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Both an autobiography of Makdisi--born in Jerusalem, raised in Egypt, educated in the West, and a resident of Beirut since 1972--and a biography of the city, transformed by 15 years of civil war from grandeur to ruins. Published by Persea Books, 60 Madison Avenue, New York, 10010. Annotation copyrighted by Book News, Inc., Portland, OR
The Ethics of Representation in Literature, Art, and Journalism by Caroline Rooney,Rita Sakr Pdf
This transnational collection of essays, interviews, and creative pieces on the 1982 Siege of Beirut explores literary representations of the siege by a diverse set of writers alongside journalism and other media including film and art. The book investigates and promotes an awareness of an ethics of representation on questions of extreme emotional investment, comparing representations of the siege to representations of other traumatic events, visiting responses from those of different cultural backgrounds to the same event and considering implications with respect to comparative approaches. Chapters explore how literature, journalism and art contribute to overcoming the dangers of forgetting and denial, memorial excess and fundamentalism, the radicalization of violence, and the complete breakdown of trust on international levels, asking how they challenge geopolitical, intellectual, and psychological states of siege and instead promote awareness, acknowledgement, mourning, and justice across divided communities. The book extends the use of postcolonial methodologies affiliated with history, international relations, and psychoanalysis (memory, trauma) to Middle-Eastern studies, and visits the siege’s effect on different forms of memory and memorialization: selective memory, trauma, gaps and fissures in historical accounts, recording of eyewitness reports, and artistic re-imaginings and realizations of alternative archives.
Miscellanea Neotestamentica, Volume 47 I by Tjitze Baarda,Albertus Frederik Johannes Klijn,Williem Cornelis van Unnik,Studiosorum Novi Testamenti Conventus Pdf
Miscellanea Neotestamentica, Volume I by T. Baarda,W.C. van Unnik Pdf
Preliminary Material /T. Baarda , A. F. J. Klijn and W. C. van Unnik -- The Study of the New Testament in the Netherlands, 1951-1976 /W. C. van Unnik -- A Fragment of Paul at Amsterdam (0270) /J. Smit Sibinga -- LC. XXIV 12 Les Témoins Du Texte Occidental /F. Neirynck -- The Author of the Arabic Diatessaron /T. Baarda -- Jeremias Hoelzlin: Editor of the 'Textus Receptus ' Printed by the Elzeviers Leiden 1633 /H. J. de Jonge -- Probleme Und Impulse Der Neutestamentlichen Apokalyptik /P. L. Schoonheim -- From Creation to Noah in the Second Dream-Vision of the Ethiopic Henoch /A. F. J. Klijn -- Marcus Gnosticus and the New Testament: Eucharist and Prophecy /J. Reiling -- In Ihren Zelten /J. Helderman -- Index of Authors /T. Baarda , A. F. J. Klijn and W. C. van Unnik -- Index of Subjects /T. Baarda , A. F. J. Klijn and W. C. van Unnik -- Index of References /T. Baarda , A. F. J. Klijn and W. C. van Unnik.
A gospel harmony composed c. 172 C.E., the Diatessaron is one of the earliest witnesses to the gospels. Regarded as the first version of the gospels in Latin, Syriac, and Armenian, the Diatessaron was used by Encratites, Judaic-Christians, and “Great Church” Christians alike. This study is the first comprehensive treatment of the Diatessaron in more than a century. After sketching the second-century setting and Tatian's biography, it describes virtually every Diatessaronic witness and provides a scholar-by-scholar summary of research from 546 to the present. Criteria for reconstructing Diatessaronic readings are developed, and numerous examples offer the reader first-hand experience with the witnesses. It contains the first Bibliography of research on the Diatessaron (600+ titles) and the first “Catalogue of Manuscripts of Diatessaronic Witnesses and Related Works” ever published.
