Cinema Approaching Reality

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Cinema Approaching Reality

Victor Fan
Cinema Approaching Reality Book PDF

Author : Victor Fan
Publisher : U of Minnesota Press
Page : 325 pages
File Size : 54,9 Mb
Release : 2015-03-20
Category : Art
ISBN : 9781452944067

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Cinema Approaching Reality by Victor Fan Pdf

In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through 1940s. His point of departure is a term popularly employed by Chinese film critics during this period, bizhen, often translated as “lifelike” but best understood as “approaching reality.” What these Chinese theorists mean, in Fan’s reading, is that the cinematographic image is not a form of total reality, but it can allow spectators to apprehend an effect as though they had been there at the time when an event actually happened. Fan suggests that the phrase “approaching reality” can help to renegotiate an aporia (blind spot) that influential French film critic André Bazin wrestled with: the cinematographic image is a trace of reality, yet reality is absent in the cinematographic image, and the cinema makes present this absence as it reactivates the passage of time. Fan enriches Bazinian cinematic ontology with discussions on cinematic reality in Republican China and colonial Hong Kong, putting Western theorists—from Bazin and Kracauer to Baudrillard, Agamben, and Deleuze—into dialogue with their Chinese counterparts. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn.

Cinema Illuminating Reality

Victor Fan
Cinema Illuminating Reality Book PDF

Author : Victor Fan
Publisher : U of Minnesota Press
Page : 337 pages
File Size : 48,5 Mb
Release : 2022-03-29
Category : Performing Arts
ISBN : 9781452964317

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Cinema Illuminating Reality by Victor Fan Pdf

A new critical approach to cinema and media based on Buddhism as a philosophical discourse How can a philosophical discourse generated in Asia help us reframe and renew cinema and media theory? Cinema Illuminating Reality provides a possible way to do this by using Buddhist ideas to examine the intricate relationship between technicity and consciousness in the cinema. The resulting dialogue between Buddhism and Euro-American philosophy is the first of its kind in film and media studies. Victor Fan examines cinema’s ontology and ontogenetic formation and how such a formational process produces knowledge, political agency, and in-aesthetics. Buddhism allows Fan to deconstruct binary thinking and reimagine media as an ecology, rethinking cinema in relational terms between the human and the machine. Along the way, Fan considers a wide variety of case studies from around the globe, while paying special attention to how contemporary Tibeto-Sinophone filmmakers have adopted relational thinking to detail ways of rebuilding a world that appears to be beyond repair. From Chinese queer cinema to a reexamination of Japanese master Ozu’s work and its historical reception to Christian Petzold’s 2018 existential thriller Transit, CinemaIlluminating Reality forges a remarkable path between Buddhist studies and cinema studies, casting vital new light on both of these important subjects.

Thinking Reality and Time through Film

José Manuel Martins,Christine Reeh
Thinking Reality and Time through Film Book PDF

Author : José Manuel Martins,Christine Reeh
Publisher : Cambridge Scholars Publishing
Page : 315 pages
File Size : 54,8 Mb
Release : 2017-03-07
Category : Performing Arts
ISBN : 9781443879583

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Thinking Reality and Time through Film by José Manuel Martins,Christine Reeh Pdf

Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy. Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.

Life: The Movie

Neal Gabler
Life The Movie Book PDF

Author : Neal Gabler
Publisher : Vintage
Page : 321 pages
File Size : 46,9 Mb
Release : 2000-02-29
Category : Social Science
ISBN : 9780375706530

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Life: The Movie by Neal Gabler Pdf

The story of how our bottomless appetite for novelty, gossip, and melodrama has turned everything—news, politics, religion, high culture—into one vast public entertainment. Neal Gabler calls them "lifies," those blockbusters written in the medium of life that dominate the media and the national conversation for weeks, months, even years: the death of Princess Diana, the trial of O.J. Simpson, Kenneth Starr vs. William Jefferson Clinton. Real Life as Entertainment is hardly a new phenomenon, but the movies, and now the new information technologies, have so accelerated it that it is now the reigning popular art form. How this came to pass, and just what it means for our culture and our personal lives, is the subject of this witty, concerned, and sometimes eye-opening book. "A thoughtful, in places chilling, account of the way entertainment values have hollowed out American life." --The New York Times Book Review

Fiery Cinema

Weihong Bao
Fiery Cinema Book PDF

Author : Weihong Bao
Publisher : Unknown
Page : 0 pages
File Size : 53,7 Mb
Release : 2015
Category : Motion pictures
ISBN : 0816681333

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Fiery Cinema by Weihong Bao Pdf

Introduction -- Resonance. Fiery action: toward an aesthetics of new heroism -- A culture of resonance: hypnotism, wireless cinema, and the invention of intermedial spectatorship -- Transparency. Dances of fire: mediating affective immediacy -- Transparent Shanghai: cinema, architecture, and a left-wing culture of glass -- Agitation. "A vibrating art in the air": the infinite cinema and the media ensemble of propaganda -- Baptism by fire: atmospheric war, agitation, and a tale of three cities.

