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The women of Athens concoct a dating scheme: to infiltrate the male-dominated Assembly disguised as men and to vote themselves into power, after which they will overturn the old laws and inaugurate a new society where all are equal and where property - sex, too! - is shared. This new translation by Robert Mayhew of one of playwright Aristophanes' last surviving plays recaptures the spirit, the bawdiness, and the brilliance of this rollicking farce which is at the same time a profound critique of contemporary Greek customs and manners. A full introduction and explanatory notes provide important background material on communistic ideas current in fifth- and fourth-century B.C.E. Greek thought as well as on historical and other details relevant to the text.
Women Members of the Constituent Assembly by Anonim Pdf
"This is a joint publication by Women's Caucus, Constituent Assembly Secretariat, Nepal Law Society and International Institute for Democracy and Electoral Assistance"--T.p. verso.
Aristophanes' "Esslesiazusae", written in the early 4th Century BC, marks a crossroads in his career. Post-dating the Peloponnesian War, it reflects a late change in his writing and a much changed society. This edition includes the complete text.
The Congresswomen (Ecclesiazusae). by Aristophanes Pdf
The women of Athens gather to sneak into the congress and vote the men out of office. The Congresswomen is bawdy, slapstick , and wildly funny - but it is also pointed. Aristophanes pokes fun at his own Utopian vision, but he is really concerned with the enjoyment of life. He adds to this enjoyment not only by lampooning all of society but also by reminding of the delights of love, food, and peace. - from inside cover.
Women’s Rights in Movement by Inés M. Pousadela,Simone R. Bohn Pdf
This book provides an updated comparative overview of women’s movements in Latin America and the Caribbean, filling some of the gaps left by the existing literature. It brings together case studies of nine countries – Argentina, Brazil, Chile, Colombia, Dominican Republic, Ecuador, Mexico, Nicaragua, and Peru – and includes a comparative analysis of the overall evolution of women’s rights movements across the region during the past decades. This analysis shows Latin America as the home to the largest, strongest, and most densely regionally and globally interconnected women’s rights movements in the Global South. Each chapter in this volume seeks to understand where the struggles for women’s rights come from, how they stand today and where they are headed to. To do so, they all use qualitative methodologies, and most resort to first-hand accounts of the processes described and reflections by the actors on their own experiences, collected through surveys, in-depth interviews and/or ethnographic observations. The comparative analysis of the different national case studies reveals the main struggles in which women’s rights movements are currently involved in Latin America and the Caribbean: the quest for political representation within the State and its political institutions; the fight against gender violence and the struggle for sexual and reproductive rights – especially abortion rights. Women’s Rights in Movement: Dynamics of Feminist Change in Latin America and the Caribbean will be a valuable resource for researchers, activists and policy makers interested in the struggles for women’s rights not only in Latin America and the Caribbean, but in different parts of the world. It will be of special interest to sociologists, political scientists, anthropologists and other social scientists working in interdisciplinary fields such as gender and social movements studies.
Three Plays by Aristophanes by Jeffrey Henderson Pdf
These three plays by the great comic playwright Aristophanes (c. 446-386 BCE), the well-known Lysistrata, and the less familiar Women at the Thesmophoria and Assemblywomen, are the earliest surviving portrayals of contemporary women in the European literary tradition. These plays provide a unique glimpse of women not only in their familiar domestic roles but also in relation to household and city, religion and government, war and peace, theater and festival, and, of course, to men. This freshly revised edition presents, for the first time in a single volume, all three plays in faithful modern translations that preserve intact Aristophanes’ blunt and often obscene language, sparkling satire, political provocation, and beguiling fantasy. Alongside the translations are ample introductions and notes covering the politically engaged genre of Aristophanic comedy in general and issues of sex and gender in particular, which have been fully updated since the first edition in light of recent scholarship. An appendix contains fragments of lost plays of Aristophanes that also featured women, and an up-to-date bibliography provides guidance for further exploration. In addition to their timeless humor and biting satire, the plays are unique and invaluable documents in the history of western sexuality and gender, and they offer strikingly prescient speculations about the social and political future of the female sex.
A remarkable story about the power of tolerance from one of the most important voices in contemporary Muslim literature, critically acclaimed author Randa Abdel-Fattah. Michael likes to hang out with his friends and play with the latest graphic design software. His parents drag him to rallies held by their anti-immigrant group, which rails against the tide of refugees flooding the country. And it all makes sense to Michael.Until Mina, a beautiful girl from the other side of the protest lines, shows up at his school, and turns out to be funny, smart -- and a Muslim refugee from Afghanistan. Suddenly, his parents' politics seem much more complicated.Mina has had a long and dangerous journey fleeing her besieged home in Afghanistan, and now faces a frigid reception at her new prep school, where she is on scholarship. As tensions rise, lines are drawn. Michael has to decide where he stands. Mina has to protect herself and her family. Both have to choose what they want their world to look like.
Author : Leo Strauss Publisher : University of Chicago Press Page : 330 pages File Size : 54,8 Mb Release : 2008-03-26 Category : Drama ISBN : 9780226225470
In one of his last books, Socrates and Aristophanes, Leo Strauss's examines the confrontation between Socrates and Aristophanes in Aristophanes' comedies. Looking at eleven plays, Strauss shows that this confrontation is essentially one between poetry and philosophy, and that poetry emerges as an autonomous wisdom capable of rivaling philosophy. "Strauss gives us an impressive addition to his life's work—the recovery of the Great Tradition in political philosophy. The problem the book proposes centers formally upon Socrates. As is typical of Strauss, he raises profound issues with great courage. . . . [He addresses] a problem that has been inherent in Western life ever since [Socrates'] execution: the tension between reason and religion. . . . Thus, we come to Aristophanes, the great comic poet, and his attack on Socrates in the play The Clouds. . . [Strauss] translates it into the basic problem of the relation between poetry and philosophy, and resolves this by an analysis of the function of comedy in the life of the city." —Stanley Parry, National Review
This blistering, fearless, and unforgettable literary novel finds a woman with everything on the line and a life-or-death decision waiting for her—perfect for fans of Claudia Rankine and Jenny Offill. Come of age in the credit crunch. Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going. The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart? Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away. "Virginia Woolf's Mrs. Dalloway meets Claudia Rankine's Citizen...as breathtakingly graceful as it is mercilessly true.”—Olivia Sudjic, author of Sympathy and Asylum Road A woman confronts the most important question of her life in this blistering, fearless, and unforgettable literary debut from "a stunning new writer." (Bernardine Evaristo) “A quiet, measured call to revolution…This is the kind of book that doesn’t just mark the moment things change, but also makes that change possible.”—Ali Smith, author of Summer "Brilliant. Brown's gaze is piercing."—Avni Doshi, author of Burnt Sugar
Objects of Liberty explores the prevalence of souvenirs in British women’s writing during the French Revolution and Napoleonic era. It argues that women writers employed the material and memorial object of the souvenir to circulate revolutionary ideas and engage in the masculine realm of political debate. While souvenir collecting was a standard practice of privileged men on the eighteenth-century Grand Tour, women began to partake in this endeavor as political events in France heightened interest in travel to the Continent. Looking at travel accounts by Helen Maria Williams, Mary Wollstonecraft, Catherine and Martha Wilmot, Charlotte Eaton, and Mary Shelley, this study reveals how they used souvenirs to affect political thought in Britain and contribute to conversations about individual and national identity. At a time when gendered beliefs precluded women from full citizenship, they used souvenirs to redefine themselves as legitimate political actors. Objects of Liberty is a story about the ways that women established political power and agency through material culture.
Women Praying and Prophesying in Corinth by Jill E. Marshall Pdf
In First Corinthians, Paul makes two conflicting statements about women's speech: He crafts a difficult argument about whether men and women should cover their heads while praying or prophesying (11:2-16) and instructs women to be silent in the assembly (14:34-35). These two statements bracket an extended discussion about inspired modes of speech - prophecy and prayer in tongues. From these exegetical observations, Jill E. Marshall argues that gender is a central issue throughout 1 Corinthians 11-14 and the religious speaking practices that prompted Paul's response. She situates Paul's arguments about prayer and prophecy within their ancient Mediterranean cultural context, using literary and archaeological evidence, and examines the differences in how ancient writers described prophetic speech when voiced by a man or a woman.
Aristophanes: Four Plays: Clouds, Birds, Lysistrata, Women of the Assembly by Aristophanes Pdf
Capturing the antic outrageousness and lyrical brilliance of antiquity’s greatest comedies, Aaron Poochigian’s Aristophanes: Four Plays brings these classic dramas to vivid life for a twenty-first century audience. The citizens of ancient Athens enjoyed a freedom of speech as broad as our own. This freedom, parrhesia, the right to say what one pleased, how and when one pleased, and to whom, had no more fervent champion than the brilliant fifth-century comic playwright Aristophanes. His plays, immensely popular with the Athenian public, were frequently crude, even obscene. He ridiculed the great and the good of the city, showing up their hypocrisy and arrogance in ways that went far beyond the standards of good taste, securing the ire (and sometimes the retaliation) of his powerful targets. He showed his contemporaries, and he teaches us now, that when those in power act obscenely, patriotic obscenity is a fitting response. Aristophanes’s satirical masterpieces were also surpassingly virtuosic works of poetry. The metrical variety of his plays has always thrilled readers who can access the original Greek, but until now, English translations have failed to capture their lyrical genius. Aaron Poochigian, the first poet-classicist to tackle these plays in a generation, brings back to life four of Aristophanes’s most entertaining, wickedly crude, and frequently beautiful lyric comedies—the pinnacle of his comic art: · Clouds, a play famous for its caricature of antiquity’s greatest philosopher, Socrates; · Lysistrata, in which a woman convinces her female compatriots to withhold sex from their warmongering lovers unless they negotiate peace; · Birds, in which feathered creatures build a great city and become like gods; · and Women of the Assembly, Aristophones’s most revolutionary play, which inverts the norms of gender and power. Poochigian’s new rendering of these comic masterpieces finally gives contemporary readers a sense of the subversive pleasure Aristophones’s original audiences felt when they were first performed on the Athenian stage.
