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Author : Ian P. Howard,Brian J. Rogers Publisher : Oxford University Press, USA Page : 756 pages File Size : 50,8 Mb Release : 1995 Category : Medical ISBN : 0195084764
Binocular Vision and Stereopsis by Ian P. Howard,Brian J. Rogers Pdf
This is a comprehensive survey of binocular vision, with an emphasis on its role in the perception of a three-dimensional world. The central theme is biological vision. Machine vision and computational models are discussed where they contribute to an understanding of living systems.
Author : Ian P. Howard,Brian J. Rogers Publisher : OUP USA Page : 643 pages File Size : 46,9 Mb Release : 2012-02-24 Category : Medical ISBN : 9780199764150
Perceiving in Depth, Volume 2 by Ian P. Howard,Brian J. Rogers Pdf
Volume 2 addresses stereoscopic vision. It starts with the physiology of stereoscopic mechanisms. It then deals with binocular rivalry, binocular summation, and interocular transfer. A review of how images are brought into binocular register is followed by a review of stimulus tokens used to detect disparities. Cyclopean effects, such as cyclopean illusions, cyclopean motion, texture segregation, and binocular direction are reviewed. Factors that influence stereoacuity are discussed. Two chapters describe how stimuli in distinct depth planes produce contrast effects, and affect motion perception and whiteness perception. The Pulfrich stereomotion effect and perception of motion in depth are reviewed. The volume ends with a review of applications of stereoscopy.
Normal Binocular Vision by David Stidwill,Robert Fletcher Pdf
Binocular vision, i.e. where both eyes are used together, is a fundamental component of human sight. It also aids hand-eye co-ordination, and the perception of the self within the environment. Clinical anomalies pose a wide range of problems to the sufferer, but normal binocular operation must first be understood before the eye specialist can assess and treat dysfunctions. This is a major new textbook for students of optometry, orthoptics and ophthalmology, and also of psychology. Chapters span such key topics as binocular summation, fusion, the normal horopter, anatomy of the extra-ocular muscles, oculomotor control, binocular integration and depth perception. Fully illustrated throughout, the book includes self-assessment exercises at the end of each chapter, and sample experiments in binocular vision functioning.
Perceiving in Depth, Volume 1 by Ian P. Howard,Brian J. Rogers Pdf
The three-volume work Perceiving in Depth is a sequel to Binocular Vision and Stereopsis and to Seeing in Depth, both by Ian P. Howard and Brian J. Rogers. This work is much broader in scope than the previous books and includes mechanisms of depth perception by all senses, including aural, electrosensory organs, and the somatosensory system. Volume 1 reviews sensory coding, psychophysical and analytic procedures, and basic visual mechanisms. Volume 2 reviews stereoscopic vision. Volume 3 reviews all mechanisms of depth perception other than stereoscopic vision. The three volumes are extensively illustrated and referenced and provide the most detailed review of all aspects of perceiving the three-dimensional world.Volume 1 starts with a review of the history of visual science from the ancient Greeks to the early 20th century with special attention devoted to the discovery of the principles of perspective and stereoscopic vision. The first chapter also contains an account of early visual display systems, such as panoramas and peepshows, and the development of stereoscopes and stereophotography. A chapter on the psychophysical and analytic procedures used in investigations of depth perception is followed by a chapter on sensory coding and the geometry of visual space. An account of the structure and physiology of the primate visual system proceeds from the eye through the LGN to the visual cortex and higher visual centers. This is followed by a review of the evolution of visual systems and of the development of the mammalian visual system in the embryonic and post-natal periods, with an emphasis on experience-dependent neural plasticity. An account of the development of perceptual functions, especially depth perception, is followed by a review of the effects of early visual deprivation during the critical period of neural plasticity on amblyopia and other defects in depth perception. Volume 1 ends with accounts of the accommodation mechanism of the human eye and vergence eye movements.
Perceiving in Depth, Volume 1: Basic Mechanisms by Ian P. Howard Pdf
The three-volume work Perceiving in Depth is a sequel to Binocular Vision and Stereopsis and to Seeing in Depth, both by Ian P. Howard and Brian J. Rogers. This work is much broader in scope than the previous books and includes mechanisms of depth perception by all senses, including aural, electrosensory organs, and the somatosensory system. Volume 1 reviews sensory coding, psychophysical and analytic procedures, and basic visual mechanisms. Volume 2 reviews stereoscopic vision. Volume 3 reviews all mechanisms of depth perception other than stereoscopic vision. The three volumes are extensively illustrated and referenced and provide the most detailed review of all aspects of perceiving the three-dimensional world. Volume 1 starts with a review of the history of visual science from the ancient Greeks to the early 20th century with special attention devoted to the discovery of the principles of perspective and stereoscopic vision. The first chapter also contains an account of early visual display systems, such as panoramas and peepshows, and the development of stereoscopes and stereophotography. A chapter on the psychophysical and analytic procedures used in investigations of depth perception is followed by a chapter on sensory coding and the geometry of visual space. An account of the structure and physiology of the primate visual system proceeds from the eye through the LGN to the visual cortex and higher visual centers. This is followed by a review of the evolution of visual systems and of the development of the mammalian visual system in the embryonic and post-natal periods, with an emphasis on experience-dependent neural plasticity. An account of the development of perceptual functions, especially depth perception, is followed by a review of the effects of early visual deprivation during the critical period of neural plasticity on amblyopia and other defects in depth perception. Volume 1 ends with accounts of the accommodation mechanism of the human eye and vergence eye movements.
Perceiving in Depth, Volume 3: Other Mechanisms of Depth Perception by Ian P. Howard Pdf
The three-volume work Perceiving in Depth is a sequel to Binocular Vision and Stereopsis and to Seeing in Depth, both by Ian P. Howard and Brian J. Rogers. This work is much broader in scope than the previous books and includes mechanisms of depth perception by all senses, including aural, electrosensory organs, and the somatosensory system. Volume 1 reviews sensory coding, psychophysical and analytic procedures, and basic visual mechanisms. Volume 2 reviews stereoscopic vision. Volume 3 reviews all mechanisms of depth perception other than stereoscopic vision. The three volumes are extensively illustrated and referenced and provide the most detailed review of all aspects of perceiving the three-dimensional world. Volume 3 addresses all depth-perception mechanisms other than stereopsis. The book starts with an account of monocular cues to depth, including accommodation, vergence eye movements, perspective, interposition, shading, and motion parallax. A chapter on constancies in depth perception, such as the ability to perceive the sizes and shapes of objects as they move or rotate in depth, is followed by a chapter on the ways in which depth cues interact. The next chapter reviews sources of information, such as changing disparity, image looming, and vergence eye movements, used in the perception of objects moving in depth. Various pathologies of depth perception, including visual neglect, stereoanomalies, and albanism are reviewed. Visual depth-perception mechanisms through the animal kingdom are described, starting with insects and progressing through crustaceans, fish, amphibians, reptiles, birds, and mammals. The chapter includes a discussion of how stereoscopic vision may have evolved. The next chapter describes how visual depth perception is used to guide reaching movements of the hand, avoiding obstacles, and walking to a distant object. The next three chapters review non-visual mechanisms of depth perception. Auditory mechanisms include auditory localization, echolocation in bats and marine mammals, and the lateral-line system of fish. Some fish emit electric discharges and then use electric sense organs to detect distortions of the electric field produced by nearby objects. Some beetles and snakes use heat-sensitive sense organs to detect sources of heat. The volume ends with a discussion of mechanisms used by animals to navigate to a distant site. Ants find their way back to the nest by using landmarks and by integrating their walking movements. Several animals navigate by the stars or by polarized sunlight. It seems that animals in several phyla navigate by detecting the Earths magnetic field.
Stereoscopic acuity in ocular pursuit of moving objects by Matthias Sachsenweger,Ulrich Sachsenweger Pdf
There has been growing acceptance of the insight that the methods so far used in the testing of visual functions have been inadequate when it comes to specific problems and should, therefore, be supplemented with more specialised methods for dynamic testing. As long as two decades ago, large-scale mass screening produced evidence to the effect that visual acuity, so far exclusively determined by means of still samples, was not identical with visual acuity in the ocular pursuit of moving targets (dynamic visual acuity). In other words, vision testing can, at present, provide little informa tion on an individual's capability of identification, appreciation, and judge ment of mobile objects. Spatial, three-dimensional perception of moving targets, hereafter re ferred to as dynamic stereoacuity, is the particular subject on which findings are reported in this article. Findings of that kind are of considerable relevance to everyday life, since many of the phenomena that have to be three-dimensionally perceived in private life and in occupational practice, are in movement. So far, dynamic stereoacuity has never been systematical ly studied and is still a blank space on the maps of ophthalmology and physiology. This is equally true for dynamic stereoscopy in binocular vision as well as for perception on the basis of movement parallax, a phenomenon of differentiated contour displacement within a given field of vision which is also available to the monocular individual under conditions of head or body or object movement within the visual space.
