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Surveying the evolution of images of black women in black fiction from 1892 to 1976, Christian analyzes novelists from Frances Harper through Zora Neale Hirston to Anne Perty. She traces the struggle of black female novelists to contend against the images that have defined them in American life and literature. Part II discusses three contemporary novelists -- Paule Marshall, Tom Morrison and Alice Walker.
The Sexual Mountain and Black Women Writers by Calvin C. Hernton Pdf
A bold exploration of the controversial role that black women writers have played in the making of African-American literature by the bestselling author of Sex and Racism in America. "Confirms that black women authors are celebrating a literary Fourth of July in America".--Plain Dealer. (Anchor)
Three contemporary novels of slavery - Margaret Walker's Jubilee (1966), Sherley Anne Williams's Dessa Rose (1986) and Toni Morrison's Beloved (1987) - are the central focus of Liberating Narratives. In significantly different ways that reflect their individual and socio-political contexts of origin, these three novels can all be read as critiques of historical representation and as alternative spaces for remembrance - 'sites of memory' - that attempt to shift the conceptual ground on which our knowledge of the past is based.
Focusing on Zola Neale Hurston, Paule Marshall, Toni Morrison, Alice Walker, and Toni Cade Bambara, this book explores both the ways in which black women's fictions have been shaped by the history of the United states, and the ways in which they intervene in that history. She sees the transition from an agrarian to an urban society as the critical moment of that history, and argues that writings by black women articulate that change in their content as well as form. ISBN 0-299-10890-2 : $19.95.
"Black Women's Writing contains a lively and wide-ranging collection of critical essays on Black women's writing from Afro-American, African, South African, British and Caribbean novelists, poets, short-story writers and a dramatist. For the reader, student and teacher it provides a useful introduction to much of the range of writing by Black women." "The focus is on writing, producing, reading and teaching the texts as creative, imaginative and culturally engaged works which give a voice to a variety of Black women's experiences." "The contributors are Black and White, female and male, academics and readers who chart their engagement with and enjoyment of the texts of some of the key figures in Black women's writing across several continents. This is an exciting and accessible book which will stimulate the reader's interest in what is arguably some of the best contemporary writing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Black Women Writers and the American Neo-Slave Narrative by Elizabeth A. Beaulieu Pdf
The neo-slave narrative is an important development in American literary history and has serious revisionist intentions at its foundation. This book examines how contemporary African American women writers have shaped the genre. These authors have written neo-slave narratives to reinscribe history from the perspective of the African American woman, most specifically the nineteenth century enslaved mother. The writers considered in this study—Sherley Anne Williams, Toni Morrison, J. California Cooper, Gayl Jones, and Octavia Butler—explore American slavery through the lens of gender, both to interrogate the myth that enslaved women, denied the privilege of having a gender identity by the institution of slavery, were in fact genderless, and to celebrate the acts of resistance which enabled enslaved women to mother in the fullest sense of the term. The volume begins with an overview of historical representations of slavery in America, from the slave narrative itself to the revisionist scholarship of the 1960s. The book then examines several individual neo-slave narratives, such as Margaret Walker's Jubilee (1966), Williams' Dessa Rose (1986), Morrison's Beloved (1987), Cooper's Family (1991), Jones' Corregidora (1975), and Butler's Kindred (1979). What the women in these novels have in common is the fact that they mother; what the writers have in common is a tendency to utilize subversive strategies such as reversal, blurring, and the creation of myth to dramatize gender identity and to highlight the varied nature of motherhood as enslaved women experienced it. The final chapter evaluates the influence of the neo-slave narrative on American literature in general and on popular perceptions and misperceptions of African American women.
