. "Let’s be honest, shit is f**ked and we have to live with it." In his wildly popular Internet blog, Manson doesn’t sugarcoat or equivocate. He tells it like it is—a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F**k is his antidote to the coddling, let’s-all-feel-good mindset that has infected American society and spoiled a generation, rewarding them with gold medals just for showing up. Manson makes the argument, backed both by academic research and well-timed poop jokes, that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to stomach lemons better. Human beings are flawed and limited—"not everybody can be extraordinary, there are winners and losers in society, and some of it is not fair or your fault." Manson advises us to get to know our limitations and accept them. Once we embrace our fears, faults, and uncertainties, once we stop running and avoiding and start confronting painful truths, we can begin to find the courage, perseverance, honesty, responsibility, curiosity, and forgiveness we seek. There are only so many things we can give a f**k about so we need to figure out which ones really matter, Manson makes clear. While money is nice, caring about what you do with your life is better, because true wealth is about experience. A much-needed grab-you-by-the-shoulders-and-look-you-in-the-eye moment of real-talk, filled with entertaining stories and profane, ruthless humor, The Subtle Art of Not Giving a F**k is a refreshing slap for a generation to help them lead contented, grounded lives.
Charlotte Brontë,Anne Brontë,Emily Brontë,Henry James,Samuel Richardson,Jane Austen,Guy de Maupassant,Thomas Hardy,Bernardin de Saint-Pierre,Edith Wharton,Maria Edgeworth,Henry Fielding,Anthony Trollope,Alexandre Dumas,Mary Wollstonecraft,Louis Hémon,Nathaniel Hawthorne,William Makepeace Thackeray,Grace Livingston Hill,Gilbert Parker,Fanny Fern,Georg Ebers,Fanny Burney,Mary Hays,Robert Williams Buchanan,Mary Angela Dickens,Madame de La Fayette,F. Scott Fitzgerald,D. K. Broster,Sabine Baring-Gould,Eliza Haywood,Leo Tolstoy,Catharine Trotter Cockburn,Lady Sydney Morgan,Pierre Choderlos de Laclos,Mrs. Olifant,María Ruiz de Burton,Lady Charlotte Bury,Philip Meadows Taylor
Author : Charlotte Brontë,Anne Brontë,Emily Brontë,Henry James,Samuel Richardson,Jane Austen,Guy de Maupassant,Thomas Hardy,Bernardin de Saint-Pierre,Edith Wharton,Maria Edgeworth,Henry Fielding,Anthony Trollope,Alexandre Dumas,Mary Wollstonecraft,Louis Hémon,Nathaniel Hawthorne,William Makepeace Thackeray,Grace Livingston Hill,Gilbert Parker,Fanny Fern,Georg Ebers,Fanny Burney,Mary Hays,Robert Williams Buchanan,Mary Angela Dickens,Madame de La Fayette,F. Scott Fitzgerald,D. K. Broster,Sabine Baring-Gould,Eliza Haywood,Leo Tolstoy,Catharine Trotter Cockburn,Lady Sydney Morgan,Pierre Choderlos de Laclos,Mrs. Olifant,María Ruiz de Burton,Lady Charlotte Bury,Philip Meadows Taylor Publisher : DigiCat Page : 15193 pages File Size : 49,8 Mb Release : 2023-11-14 Category : Fiction ISBN : EAN:8596547721208
Love & Passion Through The Ages (Historical Novels Boxed-Set) by Charlotte Brontë,Anne Brontë,Emily Brontë,Henry James,Samuel Richardson,Jane Austen,Guy de Maupassant,Thomas Hardy,Bernardin de Saint-Pierre,Edith Wharton,Maria Edgeworth,Henry Fielding,Anthony Trollope,Alexandre Dumas,Mary Wollstonecraft,Louis Hémon,Nathaniel Hawthorne,William Makepeace Thackeray,Grace Livingston Hill,Gilbert Parker,Fanny Fern,Georg Ebers,Fanny Burney,Mary Hays,Robert Williams Buchanan,Mary Angela Dickens,Madame de La Fayette,F. Scott Fitzgerald,D. K. Broster,Sabine Baring-Gould,Eliza Haywood,Leo Tolstoy,Catharine Trotter Cockburn,Lady Sydney Morgan,Pierre Choderlos de Laclos,Mrs. Olifant,María Ruiz de Burton,Lady Charlotte Bury,Philip Meadows Taylor Pdf
DigiCat presents to you the collection of carefully selected historical romance novels which will transport you to the time of Ancient Egypt, Medieval Castles, Renaissance Cities, Regency Social Circles and Parisian Belle Époque: Uarda: A Romance of Ancient Egypt (Georg Ebers) The New Abelard: Love in the Times of Cathedrals (Robert Williams Buchanan) Hildebrand: The Days of Queen Elizabeth (Anonymous) Love-at-Arms (Rafael Sabatini) The Cloister and the Hearth (Charles Reade) The Princess of Cleves (Madame de La Fayette) The Forest Lovers (Maurice Hewlett) Malcolm (George MacDonald) Scarlet Letter: Love in the Colonial Period (Nathaniel Hawthorne) The Wild Irish Girl (Lady Sydney Morgan) The Dark Mile (D. K. Broster) Sophia (Stanley John Weyman) Paul and Virginia (Bernardin de Saint-Pierre) Memoirs of Emma Courtney (Mary Hays) The History of Miss Betsy Thoughtless (Eliza Haywood) Olinda's Adventures (Cockburn) Belinda (Maria Edgeworth) Dangerous Liaisons (De Laclos) Evelina (Fanny Burney) Pamela Trilogy Mary (Mary Wollstonecraft) Jane Austen: Pride & Prejudice Sense & Sensibility Mansfield Park Emma Persuasion Miss Marjoribanks & Phoebe, Junior (Mrs. Olifant) Vanity Fair (Thackeray) Mr. Rowl (D. K. Broster) The Battle of the Strong (Gilbert Parker) Kitty Alone (Sabine Baring-Gould) Sentimental Education (Gustave Flaubert) Lady Anna (Anthony Trollope) The Manoeuvring Mother (Lady Charlotte Bury) Ramona (Helen Hunt Jackson) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) The Tenant of Wildfell Hall (Anne Brontë) The Lady of the Camellias (Alexandre Dumas) The Portrait of a Lady (Henry James) Anna Karenina (Leo Tolstoy) The Age of Innocence (Edith Wharton) Tess of the d'Urbervilles (Thomas Hardy) Bel Ami (Guy de Maupassant) The Squatter and the Don The Four Feathers (A. E. W. Mason) The Miranda Trilogy (Grace Livingston Hill) The Great Gatsby (F. Scott Fitzgerald)
