Chinese Film Theory

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Chinese Film Theory

Author : Xia Hong,Hou Jianping,George S. Semsel
Publisher : Bloomsbury Publishing USA
Page : 245 pages
File Size : 41,7 Mb
Release : 1990-05-23
Category : Performing Arts
ISBN : 9780313367335

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Chinese Film Theory by Xia Hong,Hou Jianping,George S. Semsel Pdf

This is the first collection of translations of Chinese film theory to be published in English. By using translations rather than summaries, as other works have done, Chinese Film Theory provides readers with an introduction to the issues current in China's film circles. It includes eighteen chapters written by a broad range of writers--from well established scholars to young people at the beginning of their involvement in film in China. This collection indicates a trend away from the study of external qualities of film and toward a study of the film itself. The volume has been carefully organized so that major issues are interrelated; thus, the book comprises an ongoing debate of film theory issues, progressing from earlier to most recent issues, following the debate concerning the relationship of film to literary arts, and looking at the debate over the relationship of film to culture. The book concludes that for the time being, debate has virtually ended because of the political situation in China. This book is an important new source to anyone interested in film studies, film theory, or Chinese studies.

Cinema Approaching Reality

Author : Victor Fan
Publisher : Unknown
Page : 128 pages
File Size : 45,6 Mb
Release : 2016
Category : Film criticism
ISBN : 1452950792

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Cinema Approaching Reality by Victor Fan Pdf

Victor Fan brings together Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through the 1940s.

Chinese Film Theory

Author : George Stephen Semsel
Publisher : Unknown
Page : 128 pages
File Size : 40,8 Mb
Release : 1990
Category : Electronic
ISBN : OCLC:729094097

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Chinese Film Theory by George Stephen Semsel Pdf

Cinema Approaching Reality

Author : Victor Fan
Publisher : U of Minnesota Press
Page : 325 pages
File Size : 50,6 Mb
Release : 2015-03-20
Category : Art
ISBN : 9781452944067

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Cinema Approaching Reality by Victor Fan Pdf

In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through 1940s. His point of departure is a term popularly employed by Chinese film critics during this period, bizhen, often translated as “lifelike” but best understood as “approaching reality.” What these Chinese theorists mean, in Fan’s reading, is that the cinematographic image is not a form of total reality, but it can allow spectators to apprehend an effect as though they had been there at the time when an event actually happened. Fan suggests that the phrase “approaching reality” can help to renegotiate an aporia (blind spot) that influential French film critic André Bazin wrestled with: the cinematographic image is a trace of reality, yet reality is absent in the cinematographic image, and the cinema makes present this absence as it reactivates the passage of time. Fan enriches Bazinian cinematic ontology with discussions on cinematic reality in Republican China and colonial Hong Kong, putting Western theorists—from Bazin and Kracauer to Baudrillard, Agamben, and Deleuze—into dialogue with their Chinese counterparts. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn.

Film in Contemporary China

Author : George S. Semsel,Xia Hong,Chen Xihe
Publisher : Bloomsbury Publishing USA
Page : 231 pages
File Size : 44,7 Mb
Release : 1993-02-28
Category : Performing Arts
ISBN : 9780313388699

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Film in Contemporary China by George S. Semsel,Xia Hong,Chen Xihe Pdf

Since 1986, Chinese film circles have turned from their study of Chinese film in terms of aesthetics and have begun to explore film in terms of ideological, political and cultural concerns. In particular, this concern has centered on matters of the marketplace, with much debate between film scholars and filmmakers over the qualities of entertainment. Film In Contemporary China draws together the first English translations of recent articles written by the most respected critics, theorists and filmmakers in China who discuss this significant new direction. Parts One and Two discuss the ideological problems now facing Chinese film scholars and filmmakers, focusing on the Fifth Generation filmmakers whose works brought Chinese filmmaking to international prominence. Part Three is a critical study of the relationship of traditional culture to contemporary aesthetics. The fourth part follows the theoretical and critical debate over the entertainment film which forms the basis for the Third Movement of Chinese film during the New Era. The fifth part concerns the ongoing debate over the values of film theory in relationship to filmmaking, and the final section summarizes developments in film scholarship following the events in Tiananmen Square in 1989. Film In COntemporary China is designed primarily for film scholars, especially those concerned with China, with international film more generally, and with the relationship between film and society.

Chinese Women’s Cinema

Author : Lingzhen Wang
Publisher : Columbia University Press
Page : 449 pages
File Size : 42,8 Mb
Release : 2011-08-30
Category : Performing Arts
ISBN : 9780231527446

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Chinese Women’s Cinema by Lingzhen Wang Pdf

The first of its kind in English, this collection explores twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of Asian, women's, film, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others, who have transformed Chinese cinematic modernity. Chinese Women's Cinema is a unique, transcultural, interdisciplinary conversation on authorship, feminist cinema, transnational gender, and cinematic agency and representation. Lingzhen Wang's comprehensive introduction recounts the history and limitations of established feminist film theory, particularly its relationship with female cinematic authorship and agency. She also reviews critiques of classical feminist film theory, along with recent developments in feminist practice, altogether remapping feminist film discourse within transnational and interdisciplinary contexts. Wang's subsequent redefinition of women's cinema, and brief history of women's cinematic practices in modern China, encourage the reader to reposition gender and cinema within a transnational feminist configuration, such that power and knowledge are reexamined among and across cultures and nation-states.

General History of Chinese Film I

Author : Ding Yaping
Publisher : Routledge
Page : 329 pages
File Size : 50,7 Mb
Release : 2021-10-25
Category : Art
ISBN : 9781000434859

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General History of Chinese Film I by Ding Yaping Pdf

The early years of the history of Chinese film have lately been the subject of resurgent interest and a growing body of scholarship has come to recognise and identify an extraordinarily diverse and complex period. This volume explores the development of Chinese film from 1896 to 1949. The volume covers the screening of foreign films in Shanghai, Hong Kong and other coastal cities in China, the technological and industrial development of Chinese national cinema, key filmmakers and actors of early Chinese cinema, changing modes of representation and narration, as well as the social and cultural contexts within which early Chinese films were produced and circulated. The relationship between the War of Resistance against Japan and the Chinese civil war and Chinese film is also explored. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers develop a comprehensive understanding of Chinese film.

Fiery Cinema

Author : Weihong Bao
Publisher : Unknown
Page : 0 pages
File Size : 42,6 Mb
Release : 2015
Category : Motion pictures
ISBN : 0816681333

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Fiery Cinema by Weihong Bao Pdf

Introduction -- Resonance. Fiery action: toward an aesthetics of new heroism -- A culture of resonance: hypnotism, wireless cinema, and the invention of intermedial spectatorship -- Transparency. Dances of fire: mediating affective immediacy -- Transparent Shanghai: cinema, architecture, and a left-wing culture of glass -- Agitation. "A vibrating art in the air": the infinite cinema and the media ensemble of propaganda -- Baptism by fire: atmospheric war, agitation, and a tale of three cities.

The SAGE Handbook of Film Studies

Author : James Donald,Michael Renov
Publisher : SAGE
Page : 538 pages
File Size : 48,6 Mb
Release : 2008-04-16
Category : Language Arts & Disciplines
ISBN : 9781446206829

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The SAGE Handbook of Film Studies by James Donald,Michael Renov Pdf

Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field′s dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.

Film Studies in China

Author : Contemporary Cinema (China Film Archive)
Publisher : Intellect (UK)
Page : 0 pages
File Size : 46,7 Mb
Release : 2020-07-22
Category : Motion picture industry
ISBN : 1789381622

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Film Studies in China by Contemporary Cinema (China Film Archive) Pdf

"[This book] is a collection of selected articles chosen from issues of the journal Contemporary Cinema published throughout the year and translated for an English-speaking audience"--Back cover.

Cinema Illuminating Reality

Author : Victor Fan
Publisher : U of Minnesota Press
Page : 337 pages
File Size : 50,6 Mb
Release : 2022-03-29
Category : Performing Arts
ISBN : 9781452964317

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Cinema Illuminating Reality by Victor Fan Pdf

A new critical approach to cinema and media based on Buddhism as a philosophical discourse How can a philosophical discourse generated in Asia help us reframe and renew cinema and media theory? Cinema Illuminating Reality provides a possible way to do this by using Buddhist ideas to examine the intricate relationship between technicity and consciousness in the cinema. The resulting dialogue between Buddhism and Euro-American philosophy is the first of its kind in film and media studies. Victor Fan examines cinema’s ontology and ontogenetic formation and how such a formational process produces knowledge, political agency, and in-aesthetics. Buddhism allows Fan to deconstruct binary thinking and reimagine media as an ecology, rethinking cinema in relational terms between the human and the machine. Along the way, Fan considers a wide variety of case studies from around the globe, while paying special attention to how contemporary Tibeto-Sinophone filmmakers have adopted relational thinking to detail ways of rebuilding a world that appears to be beyond repair. From Chinese queer cinema to a reexamination of Japanese master Ozu’s work and its historical reception to Christian Petzold’s 2018 existential thriller Transit, CinemaIlluminating Reality forges a remarkable path between Buddhist studies and cinema studies, casting vital new light on both of these important subjects.

The Oxford Handbook of Film Theory

Author : Kyle Stevens
Publisher : Oxford University Press
Page : 713 pages
File Size : 55,6 Mb
Release : 2022
Category : Motion pictures
ISBN : 9780190873929

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The Oxford Handbook of Film Theory by Kyle Stevens Pdf

Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, this collection narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.

Encyclopedia of Chinese Film

Author : Zhiwei Xiao,Yingjin Zhang
Publisher : Routledge
Page : 500 pages
File Size : 50,9 Mb
Release : 2002-06-01
Category : Reference
ISBN : 9781134745548

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Encyclopedia of Chinese Film by Zhiwei Xiao,Yingjin Zhang Pdf

The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cultural and historical context to the facts. The alphabetical entries are preceded by a substantial historical section, incorporating material on the the main studios and analysing the impact of Chinese film abroad as well as at home in recent years. This Encyclopedia meets the needs, equally, of * the film studies scholar * the student of Chinese culture * the specialist in Chinese film * the curious viewer wanting to know more. Additional features include: * comprehensive cross-references and suggestions for further reading * a list of relevant websites * a chronology of films and a classified contents list * three indexes - (one of film and tv titles with directors names and year of release, one of names including actors, writers, directors and producers and one of studios, all with pinyin romanizations) * a glossary of pinyin romanizations, Chinese characters and English equivalents to aid the specialist in moving between Chinese titles and English translations.

Chinese Revolutionary Cinema

Author : Jessica Ka Yee Chan
Publisher : Bloomsbury Publishing
Page : 288 pages
File Size : 49,7 Mb
Release : 2019-01-21
Category : Performing Arts
ISBN : 9781786734341

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Chinese Revolutionary Cinema by Jessica Ka Yee Chan Pdf

Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture.

A Companion to Chinese Cinema

Author : Yingjin Zhang
Publisher : John Wiley & Sons
Page : 705 pages
File Size : 43,6 Mb
Release : 2012-04-23
Category : Performing Arts
ISBN : 9781444330298

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A Companion to Chinese Cinema by Yingjin Zhang Pdf

A Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China’s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications