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Becoming Carole Lombard: Stardom, Comedy and Legacy is a historical critique of the development and reception of Carole Lombard's stardom from the classical Hollywood period to present day. Based on original archival research, Olympia Kiriakou combines theoretically informed textual analyses of Lombard's performances and star image across different media (biographies, publicity materials, photography and film) with a critical engagement of the cultural, economic, social and industrial conditions that shaped her stardom. Sitting at the intersection of feminist film theory, star studies and comedy theory, this work presents Lombard as a case study to challenge the screwball canon and existent academic discourse about female physical comedy and the alleged “delicate” female body. In doing so, it formulates a new historical approach to understanding gender, femininity, and identity in Hollywood comedies of the 1930s. Moreover, this is the first research of its kind to offer a comprehensive understanding of Lombard's stardom beyond her associations with the screwball comedy genre.
Becoming Carole Lombard: Stardom, Comedy and Legacy is a historical critique of the development and reception of Carole Lombard's stardom from the classical Hollywood period to present day. Based on original archival research, Olympia Kiriakou combines theoretically informed textual analyses of Lombard's performances and star image across different media (biographies, publicity materials, photography and film) with a critical engagement of the cultural, economic, social and industrial conditions that shaped her stardom. Sitting at the intersection of feminist film theory, star studies and comedy theory, this work presents Lombard as a case study to challenge the screwball canon and existent academic discourse about female physical comedy and the alleged delicate female body. In doing so, it formulates a new historical approach to understanding gender, femininity, and identity in Hollywood comedies of the 1930s. Moreover, this is the first research of its kind to offer a comprehensive understanding of Lombard's stardom beyond her associations with the screwball comedy genre.
Julie Crawford left Fort Wayne, Indiana with dreams of being a Hollywood screenwriter. Unfortunately, her new life is off to a rocky start. Fired by the notoriously demanding director of Gone With the Wind, she’s lucky to be rescued by Carole Lombard, whose scandalous affair with the still-married Clark Gable is just heating up. As Carole’s assistant, Julie suddenly has a front-row seat to two of the world’s greatest love affairs. And while Rhett and Scarlett—and Lombard and Gable—make movie history, Julie is caught up in a whirlwind of outsized personalities and overheated behind-the-scenes drama … not to mention a budding romance of her own.
Uninhibited, vivacious, and a startling talent, Carole Lombard was the darling of her day. Her wit and charm made her the social as well as artistic hub around which Hollywood revolved during the '30's. She was years before her time in her sophistication, and her independence established her as an oracle of the New Woman. She was an enchanting beauty and a great artist—the supreme comedienne during the high point of American film comedy. Larry Swindell vividly recreates her career and extraordinary personal life. Her fabled love affair and marriage with Clark Gable are here put into proper focus for the first time. Told by a master chronicler o f the movies, this is a vibrant biography of the hometown girl who became one of greatest stars of Hollywood's golden age.
‘An entertaining and lucid biography’ We Are Cult ?CAROLE LOMBARD was the very opposite of the typical 1930s starlet. A no-nonsense woman, she worked hard, took no prisoners and had a great passion for life. As a result, she became Hollywood’s highest-paid star. From the outside, Carole’s life was one of great glamour and fun, yet privately she endured much heartache. As a child, she was moved across the country, away from her beloved father. She then began a film career, only to have it cut short after a devastating car accident. After she picked herself back up, she was rocked by the accidental shooting of her lover; a failed marriage to actor William Powell; and the sorrow of infertility during her marriage to Hollywood’s King, Clark Gable.
Clark Gable arrived in Hollywood after a rough-and-tumble youth, and his breezy, big-boned, everyman persona quickly made him the town’s king. He was a gambler among gamblers, a heavy drinker in the days when everyone drank seemingly all the time, and a lover to legions of the most attractive women in the most glamorous business in the world, including the great love of his life, Carole Lombard. In this well-researched and revealing biography, Warren G. Harris gives an exceptionally acute portrait of one of the most memorable actors in the history of motion pictures—whose intimates included such legends as Marilyn Monroe, Joan Crawford, Loretta Young, David O. Selznick, Jean Harlow, Judy Garland, Lana Turner, Spencer Tracy, and Grace Kelly—as well as a vivid sense of the glamour and excess of mid-century Hollywood.
Mayer, Gable's boss, who feared a scandal. Soon they were living together, and America's number one blonde bombshell was learning to hunt, ride, shoot and fish, while Gable sweated out his divorce and suffered through the skirmishing that preceded the filming of Gone With the Wind, worrying about a role he found uncomfortable, but which was to crown his reputation. Together, they make for a book that is lusty, funny, and full of the glittering gossip and real-life tragedy that occur only in Hollywood lives. This book is the story of two otherwise quite ordinary American kids who somehow grew up to become Clark Gable and Carole Lombard, fell in love, married, and lived happily until the day in 1942 when Lombard was killed in a plane crash, plunging the United States into a mourning that eclipsed the war news and leaving Gable a lonely man whose last wish was to be buried beside his beloved Carole.
