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Containing analyses of everything from prisoner poetry to album covers, Belomor: Criminality and Creativity in Stalin’s Gulag moves beyond the simplistic good/evil paradigm that often accompanies Gulag scholarship. While acknowledging the normative power of Stalinism—an ethos so hegemonic it wanted to harness the very mechanisms of inspiration—the volume also recognizes the various loopholes offered by artistic expression. Perhaps the most infamous project of Stalin’s first Five-Year Plan, the Belomor construction was riddled by paradox, above all the fact that it created a major waterway that was too shallow for large crafts. Even more significant, and sinister, is that the project won the backing of famous creative luminaries who enthusiastically professed the doctrine of self-fashioning. Belomor complicates our understanding of the Gulag by looking at both prisoner motivation and official response from multiple angles, thereby offering a more expansive vision of the labor camp and its connection to Stalinism.
The documents emerging from the secret police archives of the former Soviet bloc have caused scandal after scandal, compromising revered cultural figures and abruptly ending political careers. Police Aesthetics offers a revealing and responsible approach to such materials. Taking advantage of the partial opening of the secret police archives in Russia and Romania, Vatulescu focuses on their most infamous holdings—the personal files—as well as on movies the police sponsored, scripted, or authored. Through the archives, she gains new insights into the writing of literature and raises new questions about the ethics of reading. She shows how police files and films influenced literature and cinema, from autobiographies to novels, from high-culture classics to avant-garde experiments and popular blockbusters. In so doing, she opens a fresh chapter in the heated debate about the relationship between culture and politics in twentieth-century police states.
Making History for Stalin by Cynthia Ann Ruder Pdf
"A fascinating work. . . . Given the growing interest in the Stalin period among historians and literary scholars, this work is truly cutting-edge."--Catharine T. Nepomnyaschy, Barnard College The Belomor Canal, exalted in the 1930s by the Stalinist press, came to symbolize what was morally deplorable in Stalinism. Making the story available for the first time in English, Cynthia Ruder reconstructs the Canal project as a pivotal social, political, historical, and, most important, literary event. Built with forced labor, the Belomor project has been a forbidden topic for half a century. With access to recently opened archives and to interviews with Canal construction survivors themselves, Ruder examines the project and its attendant literary works--drama, poetry, novels, and the collectively written History of the Construction of the Stalin White Sea-Baltic Canal--to create an unusually broad understanding of Stalinist culture. She argues that the project was the first to institutionalize the philosophy of perekovka, the idea that a new people who personify the Soviet Union in action and deed could be created through forced labor and ideological reeducation. As both a construction project and a literary event, Belomor was characterized by contradictions: enthusiasm versus revulsion, good will versus cynicism, self-destruction versus self-preservation, and scorn for the West versus a desperate hunger to impress it. Ruder shows that these juxtapositions capture the tension that infused many other events at the time, turning Belomor into a microcosm of life and literature in Soviet Russia. Cynthia A. Ruder is a lecturer in Russian at Bryn Mawr College. She has published work in Russian Literature and American Approaches to Russian Language Pedagogy.
A spellbinding meditation on art and life that travels from Eastern Europe to Northern Australia, from World War II to the present. Shortlisted for the Prime Minister's Literary Awards, 2014 Elegiac and seductive, Belomor is the frontier where truth and invention meet, where fragments from distant lives intermingle, and cohere. A man seeks out the father figure who shaped his picture of the past. A painter seeks redemption after the disasters of his years in northern Australia. A student of history travels into the depths of religion, the better to escape the demons in his mind. A filmmaker seeks out freedom and open space, and looks into the murk and sediment of herself. Four chapters: four journeys through life, separate, yet interwoven as the narrative unfolds. In this entrancing new book from one of our most original writers, we meet European dissidents from the age of postwar communism, artists in remote Australia, snake hunters, opal miners and desert magic healers. Belomor is a meditation on time, and loss: on how the most bitter recollections bring happiness, and the meaning of a secret rests in the thoughts surrounding it. Nicolas Rothwell is the award-winning author of Heaven and Earth, Wings of the Kite-Hawk, Another Country, The Red Highway and Journeys to the Interior. He lives in Darwin, and is the Australian's roving northern correspondent. 