Foundations of Binocular Vision: A Clinical Perspective by Barbara A. Steinman,Ralph Philip Garzia Pdf
From a renowned author team comes a clinically oriented approach to the introductor study of binocular vision. Essential reading for second-year optometry students, this vital core text covers testing procedures, diagnostic issues, and treatment modalities in preparation for more advanced clinical work. Key points to remember for national board exams are highlighted and discussions of clinical applications and procedures abound in every chapter.
Spatial vision is a subject in which philosophy, psychology, ophthalmology, neurophysiology and pathology meet. It is the unique contribution of this book that gives a survey of the whole subject, in historical perspective. The author, a former professor of ophthalmology at the University of Amsterdam, is an authority in the field of binocular vision (Diplopia, 1973) and colour vision (History of Color, 1999). Seeing Space is written for ophthalmologists, optometrists, orthoptists and other practitioners of visual science, but also for psychologists and anybody interested in the philosophy and science of perception. The book contains three parts: Part I contains chapters on objective and subjective space and on non-visual space perception. Part II begins with a short survey of the visual system. As eye movements are of crucial importance in the perception of space, the evolution of the eye and the eye movements is described. There are chapters on the perception of direction, stereoscopic depth and movement. A sensorimotor theory of space perception is elaborated. Part III is dedicated to the perception of objects. There are chapters on the perception of contours, surfaces, dimensionality and size (including the "moon illusion"). Finally the problem of the relation between mind and matter is raised, but not solved.
Ocular and Visual Physiology by Simon E. Skalicky Pdf
This book meets the growing demand among ophthalmologists, optometrists and orthoptists, in training and in practice, as well as visual neuroscientists, to have a clear, succinct and well-written textbook to objectively cover the subject of ocular and visual physiology. Ocular and visual physiology is a core knowledge component for these disciplines, and yet is often difficult to understand. However, this book clearly conveys the simple elegance of the relationship between structure and function that is the hallmark of understanding the physiology of the eye and visual system. Ocular and Visual Physiology – Clinical Application is essential reading for any one hoping to have a clear understanding of the subject. Students will find it a great resource to pass their exams. Each of the chapters has been independently reviewed and edited by an expert in the field with a clinical or visual scientific academic background. The text is based on the latest publications in peer-reviewed journals that are closely referenced within the body of the text.
A revelatory account of the brain's capacity for change When neuroscientist Susan Barry was fifty years old, she experienced the sense of immersion in a three dimensional world for the first time. Skyscrapers on street corners appeared to loom out toward her like the bows of giant ships. Tree branches projected upward and outward, enclosing and commanding palpable volumes of space. Leaves created intricate mosaics in 3D. Barry had been cross-eyed and stereoblind since early infancy. After half a century of perceiving her surroundings as flat and compressed, on that day she saw the city of Manhattan in stereo depth for first time in her life. As a neuroscientist, she understood just how extraordinary this transformation was, not only for herself but for the scientific understanding of the human brain. Scientists have long believed that the brain is malleable only during a "critical period" in early childhood. According to this theory, Barry's brain had organized itself when she was a baby to avoid double vision - and there was no way to rewire it as an adult. But Barry found an optometrist who prescribed a little-known program of vision therapy; after intensive training, Barry was ultimately able to accomplish what other scientists and even she herself had once considered impossible. Dubbed "Stereo Sue" by renowned neurologist Oliver Sacks, Susan Barry tells her own remarkable journey and celebrates the joyous pleasure of our senses.
This book celebrates binocular vision by presenting illustrations that require two eyes to see the effects of cooperation and competition between them. Pictures are flat but by printing them in different colours and viewing them through similarly coloured filters (included with the hardcover book) they are brought to life either in stereoscopic depth or in rivalry with one another. They are called anaglyphs and all those in the book display the ways in which the eyes interact. Thus, the reader is an integral element in the book and not all readers will see the same things. The history, science and art of binocular vision can be experienced in ways that are not usually available to us and with images made specifically for this book. The study of vision with two eyes was transformed by the invention of stereoscopes in the early 19th century. Anaglyphs are simple forms of stereoscopes that have three possible outcomes from viewing them – with each eye alone to see the monocular images, with both eyes to see them in stereoscopic depth or rivalry, or without the red/cyan glasses where they can have an appeal independent of the binocularity they encompass. Through the binocular pictures and the words that accompany them there will be an appreciation of just how remarkable the processes are that yield binocular singleness and depth. Moreover, the opportunities for expressing these processes are explored with many examples of truly binocular art.
