Colonial Cinema In Africa

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Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963

Samson Kaunga Ndanyi
Instructional Cinema and African Audiences in Colonial Kenya 1926 1963 Book PDF

Author : Samson Kaunga Ndanyi
Publisher : Rowman & Littlefield
Page : 167 pages
File Size : 48,9 Mb
Release : 2022-03-14
Category : History
ISBN : 9781793649256

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Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963 by Samson Kaunga Ndanyi Pdf

In Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963, the author argues against the colonial logic instigating that films made for African audiences in Kenya influenced them to embrace certain elements of western civilization but Africans had nothing to offer in return. The author frames this logic as unidirectional approach purporting that Africans were passive recipients of colonial programs. Contrary to this understanding, the author insists that African viewers were active participants in the discourse of cinema in Kenya. Employing unorthodox means to protest mediocre films devoid of basic elements of film production, African spectators forced the colonial government to reconsider the way it produced films. The author frames the reconsideration as bidirectional approach. Instructional cinema first emerged as a tool to “educate” and “modernize” Africans, but it transformed into a contestable space of cultural and political power, a space that both sides appropriated to negotiate power and actualize their abstract ideas.

Colonial Cinema in Africa

Glenn Reynolds
Colonial Cinema in Africa Book PDF

Author : Glenn Reynolds
Publisher : McFarland
Page : 245 pages
File Size : 43,8 Mb
Release : 2015-06-08
Category : Performing Arts
ISBN : 9781476620541

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Colonial Cinema in Africa by Glenn Reynolds Pdf

In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the "Scramble for Africa" and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship. While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period--wrought by large-scale mining in southern Africa--led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.

Tropical Dream Palaces

Odile Goerg
Tropical Dream Palaces Book PDF

Author : Odile Goerg
Publisher : Oxford University Press, USA
Page : 213 pages
File Size : 42,7 Mb
Release : 2020-03
Category : History
ISBN : 9780190089078

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Tropical Dream Palaces by Odile Goerg Pdf

Many studies focus on film in Africa. Few, however, study cinema as a leisure activity: one that has influenced several generations and opened up spaces to dream, discuss or contest. Movie theatres offered a break from the daily routine, as places of escape and of education. Cinema was also potentially subversive, offering an alternative to colonial discourse. Tropical Dream Palaces seeks to trace this history in a West African context: of broadening horizons on the one hand, and of censorship and control on the other. It fills a historiographic void, following cinema's arrival in the region in the early twentieth century up until the Independence era, and also looking further afield to Central Africa and its different models. Goerg addresses questions of film distribution in colonial times; of screening venues, their implantation, spread and different categories; while also focusing on audiences, their gender or age; the acquisition of a film culture; and the impact of screening foreign images. Her book draws on extremely varied sources to paint a broad picture of this cinematographic landscape: archives, the accounts of African and European spectators or administrators, novels, autobiographies, the local press, interviews and iconography.

African Cinema

Kenneth W. Harrow
African Cinema Book PDF

Author : Kenneth W. Harrow
Publisher : Africa World Press
Page : 384 pages
File Size : 48,5 Mb
Release : 1999
Category : Literary Criticism
ISBN : 0865436975

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African Cinema by Kenneth W. Harrow Pdf

This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialism and feminism - the two major topics of interest in current criticism of African films - but coverage is also given to spectatorship, national identity, ethnography, patriarchy, and the creation of key film industries in developing countries.

Cinema and Development in West Africa

James E. Genova
Cinema and Development in West Africa Book PDF

Author : James E. Genova
Publisher : Indiana University Press
Page : 223 pages
File Size : 43,8 Mb
Release : 2013-09-25
Category : Performing Arts
ISBN : 9780253010117

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Cinema and Development in West Africa by James E. Genova Pdf

“Illuminates the enduring importance of political and economic dynamics not yet fully explored in the study of African cinema.” —Africa Cinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period. James E. Genova sees the construction of African identities and economic development as the major themes in the political literature and cultural production of the time. Focusing on film both as industry and aesthetic genre, he demonstrates its unique place in economic development and provides a comprehensive history of filmmaking in the region during the transition from colonies to sovereign states.