The Fortunes And Misfortunes Of The Famous Moll Flanders by Daniel Defoe Pdf
The world is so taken up of late with novels and romances, that it will be hard for a private history to be taken for genuine, where the names and other circumstances of the person are concealed, and on this account we must be content to leave the reader to pass his own opinion upon the ensuing sheet, and take it just as he pleases. The author is here supposed to be writing her own history, and in the very beginning of her account she gives the reasons why she thinks fit to conceal her true name, after which there is no occasion to say any more about that. It is true that the original of this story is put into new words, and the style of the famous lady we here speak of is a little altered; particularly she is made to tell her own tale in modester words that she told it at first, the copy which came first to hand having been written in language more like one still in Newgate than one grown penitent and humble, as she afterwards pretends to be. The pen employed in finishing her story, and making it what you now see it to be, has had no little difficulty to put it into a dress fit to be seen, and to make it speak language fit to be read. When a woman debauched from her youth, nay, even being the offspring of debauchery and vice, comes to give an account of all her vicious practices, and even to descend to the particular occasions and circumstances by which she ran through in threescore years, an author must be hard put to it wrap it up so clean as not to give room, especially for vicious readers, to turn it to his disadvantage. All possible care, however, has been taken to give no lewd ideas, no immodest turns in the new dressing up of this story; no, not to the worst parts of her expressions. To this purpose some of the vicious part of her life, which could not be modestly told, is quite left out, and several other parts are very much shortened. What is left ’tis hoped will not offend the chastest reader or the modest hearer; and as the best use is made even of the worst story, the moral ’tis hoped will keep the reader serious, even where the story might incline him to be otherwise. To give the history of a wicked life repented of, necessarily requires that the wicked part should be make as wicked as the real history of it will bear, to illustrate and give a beauty to the penitent part, which is certainly the best and brightest, if related with equal spirit and life. It is suggested there cannot be the same life, the same brightness and beauty, in relating the penitent part as is in the criminal part. If there is any truth in that suggestion, I must be allowed to say ’tis because there is not the same taste and relish in the reading, and indeed it is too true that the difference lies not in the real worth of the subject so much as in the gust and palate of the reader. But as this work is chiefly recommended to those who know how to read it, and how to make the good uses of it which the story all along recommends to them, so it is to be hoped that such readers will be more pleased with the moral than the fable, with the application than with the relation, and with the end of the writer than with the life of the person written of. There is in this story abundance of delightful incidents, and all of them usefully applied. There is an agreeable turn artfully given them in the relating, that naturally instructs the reader, either one way or other. The first part of her lewd life with the young gentleman at Colchester has so many happy turns given it to expose the crime, and warn all whose circumstances are adapted to it, of the ruinous end of such things, and the foolish, thoughtless, and abhorred conduct of both the parties, that it abundantly atones for all the lively description she gives of her folly and wickedness. The repentance of her lover at the Bath, and how brought by the just alarm of his fit of sickness to abandon her; the just caution given there against even the lawful intimacies of the dearest friends, and how unable they are to preserve the most solemn resolutions of virtue without divine assistance; these are parts which, to a just discernment, will appear to have more real beauty in them, than all the amorous chain of story which introduces it. In a word, as the whole relation is carefully garbled of all the levity and looseness that was in it, so it all applied, and with the utmost care, to virtuous and religious uses. None can, without being guilty of manifest injustice, cast any reproach upon it, or upon our design in publishing it. The advocates for the stage have, in all ages, made this the great argument to persuade