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Author : STEFAN DES LAURIERS
Publisher : Lulu.com
Page : 58 pages
File Size : 53,9 Mb
Release : 2019-06-11
Category : Electronic
ISBN : 9781387913442
A girl who sits by a Venetian carousel writing children's stories encounters a Mime artist from Italy
Author : Oscar Hammerstein (II),Richard Rodgers
Publisher : Unknown
Page : 127 pages
File Size : 44,7 Mb
Release : 1950
Category : Musicals
ISBN : OCLC:913327746
Author : Richard Rodgers
Publisher : Unknown
Page : 0 pages
File Size : 44,5 Mb
Release : 1946
Category : Electronic
ISBN : OCLC:968505107
Author : Daniel Rosenthal
Publisher : Bloomsbury Publishing
Page : 1433 pages
File Size : 42,8 Mb
Release : 2013-11-07
Category : Biography & Autobiography
ISBN : 9781849439435
Winner of the STR Theatre Book Prize 2014 The National Theatre Story is filled with artistic, financial and political battles, onstage triumphs – and the occasional disaster. This definitive account takes readers from the National Theatre's 19th-century origins, through false dawns in the early 1900s, and on to its hard-fought inauguration in 1963. At the Old Vic, Laurence Olivier was for ten years the inspirational Director of the NT Company, before Peter Hall took over and, in 1976, led the move into the National's concrete home on the South Bank. Altogether, the NT has staged more than 800 productions, premiering some of the 20th and 21st centuries' most popular and controversial plays, including Amadeus, The Romans in Britain, Closer, The History Boys, War Horse and One Man, Two Guvnors. Certain to be essential reading for theatre lovers and students, The National Theatre Story is packed with photographs and draws on Daniel Rosenthal's unprecedented access to the National Theatre's own archives, unpublished correspondence and more than 100 new interviews with directors, playwrights and actors, including Olivier's successors as Director (Peter Hall, Richard Eyre, Trevor Nunn and Nicholas Hytner), and other great figures from the last 50 years of British and American drama, among them Edward Albee, Alan Bennett, Judi Dench, Michael Gambon, David Hare, Tony Kushner, Ian McKellen, Diana Rigg, Maggie Smith, Peter Shaffer, Stephen Sondheim and Tom Stoppard.
Author : Anonim
Publisher : Unknown
Page : 1268 pages
File Size : 53,7 Mb
Release : 1995
Category : Trademarks
ISBN : WISC:89055288401
Author : Rodney Winther
Publisher : Alfred Music
Page : 452 pages
File Size : 51,7 Mb
Release : 2004-08-25
Category : Music
ISBN : 1457449978
Wind chamber music has become an important part of the contemporary wind band program during the past half century, and now a most complete reference text has been written to provide any and all necessary information concerning repertoire. Winther lists over 500 works by instrumentation and provides guidance on timings, difficulty level, publisher sources, available recordings and his own insight into rehearsing and programming each individual work. This book will soon be required reading for every wind conductor and performer!
Author : Richard Rodgers
Publisher : Unknown
Page : 128 pages
File Size : 53,5 Mb
Release : 2024-07-01
Category : Electronic
ISBN : OCLC:730259050
Author : Tim Carter
Publisher : Oxford University Press
Page : 128 pages
File Size : 43,9 Mb
Release : 2017-09-29
Category : Music
ISBN : 9780190693459
Carousel (1945), with music by Richard Rodgers and the book and lyrics by Oscar Hammerstein II, was their second collaboration following the surprising success of Oklahoma! (1943). They worked again with Theresa Helburn and Lawrence Langner of the Theatre Guild (producers), Rouben Mamoulian (director), and Agnes de Mille (choreographer). But with Oklahoma! still running to sell-out houses, they needed to do something quite different. Based on a play, Liliom (1909), by the Hungarian playwright Ferenc Molnár, Carousel took Broadway musical theater in far darker directions because of its subject matter-the protagonist, Billy Bigelow, is wholly an anti-hero-and also given its extensive music that some claimed came close to opera. The action is shifted from a gritty working-class suburb of Budapest to the New England coast (Maine), but the themes remain the same as two social misfits try to survive harsh economic times. Billy Bigelow is unemployed, prone to domestic violence, and dies in the course of committing a robbery; Julie Jordan sticks by him through thick and thin; and the show seeks some manner of redemption for both of them as Billy is given a day back on earth to do some good for his wife and their daughter. Troubling though these matters are nowadays, they fit squarely in the context of a country moving through the end of World War II to an uncertain future. Not for nothing had composers such as Giacomo Puccini and Kurt Weill already tried to persuade Molnár to release his play. It also led Rodgers and Hammerstein to new heights: songs such as "If I Loved You," Billy's "Soliloquy," and "You'll Never Walk Alone" transformed the American musical. In this book, we discover how and why they came about, and exactly what Carousel was trying to achieve.
Author : Erica Buurman
Publisher : Cambridge University Press
Page : 209 pages
File Size : 51,8 Mb
Release : 2021-12-02
Category : Music
ISBN : 9781108495851
Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.
Author : Jan D. Hodge
Publisher : Able Muse Press
Page : 80 pages
File Size : 44,8 Mb
Release : 2015-08-31
Category : Poetry
ISBN : 9781927409572
An eclectic mix of shapes and subjects populate Taking Shape—Jan D. Hodge’s full-length collection of carmina figurata (sometimes called shaped poems, pattern poetry, or figure poems). Hodge’s many masterpieces include depictions of a saxophone, a Madonna and Child, a combination piano/guillotine, and other silhouettes of amazing difficulty and detail. These poems are not only visually stunning, they are also sonically beautiful, and retain a transcendent freedom while conforming to both illustrative and metrical constraints. Taking Shape is a visual feast of inspired poetry. PRAISE FOR TAKING SHAPE: Are not all printed formal poems shaped poems? The sonnet, the hymn, the sestina, and the ghazal all have characteristic shapes rather like boxes that confine their subjects. In Jan D. Hodge’s Taking Shape the subjects have burst from their cages and confront us immediately with what they are. Then the words they are made of can reveal their inner beings. The long closure of “Spring” describes the best way to read these poems. I have long known what prayer is, but I never knew what one looked like until I read “Madonna and Child.” — Fred Chappell, author of The Fred Chappell Reader Here is a perfect matching of shapes and poetry. Through a wide-ranging array of subjects and tones, Hodge’s mastery of language within such challenging constraints is truly impressive. Syntax and rhythm, metaphor and symbol (see for instance “The One That Got Away” or “The Lesson of the Snow”), conversational snippets and quatrains, are surprisingly nuanced. Even the occasional poems—wedding, elegy, Valentine’s day, Halloween, Christmas, an early morning poetry reading—find new things to say and striking ways to say them. These poems reward reading again and again. — Robert J. Conley, author of Mountain Windsong Jan D. Hodge is the master par excellence of carmina figurata. In Taking Shape you’ll see such word-pictures as the Chinese ideogram for spring; a harpsichord poised before a guillotine; a still life with quill pen and ink bottle, T-square and drafting triangle. More amazing still, Hodge forms many of the intricate images with metered language—in one case in medieval alliterative verse! In a poem about baseball Hodge writes, “forgiveness/ is the best/ we dare hope for in this bruised world/ the thinnest/ chance that lets us somehow/ slide home free”; here “only by grace . . . can we be safe.” Hodge knows of grace, his poems are full of grace, and Taking Shape, like grace itself, is a gift of utter beauty. — Vince Gotera, Editor, North American Review
Author : Leon J. Bly
Publisher : LIT Verlag Münster
Page : 1188 pages
File Size : 40,8 Mb
Release : 2024-07
Category : Electronic
ISBN : 9783643916549
The book provides a historical survey of the wind band’s music and denotes how historical and cultural developments have influenced it over the course of time. Although the modern wind band developed first in the 19th century, it has its roots in the wind music of ancient times, and music survives that has been composed since the Middle Ages. Therefore, this book covers the music from that time to the present, including the dance music of the Renaissance, the Harmoniemusik of the Classical Period, and the nationalistic music of the Romantic Period, as well as the major wind band repertoire developed after 1900.
Author : Michael Kennedy,Joyce Kennedy
Publisher : Oxford University Press, USA
Page : 971 pages
File Size : 40,8 Mb
Release : 2013-08-15
Category : Music
ISBN : 9780199578542
Now available in paperback and with over 10,000 entries, the Oxford Dictionary of Music (previously the Concise Oxford Dictionary of Music) offers broad coverage of a wide range of musical categories spanning many eras, including composers, librettists, singers, orchestras, important ballets and operas, and musical instruments and their history. The Oxford Dictionary of Music is the most up-to-date and accessible dictionaryof musical terms available and an essential point of reference for music students, teachers, lecturers, professional musicians, as well as music enthusiasts.
Author : United States. Patent and Trademark Office
Publisher : Unknown
Page : 1164 pages
File Size : 48,6 Mb
Release : 1985
Category : Patents
ISBN : WISC:89050406545
Author : Ruth A. Purkey
Publisher : I. E. Clark Publications
Page : 28 pages
File Size : 47,6 Mb
Release : 1982-07
Category : Drama
ISBN : 0886800803
Author : Washington Geoffrey Block Professor of Music University of Puget Sound
Publisher : Oxford University Press, USA
Page : 434 pages
File Size : 54,5 Mb
Release : 1997-10-02
Category : Musicals
ISBN : 9780199769889
The classic musicals of Broadway can provide us with truly enchanted evenings. But while many of us can hum the music and even recount the plot from memory, we are often much less knowledgeable about how these great shows were put together. What was the inspiration for Rodgers and Harts Pal Joey, or Rodgers and Hammersteins Carousel? Why is Marias impassioned final speech in West Side Story spoken, rather than sung? Now, in Enchanted Evenings, Geoffrey Block offers theatre lovers an illuminating behind-the- scenes tour of some of the best loved, most admired, and most enduring musicals of Broadways Golden Era. Readers will find insightful studies of such all-time favorites as Show Boat, Anything Goes, Porgy and Bess, Carousel, Kiss Me, Kate, Guys and Dolls, The Most Happy Fella, My Fair Lady, and West Side Story. Block provides a documentary history of fourteen musicals in all--plus an epilogue exploring the plays of Stephen Sondheim--showing how each work took shape and revealing, at the same time, production by production, how the American musical evolved from the 1920s to the early 1960s, and beyond. The book's particular focus is on the music, offering a wealth of detail about how librettist, lyricist, composer, and director work together to shape the piece. Drawing on manuscript material such as musical sketches, autograph manuscripts, pre-production librettos and lyric drafts, Block reveals the winding route the works took to get to their final form. Block blends this close attention to the nuances of musical composition and stagecraft with trenchant social commentary and lively backstage anecdotes. Jerome Kern, Cole Porter, the Gershwins, Rodgers and Hart, Rodgers and Hammerstein, Lerner and Loewe, Kurt Weill, Frank Loesser, Leonard Bernstein, Sondheim, and other luminaries emerge as hardworking craftsmen under enormous pressure to sell tickets without compromising their dramatic vision and integrity. Opening night reviews and accounts of critical and popular response to subsequent revivals show how particular musicals have adapted to changing times and changing audiences, shedding light on why many of these innovative shows are still performed in high schools, colleges, and community theaters across the country, while others, such as Weills One Touch of Venus or Marc Blitzsteins The Cradle Will Rock, languish in comparative obscurity. Packed with information, including a complete discography and plot synopses and song-by-song scenic outlines for each of the fourteen shows, Enchanted Evenings is an essential reference as well as a riveting history. It will deepen readersappreciation and enjoyment of these beloved musicals even as it delights both the seasoned theater goer and the neophyte encountering the magic of Broadway for the first time.