Rethinking Third Cinema

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Rethinking Third Cinema

Author : Wimal Dissanayake,Anthony Guneratne
Publisher : Routledge
Page : 260 pages
File Size : 49,9 Mb
Release : 2004-06-02
Category : Performing Arts
ISBN : 9781134613236

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Rethinking Third Cinema by Wimal Dissanayake,Anthony Guneratne Pdf

This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However, despite the contemporary popularity and critical attention enjoyed by films from Asia and Latin America in particular, Third Cinema and Third Cinema theory appears to have lost its momentum. Rethinking Third Cinema seeks to bring Third Cinema and Third Cinema theory back into the critical spotlight. The contributors address the most difficult and challenging questions Third Cinema poses, suggesting new methodologies and redirections of existing ones. Crucially, they also re-examine the entire phenomenon of film-making in a fast-vanishing 'Third World', with case studies of the cinemas of India, Iran and Hong Kong, among others.

Rethinking Third Cinema

Author : Frieda Ekotto,Adeline Koh
Publisher : LIT Verlag Münster
Page : 232 pages
File Size : 50,6 Mb
Release : 2009
Category : Intercultural communication in motion pictures
ISBN : 9783825818043

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Rethinking Third Cinema by Frieda Ekotto,Adeline Koh Pdf

In 1968, Argentinean Filmmakers Fernando Solanas and Octavio Getino first articulated the theory of a "Third Cinema" - a revolutionary genre of cinema that would counter oppression on a global scale. Intended to be a "guerilla cinema" geared at contesting the overwhelming dominance of Western cinema, Solana and Getino distinguished "Third Cinema" from other forms of cinema, classifying these other types as First Cinema (commercial cinema epitomized by Hollywood) and Second Cinema. "Third Cinema" was supposed to be a liberationary tool - particularly for the bulk of the world that was subject to European imperialism, such as Latin America, Africa and Asia. Spanning a wide geographical spread of cinemas ranging from Latin America, North and Sub-Saharan Africa, the Caribbean and Asia, this book addresses the following questions: how can we rethink the concept of "Third Cinema" for today? How do new national cinemas - and their accompanying media industries - reflect the concerns of societies that are struggling with the implications of accelerated modernization - and how are these concerns configured in new genres of aesthetics? Is there still a "Third Cinema" component in contemporary cinemas, and if so, how can it be understood?

Rethinking Third Cinema

Author : Anthony Guneratne
Publisher : Unknown
Page : 253 pages
File Size : 45,6 Mb
Release : 2003
Category : Electronic
ISBN : OCLC:1034922243

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Rethinking Third Cinema by Anthony Guneratne Pdf

This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However.

Rethinking Third Cinema

Author : Wimal Dissanayake,Anthony Guneratne
Publisher : Routledge
Page : 253 pages
File Size : 53,9 Mb
Release : 2004-06-02
Category : History
ISBN : 9781134613243

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Rethinking Third Cinema by Wimal Dissanayake,Anthony Guneratne Pdf

With case studies of the cinemas of India, Iran and Hong Kong, and with contributors addressing the most challenging questions it poses, this important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations

Third World Film Making and the West

Author : Roy Armes
Publisher : Univ of California Press
Page : 406 pages
File Size : 55,7 Mb
Release : 1987-07-29
Category : Performing Arts
ISBN : 0520908015

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Third World Film Making and the West by Roy Armes Pdf

This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World’s most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume.

Rethinking Genre in Contemporary Global Cinema

Author : Silvia Dibeltulo,Ciara Barrett
Publisher : Springer
Page : 242 pages
File Size : 46,7 Mb
Release : 2018-08-02
Category : Performing Arts
ISBN : 9783319901343

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Rethinking Genre in Contemporary Global Cinema by Silvia Dibeltulo,Ciara Barrett Pdf

Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume’s content—the films, genres, and movements explored, as well as methodologies used in their analysis—is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat “other” national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.

Remapping World Cinema

Author : Stephanie Dennison,Song Hwee Lim
Publisher : Wallflower Press
Page : 220 pages
File Size : 46,6 Mb
Release : 2006
Category : Performing Arts
ISBN : 1904764622

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Remapping World Cinema by Stephanie Dennison,Song Hwee Lim Pdf

"Covering a broad scope, this collection examines the cinemas of Europe, East Asia, India, Africa and Latin America, and will be of interest to scholars and students of film studies, cultural studies and postcolonial studies, as well as to film enthusiasts keen to explore a wider range of world cinema."--Jacket.

