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Art Shrines of Ancient India by V. K. Subramanian Pdf
Art Shrines Of Ancient India Deals With The Art Treasures Of Selected Archaeological Sites In The Various State.5 Of India. The Sites Dealt With Are: Sarnath, Sanchi, Kanchipuram, Mamallapuram Cmahabalipuram) , Temples Of Chamba, Aihole, Badami, Pattadakkal, Elephanta, Euora, Ajanta,Nalanda, Konarak, Halebid, Belur, Khajuraho, Suchindram, Mandu, Madurai, Chittor And Mount Abu. Profusely Illustrated, The Book Peeps In~O The Historical And Mythological Past Of Each Site And Evaluates The Artistic Contri- Butions Of The Various Ruling Dynasties: The Mauryas, The Sungas, The Guptas, The Pallavas, The Chalukyas, The Rashtrakutas, Thepalas, The Senas,. The Gangas, The Cholas, The Hoysalas, The Chandellas, The Pandyas And The Nayaks. The Book Also Deals With The Siva-Sakti Theme And Homage To The Sun In The Art Of Ancient India And Indicates How These Are Depicted In The Various Temples Of I!Ldia. This Book Will Be An Invaluable Guide To All Tourists, Especially Foreigners And Non- Resident Indians, Who Want To Savour, In A Short Time, The Rich Artistic Heritage Displayed In The Famous Temples And Archaeological Sites In India.
Elements of Indian Art by Swarajya Prakash Gupta,Shashi Asthana Pdf
The Work Studies Basic Principles Of Ancient Indian Art And Architecture. It Deals With Hindu Thinking And Practice Of Art Including The Hindu View Of Godhead, Iconography And Iconometry And Symbols And Symbolism In Hindu Art. It Surveys Indian Art And Temple Architecture From The Ancient Times And Makes Comparative Studies Of Religious Art In India.
Temple Culture of Ancient India by Pratha Sharma Pdf
The book presents the status of temples as they were originally stated to signify in ancient Bharatvarsh. The supremacy of the ancient Hindu temples across the Indian subcontinent were established as they took upon the task of nurturing the classical art forms of dance, music, painting, sculptures, martial arts amongst others.The temples were at the helm of the religious, social, political and educational affairs.
The Art of Ancient India by Susan L. Huntington,John C. Huntington Pdf
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
This richly illustrated text reproduces some of the finest examples of Indian sculpture, with an extensive commentary on the importance of the art of carving, modeling, and casting in the Indian civilization for over 4,000 years.
A History of Ancient and Early Medieval India by Upinder Singh Pdf
Basic Approach Developed as a comprehensive introductory work for scholars and students of ancient and early medieval Indian history, this books provides the most exhaustive overview of the subject. Dividing the vast historical expanse from the stone age to the 12th century into broad chronological units, it constructs profiles of various geographical regions of the subcontinent, weaving together and analysing an unparalleled range of literary and archaeological evidence. Dealing with prehistory and protohistory of the subcontinent in considerable detail, the narrative of the historical period breaks away from conventional text-based history writing. Providing a window into the world primary sources, it incorporates a large volume of archaeological data, along with literary, epigraphic, and numismatic evidence. Revealing the ways in which our past is constructed, it explains fundamental concepts, and illuminates contemporary debates, discoveries, and research. Situating prevailing historical debates in their contexts, Ancient and Early Medieval India presents balanced assessments, encouraging readers to independently evaluate theories, evidence, and arguments. Beautifully illustrated with over four hundred photographs, maps, and figures, Ancient and Early Medieval India helps visualize and understand the extraordinarily rich and varied remains of the ancient past of Indian subcontinent. It offers a scholarly and nuanced yet lucid account of India s early past, and will surely transform the discovery of this past into an exciting experience. Tabel of Contents List of photographs List of maps List of figures About the author Preface Acknowledgements A readers guide 1. Understanding Literary and Archaeological Sources 2. Hunter-Gatherers of the Palaeolithic and Mesolithic Ages 3. The Transition to Food Production: Neolithic,Neolithic Chalcolithic, and Chalcolithic Villages, c. 7000 2000 bce 4. The Harappan Civilization, c. 2600 1900 bce 5. Cultural Transitions: Images from Texts and Archaeology, c. 2000 600 bce 6. Cities, Kings, and Renunciants: North India, c. 600 300 bce 7. Power and Piety: The Maurya Empire, c. 324 187 bce 8. Interaction and Innovation, c. 200 BCE 300 ce 9. Aesthetics and Empire, c. 300 600 ce 10. Emerging Regional Configurations, c. 600 1200 ce Note on diacritics Glossary Further readings References Index Author Bio Upinder Singh is Professor in the Department of History at the University of Delhi. She taught history at St. Stephen s College, Delhi, from 1981 until 2004, after which she joined the faculty of the Department of History at the University of Delhi. Professor Singh s wide range of research interests and expertise include the analysis of ancient and early medieval inscriptions; social and economic history; religious institutions and patrona≥ history of archaeology; and modern history of ancient monuments. Her research papers have been published in various national and international journals. Her published books include: Kings, Brahmanas, and Temples in Orissa: An Epigraphic Study (AD 300 1147) (1994); Ancient Delhi (1999; 2nd edn., 2006); a book for children, Mysteries of the Past: Archaeological Sites in India (2002); The Discovery of Ancient India: Early Archaeologists and the Beginnings of Archaeology (2004); and Delhi: Ancient History (edited, 2006).