'Melancholy, singular, exhilarating, Belomor reads like a haunted history of the world.' Delia Falconer 'Belomor is exhilarating, challenging and draining...The existence of a final page, a final sentence, presupposes some sort of climax, but Belomor would be better suited to looping back and beginning all over again.' Adelaide Advertiser 'Rothwell's writing resists easy description. He roams the borderlands between memoir and fiction and insinuates himself into gaps between time and place...His prose is lush and often beautiful.' Weekend Australian 'At a time when writers and publishers shy away from the obscure and the oblique, Rothwell's ambition and the intricacy of his book must be acknowledged.' Sydney Morning Herald 'Thoughout these pages, Rothwell proves adept at navigating the cross-currents of European cultural history. Nevertheless, the main emphasis of Belomor falls elsewhere, on the physical, cultural and spiritual complexion of a seemingly very different world: the vast, enigmatic spaces of the north of Australia that Rothwell has traversed for many years. This frequently oblique but almost always compelling book seeks to reconcile those apparently opposed worlds, tracing subtle but significant affinities between Europe's historically determined self-consciousness and what might be called the Dreamtime.' Saturday Age, Canberra Times, Sydney Morning Herald 'A peculiar and bewitching work of Australian literature...a hymn of praise to the north and its inhabitants.' Herald Sun 'Rothwell's calm wondering...left me with a feeling of enchantment.' Robert Dessaix 'Spanning continents and decades, this is a work that defies literary conventions; seamlessly moving between fact and fiction, memoir and essay, history and digressive conversation...it also poses critical questions about the present and future of our culture that will stay with readers long after they finish this book.' Bill Godber, Managing Director Turnaround UK
Meanings and Values of Water in Russian Culture by Jane Costlow,Arja Rosenholm Pdf
Bringing together a team of scholars from the diverse fields of geography, literary studies, and history, this is the first volume to study water as a cultural phenomenon within the Russian/Soviet context. Water in this context is both a cognitive and cultural construct and a geographical and physical phenomenon, representing particular rivers (the Volga, the Chusovaia in the Urals, the Neva) and bodies of water (from Baikal to sacred springs and the flowing water of nineteenth-century estates), but also powerful systems of meaning from traditional cultures and those forged in the radical restructuring undertaken in the 1930s. Individual chapters explore the polyvalence and contestation of meanings, dimensions, and values given to water in various times and spaces in Russian history. The reservoir of symbolic association is tapped by poets and film-makers but also by policy-makers, the popular press, and advertisers seeking to incite reaction or drive sales. The volume's emphasis on the cultural dimensions of water will link material that is often widely disparate in time and space; it will also serve as the methodological framework for the analysis undertaken both within chapters and in the editors' introduction.
Between Stalin's death in 1953 and 1960, the government of the Soviet Union released hundreds of thousands of prisoners from the Gulag as part of a wide-ranging effort to reverse the worst excesses and abuses of the previous two decades and revive the spirit of the revolution. This exodus included not only victims of past purges but also those sentenced for criminal offenses. In Khrushchev's Cold Summer Miriam Dobson explores the impact of these returnees on communities and, more broadly, Soviet attempts to come to terms with the traumatic legacies of Stalin's terror. Confusion and disorientation undermined the regime's efforts at recovery. In the wake of Stalin's death, ordinary citizens and political leaders alike struggled to make sense of the country's recent bloody past and to cope with the complex social dynamics caused by attempts to reintegrate the large influx of returning prisoners, a number of whom were hardened criminals alienated and embittered by their experiences within the brutal camp system. Drawing on private letters as well as official reports on the party and popular mood, Dobson probes social attitudes toward the changes occurring in the first post-Stalin decade. Throughout, she features personal stories as articulated in the words of ordinary citizens, prisoners, and former prisoners. At the same time, she explores Soviet society's contradictory responses to the returnees and shows that for many the immediate post-Stalin years were anything but a breath of spring air after the long Stalinist winter.
The Superdeep Well of the Kola Peninsula by Yevgeny A. Kozlovsky Pdf
The present book is devoted to the study of the deep Earth's interior structure, one of the most important problems of Earth sciences today. The drilling of the Kola superdeep well inaugurated a new stage in the study of the Precambrian continental crust. The well was sunk in the northeastern part of the Baltic Shield, in an area where the Precambrian ore-bearing structures, typical of the ancient platform basements, are in juxtaposition with each other. To the present the well has been drilled to a depth of 12 km, has traversed the full thickness of the Proterozoic complex and a considerable part of the Archean stratum, and is still be ing worked on. This book reviews the principal results of investigations to a depth of 11,600 m; these are described in three sections: geology, geophysics, and drilling. The book begins with a general review of the history, the present state of knowledge, and trends of further investigations in the field of study of the Earth's interior and superdeep drilling. The first section of the book considers the geology of the vicinity of the Kola superdeep well and describes its geological section based on a detailed examination both of the cores and the near-borehole area.
