British Subversive Propaganda During The Second World War
British Subversive Propaganda During The Second World War Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of British Subversive Propaganda During The Second World War book. This book definitely worth reading, it is an incredibly well-written.
British Subversive Propaganda during the Second World War by Kirk Robert Graham Pdf
This book offers the first in-depth intellectual and cultural history of British subversive propaganda during the Second World War. Focussing on the Political Warfare Executive (PWE), it tells the story of British efforts to undermine German morale and promote resistance against Nazi hegemony. Staffed by civil servants, journalists, academics and anti-fascist European exiles, PWE oversaw the BBC European Service alongside more than forty unique clandestine radio stations; they maintained a prolific outpouring of subversive leaflets and other printed propaganda; and they trained secret agents in psychological warfare. British policy during the occupation of Germany stemmed in part from the wartime insights and experiences of these propagandists. Rather than analyse military strategy or tactics, British Subversive Propaganda during the Second World War draws on a wealth of archival material from collections in Germany and Britain to develop a critical genealogy of British ideas about Germany and National Socialism. British propagandists invoked discourses around history, morality, psychology, sexuality and religion in order to conceive of an audience susceptible to morale subversion. Revealing much about the contours of mid-century European thought and the origins of our own heavily propagandised world, this book provides unique insights for anyone researching British history, the Second World War, or the fight against fascism.
Black Propaganda in the Second World War by Stanley Newcourt-Nowodworski Pdf
Black propaganda appears over a fake signature, for example of a fictitious resistance organisation. In this book, the author examines the 'black arts' of Britain, Poland and the Nazis during the Second World War. By 1939, Josef Goebbels had won the struggle for control of the propaganda process in Nazi Germany. In contrast, it took the arrival of Sefton Delmer in 1941 for anyone in Britain to understand how to use propaganda to subvert the German war effort. Through the shadowy Political Warfare Executive, the 'black' radio stations Delmer created lured German listeners with jazz and pornography (both banned), mixed with subversive rumours. Millions of 'black' leaflets - perfect forgeries of German documents, with subtly altered texts - were produced, their aim to encourage malingering, desertion and sabotage. Black Propaganda explains how even before the outbreak of the Second World War, British and Polish intelligence had worked closely together on a number of key security issues that included the 'Enigma' machine and the German V-weapons programme. Following the occupation of their country, the Poles also became actively involved in the dissemination of black propaganda against Germany.
Author : Gary S. Messinger Publisher : Manchester University Press Page : 370 pages File Size : 48,8 Mb Release : 1992 Category : Great Britain ISBN : 0719030145
British Propaganda and the State in the First World War by Gary S. Messinger Pdf
In 1914, advertising was much less sophisticated that it is today, radio was in its infancy, television was undeveloped, telephones were just coming into use, the gargantuan party rallies of Hitler or Mussolini were still in the future, and the idea of using ocmmunications media to control the thoughts of an entire population was new, relatively unexplored, and not of interest to governments to any great extent. Propaganda was a part of life before 1914, and the term was coming into increasingly widespread usage. But other institutions of society, such as the church, the press, business, political parties, and philanthropy, were the major producers - not government.
British Propaganda to France, 1940-1944 by Timothy William Brooks Pdf
This book examines the important issue of British propaganda to France during the Second World War and aims to show the value of the propaganda campaign to the British war effort. British Propaganda to France is a unique contribution to the field, not only in its examination of one of the least well-studied areas of British activity during the Second World War but also in the breadth of its approach. It surveys the organisation, operation and nature of the British propaganda effort towards the French people, including both white propaganda (BBC broadcasts and leaflets dropped by the RAF) and black propaganda (secret broadcasting stations, documents purporting to come from the Germans in France or distributed in France using clandestine methods, and rumours). Finally it examines the contemporary British understanding of the French and German reception of and reaction to this propaganda material, to show whether the campaign was an effective and well-directed use of resources. Almost all examinations of British foreign propaganda during the Second World War have focused on propaganda directed towards Germany. British propaganda to France, which in terms of quantity of output was actually the most important area of British propaganda, has never been examined in depth until now. This book adds a further chapter to our knowledge of propaganda in the Second World War, especially in the conduct of psychological warfare. It also touches on better-known areas such as RAF Bomber Command and its Operational Training Units, which handled aerial dissemination of British white propaganda leaflets over France, and the Special Operations Executive in France, which worked closely with the Political Warfare Executive in delivering much black propaganda.
