Contemporary Italian Filmmaking

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Contemporary Italian Filmmaking

Author : Manuela Gieri
Publisher : University of Toronto Press
Page : 392 pages
File Size : 46,8 Mb
Release : 1995-01-01
Category : Performing Arts
ISBN : 080200556X

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Contemporary Italian Filmmaking by Manuela Gieri Pdf

Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines `humoristic'. She delineates a `Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the `new generation, ' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the `melodramatic imagination' and the `humoristic, ' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a `Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.

Contemporary Italian Filmmaking

Author : Manuela Gieri
Publisher : University of Toronto Press
Page : 380 pages
File Size : 50,8 Mb
Release : 1995-01-01
Category : Performing Arts
ISBN : 9780802005564

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Contemporary Italian Filmmaking by Manuela Gieri Pdf

Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines `humoristic'. She delineates a `Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the `new generation, ' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the `melodramatic imagination' and the `humoristic, ' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a `Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.

Italian Political Cinema

Author : Giancarlo Lombardi,Christian Uva
Publisher : Italian Modernities
Page : 0 pages
File Size : 54,6 Mb
Release : 2016
Category : Motion pictures
ISBN : 3034322178

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Italian Political Cinema by Giancarlo Lombardi,Christian Uva Pdf

Despite recent societal anti-political sentiments, Italian cinema has continued to address politics, including reflections on public life, memory, and national identity. This is done via (1) thematic approaches discussing contemporary political film, (2) analyses of prominent directors currently engaged in filone, and (3) case studies of selected films.

Stars and Masculinities in Contemporary Italian Cinema

Author : C. O'Rawe
Publisher : Palgrave Macmillan
Page : 0 pages
File Size : 52,5 Mb
Release : 2014-06-18
Category : Performing Arts
ISBN : 1137381469

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Stars and Masculinities in Contemporary Italian Cinema by C. O'Rawe Pdf

Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.

The Italian Cinema Book

Author : Peter Bondanella
Publisher : Bloomsbury Publishing
Page : 707 pages
File Size : 45,7 Mb
Release : 2019-07-25
Category : Foreign Language Study
ISBN : 9781839020247

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The Italian Cinema Book by Peter Bondanella Pdf

THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.

Encounters with the Real in Contemporary Italian Literature and Cinema

Author : Loredana Di Martino,Pasquale Verdicchio
Publisher : Cambridge Scholars Publishing
Page : 395 pages
File Size : 53,7 Mb
Release : 2017-01-06
Category : Social Science
ISBN : 9781443862288

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Encounters with the Real in Contemporary Italian Literature and Cinema by Loredana Di Martino,Pasquale Verdicchio Pdf

This volume explores the Italian contribution to the current global phenomenon of a “return to reality” by examining the country’s rich cultural production in literature and cinema. The focus is particularly on works from the period spanning the Nineties to the present day which offer alternatives to notions of reality as manufactured by the collusion between the neo-liberal state and the media. The book also discusses Italy’s relationship with its own cultural past by investigating how Italian authors deal with the return of the specter of Neorealism as it haunts the modern artistic imagination in this new epoch of crisis. Furthermore, the volume engages in dialogue with previous works of criticism on contemporary Italian realism, while going beyond them in devoting equal attention to cinema and literature. The resulting interactions will aid the reader in understanding how the critical arts respond to the triumph of hyperrealism in the current era of the virtual spectacle as they seek new ways to promote cognitive transformations and foster ethical interventions.

Reframing Italy

Author : Bernadette Luciano,Susanna Scarparo
Publisher : Purdue University Press
Page : 256 pages
File Size : 49,6 Mb
Release : 2013-11-15
Category : Literary Criticism
ISBN : 9781612492957

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Reframing Italy by Bernadette Luciano,Susanna Scarparo Pdf

In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy fills this gap. The book introduces readers to films and documentaries by recognized women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored. Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers’ challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women’s rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women’s (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination. This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.

New Trends in Italian Cinema

Author : Carmela Bernardetta Scala,Antonio Rossini
Publisher : Unknown
Page : 0 pages
File Size : 47,8 Mb
Release : 2013
Category : Motion picture industry
ISBN : 1443845914

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New Trends in Italian Cinema by Carmela Bernardetta Scala,Antonio Rossini Pdf

Is the legacy of the Neorealist film-making mode (or should we say mood?) a withered one? If not, what is the ideal dialogue between contemporary Italian directors and this momentous page of their cultural history all about? The aim of this book is to show that, far from being exhausted, the vivifying lymph of post-Second World War Italian Neorealism continues to sustain the aesthetic praxis of many artists. Predominantly, the staying power of Neorealism becomes apparent in the stringent moral urgency behind the realization of films such as Gomorra, Lamerica, or Terra Madre. All of them, although cinematically very sophisticated, retain the anxiety of engagement and the impassionate look upon reality that characterized the masterpieces of Rossellini, De Sica, and Visconti. All the essays in this collection highlight how, in responding to the unprecedented challenges of the New Millennium, Italian movie makers such as Garrone, Amelio, or Olmi, are able to recapture the ethical and methodological spirit of classic Neorealism in very interesting ways.

Stars and Masculinities in Contemporary Italian Cinema

Author : C. O'Rawe
Publisher : Springer
Page : 230 pages
File Size : 40,9 Mb
Release : 2014-06-18
Category : Performing Arts
ISBN : 9781137381477

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Stars and Masculinities in Contemporary Italian Cinema by C. O'Rawe Pdf

Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.

Italian Neorealism and Global Cinema

Author : Laura E. Ruberto,Kristi M. Wilson
Publisher : Wayne State University Press
Page : 362 pages
File Size : 54,9 Mb
Release : 2007
Category : Literary Criticism
ISBN : 0814333249

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Italian Neorealism and Global Cinema by Laura E. Ruberto,Kristi M. Wilson Pdf

This volume addresses the influence of Italian neorealist films on world cinema well beyond the post-World War II period associated with the movement. Despite its lack of organization and relatively short life span, the Italian neorealist movement deeply influenced directors and film traditions around the world. This collection examines the impact of Italian neorealism beyond the period of 1945-52, the years conventionally connected to the movement, and beyond the postwar Italian film industry where the movement originated. Providing a refreshing aesthetic and ideological contrast to mainstream Hollywood films, neorealist filmmakers demonstrated not only how an engaging narrative technique could be brought to bear upon social issues but also how cinema could shape and redefine national identity. The fourteen essays in Italian Neorealism and Global Cinema consider films from Italy, India, Brazil, Africa, the Czech Republic, postwar Germany, Hong Kong, the United States, France, Belgium, Colombia, and Great Britain. Each essay explores neorealism's complex relationship to a different national film tradition, style, or historical period, illustrating the profound impact of neorealism and the ways it continues to complicate the relationship between ideas of nation, national cinema, and national identity. Many of the essays identify similar themes or motifs adapted from neorealism, and several essays address a politicized national film tradition that developed in opposition to a monolithic Western aesthetic. In all, Italian Neorealism and Global Cinema provides a novel critical understanding of the wide-ranging international impact of a short period in Italian cultural history. Film scholars and students of film history will appreciate this insightful text.

Passion and Defiance

Author : Mira Liehm
Publisher : Univ of California Press
Page : 412 pages
File Size : 55,8 Mb
Release : 1986-03-17
Category : Performing Arts
ISBN : 0520908120

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Passion and Defiance by Mira Liehm Pdf

Since World War II, aesthetic impulses generated in Italy have swept through every film industry in the world, and in her book Mira Liehm analyses the roots in literature, philosophy, and contemporary Italian life which have contributed to this extraordinary vigor. An introductory chapter offers a unique overview of the Italian cinema before 1942. It is followed by a full and profound discussion of neorealism in its heyday, its difficult aftermath in the fifties, the glorious sixties, and finally by an analysis of the contemporary cinematic crisis. Mira Liehm has known personally many of the leading figures in Italian cinema, and her work is rich in insights into their lives and working methods. This impressive scholarly work immediately outclasses all other available Italian film histories. It will be essential reading for anyone seriously interested in the cinema.

Screening Religions in Italy

Author : Clodagh J. Brook
Publisher : University of Toronto Press
Page : 191 pages
File Size : 51,7 Mb
Release : 2019
Category : History
ISBN : 9781487503475

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Screening Religions in Italy by Clodagh J. Brook Pdf

Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy's development as a contemporary post-secular and multi-religious society is fraught and fascinating. The recent return of religious discourse from the margins of Western society to a central position is a sign of what German philosopher, J?rgen Habermas, has defined as the post-secular condition. Habermas and others have questioned what most people in the West had, up to a few years ago, taken for granted: the unstoppable forward march of secularization and the subsequent marginalization of religion. Instead, one of the greatest global fault-lines in the contemporary world - the divide between absolutist extremist Islamic faith and liberal, but Christian-inflected, secular values - has religious identity at its core. The first book-length study to examine religion in contemporary Italian cinema and television fiction, Screening Religions in Italy identifies two key issues: how Italian filmmaking constructs the continuing position of religion in the public sphere and why religion persists on Italian screens. It spans genres such as horror, comedy, hagiopics, and TV fiction, and explores both commercial and art-house filmmaking. It treats films and television series that range from Moretti's Habemus Papam to Sorrentino's The Young Pope.

Italian Cinema Audiences

Author : Daniela Treveri Gennari,Catherine O'Rawe,Danielle Hipkins,Silvia Dibeltulo,Sarah Culhane
Publisher : Bloomsbury Publishing USA
Page : 237 pages
File Size : 54,8 Mb
Release : 2020-10-01
Category : Performing Arts
ISBN : 9781501347702

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Italian Cinema Audiences by Daniela Treveri Gennari,Catherine O'Rawe,Danielle Hipkins,Silvia Dibeltulo,Sarah Culhane Pdf

We know a lot about the directors and stars of Italian cinema's heyday, from Roberto Rossellini to Sophia Loren. But what do we know about the Italian audiences that went to see their films? Based on the AHRC-funded project 'Italian Cinema Audiences 1945-60', Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy draws upon the rich data collected by the project team (160 video interviews and 1000+ written questionnaires gathered from Italians aged 65 and over; archival material related to cinema distribution, exhibition and programming, box-office figures, and critical discussions of cinema from film journals and popular magazines of the period). For the first time, cinema's role in everyday Italian life, and its affective meaning when remembered by older people, are enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.

Italian Motherhood on Screen

Author : Giovanna Faleschini Lerner,Maria Elena D’Amelio
Publisher : Springer
Page : 293 pages
File Size : 48,8 Mb
Release : 2017-10-14
Category : Performing Arts
ISBN : 9783319566757

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Italian Motherhood on Screen by Giovanna Faleschini Lerner,Maria Elena D’Amelio Pdf

This book is the first scholarly analysis that considers the specificity of situated experiences of the maternal from a variety of theoretical perspectives. From “Fertility Day” to “Family Day,” the concept of motherhood has been at the center of the public debate in contemporary Italy, partly in response to the perceived crisis of the family, the economic crisis, and the crisis of national identity, provoked by the forces of globalization and migration, secularization, and the instability of labor markets. Through essays by an international cohort of established and emerging scholars, this volume aims to read these shifts in cinematic terms. How does Italian cinema represent, negotiate, and elaborate changing definitions of motherhood in narrative, formal, and stylistic terms? The essays in this volume focus on the figures of working mothers, women who opt for a child-free adulthood, single mothers, ambivalent mothers, lost mothers, or imperfect mothers, who populate contemporary screen narratives.

After Fellini

Author : Millicent Joy Marcus
Publisher : JHU Press
Page : 398 pages
File Size : 42,7 Mb
Release : 2002-06-05
Category : History
ISBN : 0801868475

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After Fellini by Millicent Joy Marcus Pdf

In this work, Marcus interprets a body of work that managed to transcend the decline of Italian cinema's prominence within the industry during the last two decades of the 20th-century.