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Author : Orshi Drozdik
Publisher : Unknown
Page : 104 pages
File Size : 42,5 Mb
Release : 1990
Category : Art and science
ISBN : UCSD:31822018754895
Author : John C. Welchman
Publisher : Routledge
Page : 306 pages
File Size : 45,5 Mb
Release : 2013-01-11
Category : Art
ISBN : 9781136801365
Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The opening chapters show how the Second World culture of the USSR gave rise to a new visibility for photography during the dissolution of the Soviet Union around 1989. Welchman examines how genres of ethnography, documentary and travel are crossed with fictive performance and social improvisation in the videos of Steve Fagin. He discusses how hybrid forms of subjectivity are delivered by a new critical narcissism, and how the Korean-American artist, Cody Choi converts diffident gestures of appropriation from the logic of material or stylistic annexation into continuous incorporated events. Art After Appropriation also examines the creation of public art from covert actions and social feedback, and how bodies participate in their own appropriation. Art After Appropriation concludes with the advent of the rainbow net, an imaginary icon that governs the spaces of interactivity, proliferation and media piracy at the end of the millennium. John Welchman is Professor of Modern Art History, Theory and Criticism at the University of California, San Diego. He is the author of Modernism Relocated (1995) and Invisible Colors (1997); and editor of Rethinking Borders (1996), and a forthcoming three-volume anthology of the writings of LA artist MIke Kelley. Welchman has contributed to numerous journals, magazines, museum catalogues and newspapers, including Artforum; New York Times; Los Angeles Times; International Herald Tribune; Los Angeles County Museum of Art; Tate Gallery; Museum of Contemporary Art, Los Angeles; Reina Sofia, Madrid; Haus der Kunst, Munich
Author : Gary Indiana
Publisher : MIT Press
Page : 601 pages
File Size : 54,5 Mb
Release : 2018-11-13
Category : Art
ISBN : 9781635900378
Gary Indiana's collected columns of art criticism from the Village Voice, documenting, from the front lines, the 1980s New York art scene. In 1985, the Village Voice offered me a job as senior art critic. This made my life easier and lousy at the same time. I now had to actually enter all those galleries instead of peeking in the windows. At times, the only tangible perk was having the chump for a fifth of vodka whenever twenty more phonies had flattered my ass off in the course of a working week. —from Vile Days From March 1985 through June 1988 in The Village Voice, Gary Indiana reimagined the weekly art column. Thirty years later, Vile Days brings together for the first time all of those vivid dispatches, too long stuck in archival limbo, so that the fire of Indiana's observations can burn again. In the midst of Reaganism, the grim toll of AIDS, and the frequent jingoism of postmodern theory, Indiana found a way to be the moment's Baudelaire. He turned the art review into a chronicle of life under siege. As a critic, Indiana combines his novelistic and theatrical gifts with a startling political acumen to assess art and the unruly environments that give it context. No one was better positioned to elucidate the work of key artists at crucial junctures of their early careers, from Sherrie Levine and Richard Prince to Jeff Koons and Cindy Sherman, among others. But Indiana also remained alert to the aesthetic consequence of sumo wrestling, flower shows, public art, corporate galleries, and furniture design. Edited and prefaced by Bruce Hainley, Vile Days provides an opportunity to track Indiana's emergence as one of the most prescient writers of his generation.
Author : Bettina Messias Carbonell
Publisher : John Wiley & Sons
Page : 694 pages
File Size : 47,6 Mb
Release : 2012-04-23
Category : Business & Economics
ISBN : 9781405173810
Updated to reflect the latest developments in twenty-first century museum scholarship, the new Second Edition of Museum Studies: An Anthology of Contexts presents a comprehensive collection of approaches to museums and their relation to history, culture and philosophy. Unique in its deep range of historical sources and by its inclusion of primary texts by museum makers Places current praxis and theory in its broader and deeper historical context with the collection of primary and secondary sources spanning more than 200 years Features the latest developments in museum scholarship concerning issues of inclusion and exclusion, repatriation, indigenous models of collection and display, museums in an age of globalization, visitor studies and interactive technologies Includes a new section on relationships, interactions, and responsibilities Offers an updated bibliography and list of resources devoted to museum studies that makes the volume an authoritative guide on the subject New entries by Victoria E. M. Cain, Neil G.W. Curtis, Catherine Ingraham, Gwyneira Isaac, Robert R. Janes, Sean Kingston, Barbara Kirshenblatt-Gimblett, Sharon J. Macdonald, Saloni Mathur, Gerald McMaster, Sidney Moko Mead, Donald Preziosi, Karen A. Rader, Richard Sandell, Roger I. Simon, Crain Soudien, Paul Tapsell, Stephen E. Weil, Paul Williams, and Andrea Witcomb
Author : JohnC. Welchman
Publisher : Routledge
Page : 315 pages
File Size : 45,9 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351549486
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and their apposition with Constructivist design in the work of Frederick Kiesler; as well as original readings of the use of vitrines in Surrealism and Fluxus, and in work by Joseph Beuys, Paul Thek, Claes Oldenburg and his collaborators, Jeff Koons, Mike Kelley, Dan Graham, Vito Acconci, Damien Hirst and Josephine Meckseper, among others. Sculpture and the Vitrine also raises key questions about the nature and implications of vitrinous space, including its fronts onto desire and the spectacle; transparency and legibility; and onto ideas and practices associated with the archive: collecting, preserving and ordering.
Author : Orshi Drozdik
Publisher : Center
Page : 52 pages
File Size : 42,8 Mb
Release : 1992
Category : Art and science
ISBN : UCSD:31822021270061
Author : Orshi Drozdik,Nantes (France). Musée des beaux-arts,Musée des Beaux-Arts de Nantes
Publisher : Unknown
Page : 20 pages
File Size : 55,8 Mb
Release : 1995
Category : Anatomy, Artistic
ISBN : UCSD:31822035549310
Author : Anonim
Publisher : Unknown
Page : 366 pages
File Size : 54,6 Mb
Release : 1995
Category : Art and society
ISBN : STANFORD:36105017131884
Author : Anonim
Publisher : Unknown
Page : 364 pages
File Size : 47,9 Mb
Release : 1995
Category : Art and society
ISBN : UOM:39015035257719
Author : Anonim
Publisher : Unknown
Page : 70 pages
File Size : 55,7 Mb
Release : 2005
Category : Arts administrators
ISBN : UOM:39015060552364
Author : Anonim
Publisher : Unknown
Page : 444 pages
File Size : 42,7 Mb
Release : 1990
Category : Art museums
ISBN : UCSD:31822026489526
Author : Anonim
Publisher : Unknown
Page : 246 pages
File Size : 42,8 Mb
Release : 2000
Category : Books
ISBN : UOM:39015082947659
Author : Anonim
Publisher : Unknown
Page : 216 pages
File Size : 50,9 Mb
Release : 1991
Category : Fiction
ISBN : UOM:39015049703526
Author : Museum of Modern Art (New York, N.Y.). Library
Publisher : Unknown
Page : 552 pages
File Size : 44,9 Mb
Release : 1992
Category : Art, Modern
ISBN : UOM:39015020413053
Author : Christopher Edward Barber
Publisher : Unknown
Page : 244 pages
File Size : 45,5 Mb
Release : 2002
Category : Anatomy, Artistic
ISBN : UCSD:31822030981831