American Legends by Charles River Charles River Editors Pdf
*Includes pictures. *Includes Lombard's quotes about her life and career. *Includes a bibliography for further reading. "Carole Lombard's tragic death means that something of gaiety and beauty have been taken from the world at a time they are needed most." - Errol Flynn A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. On January 16, 1942, just a few weeks after Pearl Harbor brought the United States into World War II, the nation suffered what were considered the first civilian deaths of the war when a plane crashed into the side of a mountain southwest of Las Vegas. Aboard the plane were 15 servicemen, but the plane was also carrying one of Hollywood's biggest stars: actress Carole Lombard. Although Lombard's death and her marriage to Gone With the Wind star Clark Gable have overshadowed her career, her untimely death in 1942 cut short the life of one of Hollywood's most prominent stars at the time. In fact, Lombard's platinum look and her unique mannerisms had helped her become the biggest star of the screwball genre by the end of the 1930s, and her movies were so successful that she was the highest paid actress in Hollywood by the start of the 1940s. As English critic Graham Greene said of her, "Platinum blonde, with a heart-shaped face, delicate, impish features and a figure made to be swathed in silver lam�, Lombard wriggled expressively through such classics of hysteria as Twentieth Century and My Man Godfrey." Indeed, despite dying at the age of 33, the American Film Institute recognized her as one of the biggest film icons of the 20th century. Lombard has been memorialized in many fitting ways as an actress, but one of her biggest contributions to Hollywood was the blond archetype that the film industry used successfully for decades in screwball comedies, paving the way for the success of women like Marilyn Monroe. Perhaps the most remarkable aspect of that fact is that it was actually based on Carole's gushing personality. As famous director Howard Hawks noted of her, "She acted like a schoolgirl ... and she was stiff, she would try and imagine a character and then act according to her imaginings instead of being herself." When Lombard started simply portraying herself, Hawks told actor John Barrymore, "[Y] ou've just seen a girl that's probably going to be big a star, and if we can just keep her from acting, we'll have a hell of a picture." American Legends: The Life of Carole Lombard examines the life and career of one of the Golden Era of Hollywood's biggest stars. Along with pictures of important people, places, and events, you will learn about Carole Lombard like never before, in no time at all.
A remarkable and historically authentic look inside Hollywood's Golden Age and the legendary romance between Clark Gable and Carole Lombard. This novel explores Lombard's life and how the twin burdens of illegitimacy and silence shaped her daughter. When Cass McGowan, Lombard's grand-daughter and professor of film history, discovers her famous grandmother's diaries and edits them for publication the reader is plunged into a world twisted between the present and the past where time and space lose their hold. Cass chases her grandmother through her story, seeking her own answers as she explores the subtle complexities of love told through the stories of three generations of women--an interwoven strand of blood and love. Cass's search moves as swiftly as the trains Carole knew so well until it reaches its own spellbinding conclusion. This book is authentic Lombard, as close as anyone can get to knowing her now.
During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure. Through extensive, original archival research, Independent Stardom uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.
From the Turner Classic Movies Library: Film and history buffs alike will enjoy this engrossing story of Hollywood's involvement in World War II, as it's never before been told. Remember a time when all of Hollywood—with the expressed encouragement and investment of the government—joined forces to defend the American way of life? It was World War II and the gravest threat faced the nation, and the world at large. Hollywood answered the call to action. This is the riveting tale of how the film industry enlisted in the Allied effort during the second World War—a story that started with staunch isolationism as studios sought to maintain the European market and eventually erupted into impassioned support in countless ways. Industry output included war films depicting battles and reminding moviegoers what they were fighting for, "home-front" stories designed to boost the morale of troops overseas, and even musicals and comedies that did their bit by promoting the Good Neighbor Policy with American allies to the south. Stars like Carole Lombard—who lost her life returning from a war bond-selling tour—Bob Hope, and Marlene Dietrich enthusiastically joined USO performances and risked their own health and safety by entertaining troops near battlefronts; others like James Stewart and Clark Gable joined the fight themselves in uniform; Bette Davis and John Garfield created a starry haven for soldiers in their founding of the Hollywood Canteen. Filmmakers Orson Welles, Walt Disney, Alfred Hitchcock, and others took breaks from thriving careers to make films aiming to shore up alliances, boost recruitment, and let the folks back home know what beloved family members were facing overseas. Through it all, a story of once-in-a-century unity—of a collective need to stand up for humanity, even if it means risking everything—comes to life in this engrossing, photo-filled tale of Hollywood Victory.
IPPY Award Bronze Medalist for Performing Arts Digging deep into the vaults of Warner Brothers and the collections of the Academy of Motion Picture Arts and Sciences as well as other private archives, this book explores the complex personal and professional relationship of Errol Flynn and Olivia de Havilland. Flynn, even 50 years after his death, continues to conjure up images to the prototypical handsome, charismatic ladies' man; while de Havilland, a two-time Best Actress Academy Award winner, is the last surviving star of Gone with the Wind. Richly illustrated with both color and black-and-white photos, most previously unpublished, this detailed history tells the sexy story of these two massive stars, both together and apart.
As Nick and Nora Charles in the six Thin Man movies from 1934 to 1947, the team of William Powell and Myrna Loy showed that marriage didn’t have to mean the end of the romantic comedy. From the comedic delight that was the initial The Thin Man through its five sequels as well as eight other films (including the Oscar-winning The Great Ziegfeld and Manhattan Melodrama), Powell and Loy were cemented in the public imagination as Hollywood’s happiest married couple. In Becoming Nick and Nora,comedy writer and Hollywood historian Rob Kozlowski follows the winding path that Powell and Loy’s screen personas took over their careers. Studios originally cultivated the two as villains in the silent era: Powell as a mustachioed, swashbuckling fiend and Loy as an “exotic” adversary. With the rise of talkies, the two managed to broaden their range beyond villainous stereotypes, but it took several false starts before they achieved their lasting legacy as Nick and Nora. Packed with behind-the-scenes details and memorable characters, this is a lively look at two tinseltown icons and a film series that remains beloved nearly a century later.
