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With 11 original essays, this edited volume examines 'chick flicks' within the larger context of 'chick culture' as well as women's cinema. The essays consider chick flicks from a variety of angles, touching on issues of film history, female sexuality, femininity, age, race, ethnicity, and consumerism.
Part journalistic chronicle, part memoir, and 100% pure cultural historical odyssey, "Chick Flicks" captures the birth and growth of feminist film as no other book has done. 22 photos.
Women's films are more popular now than at any time following the classical era. Postmodern Chick Flicks considers the reasons for the renewed popularity of female-orientated genres and examines the new film cycles this has produced. Focusing on melodrama, romantic comedy, costume drama and female-led noirs, the book looks at the revival of these forms and the way in which they blend classical and contemporary themes and formal devices.
Talkies, Road Movies and Chick Flicks by Heidi Wilkins Pdf
The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of gender, and reinforcing patriarchal, dominant notions of masculinity and femininity. While previous scholarly discussion has focused on visual or narrative portrayals of gender, this book considers the ways that film sound "e; music, voice, sound effects and silence "e; is used to represent gender. Taking a socio-historical approach, Heidi Wilkins investigates a range of popular US genres including screwball comedy, the road movie and chick flicks to explore the ways that film sound can reinforce traditional assumptions about masculinity and femininity, impart ambivalent meanings to them, or even challenge and subvert the notion of gender itself. Case studies include His Girl Friday, Easy Rider and Bridesmaids.
What lies behind current feminist discontent with contemporary cinema? Through a combination of cultural and industry analysis, Hilary Radner’s Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture shows how the needs of conglomerate Hollywood have encouraged an emphasis on consumer culture within films made for women. By exploring a number of representative "girly films," including Pretty Woman, Legally Blonde, Maid in Manhattan, The Devil Wears Prada, and Sex and the City: The Movie, Radner proposes that rather than being "post-feminist," as is usually assumed, such films are better described as "neo-feminist." Examining their narrative format, as it revolves around the story of an ambitious unmarried woman who defines herself through consumer culture as much as through work or romance, Radner argues that these films exemplify neo-liberalist values rather than those of feminism. As such, Neo-Feminist Cinema offers a new explanation as to why feminist-oriented scholars and audiences who are seeking more than "labels and love" from their film experience have viewed recent "girly films" as a betrayal of second-wave feminism, and why, on the other hand, such films have proven to be so successful at the box office.
“I cherish the fun times/laughs I have with my friend/publicist Holly, who is always so “Jolley.” Just being in her presence makes me feel comfortable and at home - like I’ve known her a million years. I know her readers are going to feel the same. The way she words and writes things is in such a smart, but understanding way, no matter the age or the maturity level - it always leaves you wanting more.” —Paul Jolley (American Idol - Season 12, Top 9 Finalist) “Holly writes truthful and sincere. I know her writing comes from her heart and her experiences just from knowing her. She was the first one to write up an article about me and my hometown. Very excellent writer. Emm Hmmm.” —Duck Dynasty’s Mountain Man Are you tired of “How-to” dating books? Well, this is not one of them. Holly Marie Tong’s Chick Flicks Lie (Sugar-free Accounts of a Positive Pessimist) features laughable and engaging stories which are relative of today’s dating world. Deep down, we all want the kind of love that would chase our departing plane down the tarmac and the kind of love that would try to win us back no matter what the cost. However, real life is often a far cry from a chick flick, and there isn’t any background music to accompany it. With sharp wit, continual sarcasm, and non-stop humor, Chick Flicks Lie reminds the single crowd that they aren’t alone. The empathetic author believes faith mixed with laughter to be the best medicine for lousy dates and failed relationships. This feel-good book will leave singles feeling understood, while giving them a whole new perspective.
The Ultimate Guide To Chick Flicks by Kim Adelman Pdf
An entertaining guide to women's favorite movies offers keen insights into the elements that constitute a "Chick Flick," along with recommendations for every day of the year, suggestions for must-have DVDs, inside Hollywood gossip, photographs, and more. Original. 15,000 first printing.
