African Cinema Manifesto And Practice For Cultural Decolonization

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African Cinema: Manifesto and Practice for Cultural Decolonization

Michael T. Martin,Gaston Jean-Marie Kaboré
African Cinema Manifesto and Practice for Cultural Decolonization Book PDF

Author : Michael T. Martin,Gaston Jean-Marie Kaboré
Publisher : Indiana University Press
Page : 660 pages
File Size : 52,7 Mb
Release : 2023-08-08
Category : Art
ISBN : 9780253066268

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African Cinema: Manifesto and Practice for Cultural Decolonization by Michael T. Martin,Gaston Jean-Marie Kaboré Pdf

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.

African Cinema: Manifesto and Practice for Cultural Decolonization

Michael T. Martin,Gaston Jean-Marie Kaboré
African Cinema Manifesto and Practice for Cultural Decolonization Book PDF

Author : Michael T. Martin,Gaston Jean-Marie Kaboré
Publisher : Indiana University Press
Page : 536 pages
File Size : 44,5 Mb
Release : 2023-08-08
Category : Performing Arts
ISBN : 9780253066237

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African Cinema: Manifesto and Practice for Cultural Decolonization by Michael T. Martin,Gaston Jean-Marie Kaboré Pdf

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.

African Cinema: Manifesto and Practice for Cultural Decolonization

Michael T. Martin,Gaston Jean-Marie Kaboré
African Cinema Manifesto and Practice for Cultural Decolonization Book PDF

Author : Michael T. Martin,Gaston Jean-Marie Kaboré
Publisher : Indiana University Press
Page : 691 pages
File Size : 55,6 Mb
Release : 2023-08-08
Category : Art
ISBN : 9780253066305

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African Cinema: Manifesto and Practice for Cultural Decolonization by Michael T. Martin,Gaston Jean-Marie Kaboré Pdf

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Three of this landmark series on African cinema spans the past century and is devoted to the documentation of decoloniality in cultural policy in both Africa and the Black diaspora worldwide. A compendium of formal resolutions, declarations, manifestos, and programmatic statements, it chronologically maps the long history and trajectories of cultural policy in Africa and the Black Atlantic. Beginning with the 1920 declaration of the Rights of the Negro Peoples of the World, which anticipates cinema as we know it today, and the formal oppositional assertions--aspirational and practical. The first part of this work references formal statements that pertain directly to cultural policy and cinematic formations in Africa, while the next part addresses the Black diaspora. Each entry is chronologically ordered to account for when the statement was created, followed by where and in what context it was enunciated.

Cinema and Development in West Africa

James E. Genova
Cinema and Development in West Africa Book PDF

Author : James E. Genova
Publisher : Indiana University Press
Page : 223 pages
File Size : 48,7 Mb
Release : 2013-09-25
Category : Performing Arts
ISBN : 9780253010117

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Cinema and Development in West Africa by James E. Genova Pdf

“Illuminates the enduring importance of political and economic dynamics not yet fully explored in the study of African cinema.” —Africa Cinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period. James E. Genova sees the construction of African identities and economic development as the major themes in the political literature and cultural production of the time. Focusing on film both as industry and aesthetic genre, he demonstrates its unique place in economic development and provides a comprehensive history of filmmaking in the region during the transition from colonies to sovereign states.

African Cinemas

Olivier Barlet
African Cinemas Book PDF

Author : Olivier Barlet
Publisher : Zed Books
Page : 0 pages
File Size : 52,8 Mb
Release : 2000-10-01
Category : Performing Arts
ISBN : 1856497437

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African Cinemas by Olivier Barlet Pdf

This book is both a personal journey and an introduction to the cinema cultures of Africa. A book about the politics of cultural survival, it is also a major overview of African cinema and television. The first part of the book traces the development of African cinema - from colonization to Afrocentrism. The author examines this development through a variety of fundamental themes: the decolonization of the imagination; the quest for legendary African origins and the mobilization of African cultural values. The second part of the book analyses specific films, particularly through narrative and in terms of their African specificity - in the use of silence, orality and humour. Finally, the author explores the social and economic contexts of the African cinema and television industry - including its often vexed relations with the West and the problems of production and distribution African film-makers face. Exploring the achievements and challenges of those who seek to affirm African cultural values through film, the book also covers the African television industry and African-American cinema. It includes interviews with film-makers, stills from the films and, ultimately, a plea for seeing and respecting the otherness of the Other. Winner of the French National Film Centre's best filmbook of 1997 and now available in four languages, this is book which takes us into a process of learning how to look.