Today the 80-mile-long Moscow Canal is a source of leisure for Muscovites, a conduit for tourists and provides the city with more than 60% of its potable water. Yet the past looms heavy over these quotidian activities: the canal was built by Gulag inmates at the height of Stalinism and thousands died in the process. In this wide-ranging book, Cynthia Ruder argues that the construction of the canal physically manifests Stalinist ideology and that the vertical, horizontal, underwater, ideological, artistic and metaphorical spaces created by it resonate with the desire of the state to dominate all space within and outside the Soviet Union. Ruder draws on theoretical constructs from cultural geography and spatial studies to interpret and contextualise a variety of structural and cultural products dedicated to, and in praise of, this signature Stalinist construction project. Approached through an extensive range of archival sources, personal interviews and contemporary documentary materials these include a diverse body of artefacts - from waterways, structures, paintings, sculptures, literary and documentary works, and the Gulag itself. Building Stalinism concludes by analysing current efforts to reclaim the legacy of the canal as a memorial space that ensures that those who suffered and died building it are remembered. This is essential reading for all scholars working on the all-pervasive nature of Stalinism and its complex afterlife in Russia today.
Death and Redemption offers a fundamental reinterpretation of the role of the Gulag--the Soviet Union's vast system of forced-labor camps, internal exile, and prisons--in Soviet society. Soviet authorities undoubtedly had the means to exterminate all the prisoners who passed through the Gulag, but unlike the Nazis they did not conceive of their concentration camps as instruments of genocide. In this provocative book, Steven Barnes argues that the Gulag must be understood primarily as a penal institution where prisoners were given one final chance to reintegrate into Soviet society. Millions whom authorities deemed "reeducated" through brutal forced labor were allowed to leave. Millions more who "failed" never got out alive. Drawing on newly opened archives in Russia and Kazakhstan as well as memoirs by actual prisoners, Barnes shows how the Gulag was integral to the Soviet goal of building a utopian socialist society. He takes readers into the Gulag itself, focusing on one outpost of the Gulag system in the Karaganda region of Kazakhstan, a location that featured the full panoply of Soviet detention institutions. Barnes traces the Gulag experience from its beginnings after the 1917 Russian Revolution to its decline following the 1953 death of Stalin. Death and Redemption reveals how the Gulag defined the border between those who would reenter Soviet society and those who would be excluded through death.
This volume is an ambitious study of efforts by twentieth-century states to reshape—either through social policy or brute force—their societies and populations according to ideologies based on various theories of human perfectibility.
"The most heinous Soviet crimes - the Red Terror, brutal collectivization, the Great Famine, the Gulag, Stalin's Great Terror, mass deportations, and other atrocities - were treated in the West as a controversial topic. With the Cold War dichotomy of Western democracy versus Soviet communism deeply imprinted in our minds, we are not always aware that these crimes were very often questioned, dismissed, denied, sometimes rationalized, and even outright glorified in the Western world. Facing a choice of whom to believe -the survivors or Soviet propaganda- many Western opinion leaders chose in favor of Soviet propaganda. Even those who did not believe it behaved sometimes as if they did. Blissful Blindness explores Western reactions (and lack thereof) to Soviet crimes from the Bolshevik revolution to the collapse of Soviet communism in order to understand ideological, political, economic, cultural, personal, and other motivations behind this puzzling phenomenon of willful ignorance. But the significance of Dariusz Tolczyk's book reaches beyond its direct historical focus. Written for audiences not limited to scholars and specialists, this book not only opens one's eyes to rarely examined aspects of the twentieth century but also helps one see how astonishingly relevant this topic is in our contemporary world"--
The cost of constructing Envy: Iurii Olesha and the Soviet production novel -- How she worked on Hydrocentral: Marietta Shaginian and the changing Soviet author -- Building "Novye Vaiuki": Ilf and Petrov map the production novel -- (Re)constructing the production novel: Boris Pilniak, Mahogany, and The Volga Falls to the Caspian Sea -- Finding space in Time, forward! Kataev and writers at work -- Deconstructing Soviet work: Andrei Platonov and the end of the production novel.
Although scholars have devoted much attention to the impact of technology on society, they have tended to slight the question of how technology is affected by social systems. The authors of this volume take precisely this approach in their examination of the "Soviet model" of development.
Today the 80-mile-long Moscow Canal is a source of leisure for Muscovites, a conduit for tourists and provides the city with more than 60% of its potable water. Yet the past looms heavy over these quotidian activities: the canal was built by Gulag inmates at the height of Stalinism and thousands died in the process. In this wide-ranging book, Cynthia Ruder argues that the construction of the canal physically manifests Stalinist ideology and that the vertical, horizontal, underwater, ideological, artistic and metaphorical spaces created by it resonate with the desire of the state to dominate all space within and outside the Soviet Union. Ruder draws on theoretical constructs from cultural geography and spatial studies to interpret and contextualise a variety of structural and cultural products dedicated to, and in praise of, this signature Stalinist construction project. Approached through an extensive range of archival sources, personal interviews and contemporary documentary materials these include a diverse body of artefacts - from waterways, structures, paintings, sculptures, literary and documentary works, and the Gulag itself. Building Stalinism concludes by analysing current efforts to reclaim the legacy of the canal as a memorial space that ensures that those who suffered and died building it are remembered. This is essential reading for all scholars working on the all-pervasive nature of Stalinism and its complex afterlife in Russia today.