New African Cinema

Valérie Orlando
New African Cinema Book PDF

Author : Valérie Orlando
Publisher : Rutgers University Press
Page : 189 pages
File Size : 46,6 Mb
Release : 2017-04-15
Category : Art
ISBN : 9780813579580

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New African Cinema by Valérie Orlando Pdf

New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.

Modernity and the African Cinema

Femi Okiremuete Shaka
Modernity and the African Cinema Book PDF

Author : Femi Okiremuete Shaka
Publisher : Africa Research and Publications
Page : 462 pages
File Size : 54,5 Mb
Release : 2004
Category : Education
ISBN : UOM:39015062624690

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Modernity and the African Cinema by Femi Okiremuete Shaka Pdf

Providing an analysis of the implications of centuries of Euro-African contact and its effect on cinematic institutions in Africa, this book examines modern African film from the perspective of the global politics of subjectivity, agency, and identity construction.

Films for the Colonies

Tom Rice
Films for the Colonies Book PDF

Author : Tom Rice
Publisher : Univ of California Press
Page : 360 pages
File Size : 53,7 Mb
Release : 2019-09-03
Category : Performing Arts
ISBN : 9780520971813

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Films for the Colonies by Tom Rice Pdf

Films for the Colonies examines the British Government’s use of film across its vast Empire from the 1920s until widespread independence in the 1960s. Central to this work was the Colonial Film Unit, which produced, distributed, and, through its network of mobile cinemas, exhibited instructional and educational films throughout the British colonies. Using extensive archival research and rarely seen films, Films for the Colonies provides a new historical perspective on the last decades of the British Empire. It also offers a fresh exploration of British and global cinema, charting the emergence and endurance of new forms of cinema culture from Ghana to Jamaica, Malta to Malaysia. In highlighting the integral role of film in managing and maintaining a rapidly changing Empire, Tom Rice offers a compelling and far-reaching account of the media, propaganda, and the legacies of colonialism.

Hollywood and Africa

Opio Dokotum
Hollywood and Africa Book PDF

Author : Opio Dokotum
Publisher : African Books Collective
Page : 334 pages
File Size : 54,9 Mb
Release : 2020-02-05
Category : Performing Arts
ISBN : 9781920033682

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Hollywood and Africa by Opio Dokotum Pdf

Hollywood and Africa - recycling the Dark Continent myth from 19082020 is a study of over a century of stereotypical Hollywood film productions about Africa. It argues that the myth of the Dark Continent continues to influence Western cultural productions about Africa as a cognitive-based system of knowledge, especially in history, literature and film. Hollywood and Africa identifies the colonial mastertext of the Dark Continent mythos by providing a historiographic genealogy and context for the terms development and consolidation. An array of literary and paraliterary film adaptation theories are employed to analyse the deep genetic strands of HollywoodAfrica film adaptations. The mutations of the Dark Continent mythos across time and space are then tracked through the classical, neoclassical and new wave HollywoodAfrica phases in order to illustrate how Hollywood productions about Africa recycle, revise, reframe, reinforce, transpose, interrogate and even critique these tropes of Darkest Africa while sustaining the colonial mastertext and rising cyberactivism against Hollywoods whitewashing of African history.

Postcolonial African Cinema

Kenneth W. Harrow
Postcolonial African Cinema Book PDF

Author : Kenneth W. Harrow
Publisher : Unknown
Page : 304 pages
File Size : 55,5 Mb
Release : 2007
Category : Performing Arts
ISBN : UOM:39015064949012

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Postcolonial African Cinema by Kenneth W. Harrow Pdf

A new critical approach to African cinema

African Film

Josef Gugler
African Film Book PDF

Author : Josef Gugler
Publisher : Unknown
Page : 224 pages
File Size : 40,8 Mb
Release : 2003
Category : History
ISBN : 025334350X

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African Film by Josef Gugler Pdf

In African Film: Re-imagining a Continent, Josef Gugler provides an introduction to African cinema through an analysis of 15 films made by African filmmakers. These directors set out to re-image Africa; their films offer Western viewers the opportunity to re-imagine the continent and its people. As a point of comparison, two additional films on Africa--one from Hollywood, the other from apartheid South Africa--serve to highlight African directors' altogether different perspectives. Gugler's interpretation considers the financial and technical difficulties of African film production, the intended audiences in Africa and the West, the constraints on distribution, and the critical reception of the films.