Indian Popular Cinema

Author : K. Moti Gokulsing,Wimal Dissanayake
Publisher : Stylus Publishing, LLC.
Page : 180 pages
File Size : 42,5 Mb
Release : 2004
Category : Education
ISBN : 1858563291

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Indian Popular Cinema by K. Moti Gokulsing,Wimal Dissanayake Pdf

The book reviews nine decades of Indian popular cinema and examines its immense influence on people in India and its diaspora. Since it was published in 1998, Indian film has developed in new directions. As films today vie with Indian soap operas for popularity, film making in India has acquired 'industry status' and consequently has greater accountability to its public. All this is reflected in this new and extensively revised edition of "Indian Popular Cinema". It tracks the rise of "designer cinema," reviews the increasingly significant Tamil cinema, and considers films made by Indians in the diaspora.

Third Cinema, World Cinema and Marxism

Author : Ewa Mazierska,Lars Kristensen
Publisher : Bloomsbury Publishing USA
Page : 303 pages
File Size : 43,8 Mb
Release : 2020-09-17
Category : Performing Arts
ISBN : 9781501348280

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Third Cinema, World Cinema and Marxism by Ewa Mazierska,Lars Kristensen Pdf

Third Cinema, World Cinema and Marxism offers an analysis of Third Cinema and World Cinema from the perspective of Marxism. Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation. Third Cinema also defines cinematic modes in terms of representing interest of different classes, with First Cinema expressing imperialist, capitalist, bourgeois ideas, Second Cinema the aspirations of the middle stratum, the petit bourgeoisie and Third Cinema is a democratic, popular cinema.

Political Film

Author : Mike Wayne
Publisher : Pluto Press
Page : 178 pages
File Size : 45,5 Mb
Release : 2001-06-20
Category : Performing Arts
ISBN : 0745316697

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Political Film by Mike Wayne Pdf

Wayne (Brunel U.) analyzes The Battle of Algiers as an example of films that fall within the body of theory and filmmaking practice committed to social and cultural emancipation that emerged a decade after and was influenced by the 1959 Cuban Revolution. Then he traces the changing dialectics of the First, Second, and Third Cinema movements. Distributed in the US by Stylus. Annotation copyrighted by Book News, Inc., Portland, OR

Third Cinema in the Third World

Author : Teshome Habte Gabriel
Publisher : Unknown
Page : 0 pages
File Size : 49,5 Mb
Release : 1979
Category : Electronic
ISBN : OCLC:1419316478

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Third Cinema in the Third World by Teshome Habte Gabriel Pdf

Rethinking Jewishness in Weimar Cinema

Author : Barbara Hales,Valerie Weinstein
Publisher : Berghahn Books
Page : 366 pages
File Size : 40,7 Mb
Release : 2020-11-01
Category : Performing Arts
ISBN : 9781789208733

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Rethinking Jewishness in Weimar Cinema by Barbara Hales,Valerie Weinstein Pdf

The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish “outsiders” to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness – as religion, ethnicity, social role, cultural code, or text – these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.

Ghostlife of Third Cinema

Author : Glen M. Mimura
Publisher : U of Minnesota Press
Page : 219 pages
File Size : 40,8 Mb
Release : 2009
Category : Performing Arts
ISBN : 9780816648306

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Ghostlife of Third Cinema by Glen M. Mimura Pdf

Asian American filmmakers and video artists have created a substantial, diverse, and challenging body of work that reimagines the cultural and political representation of Asian Americans. Yet much of this work remains unknown. Ghostlife of Third Cinema examines such potent issues as diasporic identity, historical memory, and queer sexuality through sophisticated readings of a wide range of film and video projects, includingTrinh T. Minh-ha's experimental documentary Surname Viet Given Name Nam;avant-garde works by Japanese American filmmakers Rea Tajiri, Lise Yasui, andJanice Tanaka; and queer videos exploring the intersection of race, nation, andsexuality by Pablo Bautista, Ming-Yuen Ma, and Nguyen Tan Hoang.

Transcendental Style in Film

Author : Paul Schrader
Publisher : Univ of California Press
Page : 292 pages
File Size : 50,6 Mb
Release : 2018-05-18
Category : Performing Arts
ISBN : 9780520969148

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Transcendental Style in Film by Paul Schrader Pdf

With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.

ReFiguring Global Challenges

Author : Anonim
Publisher : BRILL
Page : 182 pages
File Size : 50,6 Mb
Release : 2023-10-20
Category : Literary Criticism
ISBN : 9789004680425

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ReFiguring Global Challenges by Anonim Pdf

An important task for scholars of cultural studies and the humanities, as well as for artistic creators, is to refigure the frames and concepts by which the world as we know it is kept in place. Without these acts of refiguration, the future could only ever be more of the (violent) same. In close dialogue with literary and cinematic works and practices, the essays of this volume help refigure and rethink such pressing contemporary issues as migration, inequality, racism, post-coloniality, political violence and human-animal relations. A range of fresh perspectives are introduced, amounting to a call for intellectuals to remain critically engaged with the social and planetary.