The Art and Architecture of the Indian Subcontinent by James C. Harle Pdf
Thirty years' research and first-hand knowledge of the area have enabled the author to trace the cultural contacts which have contributed to the rich mosaic of sculpture, temples, mosques, and painting that have gone towards the creation of one of the great civilizations of the world.
Fine Arts in Ancient India by Anil Baran Ganguly Pdf
In This Latest Work, Dr. A.B. Ganguly, Who Is A Scholar Of International Repute (And Noted For His Researches In The Religious Cults Of Medieval India), Projects A Kaleidoscopic View Of The Highly Developed Fine Arts Of Ancient India (That Made This Country The Pride And Envy Of The Whole World).If You Wish To Know Why Indian Civilization And Culture Endured While The Greek And Roman Declined, You Must Persue This Wonderful Book. It Will Tell You What Lent Physical Vitality And Spiritual Strength To Life And Made It Profoundly Rich And Deeply Meaningful In Days Gone By, What Made For The Ancient Indian S Irrepressible Zest For Life, How Almost Everything Was Looked Upon And Developed As A Fine Art-And Sixty-Four Arts Are Justly Renowned.The Famous Sixty-Four Arts Of Ancient India Have Been Dealt With Briefly And Entertainingly And Enlivened By Apt Anecdotes Where Necessary By The Erudite Author. Also, We Have A Lively Account Of Such Subjects As Music, Dancing, Histrionics, Painting, And Decoration, Culinary, Engineering And Horticultural Arts That Commanded Popular Acclaim.Ancient India Was Noted, Inter Seven For Such Arts As Magic, Thieving And Gambling, Which Were Considered Respectable Fine Arts. The Education Of A Prince And A Son Of Well-To-Do Parents Were Not Considered Complete Unless These Arts Were Also Included In The Curriculum.There Was A Technique Of Devising Amusements And Making Beds. Personal Embellishment Both Of Males And Females Was Prized Highly. It Will Probably Come As A Surprise To Many That In Olden Days Over Two Thousand Years Ago, The Indians Had Developed The Physical And Social Arts To A Remarkable Degree. They Included Walking, Ju-Jitsu, Gymnastics, Games, Sports, Yogasanas, Wrestling, Boxing, Hunting, Chariot, Horse, Elephant Races, Etc. The Greatest Merit Possibly Of This Most Unusual Tome Is That It Is Adequately Documented, So That Inquisitive Students May Pursue Their Chosen Subject Fruitfully With Helpful Guidelines.
Cultural Heritage of Ancient India by Sachindra Kumar Maity Pdf
The Book Opens With A Critical Survey Of Religion, Art And Culture And Their Impact On People And Society At Large. Buddhism, Jainism And Bhakti Movements, All Are Judiciously Incorporated In The Present Monograph.
Illustrations: Numerous illustrations Description: The present work documents different aspects of the cultural heritage of the district of Bastar. While the varied lifestyles of the Maria and Muria Gonds, and other groups, have been the focus of considerable anthropological research, relatively little is known of the numerous temples that represent the establishment of the Nagvansi dynasty in the 10th century and subsequently that of the Kakatiya. The ruins of Bhongapal and Garh Gobrahin are estimated to be older and bear testimony to the transitory efflorescence of the Buddhist and Vaisnavite faiths. Their influence on the socio-religious structure of the indigenous population is reflected in the village shrines, highlighting an on-going process of mutual enrichment. In illustrating the most important places of worship, an attempt has been made to explore the intersection of traditions. The subtle interplay of cultural interaction through time renders it difficult to distinguish the 'folk' from the classical, indicating the need to review our concepts of Indian art. The myriad deities fashioned by the Ghadwa brass casters have poorly defined attributes which belie the fluid nature of the local belief system and the freedom of artistic expression. Although hollow casting is an ancient technique, the chemical analyses of selected brasses reveal the use of scrap metal, thus corroborating earlier findings. The quality of craftsmanship has inevitably declined in the face of commercialisation and the growing demand for mass-produced items. The element of continuity and change is also manifest in the raising of memorials to the dead whereby ancestors assume divine status, reinforcing in the process, the ties that bind clan members to their land. The ethnographic and archaeological perspectives of current practices have been examined. The publication is embellished with 294 colour and black and white photographs
