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A new super-team, the All-Star Super Squadron, has been founded on Earth II in the hopes of finding several lost heroes from the Justice Society of America. But the JSA's old foe, Per Degaton, is plotting to help with the bombing of Pearl Harbor. Can the team stop him from delivering mystic weapons to Hitler and Tojo?
President Franklin D. Roosevelt attempts to contact the Justice Society in hopes of using them to retaliate against the Axis forces for bombing Pearl Harbor. But when the team doesn't respond and appears missing, it's up to Hawkman, the Atom and Dr. Mid-Nite to form a new team in their place!
Author : Roy Thomas Publisher : Two Morrows Publishing Page : 0 pages File Size : 47,9 Mb Release : 2004-06-23 Category : All star comics ISBN : 1893905055
A mysterious, flying metal eye appears over the White House, where the All-Star Squadron has gathered to celebrate the holidays. But when the UFO begins to attack, the team springs into action!
As the JLA/JSA/All-Star Squadron teams defeat the Crime Syndicate on both Earth Prime in 1962, and Earth-2 in 1942, thereby preventing the stolen nuclear missiles from going off on both worlds, Per Degaton still as one more trick up his sleeve-use the last hidden stolen nuclear missile and detonate it in 1942, thereby forcing Earth-2's leaders to surrender to him.
All-Star Squadron (1981-) #58 by Roy Thomas,Danette Thomas Pdf
A damaged Mekanique appears in 1942 on Earth-2, after her battle with the JSA/Infinity Inc./JLA teams in 1985 on Earth-1 without prior knowledge of her battle with them; Robotman then takes her to his private lab to repair her.
All-Star Squadron (1981-1987) #13 by Roy Thomas Pdf
The All-Star Squadron elect their chairman! Plus, more background on Firebrand and her connection to the bombing at Pearl Harbor and Steel receives some upsetting news regarding his mentor.
All-Star Squadron (1981-1987) #12 by Roy Thomas Pdf
The mastermind behind Akhet and the eye ship stands revealed: Dr. Anton Hastor! Now it's up to Hawkman and Hawkgirl—and the spirits of their past incarnations—to take down their old foe!
Classics G.I. Joe by Larry Hama,Herb Trimpe,Steven Grant Pdf
Reacquaint yourself with Hawk, Scarlett, Stalker, Rock 'n Roll and the other original Joes, including the popular but enigmatic Snake Eyes. Witness the first daring attempts of the villainous Cobra Commander and his minions to cause havoc around the world, only to have the Joes thwarting them at every turn. Relive your first tours of 'The Pit', G.I. Joe's command center, and Springfield, U.S.A., a quiet suburban town with a dark secret. Also presented here are the first appearances of the October Guard and Kwinn the Eskimo. Writer Larry Hama, the man irrevocably linked to G.I. Joe, guided the team for over 10 years as a writer. He is joined by an array of artists, including Herb Trimpe, Mike Vosburg, and Don Perlin. This action-packed volume collects the classic Marvel Comics G.I. Joe #1 to 10.
All-Star Squadron (1981-) #53 by Roy Thomas,Danette Thomas Pdf
The All-Stars continue their battle with the Monster Society of Evil! Meanwhile, Johnny Quick and Liberty Belle are absorbed by a burst of white light and deposited aboard the Monitor's satellite!
Eight JSA members are captured and shot into space in eight separate rockets„but the sudden appearance of Harbinger sends them all to eight separate dimensions!
The superhero Wolverine time travels and changes storylines. On Torchwood, there's a pill popped to alter memories of the past. The narrative technique of retroactive continuity seems rife lately, given all the world-building in comics. Andrew J. Friedenthal deems retroactive continuity, or "retconning," as a force with many implications for how Americans view history and culture. Friedenthal examines this phenomenon in a range of media, from its beginnings in comic books and now its widespread shift into television, film, and digital media. Retconning has reached its present form as a result of the complicated workings of superhero comics. In comic books and other narratives, retconning often seems utilized to literally rewrite some aspect of a character's past, either to keep that character more contemporary, to erase stories from continuity that no longer fit, or to create future story potential. From comics, retconning has spread extensively, to long-form, continuity-rich dramas on television, such as Buffy the Vampire Slayer, Lost, and beyond. Friedenthal explains that in a culture saturated by editable media, where interest groups argue over Wikipedia pages and politicians can immediately delete questionable tweets, the retcon serves as a perfect metaphor for the ways in which history, and our access to information overall, has become endlessly malleable. In the first book to focus on this subject, Friedenthal regards the editable Internet hyperlink, rather than the stable printed footnote, as the de facto source of information in America today. To embrace retroactive continuity in fictional media means accepting that the past itself is not a stable element, but rather something constantly in contentious flux. Due to retconning's ubiquity within our media, we have grown familiar with narratives as inherently unstable, a realization that deeply affects how we understand the world.
