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American Yiddish Poetry by Barbara Harshav,Benjamin Harshav Pdf
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.
American Yiddish Poetry by Benjamin Harshav,Barbara Harshav Pdf
This remarkable volume introduces what is probably the most coherent segment of twentieth-century American literature not written in English. Includes a bilingual facing-page format, notes and biographies of poets, and selections from Yiddish theory and criticism.
Proletpen by Amelia Glaser,David Weintraub,Yankl Salant Pdf
This anthology presents a rich but little-known body of American Yiddish poetry from the 1920s to the early 1950s by thirty-nine poets who wrote from the perspective of the proletarian left. Presented on facing pages in Yiddish and English translation, these one hundred poems are organized thematically under such headings as Songs of the Shop, United in Struggle, Matters of the Heart, The Poet on Poetry, and Wars to End All Wars. One section is devoted to verse depicting the struggles of African Americans, including several poems prompted by the infamous Scottsboro trial of nine African American men falsely accused of rape. Home to many of the writers, New York City is the subject of a varied array of poems. The volume includes an extensive introduction by Dovid Katz, a biographical note about each poet, a bibliography, and a timeline of political, social, and literary events that provide context for the poetry. Winner of the Fenia and Yaakov Leviant Memorial Prize in Yiddish Studies for Outstanding Translation A Choice Outstanding Academic Title
Sing, Stranger by Benjamin Harshav,Barbara Harshav Pdf
Sing, Stranger is a comprehensive historical anthology of a century of American poetry written in Yiddish and now translated into English for the first time. This anthology reveals both an amazing achievement of Jewish creative work and an important body of American poetry.
The Bloomsbury Anthology of Contemporary Jewish American Poetry by Deborah Ager,M. E. Silverman Pdf
The Bloomsbury Anthology of Contemporary Jewish American Poetry collects more than 200 poems by over 100 poets to celebrate contemporary writers, born after World War II, who write about Jewish themes. In bringing together poets whose writings explore cultural Jewish topics with those who directly address Jewish religious themes as well as those who only indirectly touch on their Jewishness, this anthology offers a fascinating insight into what it is to be a Jewish poet. Featuring established poets as well as representatives of the next generation of Jewish voices, included are poems by, among others, Ellen Bass, Jane Hirshfield, Ed Hirsch, David Lehman, Charles Bernstein, Carol V. Davis, Judith Skillman, Jacqueline Osherow, Alan Shapiro, Ira Sadoff, Melissa Stein, Matthew Zapruder, Philip Schultz, and Jane Shore.
An Anthology of Modern Yiddish Poetry. Bilingual Edition. Third Edition, Revised and Enlarged by Ruth Whitman Pdf
Originally published in 1966, An Anthology of Modern Yiddish Poetry was the first bilingual anthology to feature the rich, spirited, and passionate Yiddish poetry of the twentieth century. Nearly thirty years after the original publication, the interest in Yiddish studies continues to grow, making this definitive collection all the more Significant as a study of influences and developments in Yiddish poetry. Ruth Whitman has skillfully translated the diverse, lyric poetry of fourteen Eastern European-born poets, most of whom came to live in the United States. Of the twenty new poems included in the book, two are by Rachel Korn, three by Kadya Molodowsky, four by Anna Margolin, and four by Celia Dropkin. These additions increase considerably the work of the women poets represented, fulfilling an earlier omission. The anthology also highlights the genius and invention of poets Jacob Glatstein, M.L. Halpern, Moyshe Kulbak, Zisha Landau, H. Leivick, Itzik Manger, Leyb Naydus, Melech Ravitch, Abraham Sutzkever, and Aaron Zeitlin. With a new preface and a revised introduction that provides a short history of the development of Yiddish poetry, the third edition presents seventy-two poems in their original Yiddish and in English translation.These poems reflect the chaos and confusion integral to immigrant culture and the fragmentation of living during two world wars and the Holocaust. In addition the poems reflect the influences of American poetry from the Imagists to Robert Lowell, as well as the influence of German, French, and Russian poetry.