A collection of over 1,500 of the most noteworthy, provocative and amusing subversive rumours concocted by the British Government's Underground Propaganda Committee throughout the Second World War.
Om briternes psykologiske krigsførelse, specielt den sorte propaganda, som bevidst forsøgte at vildlede fjenden og nedbryde hans moral. F.eks. falske officielle dokumenter og breve, vejledninger i at simulere sygdomme, radioudsendelser, rygter og meget andet.
"British propaganda brought America to the brink of war, and left it to the Japanese and Hitler to finish the job." So concludes Nicholas Cull in this absorbing study of how the United States was transformed from isolationism to belligerence in the years before the attack on Pearl Harbor. From the moment it realized that all was lost without American aid, the British Government employed a host of persuasive tactics to draw the US to its rescue. With the help of talents as varied as those of matinee idol Leslie Howard, Oxford philosopher Isaiah Berlin and society photographer Cecil Beaton, no section of America remained untouched and no method--from Secret Service intrigue to the publication of horrifying pictures of Nazi atrocities--remained untried. The British sought and won the support of key journalists and broadcasters, including Edward R. Murrow, Dorothy Thompson and Walter Winchell; Hollywood film makers also played a willing part. Cull details these and other propaganda activities, covering the entire range of the British effort. A fascinating story of how a foreign country provoked America's involvement in its greatest war, Selling War will appeal to all those interested in the modern cultural and political history of Britain and the United States.
Author : Michael L Sanders,Philip M Taylor Publisher : Red Globe Press Page : 320 pages File Size : 42,9 Mb Release : 1983-02-24 Category : History ISBN : 0333292758
British Propaganda during the First World War, 1914–18 by Michael L Sanders,Philip M Taylor Pdf
This is the first modern study of the British government's involvement in propaganda during the First World War based upon a wide variety of archival sources. The authors have concentrated on official propaganda conducted abroad.
Substitute for Power by Professor Ioannis Stefanidis Pdf
The Second World War was waged across many fronts, economic, political and cultural as well as military. As might be expected in a conflict fuelled by ideology, the war of words and ideas played a central role in the larger conflict. As this book shows, propaganda - be it aimed at a sympathetic audience in enemy controlled lands, or the hostile population itself - was regarded by all sides as a fundamental part of the war effort, and one that received increasing, and increasingly sophisticated, attention. Focussing on the British propaganda effort directed towards the Balkans, the book begins with an introductory chapter on British wartime propaganda from both its home base and British-controlled Middle East. This is followed by two thematically broad chapters, one on British policy to the region, the other on evidence of a regional approach - and common themes - of British propaganda to the Balkans from the outbreak of the war to the German withdrawal. The remaining chapters provide a series of case-studies relating to British propaganda efforts directed towards the five pre-1939 states (except Turkey). These reveal much about Britain's overall approach to propaganda, as well as showing how the British tailored their efforts in response to supposed national characteristics of these countries. By uncovering not only the organisational tangle, the techniques and evolving aims of British wartime propaganda, but also its relation to military strategy and diplomacy, the set of beliefs about the region and its peoples, moral issues and planning for the post-war period the book provides a fascinating insight into the multiple meanings of propaganda and its effectiveness in specific wartime situations.
British Writing, Propaganda and Cultural Diplomacy in the Second World War and Beyond by Beatriz Lopez,James Smith,Guy Woodward Pdf
This book offers the first sustained analysis of the interactions between British writers, propaganda and culture from the Second World War to the Cold War. It traces the involvement of a series of major cultural figures in domestic and international propaganda campaigns and throws new light on the global deployment of British propaganda and cultural diplomacy in colonial and post-colonial theatres such as Cyprus, India and Sierra Leone. Chapters re-evaluate the propaganda work of prominent writers including Arthur Koestler and Dylan Thomas in the light of new archival research, study how organisations including the BBC, British Council and Ministry of Information engaged with new media forms, analyse cultural representations of propaganda service and investigate how British literature and culture was deployed and projected as a form of soft power across the globe. Featuring contributions from a variety of disciplines, including literary studies, visual culture, book history and radio history, this book brings together a constellation of established and emerging scholars to show the crucial role played in shaping and mediating the techniques and content of British information campaigns of the mid-twentieth century.
