Black And White Cinema

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Black and White Cinema

Wheeler Winston Dixon
Black and White Cinema Book PDF

Author : Wheeler Winston Dixon
Publisher : Rutgers University Press
Page : 240 pages
File Size : 55,9 Mb
Release : 2015-11-06
Category : Performing Arts
ISBN : 9780813572437

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Black and White Cinema by Wheeler Winston Dixon Pdf

From the glossy monochrome of the classic Hollywood romance, to the gritty greyscale of the gangster picture, to film noir’s moody interplay of light and shadow, black-and-white cinematography has been used to create a remarkably wide array of tones. Yet today, with black-and-white film stock nearly impossible to find, these cinematographic techniques are virtually extinct, and filmgoers’ appreciation of them is similarly waning. Black and White Cinema is the first study to consider the use of black-and-white as an art form in its own right, providing a comprehensive and global overview of the era when it flourished, from the 1900s to the 1960s. Acclaimed film scholar Wheeler Winston Dixon introduces us to the masters of this art, discussing the signature styles and technical innovations of award-winning cinematographers like James Wong Howe, Gregg Toland, Freddie Francis, and Sven Nykvist. Giving us a unique glimpse behind the scenes, Dixon also reveals the creative teams—from lighting technicians to matte painters—whose work profoundly shaped the look of black-and-white cinema. More than just a study of film history, this book is a rallying cry, meant to inspire a love for the artistry of black-and-white film, so that we might work to preserve this important part of our cinematic heritage. Lavishly illustrated with more than forty on-the-set stills, Black and White Cinema provides a vivid and illuminating look at a creatively vital era.

Colorization

Wil Haygood
Colorization Book PDF

Author : Wil Haygood
Publisher : Knopf
Page : 473 pages
File Size : 40,7 Mb
Release : 2021-10-19
Category : Performing Arts
ISBN : 9780525656876

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Colorization by Wil Haygood Pdf

A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.

Fantasia of Color in Early Cinema

Tom Gunning,Joshua Yumibe,Giovanna Fossati,Jonathon Rosen
Fantasia of Color in Early Cinema Book PDF

Author : Tom Gunning,Joshua Yumibe,Giovanna Fossati,Jonathon Rosen
Publisher : Amsterdam University Press
Page : 0 pages
File Size : 46,8 Mb
Release : 2015
Category : Color cinematography
ISBN : 9089646574

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Fantasia of Color in Early Cinema by Tom Gunning,Joshua Yumibe,Giovanna Fossati,Jonathon Rosen Pdf

Presents and discusses a treasure trove of early color film images from the archives of EYE Film Institute Netherlands, bringing to life their rich hues and forgotten splendor.

The Negro Motorist Green Book

Victor H. Green
The Negro Motorist Green Book Book PDF

Author : Victor H. Green
Publisher : Colchis Books
Page : 235 pages
File Size : 48,7 Mb
Release : 2024-04-28
Category : History
ISBN : 8210379456XXX

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The Negro Motorist Green Book by Victor H. Green Pdf

The idea of "The Green Book" is to give the Motorist and Tourist a Guide not only of the Hotels and Tourist Homes in all of the large cities, but other classifications that will be found useful wherever he may be. Also facts and information that the Negro Motorist can use and depend upon. There are thousands of places that the public doesn't know about and aren't listed. Perhaps you know of some? If so send in their names and addresses and the kind of business, so that we might pass it along to the rest of your fellow Motorists. You will find it handy on your travels, whether at home or in some other state, and is up to date. Each year we are compiling new lists as some of these places move, or go out of business and new business places are started giving added employment to members of our race.

Black Masculinity and the Cinema of Policing

Jared Sexton
Black Masculinity and the Cinema of Policing Book PDF

Author : Jared Sexton
Publisher : Springer
Page : 199 pages
File Size : 55,7 Mb
Release : 2017-11-07
Category : Language Arts & Disciplines
ISBN : 9783319661704

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Black Masculinity and the Cinema of Policing by Jared Sexton Pdf

This book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush’s 2001 announcement of the War on Terror and President Barack Obama’s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions—from Antoine Fuqua’s Training Day to John Lee Hancock’s The Blind Side to Barry Jenkin's Moonlight—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture.