people that their plays are useful, and that they ought to be allowed in the most civilised and in the most religious government; namely, that they are applied to virtuous purposes, and that by the most lively representations, they fail not to recommend virtue and generous principles, and to discourage and expose all sorts of vice and corruption of manners; and were it true that they did so, and that they constantly adhered to that rule, as the test of their acting on the theatre, much might be said in their favour. Throughout the infinite variety of this book, this fundamental is most strictly adhered to; there is not a wicked action in any part of it, but is first and last rendered unhappy and unfortunate; there is not a superlative villain brought upon the stage, but either he is brought to an unhappy end, or brought to be a penitent; there is not an ill thing mentioned but it is condemned, even in the relation, nor a virtuous, just thing but it carries its praise along with it. What can more exactly answer the rule laid down, to recommend even those representations of things which have so many other just objections leaving against them? namely, of example, of bad company, obscene language, and the like. Upon this foundation this book is recommended to the reader as a work from every part of which something may be learned, and some just and religious inference is drawn, by which the reader will have something of instruction, if he pleases to make use of it. All the exploits of this lady of fame, in her depredations upon mankind, stand as so many warnings to honest people to beware of them, intimating to them by what methods innocent people are drawn in, plundered and robbed, and by consequence how to avoid them. Her robbing a little innocent child, dressed fine by the vanity of the mother, to go to the dancing-school, is a good memento to such people hereafter, as is likewise her picking the gold watch from the young lady’s side in the Park. Her getting a parcel from a hare-brained wench at the coaches in St. John Street; her booty made at the fire, and again at Harwich, all give us excellent warnings in such cases to be more present to ourselves in sudden surprises of every sort. Her application to a sober life and industrious management at last in Virginia, with her transported spouse, is a story fruitful of instruction to all the unfortunate creatures who are obliged to seek their re-establishment abroad, whether by the misery of transportation or other disaster; letting them know that diligence and application have their due encouragement, even in the remotest parts of the world, and that no case can be so low, so despicable, or so empty of prospect, but that an unwearied industry will go a great way to deliver us from it, will in time raise the meanest creature to appear again in the world, and give him a new case for his life. There are a few of the serious inferences which we are led by the hand to in this book, and these are fully sufficient to justify any man in recommending it to the world, and much more to justify the publication of it. There are two of the most beautiful parts still behind, which this story gives some idea of, and lets us into the parts of them, but they are either of them too long to be brought into the same volume, and indeed are, as I may call them, whole volumes of themselves, viz.: 1. The life of her governess, as she calls her, who had run through, it seems, in a few years, all the eminent degrees of a gentlewoman, a whore, and a bawd; a midwife and a midwife-keeper, as they are called; a pawnbroker, a childtaker, a receiver of thieves, and of thieves’ purchase, that is to say, of stolen goods; and in a word, herself a thief, a breeder up of thieves and the like, and yet at last a penitent. The second is the life of her transported husband, a highwayman, who it seems, lived a twelve years’ life of successful villainy upon the road, and even at last came off so well as to be a volunteer transport, not a convict; and in whose life there is an incredible variety. But, as I have said, these are things too long to bring in here, so neither can I make a promise of the coming out by themselves. We cannot say, indeed, that this history is carried on quite to the end of the life of this famous Moll Flanders, as she calls herself, for nobody can write their own life to the full end of it, unless they can write it after they are dead. But her husband’s life, being written by a third hand, gives a full account of them both, how long they lived together in that country, and how they both came to England again, after about eight years, in which time they were grown very rich, and where she lived, it seems, to be very old, but was not so extraordinary a penitent as she was at first; it seems only that indeed she always spoke with abhorrence of her former life, and of every part of it. In her last scene, at Maryland and Virginia, many pleasant things happened, which makes that part of her life very agreeable, but they are not told with the same elegancy as those accounted for by herself; so it is still to the more advantage that we break off here...FROM THE BOOKS.