Between 1942 and 1945, the British government conducted a propaganda campaign in the United States to create popular consensus for a postwar Anglo-American partnership. Anticipating an Allied victory, British officials feared American cooperation would end with the war. Susan A. Brewer provides the first study of Britain's attempts to influence an American public skeptical of postwar international commitment, even as the United States was replacing Britain as the leading world power. Brewer discusses the concerns and strategies of the British propagandists--journalists, professors, and businessmen--who collaborated with the generally sympathetic American media. She examines the narratives they used to link American and British interests on such controversial issues as the future of the empire and economic recovery. In analyzing the barriers to Britain's success, she considers the legacy of World War I, and the difficulty of conducting propaganda in a democracy. Propaganda did not prevent the transition of global leadership from the British Empire to the United States, Brewer asserts, but it did make that transition work in Britain's interest.
During World War II, the UK government created the Central Office of Information to act as the country s marketing and communications agency. In these desperate times, the Office produced steady streams of propaganda for the home front, for the colonies and for dissemination through occupied countries. In addition to patriotic material encouraging Britons to maintain a stiff upper lip, thousands of postcards, leaflets, posters, booklets and other promotional materials were dropped from aircraft over occupied countries in World War II. In 2000, the master set of copies was deposited with the British Library, making an enormous collection of great social and historical significance available to the public for the first time."
'THE ART OF WAR: VOLUME 1' IS A COLLECTION OF 130 BRITISH WORLD WAR TWO PROPAGANDA POSTERS. INCLUDES A FOREWORD BY HISTORIAN M. J. TROW. Propaganda during the Second World War was an unavoidable aspect of daily life. It must be a situation that is hard to relate to for those of us in the West born too late or too young to remember the war or the decades afterwards. The idea that you must always be alert to the ominous drone of the air-raid sirens as you went about your business, or that your home could be destroyed in an aerial bombardment at any moment is very hard to comprehend. But those who lived through the war knew it was perfectly possible that the Wehrmacht could soon be marching through the streets, with all the chaos, fear, death and destruction that that would imply. Against this backdrop we can understand why propaganda was so vital to all sides of the conflict. For those interested in the psychology of the past, propaganda posters are a great glimpse into the (understandable) paranoia, hysteria and concerns of those who created them, and the message they thought it was necessary to promote to everyone else. All of these posters served some sort of purpose, and modern cynicism means it is often hard not to scoff at some of them, because to us they are now often unintentionally humorous or offensive. Those in government at the time knew that war had evolved. The Great War had changed much, and this latest conflict with Germany would create a huge strain, both in terms of morale and in the nation's resources, and it was vital to have and maintain full support for the war at home. While propaganda was nothing new, it came into its own during the Second World War. British posters were, in the main, created by the controversial Ministry of Information, a government department that was dissolved soon after the war and probably one of George Orwell's inspirations for 'Big Brother'. Many contemporary members of parliament were very disturbed by the agenda of this department and protested that there was a very real danger that Britain could ironically sleep-walk into becoming the fascist, brain-washed state with which they were at war. The messages behind most of these posters is overt and obvious. The well-known, but never actually distributed, 'Keep Calm and Carry On' posters are still recognisable to us today, over 70 years later. Other messages may verge on the bizarre to those who never knew the horrors of the conflict first-hand. One poster shows a soldier and his partner on a sofa with the message 'Keep mum (stay silent), she might not be so dumb', implying that his girlfriend may, at best, be a loudmouth who will report his military operations to everyone in town and, at worst, be a Gestapo agent who had been planted into his home. This isn't to mock the sentiment, but simply to point out how difficult it is for a modern mind to understand. Other posters urging mothers to evacuate their children away from towns as refugees to find safety in the countryside, or even abroad to the security of Canada or other parts of the empire are quite shocking. Still more so are those which implied that people taking a day off work due to sickness could be shirking, or that those who lost a tool at work were aiding Hitler, are quite unsettling even now. American propaganda was often racist, showing rat-like Japanese. One dramatic poster, featuring two creepy children in their gas masks and proclaiming 'Dear God, keep them safe!' is still striking. On the Axis side, they were oddly obsessed with reminding Allied soldiers, particularly Americans, that their women were back at home, probably sleeping with someone else and that 'the negroes' were now running the country.
Author : Michael L. Sanders,Philip M. Taylor Publisher : Unknown Page : 328 pages File Size : 44,8 Mb Release : 1983-01-01 Category : Propaganda, British ISBN : 0844814679
