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Batman & Robin Vol. 2: Pearl (The New 52) by Peter J. Tomasi,Patrick Gleason,Mick Gray Pdf
Batman's son Robin must prove to his father-as well as his previous mantle-holders-that he's worthy of being the newest Boy Wonder. Damian Wayne, a.k.a. Robin, must prove to Batman, as well as the previous Boy Wonders that he's every bit the hero that his father is in the wake of the cataclysmic events of the best-selling BATMAN & ROBIN VOLUME 1: BORN TO KILL.
Damian's complicated relationship with his mother, Talia al Ghul, takes center stage as the origin of the Son of the Bat is revealed. Bred to kill and not to care, this is the birth of an assassin!
Robin Rises part 2, continued from ROBIN RISES: OMEGA (2014) #1. It's Batman vs. the Justice League as the Dark Knight decides to follow the Chaos Shard back to its source: Apokolips!
Batman and Robin Vol. 7: Robin Rises by Peter J. Tomasi Pdf
It all ends here! After his son Robin's body is stolen by alien hordes, Batman finds himself on the deadly planet of Apokolips-home planet of the murderous despot Darkseid! Aided by his allies Red Hood, Batgirl and Red Robin, Bruce Wayne must face down the most powerful villains in the universe to recover his son's coffin-a son who he'd do anything to bring back. But on a hellish planet, light years from Earth, has that wish come true? Has Robin risen? The final chapter of a two-year storyline comes to a close here in BATMAN AND ROBIN VOL. 7: ROBIN RISES, by the New York Times best-selling team of Peter J. Tomasi and Patrick Gleason. Also featuring illustrations from legendary artist Andy Kubert. Collects BATMAN AND ROBIN #35-40, ROBIN RISES: ALPHA #1, BATMAN AND ROBIN ANNUAL #3 and stories from SECRET ORIGINS #4.
A 'Final Night' tie-in issue! Robin and the Spoiler battle hordes of criminals who terrorize a city that, like the entire world, has been darkened by the Final Night and inundated with severe snowstorms.
Batman and Robin (2011- ) #1 by Peter J. Tomasi Pdf
Battling evil with his son, Damian, at his side, Batman now realizes that the hardest part of the job may be trying to work together! As Batman and Robin try to adjust to their new partnership, a figure emerges from Bruce Wayne's past--one not happy that Batman Incorporated is shining a light on his own shadowy war against evil.
A shadowy figure emerges from Bruce Wayne's past. His name is NoBody, and he's not happy that Batman Incorporated is shining a light on his own shadowy war against evil.
Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante, including: Does Batman have PTSD? Why does he fight crime? Why as a vigilante? Why the mask, the bat, and the underage partner? Why are his most intimate relationships with “bad girls” he ought to lock up? And why won't he kill that homicidal, green-haired clown? Combining psychological theory with the latest in psychological research, Batman and Psychology takes you on an unprecedented journey behind the mask and into the dark mind of your favorite Caped Crusader and his never-ending war on crime.
Batman and Robin (2009 - 2011) #16 by Grant Morrison Pdf
Read Grant Morrison's final issue, and enjoy the culmination of everything he's been building toward since beginning his run with the Caped Crusader. The climactic showdown between Batman and the Black Glove is finally here and it all leads to a new status quo for the Dark Knight...BATMAN INCORPORATED!
Batman and Robin Vol. 2: Batman vs. Robin by Grant Morrison Pdf
The new Dynamic Duo uncover clues involving the mysterious death of Bruce Wayne before facing off against each other in a heated battle that both heroes will regret-if they live through it! Pulling stories from issues #7-12 of this hit series, this volume includes the story "Blackest Knight," which ties into THE BLACKEST NIGHT, as well as stories that lead directly into BATMAN: THE RETURN OF BRUCE WAYNE!
Batman and Robin (2009 - 2011) #14 by Grant Morrison Pdf
One of our heroes lies near death! Dick Grayson and Damian Wayne enter the ultimate, blood-soaked battle against two foes that almost destroyed the original Batman. Are the new Dynamic Duo up to this final confrontation with absolute evil? "Batman Must Die" Part 2.
Hollywood and the End of the Cold War by Bryn Upton Pdf
From the late 1940s until the early 1990s, the Cold War was perhaps the most critical and defining aspect of American culture, influencing television, music, and movies, among other forms of popular entertainment. Films in particular were at the center of the battle for the hearts and minds of the American public. Throughout this period, the Cold War influenced what movies got produced, how such movies were made, and how audiences understood the films they watched. In the post–Cold War era, some genres of film suffered from the shift in our national narratives, while others were quickly reimagined for an audience with different political and social fears. In Hollywood and the End of the Cold War: Signs of Cinematic Change, Bryn Upton compares films from the late Cold War era with movies of similar themes from the post–Cold War era. In this volume, Upton pays particular attention to shifts in narrative that reflect changes in American culture, attitudes, and ideas. In exploring how the absence of the Cold War has changed the way we understand and interpret film, this volume seeks to answer several key questions such as: Has the end of the Cold War altered how we tell our stories? Has it changed how we perceive ourselves? In what ways has our popular culture been affected by the absence of this once dominant presence? With its focus on themes that are central to the concerns of many historians—including civil religion, social fracture, and the culture wars—Hollywood and the End of the Cold War will serve as a useful tool for those seeking to integrate film into the classroom, as well as for film scholars exploring representations of sociopolitical change on screen.