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Jim Owen leads a massively successful seminar that is in huge demand by financial groups, teachers' organizations, and professional associations. His first book, Cowboy Ethics, has sold more than 60,000 copies in two years. Now Owen continues his nonpartisan message, offering the legacy of the cowboy as a model of accessible, positive qualities that all can agree on, regardless of religion or political persuasion.
Author : James P. Owen Publisher : Simon and Schuster Page : 96 pages File Size : 51,5 Mb Release : 2015-03-03 Category : Business & Economics ISBN : 9781629141398
A new approach to business ethics is quietly taking hold in executive suites and corporate boardrooms across America. Frustrated by an epidemic of misbehavior at all employee levels, management teams are getting back to basics—back to the idea that personal character and individual responsibility are the ultimate keys to integrity, just as they were back in the days of the Open Range. A decade ago, the book Cowboy Ethics first inspired businesspeople to look to the Code of the West. Once they did, they discovered that its simple, common-sense principles can be more effective guides to business leadership than a truckload of corporate mission statements, rules, and ethics manuals. “Cowboys are role models because they live by a code,” says author James P. Owen. “They show us what it means to stand for something, and to strive every day to make your actions line up with your beliefs. And isn’t that as good a definition of integrity as you can find?” In the years since, the book’s “Ten Principles to Live By” have been embraced by scores of companies, universities, and even a state government. This updated Tenth Anniversary hardcover edition traces the evolution of this grassroots business movement in brand-new chapters while preserving the inspirational lessons and stunning photography of the original. It’s ideal for corporate gifts, the new graduate, business students, or any career person who cares about doing the right thing.
Cowboy Christians examines the long history of cowboy Christianity in the American West, with a focus on the present-day cowboy church movement. Based on five years of historical and sociological fieldwork in cowboy Christian communities, this book draws on interviews with leaders of cowboy churches, traveling rodeo ministries, and chaplains who serve horse racing and bull riding communities, along with the author's first-hand experiences as a participant observer. Marie W. Dallam traces cowboy Christianity from the postbellum period into the twenty-first century, looking at religious life among cowboys on the range as well as its representation in popular imagery and the media. She examines the structure, theology, and perpetuation of the modern cowboy church, and speculates on future challenges the institution may face, such as the relegation of women to subordinate participant roles at a time of increasing gender equality in the larger society. She also explores the cowboy Christian proclivity for blending the secular and the sacred in leisure environments like arenas, racetracks, and rodeos. Dallam locates the modern cowboy church as a descendant of the muscular Christianity movement, the Jesus movement, and new paradigm church methodology. Cowboy Christians establishes the religious significance of the cowboy church movement, particularly relative to twenty-first-century evangelical Protestantism, and contributes to a deeper understanding of the unique Christianity of the American West.
This book combines "Working Cowboy" knowledge with "Cowboy Collectibles," describing the actual usage, background, and value of cowboy bits and spurs. It contains photos, diagrams, and detailed text describing the various bits, spurs, leather bridles, and other related accessories, dating back to the mid-1800s. This book is a great resource for both the collector and the modern day cowboy.
Baby Steps... Helen Shaw loves her independence. On the rodeo circuit for months at a time, Helen's focused on her championship dreams. That all changes when she discovers she's pregnant with Colt Granger's baby. Friends with Colt since childhood, Helen always hoped they might be something more, but not like this. Not because he feels an obligation. As a single dad, Colt's got his hands full with three raucous young boys and a busy ranch, but he can't stop thinking about Helen. He's thrilled when she suddenly quits competing and returns to Briggs, Idaho...until he finds out why. Colt's night with Helen was definitely more than a fling, but he never meant for it to lead to another baby. Could this misstep actually be a step in the right direction?
"In this text, author and editor David Fillingim turns his attention to the West - West Georgia that is. This book examines how the contemporary cowboy poetry revival that sprung up in 1985 in Elko, Nevada, has borne fruit in the Peach State. First, Fillingim traces the history of cowboy poetry and its emergence as a cultural phenomenon. Then he recounts the story of how Georgia became home to a vibrant cowboy poetry scene. But the largest part of the book is an anthology of poems by some of the finest cowboy poets anywhere, and they all happen to be in Georgia." "As celebrated cowboy-poet Doris Daley says in the preface, "everywhere is west of somewhere". So settle in, and travel with Fillingim to someplace west of wherever you are, and enjoy this unique combination of shrewd scholarly analysis and heartwarming cowboy poetry." --Book Jacket.
Frustrated by an epidemic of misbehavior, corporate management teams are going back to the idea that personal character and individual responsibility are the ultimate keys to integrity business—just as they were back in the days of the Open Range. When first published, Cowboy Ethics inspired businesspeople to look to the Code of the West. Once they did, they discovered that its simple, common-sense principles can be more effective guides to business leadership than a truckload of corporate mission statements, rules, and ethics manuals. “Cowboys are role models because they live by a code,” says author James P. Owen. “They show us what it means to stand for something, and to strive every day to make your actions line up with your beliefs. And isn’t that as good a definition of integrity as you can find?” In the years since, the book’s first publication “Ten Principles to Live By” have been embraced by scores of companies, universities, and even a state government. This updated Anniversary hardcover edition traces the evolution of this grassroots business movement in brand-new chapters while preserving the inspirational lessons and stunning photography of the original. A new introduction traces the rise of the Cowboy Ethics movement, while a new epilogue discusses how to live by the code. It’s ideal for corporate gifts, the new graduate, business students, or any career person who cares about doing the right thing.
A Cowboy's Journey of Love: Inspiring the Young Generation with an Uplifting Story by Sudhakar H Pdf
Discovering a Passion for the Wild West Discovering a Passion for the Wild West In the vast expanse of the Wild West, where untamed landscapes and rugged cowboys reign supreme, a young protagonist embarks on a remarkable journey that sparks a lifelong passion. In the subchapter titled "Discovering a Passion for the Wild West" from the book "A Cowboy's Journey of Love: Inspiring the Young Generation with an Uplifting Story," readers are invited to join the young generation in exploring the transformative power of the Wild West, love, and an inspirational cowboy story. The story revolves around a young individual who, against all odds, finds themselves drawn to the captivating allure of the Wild West. From the very first page, readers are transported to a world filled with dusty trails, cowboys on horseback, and vast prairies that stretch as far as the eye can see. Through the protagonist's eyes, the untamed beauty of nature and the rugged resilience of the cowboys come to life, leaving an indelible mark on their soul. As the story unfolds, the young generation is introduced to a love story that transcends time and space. Amidst the backdrop of the Wild West, the protagonist encounters a love interest - a spirited cowgirl with a heart as vast as the open plains. Together, they navigate the challenges of the era, proving that love knows no boundaries.
Best known to Americans as the “singing cowboy,” beloved entertainer Gene Autry (1907–1998) appeared in countless films, radio broadcasts, television shows, and other venues. While Autry’s name and a few of his hit songs are still widely known today, his commitment to political causes and public diplomacy deserves greater appreciation. In this innovative examination of Autry’s influence on public opinion, Michael Duchemin explores the various platforms this cowboy crooner used to support important causes, notably Franklin D. Roosevelt’s New Deal and foreign policy initiatives leading up to World War II. As a prolific performer of western folk songs and country-western music, Autry gained popularity in the 1930s by developing a persona that appealed to rural, small-town, and newly urban fans. It was during this same time, Duchemin explains, that Autry threw his support behind the thirty-second president of the United States. Drawing on a wealth of primary sources, Duchemin demonstrates how Autry popularized Roosevelt’s New Deal policies and made them more attractive to the American public. In turn, the president used the emerging motion picture industry as an instrument of public diplomacy to enhance his policy agendas, which Autry’s films, backed by Republic Pictures, unabashedly endorsed. As the United States inched toward entry into World War II, the president’s focus shifted toward foreign policy. Autry responded by promoting Americanism, war preparedness, and friendly relations with Latin America. As a result, Duchemin argues, “Sergeant Gene Autry” played a unique role in making FDR’s internationalist policies more palatable for American citizens reluctant to engage in another foreign war. New Deal Cowboy enhances our understanding of Gene Autry as a western folk hero who, during critical times of economic recovery and international crisis, readily assumed the role of public diplomat, skillfully using his talents to persuade a marginalized populace to embrace a nationalist agenda. By drawing connections between western popular culture and American political history, the book also offers valuable insight concerning the development of leisure and western tourism, the information industry, public diplomacy, and foreign policy in twentieth-century America.
From the big picture to the smallest detail, Richard Collins fashions a rousing memoir about the modern-day lives of cowboys and ranchers. However, Cowboy is a Verb is much more than wild horse rides and cattle chases. While Collins recounts stories of quirky ranch horses, cranky cow critters, cow dogs, and the people who use and care for them, he also paints a rural West struggling to survive the onslaught of relentless suburbanization. A born storyteller with a flair for words, Collins breathes life into the geology, history, and interdependency of land, water, and native and introduced plants and animals. He conjures indelible portraits of the hardworking, dedicated people he comes to know. With both humor and humility, he recounts the day-to-day challenges of ranch life such as how to build a productive herd, distribute your cattle evenly across a rough and rocky landscape, and establish a grazing system that allows pastures enough time to recover. He also intimately recounts a battle over the endangered Gila topminnow and how he and his neighbors worked with university range scientists, forest service conservationists, and funding agencies to improve their ranches as well as the ecological health of the Redrock Canyon watershed. Ranchers who want to stay in the game don’t dominate the landscape; instead, they have to continually study the land and the animals it supports. Collins is a keen observer of both. He demonstrates that patience, resilience, and a common-sense approach to conservation and range management are what counts, combined with an enduring affection for nature, its animals, and the land. Cowboy is a Verb is not a romanticized story of cowboy life on the range, rather it is a complex story of the complicated work involved with being a rancher in the twenty-first-century West.
"Overturns conventional thinking that the Western genre is essentially conservative. Instead, Brode demonstrates that Hollywood liberals used Westerns to espouse a progressive agenda on a range of issues, including gun control, environmental protection, respect for non-Christian belief systems, and community cohesion versus rugged individualism. Doug Brode takes a new look at dozens of Westerns, including Gunfight at the O.K. Corral, Red River, 3:10 to Yuma (old and new), The Wild Ones, High Noon, My Darling Clementine, The Alamo, and No Country for Old Men"--
BACK IN THE SADDLE Gage Remington needs a place to start over, and Durango, Colorado, is it. By reconciling with his rancher grandfather, Gage hopes he can begin repairing past damage. It doesn't occur to Gage that his heart needs fixing, too, until he meets gorgeous doctor Cori Parker. And he's sure his troubled past will send the single mom running. Since her husband's tragic accident, Cori's been focusing on her family. Though she's deeply attracted to the banker-turned-buckaroo, Gage is a wild card, and Cori can't let anyone bring her life crashing down again. Still, she realizes Gage's finally ready to be the man--and the cowboy--he always wanted to be. But will Cori be part of his future, or one more regret from his past?
For everything cowboy and Wild West, look no further. The Cowboy Way is a tribute to the classic image of old-time lore and its influence on popular culture. You thought that you knew cowboys, but did you know: - The cowboy can trace his roots back to the Spanish vaquero traditions of Mexico - Cowboys are credited for offering such folkloric wisdom as: "Always saddle your own horse" and "Never trust a man who agrees with you - he's probably wrong" - Annie Oakley was likely America's first superstar; she was a sharpshooter who became famous for her role in Buffalo Bill's Wild West Show
In the American psyche, the "e;Wild West"e; is a mythic-historical place where our nation's values and ideologies were formed. In this violent and uncertain world, the cowboy is the ultimate hero, fighting the bad guys, forging notions of manhood, and delineating what constitutes honor as he works to build civilization out of wilderness. Tales from this mythical place are best known from that most American of media: film. In the Greco-Roman societies that form the foundation of Western civilization, similar narratives were presented in what for them was the most characteristic, and indeed most filmic, genre: epic. Like Western film, the epics of Homer and Virgil focus on the mythic-historical past and its warriors who worked to establish the ideological framework of their respective civilizations. Through a close reading of films like High Noon and Shane, this book examines the surprising connections between these seemingly disparate yet closely related genres, shedding light on both in the process.
Author : David A. Smith Publisher : University of Oklahoma Press Page : 386 pages File Size : 50,5 Mb Release : 2021-02-11 Category : Political Science ISBN : 9780806169699
For an element so firmly fixed in American culture, the frontier myth is surprisingly flexible. How else to explain its having taken two such different guises in the twentieth century—the progressive, forward-looking politics of Rough Rider president Teddy Roosevelt and the conservative, old-fashioned character and Cold War politics of Ronald Reagan? This is the conundrum at the heart of Cowboy Presidents, which explores the deployment and consequent transformation of the frontier myth by four U.S. presidents: Theodore Roosevelt, Lyndon B. Johnson, Ronald Reagan, and George W. Bush. Behind the shape-shifting of this myth, historian David A. Smith finds major events in American and world history that have made various aspects of the “Old West” frontier more relevant, and more useful, for promoting radically different political ideologies and agendas. And these divergent adaptations of frontier symbolism have altered the frontier myth. Theodore Roosevelt, with his vigorous pursuit of an activist federal government, helped establish a version of the frontier myth that today would be considered liberal. But then, Smith shows, a series of events from the Lyndon Johnson through Jimmy Carter presidencies—including Vietnam, race riots, and stagflation—seemed to give the lie to the progressive frontier myth. In the wake of these crises, Smith’s analysis reveals, the entire structure and popular representation of frontier symbols and images in American politics shifted dramatically from left to right, and from liberal to conservative, with profound implications for the history of American thought and presidential politics. The now popular idea that “frontier American” leaders and politicians are naturally Republicans with conservative ideals flows directly from the Reagan era. Cowboy Presidents gives us a new, clarifying perspective on how Americans shape and understand their national identity and sense of purpose; at the same time, reflecting on the essential mutability of a quintessentially national myth, the book suggests that the next iteration of the frontier myth may well be on the horizon.