Black Female Vampires in African American Women’s Novels, 1977–2011 by Kendra R. Parker Pdf
This book critically situates the figure of the black female vampire in several fields of study including literary studies, cultural studies, gender studies, and critical race studies. Black female vampires continue to appear as important literary devices and revealing indicators of cultural attitudes and trends about African American women’s bodies. This book examines five novels written by four African American women writers to investigate what it means to represent African American womanhood through the lens of vampirism, interrogate how these representations connect to or stem from historical representations of African American women, and explore how representations of black female vampires in African American women’s literature simultaneously negate, reinforce, or dismantle stereotypes of African American women.
"Wilentz . . . makes convincing arguments for the connections between African and Afro-American women's culture." —Nellie McKay "Wilentz's jargon-free, intelligent discussion . . . will appeal to students in African, African American, and women's literature courses, as well as general readers interested in the emerging field." —Choice "Through these works, Wilentz demonstrates the powerful transformation possible through understanding—and embracing—the past, even if that past includes oppression and brutalization." —Belles Lettres Binding Cultures investigates the cultural bonds between African and African-American women writers such as Nigerian Flora Nwapa and Ghanaians Efua Sutherland and Ama Ata Aidoo, writers who focus on the role of women in passing on cultural values to future generations, and African-American writers Alice Walker, Toni Morrison, and Paule Marshall, who self-consciously evoke African culture to help create a more integrated African-American community.
Conjuring by Marjorie Lee Pryse,Hortense J. Spillers Pdf
This collection of essays explains the emergence of black women novelists in contemporary American literature and the cultural and personal influences that made it possible for them to find their literary authority. Beginning with the 19th century origins of the tradition--the autobiographical writings and slave narratives--the volume discusses individual writers such as Pauline Hopkins, Jessie Redmon Fauset, Ann Petry and Octavia Butler; the aggregate significance of fiction by black women; and their influence on each other. Novels examined include Toni Cade Bambara's The Salt Eaters, Ann Petry's The Street, and Toni Morrison's Song of Solomon and The Bluest Eye. ISBN 0-253-31407-0 : $29.95; ISBN 0-253-20360-0 (pbk.) : $10.95.
In Women’s Work, Courtney Thorsson reconsiders the gender, genre, and geography of African American nationalism as she explores the aesthetic history of African American writing by women. Building on and departing from the Black Arts Movement, the literary fiction of such writers as Toni Cade Bambara, Paule Marshall, Gloria Naylor, Ntozake Shange, and Toni Morrison employs a cultural nationalism—practiced by their characters as "women's work"—that defines a distinct contemporary literary movement, demanding attention to the continued relevance of nation in post–Black Arts writing. Identifying five forms of women's work as organizing, dancing, mapping, cooking, and inscribing, Thorsson shows how these writers reclaimed and revised cultural nationalism to hail African America.
NOMINATED FOR AN NAACP IMAGE AWARD • An inspiring collection of essays by black women writers, curated by the founder of the popular book club Well-Read Black Girl, on the importance of recognizing ourselves in literature. “Yes, Well-Read Black Girl is as good as it sounds. . . . [Glory Edim] gathers an all-star cast of contributors—among them Lynn Nottage, Jesmyn Ward, and Gabourey Sidibe.”—O: The Oprah Magazine Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but not everyone regularly sees themselves in the pages of a book. In this timely anthology, Glory Edim brings together original essays by some of our best black women writers to shine a light on how important it is that we all—regardless of gender, race, religion, or ability—have the opportunity to find ourselves in literature. Contributors include Jesmyn Ward (Sing, Unburied, Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), and Barbara Smith (Home Girls: A Black Feminist Anthology) Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, the subjects of each essay remind us why we turn to books in times of both struggle and relaxation. As she has done with her book club–turned–online community Well-Read Black Girl, in this anthology Glory Edim has created a space in which black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves. Praise for Well-Read Black Girl “Each essay can be read as a dispatch from the vast and wonderfully complex location that is black girlhood and womanhood. . . . They present literary encounters that may at times seem private and ordinary—hours spent in the children’s section of a public library or in a college classroom—but are no less monumental in their impact.”—The Washington Post “A wonderful collection of essays.”—Essence
