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Author : Museum of Modern Art (New York, N.Y.). Library Publisher : Unknown Page : 504 pages File Size : 54,9 Mb Release : 1994 Category : Art, Modern ISBN : UOM:39015033745897
Author : Donald E. Smith Publisher : Saint Johann Press Page : 376 pages File Size : 40,9 Mb Release : 2004 Category : Art ISBN : STANFORD:36105114270486
Poet James Schuyler was an associate editor of the influential Art News during the late 50s and early 60s. These writings, illustrated throughout, provide a vivid composite portrait of the New York scene at a crucial time. There are pieces on key figures of the Abstract Expressionist, Pop, and neo-figurative schools; and on numerous other persuasions and tendencies of that revolutionary era.
Marx and Freud in Latin America by Bruno Bosteels Pdf
This book assesses the untimely relevance of Marx and Freud for Latin America, thinkers alien to the region who became an inspiration to its beleaguered activists, intellectuals, writers and artists during times of political and cultural oppression. Bruno Bosteels presents ten case studies arguing that art and literature-the novel, poetry, theatre, film-more than any militant tract or theoretical essay, can give us a glimpse into Marxism and psychoanalysis, not so much as sciences of history or of the unconscious, respectively, but rather as two intricately related modes of understanding the formation of subjectivity.
With the emergence of Abstract Expressionism after World War II, the attention of the international art world turned from Paris to New York. Dore Ashton captures the vitality of the cultural milieu in which the New York School artists worked and argued and critiqued each other's work from the 1930s to the 1950s. Working from unsifted archives, from contemporary newspapers and books, and from extensive conversations with the men and women who participated in the rise of the New York School, Ashton provides a rich cultural and intellectual history of this period. In examining the complex sources of this important movement—from the WPA program of the 1930s and the influx of European ideas to the recognition in the 1950s of American painting on an international scale—she conveys the concerns of an extraordinary group of artists including Willem de Kooning, Jackson Pollock, Ad Reinhardt, Philip Guston, Barnett Newman, Arshile Gorky, and many others. Rare documentary photographs illustrate Ashton's classic appraisal of the New York School scene.
United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Author : United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies Publisher : Unknown Page : 864 pages File Size : 52,5 Mb Release : 1977 Category : United States ISBN : UCR:31210019932811
Department of the Interior and Related Agencies Appropriations for 1978: No distinctive title by United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies Pdf
United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Author : United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies Publisher : Unknown Page : 1696 pages File Size : 47,8 Mb Release : 1977 Category : United States ISBN : MINN:31951P011824713
Department of the Interior and Related Agencies Appropriations for 1978 by United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies Pdf
Following the trajectories of two pioneering artist groups, this groundbreaking book explores the development of abstract art, and its political stakes, in 1950s Cuba.
A bold comparative study illustrating the creative potential of translations that embrace mutuality and resist assimilation Cannibal translators digest, recombine, transform, and trouble their source materials. Isabel C. Gómez makes the case for this model of literary production by excavating a network of translation projects in Latin America that includes canonical writers of the twentieth century, such as Haroldo and Augusto de Campos, Rosario Castellanos, Clarice Lispector, José Emilio Pacheco, Octavio Paz, and Ángel Rama. Building on the avant-garde reclaiming of cannibalism as an Indigenous practice meant to honorably incorporate the other into the self, these authors took up Brazilian theories of translation in Spanish to fashion a distinctly Latin American literary exchange, one that rejected normative and Anglocentric approaches to translation and developed collaborative techniques to bring about a new understanding of world literature. By shedding new light on the political and aesthetic pathways of translation movements beyond the Global North, Gómez offers an alternative conception of the theoretical and ethical challenges posed by this artistic practice. Cannibal Translation: Literary Reciprocity in Contemporary Latin America mobilizes a capacious archive of personal letters, publishers’ records, newspapers, and new media to illuminate inventive strategies of collectivity and process, such as untranslation, transcreation, intersectional autobiographical translation, and transpeaking. The book invites readers to find fresh meaning in other translational histories and question the practices that mediate literary circulation.