Modernity and the African Cinema

Femi Okiremuete Shaka
Modernity and the African Cinema Book PDF

Author : Femi Okiremuete Shaka
Publisher : Africa Research and Publications
Page : 462 pages
File Size : 53,9 Mb
Release : 2004
Category : Africa
ISBN : UCSC:32106014162496

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Modernity and the African Cinema by Femi Okiremuete Shaka Pdf

Providing an analysis of the implications of centuries of Euro-African contact and its effect on cinematic institutions in Africa, this book examines modern African film from the perspective of the global politics of subjectivity, agency, and identity construction.

New African Cinema

Valérie K. Orlando
New African Cinema Book PDF

Author : Valérie K. Orlando
Publisher : Rutgers University Press
Page : 96 pages
File Size : 42,6 Mb
Release : 2017-04-15
Category : Performing Arts
ISBN : 9780813579573

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New African Cinema by Valérie K. Orlando Pdf

New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.

Black African Cinema

Nwachukwu Frank Ukadike
Black African Cinema Book PDF

Author : Nwachukwu Frank Ukadike
Publisher : Univ of California Press
Page : 390 pages
File Size : 48,5 Mb
Release : 2023-09-01
Category : Performing Arts
ISBN : 0520912365

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Black African Cinema by Nwachukwu Frank Ukadike Pdf

From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa. Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of independent production in Ghana and Nigeria, the unique Yoruba theater-film tradition, and the militant liberationist tendencies of "lusophone" filmmakers. He offers a lucid discussion of oral tradition as a creative matrix and the relationship between cinema and other forms of popular culture. And, by contrasting "new" African films with those based on the traditional paradigm, he explores the trends emerging from the eighties and nineties. Clearly written and accessible to specialist and general reader alike, Black African Cinema's analysis of key films and issues—the most comprehensive in English—is unique. The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.

Critical Approaches to African Cinema Discourse

Nwachukwu Frank Ukadike
Critical Approaches to African Cinema Discourse Book PDF

Author : Nwachukwu Frank Ukadike
Publisher : Lexington Books
Page : 301 pages
File Size : 46,6 Mb
Release : 2014-02-27
Category : Literary Criticism
ISBN : 9780739180945

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Critical Approaches to African Cinema Discourse by Nwachukwu Frank Ukadike Pdf

Critical Approaches to African Cinema Discourse utilizes an interdisciplinary approach to lay bare the diversity and essence of African cinema discourse. It is an anthology of historical reflections, critical essays, and interviews by film critics, historians, theorists, and filmmakers that signifies a dialogue and engagement apropos the ideology and cultural politics of film production in Africa. The contributors are extremely concerned, not only with the history of African cinema, but with its future and its potential. This book, then, is not limited to the expansion of the discourse on African cinema, but tries to approach the definition of the critical canon within the exigencies and manifestations of art and African sociopolitical practices. The authors view these practices as an investment in a cultural imperative stemming from the quest to delineate how critical methodologies are derived from and shape contemporary historical and cultural practices. Hence, the contributions are less about the usual constrictive method of analysis and more about illustrating manifestations of an interrogative critical methodology that is certainly an offspring of an indigenous African critical cum cinematic culture and paradigms.

