The Collected Essays And Criticism Volume 4

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The Collected Essays and Criticism, Volume 4

Author : Clement Greenberg
Publisher : University of Chicago Press
Page : 358 pages
File Size : 49,7 Mb
Release : 1986
Category : Architecture
ISBN : 9780226306247

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The Collected Essays and Criticism, Volume 4 by Clement Greenberg Pdf

Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.

The Collected Essays and Criticism, Volume 3

Author : Clement Greenberg
Publisher : University of Chicago Press
Page : 339 pages
File Size : 46,7 Mb
Release : 1986
Category : Architecture
ISBN : 9780226306230

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The Collected Essays and Criticism, Volume 3 by Clement Greenberg Pdf

Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.

The Collected Essays and Criticism, Volume 1

Author : Clement Greenberg
Publisher : University of Chicago Press
Page : 296 pages
File Size : 50,7 Mb
Release : 1986
Category : Art
ISBN : 9780226306216

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The Collected Essays and Criticism, Volume 1 by Clement Greenberg Pdf

Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.

Art as Abstract Machine

Author : Stephen Zepke
Publisher : Routledge
Page : 318 pages
File Size : 43,6 Mb
Release : 2014-02-04
Category : Philosophy
ISBN : 9781135465766

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Art as Abstract Machine by Stephen Zepke Pdf

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Memory Work

Author : Miguel de Baca
Publisher : Univ of California Press
Page : 162 pages
File Size : 54,9 Mb
Release : 2015-12-08
Category : Art
ISBN : 9780520286610

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Memory Work by Miguel de Baca Pdf

"Memory Work demonstrates the evolution of the pioneering minimalist sculptor Anne Truitt, analyzing the key theme of memory in her practice. In addition to the artist's own popular published writings, which detail the unique challenges facing female artists, Memory Work draws on unpublished manuscripts, private recordings, and never-before-seen working drawings to validate Truitt's original ideas about the link between perception and mnemonic reference in contemporary art."--Provided by publisher.

After Francis Bacon

Author : Nicholas Chare
Publisher : Routledge
Page : 288 pages
File Size : 47,8 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351577328

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After Francis Bacon by Nicholas Chare Pdf

Like an analyst listening to a patient, this study attends not just to what is said in David Sylvester's interviews with Francis Bacon, but also crucially to what is left unspoken, to revealing interruptions and caesuras. Through interpreting these silences, After Francis Bacon breaks with stereotypical ideas about the artist's work and provides new readings and avenues of research. After Francis Bacon is the first book to give extended consideration to the way the reception of Bacon's art, including Gilles Deleuze's influential text on the artist, has been shaped by the Sylvester interviews - and to move beyond the limiting effects of the interviews, providing fresh interpretations. Nicholas Chare draws upon recent developments in psychoanalysis and forensic psychology to present innovative readings of Bacon's work, primarily based on the themes of sadomasochism and multi-sensory perception. Through bringing Bacon's paintings into dialogue with Joseph Conrad's Heart of Darkness and the film Alien, he also provides original insights into the ethical relevance the artist's works have for today. This study addresses the complexities of the artist's practice - particularly in relation to sexuality and synaesthesia - and additionally forms a crucial intervention within current debates about creative writing in art history.

Weak Painting After Modernism

Author : Craig Staff
Publisher : Taylor & Francis
Page : 163 pages
File Size : 54,7 Mb
Release : 2023-09-01
Category : Art
ISBN : 9781000937497

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Weak Painting After Modernism by Craig Staff Pdf

This book examines the terms upon which painting in the United States sought to negotiate with the legacy of American formalist aesthetics and by extension, the understanding of modernist painting it had become most readily associated with. In so doing, a separate set of possibilities for painting gradually began to emerge. The salient debates and practices that collectively worked to establish such a response are approached through the philosopher Gianni Vattimo’s idea of pensiero debole or so-called weak thought. To this end, the proposed study both identifies and seeks to examine a type of "weak" painting which, like Vattimo’s idea, took as its critical point of departure “the exhaustion – but not the vanishing – of the project of modernism (the belief in reason, progress, history, the nation-state, etc.).” Craig Staff explores particular instances wherein artists sought to extend the parameters of the object beyond what had been called into question, namely the proclivity for modernist painting’s "strength" to be understood as denoting, amongst other things, a perceived set of universal essences. This book will be of interest to scholars working in art history, fine art, cultural studies, critical theory, curatorial studies and philosophy.

Artist as Author

Author : Christa Noel Robbins
Publisher : University of Chicago Press
Page : 236 pages
File Size : 47,5 Mb
Release : 2021-06-29
Category : Art
ISBN : 9780226752952

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Artist as Author by Christa Noel Robbins Pdf

Introduction : the artist as author -- The act-painting -- The expressive fallacy -- Rhetorics of motives -- Self-discipline -- Event as painting -- Conclusion : gridlocked.