Critical Cinema

Clive Myer
Critical Cinema Book PDF

Author : Clive Myer
Publisher : Columbia University Press
Page : 491 pages
File Size : 44,6 Mb
Release : 2012-04-10
Category : Performing Arts
ISBN : 9780231504560

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Critical Cinema by Clive Myer Pdf

Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics, and independent filmmakers as well as for any reader interested in new perspectives on culture and film.

Cruisy, Sleepy, Melancholy

Nicholas de Villiers
Cruisy Sleepy Melancholy Book PDF

Author : Nicholas de Villiers
Publisher : U of Minnesota Press
Page : 183 pages
File Size : 44,7 Mb
Release : 2022-09-27
Category : Social Science
ISBN : 9781452967806

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Cruisy, Sleepy, Melancholy by Nicholas de Villiers Pdf

A brilliant approach to the queerness of one of Taiwan’s greatest auteurs A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy offers a fascinating, systematic method for analyzing the queerness of Tsai’s films. Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation. Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema.

Cinema and Intermediality

Ágnes Pethő
Cinema and Intermediality Book PDF

Author : Ágnes Pethő
Publisher : Cambridge Scholars Publishing
Page : 525 pages
File Size : 53,5 Mb
Release : 2011-05-25
Category : Performing Arts
ISBN : 9781443830348

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Cinema and Intermediality by Ágnes Pethő Pdf

Within the last two decades “intermediality” has emerged as one of the most challenging concepts in media theory with no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the “inter-” implied by the idea of “intermediality” stands for, and what it actually entails in the cinema. The book offers in each of the individual chapters a cross-section view of specific instances in which cinema seems to consciously position itself “in-between” media and arts, employing techniques that tap into the multimedial complexity of cinema, and bring into play the tensions generated by media differences. The introductory theoretical writings deal with the historiography of approaching intermedial phenomena in cinema presenting at the same time some of the possible “gateways” that can open up the cinematic image towards the perceptual frames of other media and arts. The book also contains essays that examine more closely specific paradigms in the poetics of cinematic intermediality, like the allure of painting in Hitchcock’s films, the exquisite ways of framing and un-framing haptical imagery in Antonioni’s works, the narrative allegories of media differences, the word and image plays and ekphrastic techniques in Jean-Luc Godard’s “total” cinema, the flâneuristic intermedial gallery of moving images created by José Luis Guerín, or the types of intermedial metalepses in Agnès Varda’s “cinécriture.” From a theoretical vantage point these essays break with the tradition of thinking of intermediality in analogy with intertextuality and attempt a phenomenological (re)definition of intermedial relations. Moreover, some of the analyses target films that expose the coexistence of the hypermediated experience of intermediality and the illusion of reality, connecting the questions of intermediality both to the indexical nature of cinematic representation and to the specific ideological and cultural context of the films, thus offering insights into a few questions regarding the “politics” of intermediality as well.

The Real of Reality: The Realist Turn in Contemporary Film Theory

Anonim
The Real of Reality The Realist Turn in Contemporary Film Theory Book PDF

Author : Anonim
Publisher : BRILL
Page : 274 pages
File Size : 54,5 Mb
Release : 2021-08-30
Category : Philosophy
ISBN : 9789004466760

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The Real of Reality: The Realist Turn in Contemporary Film Theory by Anonim Pdf

Reality has become an increasingly prominent topic in contemporary philosophy. The book’s contributors are responding to the challenge to use the philosophically underexplored potential of film to disclose what the editors propose to call “the real of reality.”

Extraterritoriality

Fan Victor Fan
Extraterritoriality Book PDF

Author : Fan Victor Fan
Publisher : Edinburgh University Press
Page : 485 pages
File Size : 52,5 Mb
Release : 2019-07-17
Category : History
ISBN : 9781474440455

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Extraterritoriality by Fan Victor Fan Pdf

Examining how Hong Kong filmmakers, spectators and critics wrestled with this perturbation between the Leftist Riots (1967) and the aftermath of the Umbrella Movement (2014), this book traces how Hong Kong's extraterritoriality has been framed: in its position of being doubly occupied and doubly abandoned by contesting juridical, political, linguistic and cultural forces. Extraterritoriality scrutinises creative works in mainstream cinema, independent films, television, video artworks and documentaries - especially those by marginalised artists - actively rewriting and reconfiguring how Hong Kong cinema and media are to be defined and located.