African Cinema

Manthia Diawara
African Cinema Book PDF

Author : Manthia Diawara
Publisher : Indiana University Press
Page : 212 pages
File Size : 53,9 Mb
Release : 1992-04-22
Category : History
ISBN : 025320707X

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African Cinema by Manthia Diawara Pdf

Manthia Diawara provides an insider's account of the history and current status of African cinema. African Cinema: Politics and Culture is the first extended study in English of Sub-Saharan cinema. Employing an interdisciplinary approach which draws on history, political science, economics, and cultural studies, Diawara discusses such issues as film production and distribution, and film aesthetics from the colonial period to the present. The book traces the growth of African cinema through the efforts of pioneer filmmakers such as Paulin Soumanou Vieyra, Oumarou Ganda, Jean-René Débrix, Jean Rouch, and Ousmane Sembène, the Pan-African Filmmakers' Organization (FEPACI), and the Ougadougou Pan-African Film Festival (FESPACO). Diwara focuses on the production and distribution histories of key films such as Ousmane Sembène's Black Girl and Mandabi (1968) and Souleymane Cissé's Fine (1982). He also examines the role of missionary films in Africa, Débrix's ideas concerning 'magic, ' the links between Yoruba theater and Nigerian cinema, and the parallels between Hindu mythologicals in India and the Yoruba-theater - inflected films in Nigeria. Diawara also looks at film and nationalism, film and popular culture, and the importance of FESPACO. African Cinema: Politics and Culture makes a major contribution to the expanding discussion of Eurocentrism, the canon, and multi-culturalism.

African Film Studies

Boukary Sawadogo
African Film Studies Book PDF

Author : Boukary Sawadogo
Publisher : Taylor & Francis
Page : 135 pages
File Size : 53,7 Mb
Release : 2022-12-15
Category : Performing Arts
ISBN : 9781000821697

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African Film Studies by Boukary Sawadogo Pdf

African Film Studies is an accessible and engaging introduction to African cinemas, showcasing the diverse cinematic expressions across the continent. Bringing African cinemas out of the margins and into mainstream film studies, the book provides a succinct overview of the history, aesthetics, and theory of sub-Saharan African cinematic productions. Updated throughout, this new edition includes new chapters on Nollywood, Ethiopian cinema, Streaming, and the rise of televisual series, which serve to complement the book’s main themes: Overview of African cinema(s): Questions assumptions and defines the characteristics of African cinemas across linguistic, geographic, and filmic divides History of African cinemas: Spans the history of film in Africa from colonial import and ‘appropriation of the gaze’, the rise of Nollywood and local TV series to streaming, as well as building connections with the development of African American cinema Aesthetics: Introduces new research on previously under-explored aesthetic dimensions such as cinematography, animation, and film music Theoretical Approaches: Addresses a number of theoretical approaches and critical frameworks developed by scholars in the study of African cinemas Traditions and practices in African screen media: Features Ethiopian cinema, Nollywood, Local Televisual Series in Burkina Faso and South Africa, and the Streaming rush for Africa All chapters include case studies, suggestions for further reading, and screening lists to deepen the reader’s knowledge, with no prior knowledge of African cinemas required. Students, teachers, and general film enthusiasts would all benefit from this accessible and engaging book.

Cinemas of the Black Diaspora

Michael T. Martin
Cinemas of the Black Diaspora Book PDF

Author : Michael T. Martin
Publisher : Wayne State University Press
Page : 548 pages
File Size : 47,7 Mb
Release : 1995
Category : African Americans in motion pictures
ISBN : 0814325882

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Cinemas of the Black Diaspora by Michael T. Martin Pdf

This is a study of the cinematic traditions and film practices in the black Diaspora. With contributions by film scholars, film critics, and film-makers from Europe, North America and the Third World, this diverse collection provides a critical reading of film-making in the black Diaspora that challenges the assumptions of colonialist and ethnocentrist discourses about Third World, Hollywood and European cinemas. Cinemas of the Black Diaspora examines the impact on film-making of Western culture, capitalist production and distribution methods, and colonialism and the continuing neo-colonial status of the people and countries in which film-making is practiced. Organized in three parts, the study first explores cinema in the black Diaspora along cultural and political lines, analyzing the works of a radical and aesthetically alternative cinema. The book proceeds to group black cinemas by geographical sites, including Africa, the Caribbean and South America, Europe, and North America, to provide global context for comparative and case study analyses. Finally, three important manifestoes document the political and economic concerns and counter-hegemonic institutional organizing efforts of black and Third World film-makers from the 1970s to the early 1990s. Cinemas of the Black Diaspora should serve as a valuable basic reference and research tool for the study of world cinema. While celebrating the diversity, innovativeness, and fecundity of film-making in different regions of the world, this important collection also explicates the historical importance of film-making as a cultural form and political practice.

