Avant Garde And Criticism

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Avant-Garde and Criticism

Author : Anonim
Publisher : BRILL
Page : 361 pages
File Size : 53,7 Mb
Release : 2015-06-29
Category : Art
ISBN : 9789401203982

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Avant-Garde and Criticism by Anonim Pdf

Avant-Garde and Criticism sheds new light on the complex aims, functions, practices and contexts of art-criticism in relation to the European avant-garde. Although many avant-garde works and the avant-gardes of various countries have been analyzed, considerably less attention has been given to the reviews in newspapers and journals on avant-garde literature, art, architecture and film. This volume of Avant-Garde Critical Studies will look at how art critics operated in a strategic way. The strategies of avant-garde criticism are diverse. Art critics, especially when they are artists themselves, attempt to manipulate the cultural climate in their favour. They use their position to legitimize avant-garde concepts and to conquer a place in the cultural field. But they are also markedly influenced by the context in which they operate. The position of fellow-critics and the ideological bias of the papers in which they publish can be as important as the political climate in which their criticism flourishes. The analysis of avant-garde art criticism can also make clear how strategies sometimes fail and involuntarily display non-avant-garde characteristics. On the other hand traditionalist criticism on the avant-garde offers new insights into its status and reception in a given time and place. This volume is of interest for scholars, teachers and students who are interested in the avant-garde of the interbellum-period and work in the field of literature, art, film and architecture.

Avant-garde Performance & the Limits of Criticism

Author : Mike Sell
Publisher : University of Michigan Press
Page : 338 pages
File Size : 42,6 Mb
Release : 2008
Category : Avant-garde (Aesthetics)
ISBN : 9780472033072

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Avant-garde Performance & the Limits of Criticism by Mike Sell Pdf

Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. This groundbreaking book examines the role of the scholar and critic in the cultural struggles of radical artists and reveals how avant-garde performance identifies the very limits of critical consideration. It also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and finds its way onto the syllabi of college and university courses. This book is a timely and significant book that will appeal to those interested in avant-garde literary criticism, theater history, and performance studies.

Russian Art of the Avant-garde

Author : John E. Bowlt
Publisher : Unknown
Page : 0 pages
File Size : 51,8 Mb
Release : 2017
Category : Art
ISBN : 0500293058

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Russian Art of the Avant-garde by John E. Bowlt Pdf

A major resource, collecting essays, articles, manifestos, and works of art by Russian artists and critics in the early twentieth century, available again at the 100th anniversary of the Russian Revolution

Hollywood Flatlands

Author : Esther Leslie
Publisher : Verso Books
Page : 465 pages
File Size : 44,7 Mb
Release : 2020-05-05
Category : Performing Arts
ISBN : 9781789609530

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Hollywood Flatlands by Esther Leslie Pdf

With ruminations on drawing, colour and caricature, on the political meaning of fairy-tales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avant-garde art and modernist criticism. Focusing on the work of aesthetic and political revolutionaries of the inter-war period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adorno's and Max Horkheimer's film viewing affected their intellectual development, and reconsiders Sergei Eisenstein's famous handshake with Mickey Mouse at Disney's Hyperion Studios in 1930.

European Avant-garde

Author : Dietrich (editor) Scheunemann
Publisher : Rodopi
Page : 284 pages
File Size : 47,7 Mb
Release : 2000
Category : Art
ISBN : 9042012048

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European Avant-garde by Dietrich (editor) Scheunemann Pdf

This collection of critical essays is designed to lay the foundations for a new theory of the European avant-garde. It starts from the assumption that not one all-embracing intention of all avant-garde movements - i.e. the intention of "reintegrating art into the practice of life" (Peter Bürger) - but the challenge of new cultural technologies, in particular photography and cinema, constitutes the main driving force of the formation and further development of the avant-garde. This approach permits to establish a theoretical framework that takes into account the diversity of artistic aims and directions of the various art movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Following the theoretical foundation of the new approach, individual contributions concentrate on a diverse range of avant-gardist concepts, trends and manifestations from cubist painting and the literary work of Apollinaire and Gertrude Stein to the screeching voices of futurism, dadaist photomontage and film, surrealist photographs and sculptures and neo-avant-gardist theories as developed by the French group OuLiPo. The volume closes with new insights gained from placing the avant-garde in the contexts of literary institutions and psychoanalytical and sociological concepts. The main body of the volume is based on presentations and discussions of a three-day research seminar held at Yale University, New Haven, in February 2000. The research group formed on this occasion will continue with its efforts to elaborate a new theory of the avant-garde in the coming years.