Black and White in Colour

Vivian Bickford-Smith,Richard Mendelsohn
Black and White in Colour Book PDF

Author : Vivian Bickford-Smith,Richard Mendelsohn
Publisher : James Currey Publishers
Page : 388 pages
File Size : 45,7 Mb
Release : 2007
Category : Art
ISBN : 1847015220

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Black and White in Colour by Vivian Bickford-Smith,Richard Mendelsohn Pdf

Black and White in Colour considers how the African past has been represented in a wide range of historical films. Written by an eminent team of scholars, the volume provides extensive coverage of issues that have been prominent in the written history of Africa. Among the themes dealt with are the slave trade, imperialism and colonialism, racism and anti-colonial resistance. Many of the films will be familiar to readers: they include Out of Africa, Hotel Rwanda, Lumumba, Cry Freedom, The Battle of Algiers, and Ceddo. VIVIAN BICKFORD-SMITH works in the Historical Studies Department at the University of Cape Town; RICHARD MENDELSOHN is currently the head of the Department of Historical Studies at the University of Cape Town. North America: Ohio U Press; Southern Africa: Double Storey/Juta

African Cinema

Manthia Diawara
African Cinema Book PDF

Author : Manthia Diawara
Publisher : Indiana University Press
Page : 212 pages
File Size : 42,5 Mb
Release : 1992-04-22
Category : History
ISBN : 025320707X

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African Cinema by Manthia Diawara Pdf

Manthia Diawara provides an insider's account of the history and current status of African cinema. African Cinema: Politics and Culture is the first extended study in English of Sub-Saharan cinema. Employing an interdisciplinary approach which draws on history, political science, economics, and cultural studies, Diawara discusses such issues as film production and distribution, and film aesthetics from the colonial period to the present. The book traces the growth of African cinema through the efforts of pioneer filmmakers such as Paulin Soumanou Vieyra, Oumarou Ganda, Jean-René Débrix, Jean Rouch, and Ousmane Sembène, the Pan-African Filmmakers' Organization (FEPACI), and the Ougadougou Pan-African Film Festival (FESPACO). Diwara focuses on the production and distribution histories of key films such as Ousmane Sembène's Black Girl and Mandabi (1968) and Souleymane Cissé's Fine (1982). He also examines the role of missionary films in Africa, Débrix's ideas concerning 'magic, ' the links between Yoruba theater and Nigerian cinema, and the parallels between Hindu mythologicals in India and the Yoruba-theater - inflected films in Nigeria. Diawara also looks at film and nationalism, film and popular culture, and the importance of FESPACO. African Cinema: Politics and Culture makes a major contribution to the expanding discussion of Eurocentrism, the canon, and multi-culturalism.

African Cinema: Manifesto and Practice for Cultural Decolonization

Michael T. Martin,Gaston Jean-Marie Kaboré
African Cinema Manifesto and Practice for Cultural Decolonization Book PDF

Author : Michael T. Martin,Gaston Jean-Marie Kaboré
Publisher : Indiana University Press
Page : 637 pages
File Size : 52,7 Mb
Release : 2023-08-08
Category : Art
ISBN : 9780253066220

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African Cinema: Manifesto and Practice for Cultural Decolonization by Michael T. Martin,Gaston Jean-Marie Kaboré Pdf

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.

Framing Africa

Nigel Eltringham
Framing Africa Book PDF

Author : Nigel Eltringham
Publisher : Berghahn Books
Page : 192 pages
File Size : 47,9 Mb
Release : 2013-06-01
Category : Performing Arts
ISBN : 9781782380740

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Framing Africa by Nigel Eltringham Pdf

The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), ‘failed states’ (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination.