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Contains a blend of facts and anecdotes on the theatre, ranging from biographies of writers, performers and directors; to plot summaries of major plays and descriptions of famous first performances
Heiner Müller's Democratic Theater by Michael Wood Pdf
Analyzes not just Müller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Müller tried to create democracy both within and outside the theater.
English royal funeral ceremony from Mary, Queen of Scots to James I gives fascinating insight into the relationship between power and ritual at the renaissance court.
The Problem of the Actress in Modern German Theater and Thought by S. E. Jackson Pdf
Around 1900, German and Austrian actresses had allure and status, apparent autonomy, and unconventional lifestyles. They presented a complex problem socially and aesthetically, one tied to the so-called Woman Question and to the contested status of modernity. For modernists, the actress's socioeconomic mobility and defiance of gender norms opened space to contest social and moral strictures, and her mutability offered a means to experiment with identity. For conservatives, on the other hand, female performance could support antifeminist convictions and validate masculine authority by positing woman as nothing but a false surface shaped by productive male forces. Influential male-authored texts from the period thereby disavowed female subjectivity per se by equating "woman" and "actress." S. E. Jackson establishes the actress as a key figure in a discursive matrix surrounding modernity, gender, and subjectivity. Her central argument is that because the figure of the actress bridged such varied fields of thought, women who were actresses had a consequential impact that resonated in and far beyond the theater - but has not been explored. Examining archival sources such as theater reviews and writing by actresses in direct relation to canonical aesthetic and philosophical texts, The Problem of the Actress reconstructs the constitutive role that womenplayed on and off the stage in shaping not only modernist theater aesthetics and performance practices, but also influential strains of modern thought.
Brecht, Turkish Theater, and Turkish-German Literature by Ela E. Gezen Pdf
Uncovers the central role of Brecht reception in Turkish theater and Turkish-German literature, examining interactions between Turkish and German writers, texts, and contexts.
An A-Z guide to the people, plays, events & traditions of the stage -- from Ancient Greece to Broadway hits. Provides answers to many questions arising from theatrical life & lore throughout history. Contains over 3,500 entries on all aspects of the theater. Combines a wealth of facts with intriguing anecdotes & out-of-the-way information. Provides a comprehensive guide to the people, plays, theaters, events & traditions that make up the fascinating history of the theater. Includes accounts of the key players in the development of the theater & concise plot summaries of famous plays, theatrical expressions & terminology, & famous characters from drama.
Modern and Contemporary Black British Drama by Mary Brewer,Lynette Goddard,Deirdre Osborne Pdf
This indispensable overview of modern black British drama spans seven decades of distinctive playwriting from the 1950s to the present. Interweaving social and cultural context with close critical analysis of key dramatists' plays, leading scholars explore how these dramatists have created an enduring, transformative and diverse cultural presence.
The Minor League Milwaukee Brewers, 1859-1952 by Brian A. Podoll Pdf
Statues of Hank Aaron and Robin Yount, two of Milwaukee's baseball heroes, stand outside the city's palatial new Miller Park. Aaron and Yount represent two generations of major league baseball in Milwaukee, but what about professional baseball in Milwaukee before the arrival of the major league Braves in 1953? Why was it such an important city for minor league baseball? This book traces Milwaukee's baseball history from the game's first appearance in the city in 1859 to the Brewers' last American Association season in 1952. It covers Rufus King, the man responsible for bringing baseball to Milwaukee, and his efforts at getting the game off to a successful start in the city, Milwaukee's status as the largest minor league market in the Northwestern League and Western Association, legendary manager Connie Mack, southpaw Rube Waddell, Hall of Fame player Hugh Duffy, who managed the team to its only Western League pennant in 1903, widowed owner Agnes Malloy Havenor, who chose veteran third baseman Harry Clark to lead the Brewers to their first two AA pennants in 1913 and 1914, colorful owner Otto Borchert, the Brewers' pennant-winning 1936 season under manager Al Sothoron, the "golden era" of minor league baseball in the city, highlighted by owner Bill Veeck's sideshows and colorful managers Casey Stengel, "Jolly Cholly" Grimm, and Nick "Tomato Face" Cullop, and the last years of minor league baseball in 1952 before the arrival of the Braves.
Contemporary British Television Crime Drama by Ruth McElroy Pdf
Contemporary British Television Crime Drama examines one of the medium’s most popular genres and places it within its historical and industrial context. The television crime drama has proved itself capable of numerous generic reinventions and continues to enjoy some of the highest viewing figures. Crime drama offers audiences stories of right and wrong, moral authority asserted and resisted, and professionals and criminals, doing so in ways that are often highly entertaining, innovative, and thought provoking. In examining the appeal of this highly dynamic genre, this volume explores how it responds not only to changing social debates on crime and policing, but also to processes of hybridization within the television industry itself. Contributors, many of whom are leading figures in UK television studies, analyse popular series such as Broadchurch, Between the Lines, Foyle’s War, Poirot, Prime Suspect, Sherlock and Wallander. Essays examine the main characteristics of television crime drama production, including the nature of trans-Atlantic franchises and literary and transnational adaptations. Adopting a range of feminist, historical, aesthetic and industrial approaches, they offer incisive interrogations that provide readers with a rich understanding of the allure of crime drama to both viewers and commissioners.
The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.