After Modernist Painting

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After Modernist Painting

Craig Staff
After Modernist Painting Book PDF

Author : Craig Staff
Publisher : Bloomsbury Publishing
Page : 224 pages
File Size : 41,9 Mb
Release : 2013-03-14
Category : Art
ISBN : 9780857722300

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After Modernist Painting by Craig Staff Pdf

Painting has often been declared dead since the 1960s and yet it refuses to die. Even the status and continued legitimacy of the medium has been repeatedly placed in question. As such, painting has had to continually redefine its own parameters and re-negotiate for itself a critical position within a broader, more discursive set of discourses. Taking the American Clement Greenberg's 'Modernist Painting' as a point of departure, After Modernist Painting will be both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 50 years. Presenting the first critical account of painting, rather than art generally, this book provides a timely exploration of what has remained a persistent and protean medium. Craig Staff focuses on certain developments including the relationship of painting to Conceptual Art and Minimalism, the pronouncement of paintings alleged death, its response to Installation Art's foregrounding of site, how it was able to interpret ideas around appropriation, simulation and hybridity and how today painting can be understood as both imaging and imagining the digital. After Modernist Painting is an invaluable resource for those seeking to understand the themes and issues that have pertained to painting within the context of postmodernism and contemporary artistic practice.

After Modernist Painting

Craig G. Staff
After Modernist Painting Book PDF

Author : Craig G. Staff
Publisher : Unknown
Page : 209 pages
File Size : 47,9 Mb
Release : 2024-05-20
Category : Electronic
ISBN : 0755603400

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After Modernist Painting by Craig G. Staff Pdf

Painting has often been declared dead since the 1960s and yet it refuses to die. Even the status and continued legitimacy of the medium has been repeatedly placed in question. As such, painting has had to continually redefine its own parameters and re-negotiate for itself a critical position within a broader, more discursive set of discourses. Taking the American Clement Greenberg's 'Modernist Painting' as a point of departure, After Modernist Painting will be both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 50.

After Modernist Painting

Craig Staff
After Modernist Painting Book PDF

Author : Craig Staff
Publisher : I.B. Tauris
Page : 224 pages
File Size : 44,5 Mb
Release : 2013-05-28
Category : Art
ISBN : 1780761805

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After Modernist Painting by Craig Staff Pdf

Painting has often been declared dead since the 1960s and yet it refuses to die. Even the status and continued legitimacy of the medium has been repeatedly placed in question. As such, painting has had to continually redefine its own parameters and re-negotiate for itself a critical position within a broader, more discursive set of discourses. Taking the American Clement Greenberg's 'Modernist Painting' as a point of departure, After Modernist Painting will be both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 50 years. Presenting the first critical account of painting, rather than art generally, this book provides a timely exploration of what has remained a persistent and protean medium. Craig Staff focuses on certain developments including the relationship of painting to Conceptual Art and Minimalism, the pronouncement of paintings alleged death, its response to Installation Art's foregrounding of site, how it was able to interpret ideas around appropriation, simulation and hybridity and how today painting can be understood as both imaging and imagining the digital. After Modernist Painting is an invaluable resource for those seeking to understand the themes and issues that have pertained to painting within the context of postmodernism and contemporary artistic practice.

After the End of Art

Arthur C. Danto
After the End of Art Book PDF

Author : Arthur C. Danto
Publisher : Princeton University Press
Page : 350 pages
File Size : 55,7 Mb
Release : 2021-06-08
Category : Art
ISBN : 9780691209302

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After the End of Art by Arthur C. Danto Pdf

The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.

Early American Modernist Painting 1910-1935

Abraham A. Davidson
Early American Modernist Painting 1910 1935 Book PDF

Author : Abraham A. Davidson
Publisher : Da Capo Press
Page : 348 pages
File Size : 45,6 Mb
Release : 1994-08-21
Category : Art
ISBN : UCSD:31822018805291

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Early American Modernist Painting 1910-1935 by Abraham A. Davidson Pdf

Stuart Davis, Charles Demuth, Marcel Duchamp, Marsden Hartley, John Marin, Georgia O'Keefe, Francis Picabia, Man Ray, Charles Sheeler, Joseph Stella, Alfred Stieglitz and Max Weber are some of the seminal artists discussed and contextualised in this account of one of the most fascinating periods in American painting.

