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Whether you're an art fan, aficionado, or collector, this book should be on your required reading list. Like a textbook for a class given by all of the world's leading experts, 'Collecting Contemporary Art' will teach you everything you ever wanted to know about the contemporary art market.
Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.
Whether you're an art fan, aficionado, or collector, this book should be on your required reading list. Like a textbook for a class given by all of the world's leading experts, 'Collecting Contemporary Art' will teach you everything you ever wanted to know about the contemporary art market.
Owning Art offers an informative, authoritative and richly anecdotal route through the minefield of the contemporary art world. This entertaining and easy-to-use handbook is set to become every collector's indispensable companion.
An updated edition of Marta Gnyp's widely acclaimed account of the global culture of art collectors This new, updated edition of the widely acclaimed book on contemporary art and collectors takes the reader on a fascinating journey through the world of contemporary art. Author Marta Gnyp's updated introduction addresses significant art-world developments pertaining to collectors that have occurred since the first edition was published in 2016. Analyzing the motives and behavior of internationally operating collectors, The Shiftexplains the popularity of contemporary art among the wealthy and discloses the unwritten rules, active networks and persistent myths of the rapidly expanding territory of art collecting. Collectors engage in ingenious ways with artists, galleries, museums, and auction houses while pursuing their passions and goals. Examining the attraction of collecting at large, its multifaceted social life, and the financial opportunities it seems to offer, The Shiftalso addresses how taste is formed and identifies possible radical shifts in the art system. Marta Gnypis a Dutch art historian at the University of Amsterdam and the author of You, Me and Art: Artists in the 21st Century.
Collecting Contemporary Art by Andrea Bellini,Cecilia Alemani Pdf
"Over the last several years, collectors have come to the forefront of the art scene, becoming key figures, if not stealing the spotlight from curators and institutions. But speculation, stratospheric prices, opinionated leadership, and the spectacle of collecting are only some of the many facets of the current reality. For many collectors, contemporary art is essentially an aesthetic and intellectual adventure - thus the construction of each collection a personal journey and a singular statement. In an attempt to map the contours of this archipelago, the present volume gathers interviews with 40 collectors from Europe, the Americas, and Asia, revealing some recurring motivations while emphasizing differences of approach." --Book Jacket.
Collecting Art for Love, Money and More by Ethan Wagner,Thea Westreich Wagner Pdf
"This book offers clear advice on how to navigate the contemporary art world, from assessing sales information and dealing with galleries to discovering new talent and accessing the best work."--P. [4] of cover.
Collecting the Contemporary by Owain Rhys,Zelda Baveystock Pdf
Many history museums collect contemporary objects, stories, images and sounds. But reasoned collecting strategies and policies are often lacking. The sheer quantity of available material culture and the complexity of contemporary life leave many confused about how best to document and engage with the present. Collecting the Contemporaryaddresses one of the most fundamental issues facing today's history museums: why and how to engage with contemporary collecting? In a format which is approachable, attractive - and above all actionable, this handbook is packed with stimulating thinking and international case studies from some of the leading practitioners and thinkers in the field. This overview of contemporary collecting in a social historical context is well overdue. Original source material, ideas, developments and research have never before been brought together in a single volume.
A contemporary art expert demystifies the process of finding, appreciating, and collecting contemporary art on any budget. Contemporary art is often misunderstood as intentionally controversial, obnoxiously self–indulgent, or painfully obscure. In this book, contemporary art expert and gallery owner Paige West guides readers toward the understanding that contemporary art can be just as original, tasteful, and breathtaking as traditional paintings. West draws from her experience as a professional art dealer to break all these misconceptions and allow readers to begin developing and enjoying a private collection. Beautiful full–colour illustrations and smart layout accompany the humor with which this book explores the current art scene. Dealing with everything from the outrage surrounding Chris Ofili's Sensation, to Salvador Dali's rampage through a department store, this book will appeal to the artistically minded individual as well as the potential art buyer. Beginning with what constitutes original art, the book moves on to discuss how to start collecting, where to find modern art, and what are reasonable prices. With gorgeous photographs of representative pieces used as examples, the book is as much a fashionable tool for home decorating as it is an open door into the world of contemporary art. This book educates readers to take those gilded–frame, poster–size wedding photos off their living room walls, or those college poster art sale finds, and put up interesting pieces from limited editions by current artists – without breaking the bank.
During the final decades of the ancient regime, prominent collectors in Paris commissioned and collected French paintings of the period, works by Greuze, Fragonard, David and others that together comprised 'l'Ecole Francoise' - the French School. In this book, an art historian discusses six of these collectors and the collections they assembled, showing that private patronage in this period was revitalized by this patriotic desire to collect contemporary art. Colin B. Bailey explains why a taste for modern art emerged at this time and how it was encouraged and fostered. Examining the relationship between artist and patron, he discusses the degree of influence these enlightened patrons and collectors expected to exercise when new works were being commissioned. Bailey shows that collectors of eighteenth-century French painting seem not to have made rigid distinctions between the various genres or styles of the Academy's practitioners. Instead, history paintings and genre paintings - both rococo and neo-classical - were exhibited proudly on their walls as superb examples of the French School.
Featuring text by an acknowledged expert in arts and crafts, hundreds of illustrations, and essays on key issues and themes, this compact, accessible guide will be an authority in the global marketplace. When collecting contemporary arts and crafts, how can one be certain the pieces that appeal to current tastes also have the stamp of timeless collectible? This new series of accessible guides answers the need for authoritative advice in a fast-developing marketplace. • Texts by acknowledged experts with firsthand experience of the global market • Hundreds of illustrations • Profiles of essential artists, designers, and photographers • A concise reference section, including contact information and where to shop
Great Collectors of Our Time by James Stourton Pdf
Great Collectors of Our Time is the first major survey of contemporary collecting and collectors since Douglas Cooper's Great Private Collections, published in 1963. It examines many of the greatest collectors of our time in Europe, North America and the
Published in conjunction with the exhibition "Selections from the Donna and Howard Stone collection," held at the Art Insitute of Chicago from June 25 to September 19, 2010.