Serçe Limani, Vol 2 by George F. Bass,Berta Lledo,Sheila Matthews,Robert H. Brill Pdf
For almost a millennium, a modest wooden ship lay underwater off the coast of Serçe Limani, Turkey, filled with evidence of trade and objects of daily life. The ship, now excavated by the Institute of Nautical Archaeology at Texas A&M University, trafficked in both the Byzantine and Islamic worlds of its time. Known as "the Glass Wreck," it bore cargo that included three metric tons of glass cullet, including broken Islamic vessels and eighty pieces of intact glassware, along with various artifacts of ship life. This second volume of the discovery’s investigation focuses on the excavation, conservation, and study of the glass found in the wreckage. The extensive catalog will be a valuable tool for archaeologists and scholars of Islamic glass and Islamic trade. Further, the systematic methodology and presentation of such a large undertaking will serve as a model for future study across many disciplines.
Once the cosmopolitan center of the Middle East, Beirut was devastated by the civil war that ran from 1975 to 1991, which dislocated many residents, disrupted normal municipal functions, and destroyed the vibrant downtown district. The aftermath of the war was an unstable situation Sawalha considers "a postwar state of emergency," even as the state strove to restore normalcy. This ethnography centers on various groups' responses to Beirut's large, privatized urban-renewal project that unfolded during this turbulent moment. At the core of the study is the theme of remembering space. The official process of rebuilding the city as a node in the global economy collided with local day-to-day concerns, and all arguments invariably inspired narratives of what happened before and during the war. Sawalha explains how Beirutis invoked their past experiences of specific sites to vie for the power to shape those sites in the future. Rather than focus on a single site, the ethnography crosses multiple urban sites and social groups, to survey varied groups with interests in particular spaces. The book contextualizes these spatial conflicts within the discourses of the city's historical accounts and the much-debated concept of heritage, voiced in academic writing, politics, and journalism. In the afterword, Sawalha links these conflicts to the social and political crises of early twenty-first-century Beirut.
Feminist Theory in Pursuit of the Public by R. Goodman Pdf
Feminist Theory in Pursuit of the Public argues that feminism needs to develop a theory of the public. It responds to a moment when feminism's impetus to reconstitute the private sphere left a huge gap in its political thinking on the public. This inattention to the public is particularly worrisome now when the nation-state and its publics seem to have diminishing power and compromised democratic agency. The waning of power in the public sphere diminishes the influence that citizens can have in deciding on the conditions of life, and therefore minimizes the changes that feminists can envision or enact in the social field to work towards equality, access, deliberation, participation, just distribution, rights, and authority for women.
Memory and Violence in the Middle East and North Africa by Ussama Samir Makdisi,Paul A. Silverstein Pdf
The Middle East and North Africa form a region united by a common history of armed conflict and repeated international efforts at producing a lasting peace. This interdisciplinary collection explores the connections between memories of past violence and the violence of present memories, the context for all contemporary efforts at conflict resolution and reconciliation. The contributors examine the 1954–1962 Franco-Algerian war, the 1975–1991 Lebanese civil war, and the ongoing Arab-Israeli conflict as interconnected struggles that outline national polities, infranational fractures, and transnational political connections. Insofar as national unity has been constructed on the contested claims of sacrifice and martyrdom, the legacy of violence has remained inscribed at the heart of political identity. The case studies point to the failure of current attempts to officially forget past conflicts, at the same time indicating local successes in commemorative actions that forge at least partial peaces between individuals and groups. Ussama Makdisi is Associate Professor of History at Rice University and the first holder of the Arab-American Educational Foundation Chair of Arab Studies. He is author of The Culture of Sectarianism: Community, History, and Violence in Nineteenth-Century Ottoman Lebanon. Paul Silverstein is Associate Professor of Anthropology at Reed College and author of Algeria in France: Transpolitics, Race, and Nation (IUP, 2004). He has conducted research in France, Algeria and Morocco and is a member of the editorial board of Middle East Report.
A Study of the Circulation of Ceramics in Cyprus from the 3rd Century BC to the 3rd Century AD by John Lund Pdf
This is the first monograph devoted solely to the ceramics of Cyprus in the Hellenistic and Roman Periods. The island was by then no longer divided into kingdoms but unified politically, first under Ptolemaic Egypt and later as a province in the Roman Empire. Submission to foreign rule was previously thought to have diluted - if not obliterated - the time-honoured distinctive Cypriot character. The ceramic evidence suggests otherwise. The distribution of local and imported pottery in Cyprus points to the existence of several regional exchange networks, a division that also seems reflected by other evidence. The similarities in material culture, exchange patterns and preferential practices are suggestive of a certain level of regional collective self-awareness. From the 1st century BC onwards, Cyprus became increasingly engulfed by mass produced and standardized ceramic fine wares, which seem ultimately to have put many of the indigenous makers of similar products out of business - or forced them to modify their output. Also, the ceramic record gradually became less diverse during the Roman Period than before - developments which we today might be inclined to view as symptoms of an early form of globalisation.
The Fragmenting Force of Memory by Norman Saadi Nikro Pdf
This study is about experimental forms of cultural production that situate and work through personal experiences of the civil war in Lebanon. It addresses selected works of literature, autobiography and memoir by Jean Said Makdisi, Rashid al-Daif, Elias Khoury and Mai Ghoussoub, and the civil war trilogy of documentary films by Mohamed Soueid. From a phenomenological hermeneutic perspective, the book is concerned with how they give accounts of themselves as remnants, leftovers and undigested remains of the civil war, and of related trajectories of ideological attachment to symbolic mandates. Constrained to reposition their sense of self from an agent of history to a casualty of history, their acutely personal works of cultural production initiate an unraveling of both self and circumstance through the fragmenting force of memory. Drawing on a broad range of phenomenological critical theory (within the research fields of postcolonial, memory, psychoanalytic, gender and literary studies) attuned to subjectivity as a field of social production and exchange, emphasis is given to how the writers and filmmaker employ a non-presentist, anachronic or paratactic register of memory to excavate both a historical understanding of self and related modalities of social viability. This concerns how the symptomatic style of their work embodies, and creatively and critically situates, a refusal to package and normailze any idealized account of the war, related assemblages of temporal succession, or a presentation of self as discrete and omniscient.
How did a new, irresistible brand of television emerge from the Lebanese Civil War (1975–91) to conquer the Arab region in the satellite era? What role did seductive news anchors, cool language teachers, superheroes, and gossip magazines play in negotiating a modern relationship between television and audiences? How did the government lose its television monopoly to sectarian militias? Pretty Liar tells the untold story of the coevolution of Lebanese television and its audience, and the ways in which the Civil War of 1975–91 influenced that transformation. Based on empirical data, Khazaal explores the rise of language and gender politics in Lebanese television and the storm of controversy during which these issues became a referendum on television’s relevance. This groundbreaking book challenges the narrow focus on present-day satellite television and social media, offering the first account of how broadcast television transformed media legitimacy in the Arab world. With its analysis of news, entertainment, and educational shows from Télé Liban and LBC, novels, periodicals, and popular culture, Pretty Liar demonstrates how television became a site for politics and political resistance, feminism, and the cradle of the postwar Lebanese culture. The history of television in Lebanon is not merely a record of corporate technology but the saga of a people and their continuing demand for responsive media during times of civil unrest.
The Literature of the Lebanese Diaspora by Jumana Bayeh Pdf
The Lebanese civil war, which spanned the years of 1975 to 1990,caused the migration of hundreds of thousands of Lebanese citizens, many of whom are still writing of their experiences. Jumana Bayeh presents an important and major study of the literature of the Lebanese diaspora. Focusing on novels and writings produced in the aftermath of Lebanon's protracted civil war, Bayeh explores the complex relationships between place, displacement and belonging, and illuminates the ways in which these writings have shaped a global Lebanese identity. Combining history with sociology, Bayeh examines how the literature borne out of this expatriate community reflects a Lebanese diasporic imaginary that is sensitive to the entangled associations of place and identity. Paving the way for new approaches to understanding diasporic literature and identity, this book will be vital for researchers of migration studies and Middle Eastern literature, as well as those interested in the cultures, history and politics of the Middle East.