Aesthetic Thinking: Essays on Intention, Painting, Action, and Ideology

Author : Fred Orton
Publisher : BRILL
Page : 218 pages
File Size : 55,6 Mb
Release : 2021-12-13
Category : Social Science
ISBN : 9789004503335

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Aesthetic Thinking: Essays on Intention, Painting, Action, and Ideology by Fred Orton Pdf

Aesthetic Thinking: Essays on Intention, Painting, Action, and Ideology anthologises some of Fred Orton’s important contributions to rethinking the social history of art and art practice. More than that, it offers a vivid demonstration of how theory can generate new interpretations and unsettle old ones.

Writing Back to Modern Art

Author : Jonathan Harris
Publisher : Routledge
Page : 292 pages
File Size : 44,6 Mb
Release : 2005-10-09
Category : Architecture
ISBN : 9781134346813

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Writing Back to Modern Art by Jonathan Harris Pdf

Here for the first time is a full-length study of the 'critical modernisms' of the three leading art writers of the second half of the twentieth century, which helps us build a better understanding of the development of modern art writing and its relation to the 'post-modern' in art and society since the 1970s. Focusing on canonical modern artists such as Manet, Cezanne, Picasso and Pollock, this book provides an important understanding of writing and criticism in modern art for all students and scholars of art theory and art history. Mainstay issues discussed include aesthetic evaluation, subjectivity and meaning in art and art writing. Jonathan Harris examines key discourses and identifies points of significant overlap as well as sharp disjunction between the critics. Developing the notions of 'good' and 'bad' complexity in modernist criticism, Writing Back to Modern Art creates ways for us to think outside of these discourses of value and meaning and helps us to look at the place that art writing holds in the latter twentieth century and beyond.

Philosophy in Cultural Theory

Author : Peter Osborne
Publisher : Routledge
Page : 161 pages
File Size : 44,6 Mb
Release : 2013-12-16
Category : Philosophy
ISBN : 9781317834984

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Philosophy in Cultural Theory by Peter Osborne Pdf

Philosophy in Cultural Theory boldly crosses disciplinary boundaries to offer a philosophical critique of cultural theory today. Drawing on the legacy of Walter Benjamin, Peter Osborne looks critically at central philosophical debates in cultural theory, such as: * the relationship between sign and image * the technological basis of cultural form * the conceptuality of art * the place of fantasy in human affairs. It will appeal to those in philosophy, cultural studies and art theory.

Eye hEar The Visual in Music

Author : Simon Shaw-Miller
Publisher : Routledge
Page : 232 pages
File Size : 41,7 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351567343

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Eye hEar The Visual in Music by Simon Shaw-Miller Pdf

'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music?s multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol.

Rosalind Krauss and American Philosophical Art Criticism

Author : David Carrier
Publisher : Bloomsbury Publishing USA
Page : 140 pages
File Size : 50,9 Mb
Release : 2002-10-30
Category : Art
ISBN : 9780313076428

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Rosalind Krauss and American Philosophical Art Criticism by David Carrier Pdf

Rosalind Krauss is, without visible rival, the most influential American art writer since Clement Greenberg. Together with her colleagues at ^IOctober^R, the journal she co-founded, she has played a key role in the introduction of French theory into the American art world. In the 1960s, though first a follower of Greenberg, she was inspired by her readings of French structuralist and post-structuralist materials, revolted against her mentor's formalism, and developed a succession of radically original styles of art history writing. Offering a complete survey of her career and work, ^IRosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism^R comprises the first book-length study of its subject. Written in the lucid style of analytic philosophy, this accessible commentary offers a consideration of her arguments as well as discussions of alternative positions. Tracing Krauss's development in this way provides the best method of understanding the changing styles of American art criticism from the 1960s through the present, and thus provides an invaluable source of historical and aesthetic knowledge for artists and art scholars alike.

Philosophy of Painting

Author : Jason Gaiger
Publisher : Bloomsbury Publishing
Page : 257 pages
File Size : 42,5 Mb
Release : 2022-10-20
Category : Philosophy
ISBN : 9781350104877

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Philosophy of Painting by Jason Gaiger Pdf

What can philosophy reveal about painting and how might it deepen our understanding of this enduring art form? Philosophy of Painting investigates the complex relationship between the painted surface and the depicted subject, opening up current debates to address questions concerning the historicality of art. Embracing contemporary painting, it examines topics such as the post-medium condition and the digital divide, and the work of artists such as Lynette Yiadom-Boakye, Amy Sillman and Katharina Grosse. Illustrated with 24 colour plates and highly readable throughout, Philosophy of Painting provides a philosophically rigorous defence of the relevance of painting in the 21st century, making an original contribution to the major ideas informing painting as an art. Here is a clear and coherent account of the contemporary significance of painting and the pressures and possibilities that distinguish it from other art forms.

Glitch Art in Theory and Practice

Author : Michael Betancourt
Publisher : Taylor & Francis
Page : 150 pages
File Size : 51,6 Mb
Release : 2016-09-13
Category : Art
ISBN : 9781315414805

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Glitch Art in Theory and Practice by Michael Betancourt Pdf

Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework.