Black Cinema Visual Culture

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Black Cinema & Visual Culture

Author : Artel Great,Ed Guerrero
Publisher : Taylor & Francis
Page : 196 pages
File Size : 48,9 Mb
Release : 2023-03-30
Category : Social Science
ISBN : 9781000843651

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Black Cinema & Visual Culture by Artel Great,Ed Guerrero Pdf

This culturally and politically timely collection examines new Black films and moving images that have, once again, excited and possibly shifted the global media landscape. At a moment some scholars have described as post-post-racial, Black Cinema & Visual Culture provides new, urgent definitions and theories for Black cinema and furthers the development of its critical discourses. Gathering some of the leading scholars and critics in the field, this book enriches and advances the study of Black film and media and its social and political implications at a breakthrough period of expansion in the 21st century. This anthology tackles a wide range of topics from social justice, new media, and Afrofuturism, to race, gender, sexuality, mass incarceration, cultural memory, and Afrosurrealism, exploring the current climate of Black cinematic art that has proven wildly popular with domestic and global audiences, including hit films like Get Out and Marvel’s Black Panther. Together, these essays deepen understandings of Black visual culture, its creative image-makers, the political economy of Hollywood, and the cultural politics at the intersection of modern cinema, streaming platforms, and digital technologies. Black Cinema & Visual Culture will serve as an important learning tool for university courses spanning topics in film studies, American film and television, cultural studies, American studies, African Diaspora studies, media activism, social analysis, and African-American studies. This volume will also provide a benchmark in popular and intellectual circles for anyone interested in popular culture, Black-American cinema, media, issues of race in Hollywood, or Black culture and the conditions that shape both its art and politics.

Contemporary Black American Cinema

Author : Mia Mask
Publisher : Routledge
Page : 286 pages
File Size : 43,7 Mb
Release : 2012
Category : Art
ISBN : 9780415523226

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Contemporary Black American Cinema by Mia Mask Pdf

Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson's and Sidney Poitier's star vehicles to Lee Daniels's directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.

Representing

Author : S. Craig Watkins
Publisher : University of Chicago Press
Page : 336 pages
File Size : 52,7 Mb
Release : 1998-07-20
Category : Language Arts & Disciplines
ISBN : 0226874885

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Representing by S. Craig Watkins Pdf

Sociologist S. Craig Watkins shows how the black film wave has transformed the concept and representation of "blackness" in America. Watkins contends that despite the social and economic marginalization of black youth, they have gained unprecedented access to the popular media and have influenced not only black popular culture but the broader U.S. popular culture scene as well.

L.A. Rebellion

Author : Allyson Field,Jan-Christopher Horak,Jacqueline Najuma Stewart
Publisher : Univ of California Press
Page : 482 pages
File Size : 51,5 Mb
Release : 2015-11-13
Category : Performing Arts
ISBN : 9780520284685

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L.A. Rebellion by Allyson Field,Jan-Christopher Horak,Jacqueline Najuma Stewart Pdf

"L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group--including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis--shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles"--Provided by publisher.

Black Cinema

Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 51,7 Mb
Release : 2006
Category : African American motion picture actors and actresses
ISBN : OCLC:426828600

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Black Cinema by Anonim Pdf

The author overviews and elucidates prominent scholarly works that have been conducted in the field of black cinema studies. Regester reviews the history of black cinema from the origins of the film industry, noting significant films of the period before 1950, through the emergence of black explotation films in the 1970s, to the contemporary black cinema and filmmakers from the 1990s. The author profiles the 1915 film "Birth of a Nation" and its critical reponses, as well as perspectives on black filmmaking by early African American filmmaker Oscar Micheaux. Prominent themes such as the black moviegoing experience, early black screen representations, black stardom, theories of race and cinema, black feminism and feminist issues in the black cinema experience, and black masculinity and sexuality in the visual culture are explored. Following the essay, a bibliography of recommended reading, a chronology of events from 1889 to 1993, and a glossary are provided.

Dark Designs and Visual Culture

Author : Michele Wallace
Publisher : Duke University Press
Page : 532 pages
File Size : 50,7 Mb
Release : 2004-12-06
Category : Biography & Autobiography
ISBN : 0822334135

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Dark Designs and Visual Culture by Michele Wallace Pdf

DIVA collection of writings from the ‘90s by the popular Black feminist scholar and journalist on film, art, and politics./div

Dark Designs and Visual Culture

Author : Michele Wallace
Publisher : Duke University Press
Page : 525 pages
File Size : 47,9 Mb
Release : 2004-12-06
Category : Biography & Autobiography
ISBN : 9780822386353

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Dark Designs and Visual Culture by Michele Wallace Pdf

Michele Wallace burst into public consciousness with the 1979 publication of Black Macho and the Myth of the Superwoman, a pioneering critique of the misogyny of the Black Power movement and the effects of racism and sexism on black women. Since then, Wallace has produced an extraordinary body of journalism and criticism engaging with popular culture and gender and racial politics. This collection brings together more than fifty of the articles she has written over the past fifteen years. Included alongside many of her best-known pieces are previously unpublished essays as well as interviews conducted with Wallace about her work. Dark Designs and Visual Culture charts the development of a singular, pathbreaking black feminist consciousness. Beginning with a new introduction in which Wallace reflects on her life and career, this volume includes other autobiographical essays; articles focused on popular culture, the arts, and literary theory; and explorations of issues in black visual culture. Wallace discusses growing up in Harlem; how she dealt with the media attention and criticism she received for Black Macho and the Myth of the Superwoman, which was published when she was just twenty-seven years old; and her relationship with her family, especially her mother, the well-known artist Faith Ringgold. The many articles devoted to black visual culture range from the historical tragedy of the Hottentot Venus, an African woman displayed as a curiosity in nineteenth-century Europe, to films that sexualize the black body—such as Watermelon Woman, Gone with the Wind, and Paris Is Burning. Whether writing about the Anita Hill–Clarence Thomas hearings, rap music, the Million Man March, Toshi Reagon, multiculturalism, Marlon Riggs, or a nativity play in Bedford Stuyvesant, Wallace is a bold, incisive critic. Dark Designs and Visual Culture brings the scope of her career and thought into sharp focus.

Black Film British Cinema II

Author : Clive Nwonka,Anamik Saha
Publisher : MIT Press
Page : 250 pages
File Size : 49,9 Mb
Release : 2021-03-02
Category : Performing Arts
ISBN : 9781912685653

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Black Film British Cinema II by Clive Nwonka,Anamik Saha Pdf

The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Contributors Bidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Ozlem Koksal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford

African Cinema: Manifesto and Practice for Cultural Decolonization

Author : Michael T. Martin,Gaston Jean-Marie Kaboré
Publisher : Indiana University Press
Page : 691 pages
File Size : 51,6 Mb
Release : 2023-08-08
Category : Art
ISBN : 9780253066305

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African Cinema: Manifesto and Practice for Cultural Decolonization by Michael T. Martin,Gaston Jean-Marie Kaboré Pdf

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Three of this landmark series on African cinema spans the past century and is devoted to the documentation of decoloniality in cultural policy in both Africa and the Black diaspora worldwide. A compendium of formal resolutions, declarations, manifestos, and programmatic statements, it chronologically maps the long history and trajectories of cultural policy in Africa and the Black Atlantic. Beginning with the 1920 declaration of the Rights of the Negro Peoples of the World, which anticipates cinema as we know it today, and the formal oppositional assertions--aspirational and practical. The first part of this work references formal statements that pertain directly to cultural policy and cinematic formations in Africa, while the next part addresses the Black diaspora. Each entry is chronologically ordered to account for when the statement was created, followed by where and in what context it was enunciated.

Keywords for African American Studies

Author : Erica R. Edwards,Roderick A. Ferguson,Jeffrey O.G. Ogbar
Publisher : NYU Press
Page : 267 pages
File Size : 48,7 Mb
Release : 2018-11-27
Category : Social Science
ISBN : 9781479854899

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Keywords for African American Studies by Erica R. Edwards,Roderick A. Ferguson,Jeffrey O.G. Ogbar Pdf

A new vocabulary for African American Studies As the longest-standing interdisciplinary field, African American Studies has laid the foundation for critically analyzing issues of race, ethnicity, and culture within the academy and beyond. This volume assembles the keywords of this field for the first time, exploring not only the history of those categories but their continued relevance in the contemporary moment. Taking up a vast array of issues such as slavery, colonialism, prison expansion, sexuality, gender, feminism, war, and popular culture, Keywords for African American Studies showcases the startling breadth that characterizes the field. Featuring an august group of contributors across the social sciences and the humanities, the keywords assembled within the pages of this volume exemplify the depth and range of scholarly inquiry into Black life in the United States. Connecting lineages of Black knowledge production to contemporary considerations of race, gender, class, and sexuality, Keywords for African American Studies provides a model for how the scholarship of the field can meet the challenges of our social world.

African American Cinema through Black Lives Consciousness

Author : Mark A. Reid
Publisher : Wayne State University Press
Page : 365 pages
File Size : 48,5 Mb
Release : 2019-01-12
Category : Performing Arts
ISBN : 9780814345504

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African American Cinema through Black Lives Consciousness by Mark A. Reid Pdf

Employs an interdisciplinary critical approach to discuss a selected group of black-oriented films.

The Visual Culture Reader

Author : Nicholas Mirzoeff
Publisher : Psychology Press
Page : 762 pages
File Size : 41,9 Mb
Release : 2002
Category : Art
ISBN : 0415252229

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The Visual Culture Reader by Nicholas Mirzoeff Pdf

The diverse essays collected here constitute an exploration of the emerging interdisciplinary field of visual culture, and examine why modern and postmodern culture place such a premium on rendering experience in visual form.

The Visual Cultures of Childhood

Author : Karen Wells Karen Wells
Publisher : Rowman & Littlefield
Page : 201 pages
File Size : 40,9 Mb
Release : 2020-03-20
Category : Social Science
ISBN : 9781786611048

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The Visual Cultures of Childhood by Karen Wells Karen Wells Pdf

Some of the most iconic images of the twentieth century are of children: Dorothea Lange’s Migrant Mother, depicting farm worker Frances Owens Thompson with three of her children; six-year-old Ruby Bridges, flanked by U.S. marshals, walking down the steps of an all-white elementary school she desegregated; Huỳnh Công Út’s photograph of nine-year-old Phan Thi Kim Phuc fleeing a South Vietnamese napalm bombing. These iconic images with their juxtaposition of the innocent (in the sense of not culpable) figure of the child and the guilty perpetrators of violence (both structural and interpersonal) are ‘arresting’. The power of the image of the child to arrest the spectator, to demand a response from her has given the representation of children a central place in the history of visual culture for social reform. This book analyses a range of forms and genres from social reform documentary through feature films and onto small and mobile media to address two core questions: What difference does it make to the message who the producer is? and How has the place of children and youth changed in visual public culture?

Film Blackness

Author : Michael Boyce Gillespie
Publisher : Duke University Press
Page : 248 pages
File Size : 42,6 Mb
Release : 2016-08-19
Category : Performing Arts
ISBN : 9780822373889

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Film Blackness by Michael Boyce Gillespie Pdf

In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.

Cinemas of the Black Diaspora

Author : Michael T. Martin
Publisher : Wayne State University Press
Page : 548 pages
File Size : 52,6 Mb
Release : 1995
Category : African Americans in motion pictures
ISBN : 0814325882

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Cinemas of the Black Diaspora by Michael T. Martin Pdf

This is a study of the cinematic traditions and film practices in the black Diaspora. With contributions by film scholars, film critics, and film-makers from Europe, North America and the Third World, this diverse collection provides a critical reading of film-making in the black Diaspora that challenges the assumptions of colonialist and ethnocentrist discourses about Third World, Hollywood and European cinemas. Cinemas of the Black Diaspora examines the impact on film-making of Western culture, capitalist production and distribution methods, and colonialism and the continuing neo-colonial status of the people and countries in which film-making is practiced. Organized in three parts, the study first explores cinema in the black Diaspora along cultural and political lines, analyzing the works of a radical and aesthetically alternative cinema. The book proceeds to group black cinemas by geographical sites, including Africa, the Caribbean and South America, Europe, and North America, to provide global context for comparative and case study analyses. Finally, three important manifestoes document the political and economic concerns and counter-hegemonic institutional organizing efforts of black and Third World film-makers from the 1970s to the early 1990s. Cinemas of the Black Diaspora should serve as a valuable basic reference and research tool for the study of world cinema. While celebrating the diversity, innovativeness, and fecundity of film-making in different regions of the world, this important collection also explicates the historical importance of film-making as a cultural form and political practice.