Migrating to the Movies

Jacqueline Najuma Stewart
Migrating to the Movies Book PDF

Author : Jacqueline Najuma Stewart
Publisher : Univ of California Press
Page : 506 pages
File Size : 53,6 Mb
Release : 2005-03-28
Category : Performing Arts
ISBN : 052093640X

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Migrating to the Movies by Jacqueline Najuma Stewart Pdf

The rise of cinema as the predominant American entertainment around the turn of the last century coincided with the migration of hundreds of thousands of African Americans from the South to the urban "land of hope" in the North. This richly illustrated book, discussing many early films and illuminating black urban life in this period, is the first detailed look at the numerous early relationships between African Americans and cinema. It investigates African American migrations onto the screen, into the audience, and behind the camera, showing that African American urban populations and cinema shaped each other in powerful ways. Focusing on Black film culture in Chicago during the silent era, Migrating to the Movies begins with the earliest cinematic representations of African Americans and concludes with the silent films of Oscar Micheaux and other early "race films" made for Black audiences, discussing some of the extraordinary ways in which African Americans staked their claim in cinema's development as an art and a cultural institution.

Chromatic Cinema

Richard Misek
Chromatic Cinema Book PDF

Author : Richard Misek
Publisher : John Wiley & Sons
Page : 250 pages
File Size : 46,7 Mb
Release : 2010-04-26
Category : Performing Arts
ISBN : 9781444332391

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Chromatic Cinema by Richard Misek Pdf

Chromatic Cinema Color permeates film and its history, but study of its contribution to film has so far been fragmentary. Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation. In this richly illustrated study, Richard Misek offers both a history and a theory of screen color. He argues that cinematic color emerged from, defined itself in response to, and has evolved in symbiosis with black and white. Exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosis, Misek provides an in-depth yet accessible account of color’s spread through, and ultimate effacement of, black-and-white cinema.

Black and White and Blue

Dave Thompson
Black and White and Blue Book PDF

Author : Dave Thompson
Publisher : ECW Press
Page : 339 pages
File Size : 41,5 Mb
Release : 2010-12-14
Category : Performing Arts
ISBN : 9781554903023

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Black and White and Blue by Dave Thompson Pdf

Until now, there was no modern history of the pornographic movie available - Black and White and Blue fills that void, with exlusive interviews and confrontational style.

Young Charlotte, Filmmaker

Frank Viva
Young Charlotte Filmmaker Book PDF

Author : Frank Viva
Publisher : Museum of Modern Art
Page : 0 pages
File Size : 53,6 Mb
Release : 2015-09-15
Category : Juvenile Fiction
ISBN : 087070950X

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Young Charlotte, Filmmaker by Frank Viva Pdf

"Charlotte is a filmmaker. She lives in New York with her parents and their cat, Smudge. Charlotte likes to make movies, and through her camera lens, she sees the world differently from the other kids"--Dust jacket flap.

Black and White Cinema

Wheeler Winston Dixon
Black and White Cinema Book PDF

Author : Wheeler Winston Dixon
Publisher : Rutgers University Press
Page : 265 pages
File Size : 42,7 Mb
Release : 2015-11-06
Category : Art
ISBN : 9780813572444

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Black and White Cinema by Wheeler Winston Dixon Pdf

From the glossy monochrome of the classic Hollywood romance, to the gritty greyscale of the gangster picture, to film noir’s moody interplay of light and shadow, black-and-white cinematography has been used to create a remarkably wide array of tones. Yet today, with black-and-white film stock nearly impossible to find, these cinematographic techniques are virtually extinct, and filmgoers’ appreciation of them is similarly waning. Black and White Cinema is the first study to consider the use of black-and-white as an art form in its own right, providing a comprehensive and global overview of the era when it flourished, from the 1900s to the 1960s. Acclaimed film scholar Wheeler Winston Dixon introduces us to the masters of this art, discussing the signature styles and technical innovations of award-winning cinematographers like James Wong Howe, Gregg Toland, Freddie Francis, and Sven Nykvist. Giving us a unique glimpse behind the scenes, Dixon also reveals the creative teams—from lighting technicians to matte painters—whose work profoundly shaped the look of black-and-white cinema. More than just a study of film history, this book is a rallying cry, meant to inspire a love for the artistry of black-and-white film, so that we might work to preserve this important part of our cinematic heritage. Lavishly illustrated with more than forty on-the-set stills, Black and White Cinema provides a vivid and illuminating look at a creatively vital era.

