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Charles Dickens and the Image of Woman by David Holbrook Pdf
Holbrook (English, Cambridge U.) explains how Dickens dealt with the Victorian English problem of merging the ideal and the libidinous woman, by delighting in father-daughter and other non- sexual relationships between genders; and how his dread of sexual intercourse deformed his dealings with all his female characters. Annotation copyright by Book News, Inc., Portland, OR
Charles Dickens and the Image of Women by David K. Holbrook Pdf
How successful is Dickens in his portrayal of women? Dickens has been represented (along with William Blake and D.H. Lawrence) as one who championed the life of the emotions often associated with the "feminine." Yet some of his most important heroines are totally submissive and docile. Dickens, of course, had to accept the conventions of his time. It is obvious, argues Holbrook, that Dickens idealized the father-daughter relationship, and indeed, any such relationship that was unsexual, like that of Tom Pinch and his sister—but why? Why, for example, is the image of woman so often associated with death, as in Great Expectations? Dickens's own struggles over relationships with women have been documented, but much less has been said about the unconscious elements behind these problems. Using recent developements in psychoanalytic object-relations theory, David Holbrook offers new insight into the way in which the novels of Dickens—particularly Bleak House, Little Dorrit, and Great Expectations—both uphold emotional needs and at the same time represent the limits of his view of women and that of his time.
Victorian gender roles and Dickens’s image of women as represented in the female characters in "Great Expectations" by Anja Dinter Pdf
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Potsdam (Institut für Anglistik und Amerikanistik), course: Great Expectations and Hard Times by Charles Dickens, 15 entries in the bibliography, language: English, abstract: Introduction The following work is an analysis of the female characters in Charles Dickens’s Great Expectations especially with regard to Victorian gender constructions and Dickens’s image of women. Dickens’s biography and the depiction of very diverse female characters in his novels stimulated the idea of a closer analysis. First of all, a short summary of Great Expectations is provided. Then, the Victorian construction of gender will be discussed. As will be shown, a very strict ideology regarding gender roles existed during the Victorian age. Obviously, Dickens must have been influenced by the ideas of his contemporaries which should then be presented in the novel. Another focus will be on how his relationships to women influenced his image of women and also, consequently, the depiction of his female characters in Great Expectations. Finally the female characters, with reference to Victorian gender roles and Dickens’s image of women, will be analyzed in greater detail. The focus is on four women who I believe to be the most important female characters in the novel and powerful representatives of the author’s image of women and Victorian gender construction.
Victorian Gender Roles and Dickens's Image of Women As Represented in the Female Characters in Great Expectations by Anja Dinter Pdf
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Potsdam (Institut für Anglistik und Amerikanistik), course: Great Expectations and Hard Times by Charles Dickens, 15 entries in the bibliography, language: English, abstract: Introduction The following work is an analysis of the female characters in Charles Dickens's Great Expectations especially with regard to Victorian gender constructions and Dickens's image of women. Dickens's biography and the depiction of very diverse female characters in his novels stimulated the idea of a closer analysis. First of all, a short summary of Great Expectations is provided. Then, the Victorian construction of gender will be discussed. As will be shown, a very strict ideology regarding gender roles existed during the Victorian age. Obviously, Dickens must have been influenced by the ideas of his contemporaries which should then be presented in the novel. Another focus will be on how his relationships to women influenced his image of women and also, consequently, the depiction of his female characters in Great Expectations. Finally the female characters, with reference to Victorian gender roles and Dickens's image of women, will be analyzed in greater detail. The focus is on four women who I believe to be the most important female characters in the novel and powerful representatives of the author's image of women and Victorian gender construction.
Dickens' Women by Miriam Margolyes,Sonia Fraser Pdf
A captivating portrait of some of Charles DickensOCO most memorable female characters presented by popular actress Miriam Margolyes to accompany her hugely successful one-woman show touring the world in 2012. In his novels Dickens presents a series of unrivalled portraits of women, young and old. From Little Nell to Miss Havisham, these girls and women speak to us today, making us laugh and sometimes cry. The popular British actress Miriam Margolyes will be touring the world in 2012, the bicentenary of Dickens birth, with a one-woman show about DickensOCO women, and this book accompanies the show by building on the script and expanding to include many more of the female characters Dickens described and analysed so astutely in his novels. ?Mrs Pipchin was a marvellous ill-favoured, ill-conditioned old lady, of a stooping figure, with a mottled face, like bad marble, a hook nose, and a hard grey eye, that looked as if it might have been hammered at on an anvil without sustaining any injury.OCO"
This brilliant, classic and scholarly study provides the fullest treatment of a key subject. It is one of the essential works on Dickens's work and life. Dickens's treatment of women is a central aspect of his artistic achievement. Professor Slater examines the novelist's experience of women - as son, brother, lover, husband, and father, and as it affected the deepest emotional currents in his life. His perception of female nature and his conception of women's role in the home and outside it - and the ways in which these found expression in his art - are pivotal topics. Professor Slater has sifted the mass of legends and doubtful traditions about Dickens's private life to present a close examination of his relations with women, and of his views of woman's nature and the womanly ideal.
Undoubtedly the best-selling author of his day and well loved by readers in succeeding generations, Charles Dickens was not always a favorite among critics. Celebrated for his novels advocating social reform, for half a century after his death he was ridiculed by those academics who condescended to write about him. Only the faithful band of devotees who called themselves Dickensians kept alive an interest in his work. Then, during the Second World War, he was resurrected by critics, and was soon being hailed as the foremost writer of his age, a literary genius alongside Shakespeare and Milton. More recently, Dickens has again been taken to task by a new breed of literary theorists who fault his chauvinism and imperialist attitudes. Whether he has been adored or despised, however, one thing is certain: no other Victorian novelist has generated more critical commentary. This book traces Dickens's reputation from the earliest reviews through the work of early 21st-century commentators, showing how judgments of Dickens changed with new standards for evaluating fiction. Mazzeno balances attention to prominent critics from the late 19th century through the first three quarters of the 20th with an emphasis on the past three decades, during which literary theory has opened up new ways of reading Dickens. What becomes clear is that, in attempting to provide fresh insight into Dickens's writings, critics often reveal as much about the predilections of their own age as they do about the novelist. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.
Charles Dickens and Nelly Ternan met in 1857; she was 18, a hard-working actress performing in his production of The Frozen Deep, and he was 45, the most lionized writer in England. Out of their meeting came a love affair that lasted thirteen years and destroyed Dickens’s marriage while effacing Nelly Ternan from the public record. In this remarkable work of biography and scholarly reconstruction, the acclaimed biographer of Mary Wollstonecraft, Thomas Hardy, Samuel Pepys and Jane Austen rescues Nelly from the shadows of history, not only returning the neglected actress to her rightful place, but also providing a compelling portrait of the great Victorian novelist himself. The result is a thrilling literary detective story and a deeply compassionate work that encompasses all those women who were exiled from the warm, well-lighted parlors of Victorian England.
A Companion to Charles Dickens by David Paroissien Pdf
A Companion to Charles Dickens concentrates on the historical, ideological, and social forces that defined Dickens’s world. Puts Dickens’s work into its literary, historical, and social contexts Traces the development of Dickens’s career as a journalist and novelist Includes original essays by leading Dickensian scholars on each of Dickens’s fifteen novels Explores a broad range of topics, including criticisms of his novels, the use of history and law in his fiction, language, and the effect of political and social reform Examines Dickens's legacy and surveys the mass of secondary materials that has been generated in response and reverence to his writing
Author : Matthew J. McGuire Publisher : Unknown Page : 88 pages File Size : 43,9 Mb Release : 1995 Category : Women in literature ISBN : UCSC:32106014340902
On the bicentenary of his birth, this short account of the emotional life of Charles Dickens examines his relationships with some of the women to whom he was closest. They include the mother who failed to recognise his early promise; the young woman who spurned him before he was famous; the wife he cast aside in middle age; the benefactress for whom he managed a house for 'fallen women'; and the actress, less than half his age, with whom he spent his final years. Each woman casts light on a different aspect of Dickens's personality. But they were united by a common theme: whatever they gave him, it was rarely enough to satisfy Dickens's sense of entitlement.
Author : Elizabeth A. Campbell Publisher : Ohio University Press Page : 279 pages File Size : 47,8 Mb Release : 2003 Category : Cycles in literature ISBN : 9780821415146
This volume explores the ways that Charles Dickens appropriated and made central to his novels the dominant symbol of his age. The author argues that Dickens' contribution to the iconographic and narrative traditions was to fuse the classical image of the wheel - fortune - with the industrial one.