Weak Painting After Modernism

Craig Staff
Weak Painting After Modernism Book PDF

Author : Craig Staff
Publisher : Taylor & Francis
Page : 163 pages
File Size : 43,8 Mb
Release : 2023-09-01
Category : Art
ISBN : 9781000937497

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Weak Painting After Modernism by Craig Staff Pdf

This book examines the terms upon which painting in the United States sought to negotiate with the legacy of American formalist aesthetics and by extension, the understanding of modernist painting it had become most readily associated with. In so doing, a separate set of possibilities for painting gradually began to emerge. The salient debates and practices that collectively worked to establish such a response are approached through the philosopher Gianni Vattimo’s idea of pensiero debole or so-called weak thought. To this end, the proposed study both identifies and seeks to examine a type of "weak" painting which, like Vattimo’s idea, took as its critical point of departure “the exhaustion – but not the vanishing – of the project of modernism (the belief in reason, progress, history, the nation-state, etc.).” Craig Staff explores particular instances wherein artists sought to extend the parameters of the object beyond what had been called into question, namely the proclivity for modernist painting’s "strength" to be understood as denoting, amongst other things, a perceived set of universal essences. This book will be of interest to scholars working in art history, fine art, cultural studies, critical theory, curatorial studies and philosophy.

Writing Back to Modern Art

Jonathan P. Harris
Writing Back to Modern Art Book PDF

Author : Jonathan P. Harris
Publisher : Psychology Press
Page : 292 pages
File Size : 49,9 Mb
Release : 2005
Category : Architecture
ISBN : 0415324297

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Writing Back to Modern Art by Jonathan P. Harris Pdf

Studying the art writing and critique of the three leading art writers of the latter 20th century with focus on canonical modern artists, Harris brings us this study which assesses the development of modern art writing.

Realism After Modernism

Devin Fore
Realism After Modernism Book PDF

Author : Devin Fore
Publisher : Unknown
Page : 424 pages
File Size : 53,7 Mb
Release : 2012
Category : Art
ISBN : UCSD:31822040891632

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Realism After Modernism by Devin Fore Pdf

The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath László Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these "rehumanized" works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before.

Modernist Painting and Materiality

Craig G. Staff
Modernist Painting and Materiality Book PDF

Author : Craig G. Staff
Publisher : McFarland
Page : 0 pages
File Size : 44,8 Mb
Release : 2011-04-26
Category : Art
ISBN : 0786447141

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Modernist Painting and Materiality by Craig G. Staff Pdf

A fascination with an artwork's materiality remains one of the hallmarks of the visual arts and modernism during the 20th century. This critical text examines the role of materiality primarily within the context of modernist painting, focusing on those instances in which paintings come to be defined by their physical means. The book encompasses a number of different historical and artistic contexts including the Russian avant-garde, Clement Greenberg's aesthetic positivism, the significance of gesture in Abstract Expressionism and the art criticism of Michael Fried.

Modern Art And Modernism

Francis Frascina
Modern Art And Modernism Book PDF

Author : Francis Frascina
Publisher : Routledge
Page : 340 pages
File Size : 52,7 Mb
Release : 2018-05-04
Category : Art
ISBN : 9780429978531

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Modern Art And Modernism by Francis Frascina Pdf

Modern Art and Modernism offers firsthand material for the study of issues central to the development of modern art, its theory, and criticism. The history of modern art is not simply a history of works of art, it is also a history of ideas interpretations. The works of critics and theorists have not merely been influential in deciding how modern art is to be seen and understood, they have also influenced the course it has taken. The nature of modern art cannot be understood without some analysis of the concept of Modernism itself.Modern Art and Modernism presents a selection of texts by the major contributors to debate on this subject, from Baudelaire and Zola in the nineteenth century to Greenberg and T. J. Clark in our own times. It offers a balanced section of essays by contributors to the mainstream of Modernist criticism, representative examples of writing on the themes of abstraction and expression in modern art, and a number of important contributions to the discussion of aesthetics and the social role of the artist. Several of these are made available in English translation for the first time, and others are brought together from a wide range of periodicals and specialized collections.This book will provide an invaluable resource for teachers and students of modern art, art history, and aesthetics, as well as for general readers interested in the place of modern art in culture and history.

The Truth Is Always Grey

Frances Guerin
The Truth Is Always Grey Book PDF

Author : Frances Guerin
Publisher : U of Minnesota Press
Page : 461 pages
File Size : 44,6 Mb
Release : 2018-01-30
Category : Art
ISBN : 9781452957258

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The Truth Is Always Grey by Frances Guerin Pdf

Changing how we look at and think about the color grey Why did many of the twentieth century’s best-known abstract painters often choose grey, frequently considered a noncolor and devoid of meaning? Frances Guerin argues that painters (including Jasper Johns, Cy Twombly, Agnes Martin, Brice Marden, Mark Rothko, and Gerhard Richter) select grey to respond to a key question of modernist art: What is painting? By analyzing an array of modernist paintings, Guerin demonstrates that grey has a unique history and a legitimate identity as a color. She traces its use by painters as far back as medieval and Renaissance art, through Romanticism, to nineteenth- and twentieth-century modernism to show how grey is the perfect color to address the questions asked by painting within art history and to articulate the relationship between painting and the historical world of industrial modernity. A work of exceptional erudition, breadth, and clarity, presenting an impressive range of canonical paintings across centuries as examples, The Truth Is Always Grey is a treatise on color that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the color grey.