Between the Black Box and the White Cube

Andrew V. Uroskie
Between the Black Box and the White Cube Book PDF

Author : Andrew V. Uroskie
Publisher : University of Chicago Press
Page : 284 pages
File Size : 50,7 Mb
Release : 2014-02-27
Category : Art
ISBN : 9780226109022

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Between the Black Box and the White Cube by Andrew V. Uroskie Pdf

Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.

White Screens/Black Images

James Snead
White Screens Black Images Book PDF

Author : James Snead
Publisher : Routledge
Page : 176 pages
File Size : 51,9 Mb
Release : 2016-07-22
Category : Social Science
ISBN : 9781135199593

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White Screens/Black Images by James Snead Pdf

Hollywood's representation of blacks has been consistently misleading, promoting an artificially constructed mythology in place of historical fact. But how, James Snead asks, did black skin on screen develop into a complex code for various types of white supremacist discourse? In these essays, completed shortly before his death in 1989, James Snead offers a thoughtful inquiry into the intricate modes of racial coding in Hollywood cinema from 1915 to 1985. Snead presents three major methods through which the racist ideology within film functions: mythification, in which black images are correlated in a larger sceme of semiotic valuation where the dominant I needs the marginal other in order to function effectively; marking, in which the color black is repeatedly over-determined and redundantly marked, as if to force the viewer to register the image's difference from white; and omission--the repetition of black absence from positions of autonomy and importance. White Screens/Black Images offers an array of film texts, drawn from both classical Hollywood cinema and black independent film culture. Individual chapters analyze Birth of a Nation , King Kong , Shirley Temple in The Littlest Rebel and The Little Colonel , Mae West in I'm No Angel , Marlene Dietrich in Blonde Venus , Bette Davis in Jezebel , the racism of Disney's Song of the South , and Taxi Driver . Making skillful use of developments in both structuralist and post-structuralist film theory, Snead's work speaks not only to the centrality of race in Hollywood films, but to its centrality in the formation of modern American culture.

The Hollywood Jim Crow

Maryann Erigha
The Hollywood Jim Crow Book PDF

Author : Maryann Erigha
Publisher : NYU Press
Page : 240 pages
File Size : 45,5 Mb
Release : 2019-02-05
Category : Social Science
ISBN : 9781479802319

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The Hollywood Jim Crow by Maryann Erigha Pdf

The story of racial hierarchy in the American film industry The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn’t believe that Denzel Washington could “open” a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In The Hollywood Jim Crow, Maryann Erigha tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. She examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining “the Hollywood Jim Crow.” Unlike the Jim Crow era where ideas about innate racial inferiority and superiority were the grounds for segregation, Hollywood’s version tries to use economic and cultural explanations to justify the underrepresentation and stigmatization of Black filmmakers. Erigha exposes the key elements at work in maintaining Hollywood’s racial hierarchy, namely the relationship between genre and race, the ghettoization of Black directors to black films, and how Blackness is perceived by the Hollywood producers and studios who decide what gets made and who gets to make it. Erigha questions the notion that increased representation of African Americans behind the camera is the sole answer to the racial inequality gap. Instead, she suggests focusing on the obstacles to integration for African American film directors. Hollywood movies have an expansive reach and exert tremendous power in the national and global production, distribution, and exhibition of popular culture. The Hollywood Jim Crow fully dissects the racial inequality embedded in this industry, looking at alternative ways for African Americans to find success in Hollywood and suggesting how they can band together to forge their own career paths.

A Short History of Film, Third Edition

Wheeler Winston Dixon,Gwendolyn Audrey Foster
A Short History of Film Third Edition Book PDF

Author : Wheeler Winston Dixon,Gwendolyn Audrey Foster
Publisher : Rutgers University Press
Page : 525 pages
File Size : 48,6 Mb
Release : 2018-03-30
Category : Art
ISBN : 9780813595160

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A Short History of Film, Third Edition by Wheeler Winston Dixon,Gwendolyn Audrey Foster Pdf

With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.

Blacks in Black and White

Henry T. Sampson
Blacks in Black and White Book PDF

Author : Henry T. Sampson
Publisher : Unknown
Page : 758 pages
File Size : 50,7 Mb
Release : 1995
Category : Drama
ISBN : UOM:39015035303869

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Blacks in Black and White by Henry T. Sampson Pdf

Traces the history of the black film industry from its beginnings around 1910 to its demise in 1950, chronicling the activities of pioneer black filmmakers and performers who had been virtually ignored by film historians.