Art As Politics In Late Medieval And Renaissance Siena
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Art as Politics in Late Medieval and Renaissance Siena by TimothyB. Smith Pdf
In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
Painting in Late Medieval and Renaissance Siena, 1260-1555 by Diana Norman Pdf
The city of Siena, one of Italy's major artistic centers, was home to many celebrated painters, among them Duccio, Simone Martini, Ambrogio and Pietro Lorenzetti, Sassetta and Beccafumi. This generously illustrated book provides a survey of Sienese painting from 1260 to 1555, an era of extraordinary artistic creativity in the Tuscan city. Art historian Diana Norman addresses the style and artistic technique of Sienese painters throughout the three centuries and explores why paintings were made, where they were originally seen, and how they were used and enjoyed by their audiences. The book focuses on works of art made for Siena itself, many of which are still to be seen within the city. Norman organizes the discussion around types of commissions and throughout the book situates the paintings within the context of the political, social, and religious circumstances of late medieval and renaissance Siena.
Author : Charles M. Rosenberg Publisher : University of Notre Dame Press Page : 336 pages File Size : 48,8 Mb Release : 1990 Category : Art ISBN : UOM:39015019424798
Art and Politics in Late Medieval and Early Renaissance Italy, 1250-1500 by Charles M. Rosenberg Pdf
A series of papers delivered at a conference with the same name in 1988 at the University of Notre Dame. It considered the relationship between politics and the literary and visual arts. Political scientists and anthropologists focus on the institutions that express power relationships.
Celebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, artists of fourteenth-century Siena established for their city a vibrant tradition that continued into the early decades of the next century. Such celebratory portraits of the Virgin were also common in Siena's extensive subject territories, the contado. This richly illustrated book explores late medieval Sienese art--how it was created, commissioned, and understood by the citizens of Siena. Examining political, economic, and cultural relations between Siena and the contado, Diana Norman offers a new understanding of Marian art and its political function as an expression of civic ideology. Drawing on extensive unpublished archives, Norman reconstructs the circumstances surrounding the commission of Marian art in the three most prestigious locations of fourteenth-century Siena: the cathedral, the Palazzo Pubblico, and the hospital of Santa Maria della Scala. She analyzes similarly important commissions in the contado towns of Massa Marittima, Montalcino, and Montepulciano. Casting new light on such topics as the original site for the reliquary tomb of Saint Cerbone, patron saint of Massa Marittima, and the identity of the patrons of the Marian frescoes in the rural hermitage of San Leonardo al Lago, the author deepens our insight into the origins and meanings of Sienese art production of the late medieval period.
Author : A. Lawrence Jenkens Publisher : Penn State Press Page : 224 pages File Size : 43,7 Mb Release : 2005-07-25 Category : Art ISBN : 9780271090870
The art of Renaissance Siena is usually viewed in the light of developments and accomplishments achieved elsewhere, but Sienese artists were part of a dynamic dialogue that was shaped by their city’s internal political turmoil, diplomatic relationships with its neighbors, internal social hierarchies, and struggle for self-definition. These essays lead scholars in a new and exciting direction in the study of the art of Renaissance Siena, exploring the cultural dynamics of the city and its art in a specifically Sienese context. This volume shapes a new understanding of Sienese culture in the early modern period and defines the questions scholars will continue to ask for years to come. What emerges is a picture of Renaissance Siena as a city focused on meeting the challenges of the time while formulating changes to shape its future. Central to these changes are the city’s efforts to fashion a civic identity through the visual arts.
Author : A. Lawrence Jenkens Publisher : Penn State University Press Page : 232 pages File Size : 44,6 Mb Release : 2005 Category : Art, Italian ISBN : UVA:X004963254
The art of Renaissance Siena is usually viewed in the light of developments and accomplishments achieved elsewhere, but Sienese artists were part of a dynamic dialogue that was shaped by their city's internal political turmoil, diplomatic relationships with its neighbors, internal social hierarchies, and struggle for self-definition. These essays lead scholars in a new and exciting direction in the study of the art of Renaissance Siena, exploring the cultural dynamics of the city and its art in a specifically Sienese context. This volume shapes a new understanding of Sienese culture in the early modern period and defines the questions scholars will continue to ask for years to come. What emerges is a picture of Renaissance Siena as a city focused on meeting the challenges of the time while formulating changes to shape its future. Central to these changes are the city's efforts to fashion a civic identity through the visual arts.
A Medieval Italian Commune by William M. Bowsky,William Marvin Bowsky Pdf
"Siena rivaled Florence in the arts throughout the 13th and 14th centuries: the important late medieval painter Duccio (1253?1319) was a Sienese, but worked across the peninsula, and the mural of "Good Government" by Ambrogio Lorenzetti in the Palazzo Pubblico, or town hall, is a magnificent example of late-Medieval/early Renaissance art as well as a representation of the utopia of urban society as conceived during that period. Siena was devastated by the Black Death of 1348, and also suffered from ill-fated financial enterprises. In 1355, with the arrival of Charles IV of Luxembourg in the city, the population rose and suppressed the government of the Nove (Nine), establishing that Dodici (Twelve) nobles assisted by a council with a popular majority. This was also short-lived, being replaced by the Quindici (Fifteen) reformers in 1385, the Dieci (Ten, 1386?1387), Undici (Eleven, 1388?1398) and Twelve Priors (1398?1399) who, in the end, gave the city's seigniory to Gian Galeazzo Visconti of Milan in order to defend it from the Florentine expansionism."--Wikipedia.