WEAK PAINTING AFTER MODERNISM

CRAIG. STAFF
WEAK PAINTING AFTER MODERNISM Book PDF

Author : CRAIG. STAFF
Publisher : Unknown
Page : 0 pages
File Size : 54,8 Mb
Release : 2023
Category : ART
ISBN : 1003203175

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WEAK PAINTING AFTER MODERNISM by CRAIG. STAFF Pdf

This book examines the terms upon which painting in the United States sought to negotiate with the legacy of American formalist aesthetics and by extension, the understanding of modernist painting it had become most readily associated with. In so doing, a separate set of possibilities for painting gradually began to emerge. The salient debates and practices that collectively worked to establish such a response are approached through the philosopher Gianni Vattimo's idea of pensiero debole or so-called weak thought. To this end, the proposed study both identifies and seeks to examine a type of "weak" painting which, like Vattimo's idea, took as its critical point of departure the exhaustion - but not the vanishing - of the project of modernism (the belief in reason, progress, history, the nation-state, etc.). Craig Staff explores particular instances wherein artists sought to extend the parameters of the object beyond what had been called into question, namely the proclivity for modernist painting's "strength" to be understood as denoting, amongst other things, a perceived set of universal essences. This book will be of interest to scholars working in art history, fine art, cultural studies, critical theory, curatorial studies and philosophy.

The Collected Essays and Criticism, Volume 4

Clement Greenberg
The Collected Essays and Criticism Volume 4 Book PDF

Author : Clement Greenberg
Publisher : University of Chicago Press
Page : 358 pages
File Size : 40,6 Mb
Release : 1986
Category : Architecture
ISBN : 9780226306247

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The Collected Essays and Criticism, Volume 4 by Clement Greenberg Pdf

Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.

How to Read a Modern Painting

Jon Thompson
How to Read a Modern Painting Book PDF

Author : Jon Thompson
Publisher : Unknown
Page : 408 pages
File Size : 47,7 Mb
Release : 2006-12-12
Category : Art
ISBN : UOM:39015067649445

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How to Read a Modern Painting by Jon Thompson Pdf

Modern art, filled with complex themes and subtle characteristics, is a wonder to view, but can be intimidating for the casual observer to comprehend. In this accessible, practical guide, author and instructor Jon Thompson explores more than 200 works, helping readers to unlock each painting's meaning. Beginning with the Barbizon school and the Realist movement of the mid-19th century and continuing through the 1980s avant-garde, artists including Bonnard, Basquiat, Van Gogh, Picasso, Degas, Warhol, and Whistler are featured. Thompson describes each artist's use of media and symbolism and provides insightful biographical information. A natural companion to Abrams' "How to Read a Painting," this book is a vibrant, informative trip through one of art history's most compelling periods.

After the Beautiful

Robert B. Pippin
After the Beautiful Book PDF

Author : Robert B. Pippin
Publisher : University of Chicago Press
Page : 178 pages
File Size : 42,7 Mb
Release : 2013-12-23
Category : Philosophy
ISBN : 9780226079523

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After the Beautiful by Robert B. Pippin Pdf

In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility—the expression of a distinct collective self-understanding that develops through historical time. Hegel’s approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in history: modernism. In After the Beautiful, Robert B. Pippin, looking at modernist paintings by artists such as Édouard Manet and Paul Cézanne through Hegel’s lens, does what Hegel never had the chance to do. While Hegel could never engage modernist painting, he did have an understanding of modernity, and in it, art—he famously asserted—was “a thing of the past,” no longer an important vehicle of self-understanding and no longer an indispensable expression of human meaning. Pippin offers a sophisticated exploration of Hegel’s position and its implications. He also shows that had Hegel known how the social institutions of his day would ultimately fail to achieve his own version of genuine equality, a mutuality of recognition, he would have had to explore a different, new role for art in modernity. After laying this groundwork, Pippin goes on to illuminate the dimensions of Hegel’s aesthetic approach in the path-breaking works of Manet, the “grandfather of modernism,” drawing on art historians T. J. Clark and Michael Fried to do so. He concludes with a look at Cézanne, the “father of modernism,” this time as his works illuminate the relationship between Hegel and the philosopher who would challenge Hegel’s account of both modernity and art—Martin Heidegger. Elegantly inter-weaving philosophy and art history, After the Beautiful is a stunning reassessment of the modernist project. It gets at the core of the significance of modernism itself and what it means in general for art to have a history. Ultimately, it is a testament, via Hegel, to the distinctive philosophical achievements of modernist art in the unsettled, tumultuous era we have inherited.