African Cinema and Human Rights

Mette Hjort,Eva Jørholt
African Cinema and Human Rights Book PDF

Author : Mette Hjort,Eva Jørholt
Publisher : Indiana University Press
Page : 321 pages
File Size : 47,5 Mb
Release : 2019-03-01
Category : Political Science
ISBN : 9780253039446

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African Cinema and Human Rights by Mette Hjort,Eva Jørholt Pdf

Essays and case studies exploring how filmmaking can play a role in promoting social and economic justice. Bringing theory and practice together, African Cinema and Human Rights argues that moving images have a significant role to play in advancing the causes of justice and fairness. The contributors to this volume identify three key ways in which film can achieve these goals: Documenting human rights abuses and thereby supporting the claims of victims and goals of truth and reconciliation within larger communities Legitimating, and consequently solidifying, an expanded scope for human rights Promoting the realization of social and economic right Including the voices of African scholars, scholar-filmmakers, African directors Jean-Marie Teno and Gaston Kaboré, and researchers whose work focuses on transnational cinema, this volume explores overall perspectives, and differences of perspective, pertaining to Africa, human rights, and human rights filmmaking alongside specific case studies of individual films and areas of human rights violations. With its interdisciplinary scope, attention to practitioners’ self-understandings, broad perspectives, and particular case studies, African Cinema and Human Rights is a foundational text that offers questions, reflections, and evidence that help us to consider film’s ideal role within the context of our ever-continuing struggle towards a more just global society.

Postcolonial Artists and Global Aesthetics

Akinwumi Adesokan
Postcolonial Artists and Global Aesthetics Book PDF

Author : Akinwumi Adesokan
Publisher : Indiana University Press
Page : 255 pages
File Size : 40,8 Mb
Release : 2011-10-21
Category : Literary Criticism
ISBN : 9780253005502

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Postcolonial Artists and Global Aesthetics by Akinwumi Adesokan Pdf

What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that exposes the global processes transforming cultural forms.

Rethinking Third Cinema

Frieda Ekotto,Adeline Koh
Rethinking Third Cinema Book PDF

Author : Frieda Ekotto,Adeline Koh
Publisher : LIT Verlag Münster
Page : 232 pages
File Size : 45,9 Mb
Release : 2009
Category : Intercultural communication in motion pictures
ISBN : 9783825818043

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Rethinking Third Cinema by Frieda Ekotto,Adeline Koh Pdf

In 1968, Argentinean Filmmakers Fernando Solanas and Octavio Getino first articulated the theory of a "Third Cinema" - a revolutionary genre of cinema that would counter oppression on a global scale. Intended to be a "guerilla cinema" geared at contesting the overwhelming dominance of Western cinema, Solana and Getino distinguished "Third Cinema" from other forms of cinema, classifying these other types as First Cinema (commercial cinema epitomized by Hollywood) and Second Cinema. "Third Cinema" was supposed to be a liberationary tool - particularly for the bulk of the world that was subject to European imperialism, such as Latin America, Africa and Asia. Spanning a wide geographical spread of cinemas ranging from Latin America, North and Sub-Saharan Africa, the Caribbean and Asia, this book addresses the following questions: how can we rethink the concept of "Third Cinema" for today? How do new national cinemas - and their accompanying media industries - reflect the concerns of societies that are struggling with the implications of accelerated modernization - and how are these concerns configured in new genres of aesthetics? Is there still a "Third Cinema" component in contemporary cinemas, and if so, how can it be understood?