A Companion to Late Medieval and Early Modern Siena by Anonim Pdf
A Companion to Late Medieval and Early Modern Siena introduces the once-powerful commune to a wider audience. Edited by Santa Casciani and Heather Richardson Hayton, this collection explores how Siena built a distinctive civic identity and institutions that endured for centuries.
Politics and Justice in Late Medieval Bologna by Sarah Rubin Blanshei Pdf
Utilizing a uniquely rich collection of trial records and council meeting minutes from late medieval Bologna, this book offers the first study of summary justice and oligarchy in an Italian commune, demonstrating how new legal institutions arose in response to the increasingly exclusionary policies of the popolo government.
Siena and the Angevins, 1300-1350 by Diana Norman Pdf
Between 1289 and 1327 Siena witnessed a series of lavish ceremonial events marking the visits to the city of successive Angevin kings and princes, members of the French dynasty that ruled the whole of southern Italy. The reason for these magnificent civic rituals was Siena's status as a Guelph city state closely allied both to the papacy and to the kingdom of Naples. Based on extensive new research, including unpublished archival material, Diana Norman explores in detail the nature and extent of this distinctive political and diplomatic relationship and the ways in which it impacted upon the production and dissemination of Sienese art during the first half of the fourteenth century. In so doing, she demonstrates that this relationship not only informed the conception and resolution of a number of major pictorial schemes for key civic sites in Siena itself, but that it also familiarised the Angevin royal family with the quality of contemporary Sienese art. This, in turn, led to the employment of Sienese artists by the Angevins and to the production of significant images that commemorated various members of the dynasty. In this beautifully illustrated book, works of art executed by well-known fourteenth-century artists - including Simone Martini, Ambrogio Lorenzetti, and Tino di Camaino - are examined in a new light, together with other finely crafted objects produced by lesser known artists, all whom contributed to this hitherto over-looked example of late medieval cultural exchange.
The Benefits of Peace: Private Peacemaking in Late Medieval Italy by Glenn Kumhera Pdf
In The Benefits of Peace Glenn Kumhera offers the first comprehensive examination of private peacemaking in late medieval Italy, from its critical role in criminal justice to what it reveals about honor, vengeance, gender, preaching and reconciliation.
An authoritative, richly illustrated history, and affectionate celebration, of Siena, one of the best-loved and most-visited cities in Italy. Occupying a hilltop site in the midst of a vast, undulating landscape, Siena is as much a magnet for contemporary tourism as Florence. However, its proud republican past presents an intriguing contrast with its Medici-dominated northern Tuscan rival, with which it tussled for local supremacy for much of the High Middle Ages. From the twelfth century, profiting from its advantageous position on a major pilgrim route, the Republic of Siena developed into a major European power and remained an important commercial, financial and artistic centre for four centuries. Jane Stevenson charts the changing fortunes of a city that rose to an astonishingly productive cultural heyday in the thirteenth and fourteenth centuries, suffered a catastrophic late medieval decline in the aftermath of the Black Death, but transcended the loss of its wider political power to enjoy a prosperous civic afterlife. Siena today enjoys a cherished position as a uniquely well-preserved medieval city, crammed with world-class art and architecture, furnished with appealing and intriguing traditions, and set in a heavenly landscape.
Health and Architecture offers a uniquely global overview of the healthcare facility in the pre-modern era, engaging in a cross-cultural analysis of the architectural response to medical developments and the formation of specialized hospitals as an independent building typology. Whether constructed as part of Chinese palaces in the 15th century or the religious complexes in 16th century Ottoman Istanbul, the healthcare facility throughout history is a built environment intended to promote healing and caring. The essays in this volume address how the relationships between architectural forms associated with healthcare and other buildings in the pre-modern era, such as bathhouses, almshouses, schools and places of worship, reflect changing attitudes towards healing. They explore the impact of medical advances on the design of hospitals across various times and geographies, and examine the historic construction processes and the stylistic connections between places of care and other building types, and their development in urban context. Deploying new methodological, interdisciplinary and comparative approaches to the analysis of healthcare facilities, Health and Architecture demonstrates how the spaces of healthcare themselves offer some of the most powerful and practical articulations of therapy.
Jane Tylus’s Siena is a compelling and intimate portrait of this most secretive of cities, often overlooked by travelers to Italy. Cultural history, intellectual memoir, travelogue, and guidebook, it takes the reader on a quest of discovery through the well- and not-so-well-traveled roads and alleys of a town both medieval and modern. As Tylus leads us through the city, she shares her passion for Siena in novelistic prose, while never losing sight of the historical complexities that have made Siena one of the most fascinating and beautiful towns in Europe. Today, Siena can appear on the surface standoffish and old-fashioned, especially when compared to its larger, flashier cousins Rome and Florence. But first impressions wear away as we learn from Tylus that Siena was an innovator among the cities of Italy: the first to legislate the building and maintenance of its streets, the first to publicly fund its university, the first to institute a municipal bank, and even the first to ban automobile traffic from its city center. We learn about Siena’s great artistic and architectural past, hidden behind centuries of painting and rebuilding, and about the distinctive characters of its different neighborhoods, exemplified in the Palio, the highly competitive horserace that takes place twice a year in the city’s main piazza and that serves as both a dividing and a uniting force for the Sienese. Throughout we are guided by the assured voice of a seasoned scholar with a gift for spinning a good story and an eye for the telling detail, whether we are traveling Siena’s modern highways, exploring its underground tunnels, tracking the city’s financial history, or celebrating giants of painting like Simone Martini or giants of the arena, Siena’s former Serie A soccer team. A practical and engaging guide for tourists and armchair travelers alike, Siena is a testament to the powers of community and resilience in a place that is not quite as timeless and serene as it may at first appear.