Film Form

Sergei Eisenstein
Film Form Book PDF

Author : Sergei Eisenstein
Publisher : HMH
Page : 303 pages
File Size : 50,9 Mb
Release : 2014-06-17
Category : Performing Arts
ISBN : 9780547539478

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Film Form by Sergei Eisenstein Pdf

A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.

The reality of film

Richard Rushton
The reality of film Book PDF

Author : Richard Rushton
Publisher : Manchester University Press
Page : 307 pages
File Size : 47,6 Mb
Release : 2013-07-19
Category : Performing Arts
ISBN : 9781847797780

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The reality of film by Richard Rushton Pdf

In formulating a notion of filmic reality, The Reality of Film offers a novel way of understanding our relationship to cinema. It argues that cinema need not be understood in terms of its capacities to refer to, reproduce or represent reality, but should be understood in terms of the kinds of realities it has the ability to create. The Reality of Film investigates filmic reality by way of six key film theorists: André Bazin, Christian Metz, Stanley Cavell, Gilles Deleuze, Slavoj Žižek and Jacques Rancière. In doing so, it provides comprehensive introductions to each of these thinkers, while also debunking many myths and misconceptions about them. Along the way, a notion of filmic reality is formed that radically reconfigures our understanding of cinema. This book is essential reading for film scholars, students and philosophers of film, while it will also appeal to graduate students and specialists in other fields.

Sculpting in Time

Andrey Tarkovsky,Kitty Hunter-Blair
Sculpting in Time Book PDF

Author : Andrey Tarkovsky,Kitty Hunter-Blair
Publisher : University of Texas Press
Page : 260 pages
File Size : 52,7 Mb
Release : 1989-04
Category : Performing Arts
ISBN : 0292776241

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Sculpting in Time by Andrey Tarkovsky,Kitty Hunter-Blair Pdf

A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity

Film and Morality

Philip Gillett
Film and Morality Book PDF

Author : Philip Gillett
Publisher : Cambridge Scholars Publishing
Page : 245 pages
File Size : 40,8 Mb
Release : 2013-02-14
Category : Performing Arts
ISBN : 9781443846509

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Film and Morality by Philip Gillett Pdf

Employing a thematic approach and drawing on disciplines ranging from neurobiology to philosophy, Film and Morality examines how morality is presented in films and how films serve as a source of moral values. While the role of censorship in upholding moral standards has been considered comprehensively, the presence of moral dilemmas in films has not attracted the same level of interest. Film-makers may address moral concerns explicitly, but moral dilemmas can serve as plot devices, creating dramatic tension by providing pivotal moments when characters are called upon to make life-changing decisions. Drawing on a range of well-known and neglected films mainly from Britain and America, this book provides numerous examples of how film-makers make use of morality and how audiences are invited to explore moral issues by following characters who live with the consequences of their choices. Film and Morality introduces philosophical debates on such topics as free will, conscience and the place of moral codes in everyday life, showing the relevance of film to these issues. The book presents a distinct approach to how films might be analysed.

Cinema and Sensation

Martine Beugnet
Cinema and Sensation Book PDF

Author : Martine Beugnet
Publisher : SIU Press
Page : 208 pages
File Size : 49,7 Mb
Release : 2007
Category : Art
ISBN : 0809328569

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Cinema and Sensation by Martine Beugnet Pdf

"Cinema and Sensation: " "French Film and the Art of Transgression" looks at a much-debated phenomenon in contemporary cinema: the reemergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema s sensory impact and transgressive nature: "Adieu"; "A ma soeur"; "Baise-moi"; "Beau Travail"; "La Blessure"; "La Captive"; "Dans ma peau"; "Demonlover"; "L Humanite"; "Flandres"; "L Intrus"; "Les Invisibles"; "Lady Chatterley"; "Lecons de tenebres"; "Romance"; "Sombre"; "Tiresia"; "Trouble Every Day"; "Twentynine Palms"; "Vendredi soir"; "La Vie nouvelle"; "Wild Side"; and "Zidane, un portrait du XXIeme siecle." These films, among others, typify a willingness to explore cinema s unique capacity to move us both viscerally and intellectually.Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of Deleuze, Merleau-Ponty, and Bataille, among others, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques, and motifs that allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching today s most burning sociocultural debatesfrom the growing supremacy of technology, to globalization, exile, and exclusion."