The Idea of the Avant Garde

Author : Marc James Léger
Publisher : Intellect Books
Page : 437 pages
File Size : 47,9 Mb
Release : 2019-10-15
Category : Art
ISBN : 9781789380903

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The Idea of the Avant Garde by Marc James Léger Pdf

The concept of the avant garde is highly contested, whether one consigns it to history or claims it for present-day or future uses. The first volume of The Idea of the Avant Garde – And What It Means Today provided a lively forum on the kinds of radical art theory and partisan practices that are possible in today’s world of global art markets and creative industry entrepreneurialism. This second volume presents the work of another 50 artists and writers, exploring the diverse ways that avant-gardism develops reflexive and experimental combinations of aesthetic and political praxis. The manifest strategies, temporalities, and genealogies of avant-garde art and politics are expressed through an international, intergenerational, and interdisciplinary convocation of ideas that covers the fields of film, video, architecture, visual art, art activism, literature, poetry, theatre, performance, intermedia and music.

Theater of the Avant-Garde, 1890-1950

Author : Robert Knopf
Publisher : Yale University Press
Page : 512 pages
File Size : 46,8 Mb
Release : 2015-04-28
Category : Drama
ISBN : 9780300210545

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Theater of the Avant-Garde, 1890-1950 by Robert Knopf Pdf

An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.

The Avant-Garde Feature Film

Author : William E.B. Verrone
Publisher : McFarland
Page : 232 pages
File Size : 52,9 Mb
Release : 2011-11-08
Category : Performing Arts
ISBN : 9780786488810

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The Avant-Garde Feature Film by William E.B. Verrone Pdf

Here is a critical and historical overview of unconventional and aesthetically challenging films, all of feature length. The author focuses on the particular forms of contemporary avant-garde films, which often rely on characteristics associated with historical films of the same genre. Included are works by such visionary filmmakers as David Lynch, Luis Bunuel, Jean Cocteau, Jean-Luc Godard, Guy Maddin and Derek Jarman. The first of the two appendices contains a filmography of key avant-garde feature films, from Haxan: Witchcraft Through the Ages (1922) to Maximum Shame (2010). The second appendix offers a brief list of directors who have made significant contributions to films that take alternative approaches to cinematic practice, establishing new grounds for analysis and evaluation.

Theory of the Avant-garde

Author : Peter Bürger
Publisher : Manchester University Press
Page : 196 pages
File Size : 43,7 Mb
Release : 1984
Category : Aesthetics
ISBN : 0719014530

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Theory of the Avant-garde by Peter Bürger Pdf

Bad New Days

Author : Hal Foster
Publisher : Verso Books
Page : 208 pages
File Size : 42,7 Mb
Release : 2015-09-29
Category : Art
ISBN : 9781784781460

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Bad New Days by Hal Foster Pdf

One of the world’s leading art theorists dissects a quarter century of artistic practice Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror. Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this condition, at times resisting the collapse of the social contract or gesturing toward its repair; at other times burlesquing it. Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”

Art Theory and Criticism

Author : Sally Everett
Publisher : McFarland
Page : 302 pages
File Size : 42,6 Mb
Release : 1995-01-15
Category : Art
ISBN : 0786401400

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Art Theory and Criticism by Sally Everett Pdf

Arranged chronologically, the essays in this book--each brilliantly introduced by the editor--deal with the way art and culture interact in modern times. Each author focuses on one aspect of modern art and its relation to culture by analyzing, questioning or refuting the ideas about art that people just assume are true. The essays are also grouped into one of four different models used by art theorists today: the formalist (in which the works of art describe the processes of making art), the avant-garde (art that threatens the status quo), the contextualist (in which art can exist only in a specific situation or context), and the post-modernist (stating that art is not completely detached from popular culture). Instructors considering this book for use in a course may request an examination copy here.

The Collected Essays and Criticism, Volume 1

Author : Clement Greenberg
Publisher : University of Chicago Press
Page : 296 pages
File Size : 44,9 Mb
Release : 1986
Category : Art
ISBN : 9780226306216

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The Collected Essays and Criticism, Volume 1 by Clement Greenberg Pdf

Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.

The Avant-garde Film

Author : P. Adams Sitney
Publisher : Unknown
Page : 295 pages
File Size : 55,7 Mb
Release : 1987
Category : Experimental films
ISBN : 0911689087

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The Avant-garde Film by P. Adams Sitney Pdf

Wonderlands of the Avant-Garde

Author : Julia Vaingurt
Publisher : Northwestern University Press
Page : 322 pages
File Size : 41,9 Mb
Release : 2013-05-31
Category : Art
ISBN : 9780810166523

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Wonderlands of the Avant-Garde by Julia Vaingurt Pdf

In postrevolutionary Russia, as the Soviet government was initiating a program of rapid industrialization, avant-garde artists declared their intent to serve the nascent state and to transform life in accordance with their aesthetic designs. In spite of their professed utilitarianism, however, most avant-gardists created works that can hardly be regarded as practical instruments of societal transformation. Exploring this paradox, Vaingurt claims that the artists’ investment of technology with aesthetics prevented their creations from being fully conscripted into the arsenal of political hegemony. The purposes of avant-garde technologies, she contends, are contemplative rather than constructive. Looking at Meyerhold’s theater, Tatlin’s and Khlebnikov’s architectural designs, Mayakovsky’s writings, and other works from the period, Vaingurt offers an innovative reading of an exceptionally complex moment in the formation of Soviet culture.