A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.” These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.
Alan Astro's pioneering collection of Latin American Yiddish writings translated into English includes works of fiction, poetry, and nonfiction from Argentina, Brazil, Chile, Mexico, Uruguay, Colombia, and Cuba. Literature has always served as a refuge for Yiddish speakers, and the Yiddish literature of Latin America reflects the writers' assertions of their political rights. Stories depicting working-class life in Buenos Aires by José Rabinovich and Samuel Rollansky evoke the works of Abraham Cahan and Henry Roth. Rosa Palatnik in Rio de Janeiro, Abraham Weisbaum in Mexico City, José Goldchain in Santiago de Chile, and Salomón Zytner in Montevideo satirize bourgeois aspirations among Jews distancing themselves from their modest backgrounds--one of Philip Roth's major themes. Abraham Josef Dubelman and Aaron Zeitlin in Cuba ponder possible links to the crypto-Jews who came to the New World to escape the Inquisition. Themes of identity permeate Latin American Yiddish writing, and the works featured in this anthology provide a glimpse into Jewish life and culture throughout Latin America. As Ilan Stavans notes in the introduction, "This anthology documents that Yiddish--or, in one of its Spanish spellings, idish--also flourished in Latin America, leaving behind powerfully artistic testaments."
Modern Yiddish Verse by Irving Howe,Ruth R. Wisse,Chone Shmeruk Pdf
A gift dedicated to Leonard Bernstein on his 70th birthday (1988). It was signed by the artist, Yossi Stern, and by Teddy Kollek. In addition to the numerous line drawings illustrating the poetry, Stern crafted an original book cover with a colorful drawing of a wedding scene.
Yiddish Poetry and the Tuberculosis Sanatorium by Ernest B. Gilman Pdf
Part literary history and part medical sociology, Gilman’s book chronicles the careers of three major immigrant Yiddish poets of the twentieth century—Solomon Bloomgarten (Yehoash), Sholem Shtern, and H. Leivick—all of whom lived through, and wrote movingly of, their experience as patients in a tuberculosis sanatorium. Gilman addresses both the formative influence of the sanatorium on the writers’ work and the culture of an institution in which, before the days of antibiotics, writing was encouraged as a form of therapy. He argues that each writer produced a significant body of work during his recovery, itself an experience that profoundly influenced the course of his subsequent literary career. Seeking to recover the "imaginary" of the sanatorium as a scene of writing by doctors and patients, Gilman explores the historical connection between tuberculosis treatment and the written word. Through a close analysis of Yiddish poems, and translations of these writers, Gilman sheds light on how essential writing and literature were to the sanatorium experience. All three poets wrote under the shadow of death. Their works are distinctive, but their most urgent concerns are shared: strangers in a strange land, suffering, displacement, acculturation, and, inevitably, what it means to be a Jew.
American Yiddish Poetry by Barbara Harshav,Benjamin Harshav Pdf
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.
Marc Chagall on Art and Culture by Marc Chagall,Abram Markovich ?fros,Benjamin Harshav,Barbara Harshav Pdf
Marc Chagall (1887-1985) traversed a long route from a boy in the Jewish Pale of Settlement, to a commissar of art in revolutionary Russia, to the position of a world-famous French artist. This book presents for the first time a comprehensive collection of Chagall's public statements on art and culture. The documents and interviews shed light on his rich, versatile, and enigmatic art from within his own mental world. The book raises the problems of a multi-cultural artist with several intersecting identities and the tensions between modernist form and cultural representation in twentieth-century art. It reveals the travails and achievements of his life as a Jew in the twentieth century and his perennial concerns with Jewish identity and destiny, Yiddish literature, and the state of Israel. This collection includes annotations and introductions of the Chagall texts by the renowned scholar Benjamin Harshav that elucidate the texts and convey the changing cultural contexts of Chagall's life. Also featured is the translation by Benjamin and Barbara Harshav of the first book about Chagall's work, the 1918 Russian The Art of Marc Chagall.
