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Benjamin Acosta-Hughes,Assistant Professor of Greek and Latin Benjamin Acosta-Hughes
Author : Benjamin Acosta-Hughes,Assistant Professor of Greek and Latin Benjamin Acosta-Hughes Publisher : Univ of California Press Page : 370 pages File Size : 42,6 Mb Release : 2002-09-03 Category : Literary Criticism ISBN : 9780520220607
Polyeideia by Benjamin Acosta-Hughes,Assistant Professor of Greek and Latin Benjamin Acosta-Hughes Pdf
The poems are especially significant as examples of cultural memory since they are composed both as an act of commemorating earlier poetry and as a manipulation of traditional features of iambic poetry to refashion the iambic genre. This book fills a significant gap by providing the first complete translation of several of these fragmentary poems in English, along with line-by-line commentary notes and literary analysis.".
Callimachus II by Annette Harder,Remco F. Regtuit,G. C. Wakker Pdf
"This volume contains a wide range of articles. It provides a survey of current developments in research on one of the most influential authors of Hellenistic poetry and reflects the large amount of scholarly interest in Callimachus during the last decade. In the papers there is a particular focus on issues of metapoetics, intertextuality, fictional orality, the impact of poetic collections and the function of Callimachus' poetry in Ptolemaic Alexandria as well as an interest in the reception of Callimachus' poetry among Roman poets."--BOOK JACKET.
Preliminary Material /D. L. Clayman -- History of the Text /D. L. Clayman -- The Iambi Individually and Together /D. L. Clayman -- Callimachus and Early Iambi /D. L. Clayman -- Callimachus and Other Hellenistic Iambi /D. L. Clayman -- The Influence of the Iambi at Rome /D. L. Clayman -- Bibliography /D. L. Clayman -- General Index /D. L. Clayman -- Passages cited /D. L. Clayman.
This book offers a detailed discussion of Callimachus' collection of Iambi, arguably one of the earliest surviving Greek 'books of poetry'. There are chapters on individual poems which examine the evidence for the text, and address questions of linguistic and antiquarian detail. Each chapter attempts an interpretation of each poem as a whole, and considers the arrangement of the poems within the book.
Iambic Ideas by Alberto Cavarzere,Antonio Aloni,Alessandro Barchiesi Pdf
"With its judicious sampling of topics, each developed in impressive detail, Iambic Ideas itself rates as a perfectly brilliant idea. The book provides a much-needed sense of 'iambic' as a self-standing generic enterprise within the literatures of Greece and Rome, poetry that both writes and plays by its own rules. The book is thus a first of its kind, and fundamental to the study of verse invective in antiquity. -- Kirk Freudenburg, Ohio State University The collection is strong and provocative in both its breadth and its depth. Iambic Ideas is nicely produced, organized, and balanced. * Bryn Mawr Classical Review * Iambic Ideas offers a rich selection of essays from a range of international experts...Each contribution is of considerable value on its own merits, and the collection as a whole reveals both the coherence and the diversity of the 'genre.' * Greek and Rome, Oxford Academic Journals * The collection as a whole is useful and important. * Journal Of Roman Studies * Iambic Ideas is a must read for anyone interested in Greek and Roman poetry. These twelve thought-provoking essays are constructed to move beyond formal generic classifications and to focus on the broader continuities, interactions, and significance of the iambic impulse from the archaic to late antique. The temporal span of these essays enables the readers to gain access to material that might otherwise be unfamiliar and allows for a far richer understanding of poetic processes in play" -- Susan Stephens, Stanford University.
This book provides a new literary treatment of an often-overlooked collection of fragmentary poems from the third century B.C.E. Alexandrian poet Callimachus. Callimachus' Iambi form a collection of thirteen poems, which rework archaic Greek iambography and look forward to Roman satire and other genres, especially to such collections as Horace's Epodes. The poems are especially significant as examples of cultural memory since they are composed both as an act of commemorating earlier poetry and as a manipulation of traditional features of iambic poetry to refashion the iambic genre. This book fills a significant gap by providing the first complete translation of several of these fragmentary poems in English, along with line-by-line commentary, notes, and literary analysis. The structure of the book is thematic, with chapters focusing on such topics as poetic voice, fable, ethical criticism, and statuary. Each chapter consists of an introduction, text and selected critical apparatus, translation, and comprehensive thematic discussion. Acosta-Hughes focuses especially on Callimachus' manipulation of traditional features of archaic iambic poetry such as persona loquens, ethical and critical message, and eristic dialogue. He also includes a detailed analysis of the Alexandrian poet's artistic relationship with the earlier iambic poets Archilochus and Hipponax. Polyeideia will interest not only readers of Greek and Hellenistic poetry but also readers of Roman satire and invective verse, as well as those intrigued by the processes of memorializing and fashioning poetic culture.
R. O. A. M. Lyne: Collected Papers on Latin Poetry by R. O. A. M. Lyne Pdf
This volume presents a wide range of pieces from a world-class Latinist which displays both his diverse interests as a scholar and his consistent concern with Augustan texts, their language and literary texture. The range of articles, written over more than three decades and including one previously unpublished piece, covers the same connected territory - largely Virgil, Horace, and elegy. R. O. A. M. Lyne's consistent approach of close reading means that the articles form a coherent whole, while his compelling style as an engaged literary analyst ensures that these are not dry or forbidding pieces.
Making Mockery explores the dynamics of comic mockery and satire in Greek and Roman poetry, and argues that poets working with such material composed in accordance with shared generic principles and literary protocols. It encourages a synoptic, synchronic view of such poetry, from archaic iambus through Roman satire, and argues that if we can appreciate the abstract poetics of mockery that governs individual poets in such genres, we can we better understand how such poetry functioned in its own historical moment. Rosen examines in particular the various strategies deployed by ancient satirical poets to enlist the sympathies of a putative audience, convince them of the justice of their indignation and the legitimacy of their personal attacks. The mocking satirist at the height of his power remains elusive and paradoxical--a figure of self-constructed abjection, yet arrogant and sarcastic at the same time; a figure whose speech can be self-righteous one moment, but scandalous the next; who will insist on the "reality" of his poetry, but make it clear that this reality is always mediated by an inescapable movement towards fictionality. While scholars have often, in principle, acknowledged the force of irony, persona-construction and other such devices by which satirists destabilize their claims, very often in practice--especially when considering individual satirists in isolation from others--they too succumb to the satirist's invitation to take what he says at face value. Despite the sophisticated critical tools they may bring to bear on satirical texts, therefore, classicists still tend to treat such poets ultimately as monochromatically indignant, vindictive individuals on a genuine self-righteous mission. This study, however, argues that that a far subtler analysis of the aggressive, poeticized subject in Classical antiquity--its target, and its audience--is called for.
In what questions are scholars of Horace currently interested? What opportunities does this core Roman author offer twenty-first-century critics? This book discusses recent work on Horace by genre, moving from the early Satires through to the late Epistles. It also suggests new scholarly approaches to the poet, providing various ways of interpreting Horace’s background, genre categories, metaphors, and ethics. The target readership consists of scholars new to the field seeking to familiarize themselves swiftly with the formidable bibliography, and of specialists interested in a different perspective on this important but notoriously evasive author.
Author : S. J. Harrison Publisher : Oxford University Press, USA Page : 390 pages File Size : 48,5 Mb Release : 1999 Category : Literary Criticism ISBN : 0198721749
Oxford Readings in the Roman Novel by S. J. Harrison Pdf
"Those articles in the collection which concern Petronius' Satyrica include a general interpretation of this fragmentary and problematic text, an exploration of its narrative technique, its relationship to Menippean satire and to recently discovered Greek novel papyri, and the issue of its realism."--BOOK JACKET. "On Apuleius' Metamorphoses, the collection includes pieces on narrative and ideological unity, an exploration of its narrative technique, its relationship to religion and Platonism, to epic and to the Greek ass stories, and to historical realism."--Jacket.
No other ancient poet has had such a hold on the imagination of readers as Ovid. Through the centuries, artists, writers, and poets have found in his work inspiration for new creative endeavours.This anthology of twenty of the most influential papers published in the last thirty years represents the broad range of critical and scholarly approaches to Ovid's work. The entire range of his poetry, from the Amores to the Epistles from the Black Sea, is discussed by some of the leading scholars of Latin poetry, employing, critical methods ranging from philology to contemporary literary theory. In an introductory essay, Peter Knox surveys Ovidian scholarship over this period and locates the assembled papers within recent critical trends. Taken together, the articles in this collection offer the interested reader, whether experienced scholar or novice, an entrée into the current critical discourse on Ovid, who is at once one of the most accessible authors of classical antiquity and one of the least understood.