Gossip, Women, Film, and Chick Flicks by Sarah-Mai Dang Pdf
This book addresses the relationship between gossip, women, and film with regards to the genre of chick flicks. Presenting two case studies on the films Easy A (Will Gluck 2010) and Emma (Douglas McGrath 1996), Dang demonstrates that hearsay plays a defining role in the staging of these films and thus in the film experience. While the lack of women’s voices in the general public sphere remains an issue, the female voice is very present in the contemporary woman’s film. In its analysis of gossip, this book focuses on a form of communication that has traditionally been assigned to women and is consequently disregarded. Dang provides a theoretical framework for the understanding of speech acts in the popular, yet undertheorized, genre of chick flicks.
In this extensive analysis of the renewed popularity of the 'woman's film' in the 1990s, Roberta Garrett examines melodrama, romantic comedy, costume drama and female-led noirs , revealing the way they blend classical and contemporary themes and formal devices.
The Rough Guide to Chick Flicks by Samantha Cook Pdf
The Rough Guide to Chick Flicks is a lively guide to the movies women love, from melodramas to biopics, thrillers to rom-coms. Sassy, informed and occasionally unexpected, it celebrates women's films of every kind. The history: Silent sirens, screwball dames, blonde bombshells, power dressers and indie chicks, The must-sees: The lowdown on 50 essential women's movies, from Breakfast At Tiffany's and Bend It Like Beckham to Pretty Woman and The Piano - with a fair few surprises thrown in, The faces: Heroines and heart-throbs from Audrey Hepburn to Julia Roberts, Cary Grant to Hugh Grant, not forgetting key writers, directors and custome designers, Chick lit and chick flicks: Tracing the relationship between the books and the movies, with juicy back stories about the best women writers from Louisa May Alcott to Virginia Woolf, Women of the world: Historical classics and contemporary hits from countries as different as Australia and Iran. Cover photo: Tara Morice in Strictly Balroom. Book jacket.
Group's Dinner and a Movie by Stephanie A. Carney Pdf
Prepare a meal as a group, catch a flick, and then talk about spiritual implications in the movie. Includes recipes, invitations, decoration ideas, movie descriptions, and discussion questions for 12 movies. Choose from classics, comedies, dramas, and more. (Movies not included.)
Written with the flair that has made Jami Bernard one of the most influential film critics in the country, Chick Flicks is a celebration of the films women love to watch, cleverly organized into categories, such as Catfights (All About Eve), Emotional Rescue (Piano), Female Bonding (Enchanted April), Tearjerkers (Ghost), and Funny Girls (When Harry Met Sally). Illustrated with photos throughout.
With the chick flick arguably in decline, film scholars may well ask: what has become of the woman’s film? Little attention has been paid to the proliferation of films, often from the independent sector, that do not sit comfortably in either the category of popular culture or that of high art––films that are perhaps the corollary of the middle-brow novel, or "smart-chick flicks". This book seeks to fill this void by focusing on the steady stream of films about and for women that emerge out of independent American and European cinema, and that are designed to address an international female audience. The new woman's film as a genre includes narratives with strong ties to the woman’s film of classical Hollywood while constituting a new distinctive cycle of female-centered films that in many ways continue the project of second-wave feminism, albeit in a modified form. Topics addressed include: The Bridges of Madison County (Clint Eastwood, 1995); the feature-length films of Nicole Holofcener, 1996-2013; the film roles of Tilda Swinton; Rachel Getting Married (Jonathan Demme, 2008); Blue Jasmine (Woody Allen, 2013); Frances Ha (Noah Baumbach, 2012), Belle (Amma Asante, 2013), Fifty Shades of Grey (Sam Taylor-Johnson, 2015) and Jane Campion’s Top of the Lake (Sundance Channel, 2013-).
(Vocal Selections). Six has received rave reviews around the world for its modern take on the stories of the six wives of Henry VIII and it's finally opening on Broadway! From Tudor queens to pop princesses, the six wives take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power! Songs include: All You Wanna Do * Don't Lose Ur Head * Ex-Wives * Get Down * Haus of Holbein * Heart of Stone * I Don't Need Your Love * No Way * Six.