Critical Image Configurations The Work Of Georges Didi Huberman

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Critical Image Configurations: The Work of Georges Didi-Huberman

Stijn De Cauwer,Laura Katherine Smith
Critical Image Configurations The Work of Georges Didi Huberman Book PDF

Author : Stijn De Cauwer,Laura Katherine Smith
Publisher : Routledge
Page : 251 pages
File Size : 53,5 Mb
Release : 2020-06-09
Category : Art
ISBN : 9780429534690

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Critical Image Configurations: The Work of Georges Didi-Huberman by Stijn De Cauwer,Laura Katherine Smith Pdf

This book illuminates a variety of the key themes and positions that are developed in the work of art historian and philosopher Georges Didi-Huberman, one of the most influential image-theorists of our time. Beginning with a translated exchange on the politics of images between Jacques Rancière and Georges Didi-Huberman, the volume further contains a translation of Didi-Huberman’s essay on Georges Bataille’s writings on art. The articles in this book explore the influence of Theodor Adorno and Aby Warburg on Didi-Huberman’s work, the relationship between ‘image’ and ‘people', his insights on witnessing and memory, the theme of phasmids and his reflections on aura, pathos and the imagination. Taken as a whole, the book will give readers an insight into the rich and expansive work of Didi-Huberman, beyond the books that are currently available in English. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

Georges Didi-Huberman and Film

Alison Smith
Georges Didi Huberman and Film Book PDF

Author : Alison Smith
Publisher : Bloomsbury Publishing
Page : 183 pages
File Size : 46,5 Mb
Release : 2020-12-10
Category : Performing Arts
ISBN : 9781350160408

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Georges Didi-Huberman and Film by Alison Smith Pdf

Georges Didi-Huberman is a philosopher of images whose work is overdue for attention from English-language readers. Since the publication of his first book in 1982, he has published 46 essays, mostly with the prestigious Editions de Minuit, on topics ranging from monographs on individual artists to critical excursions into political philosophy. He is recognised in France and elsewhere in Europe as one of the foremost philosophers of the image writing today. In Georges Didi-Huberman and Film, Alison Smith concentrates on how Didi-Huberman's work has been informed by cinema, especially in his major (and ongoing) recent work L'Oeil de l'Histoire (The Eye of History). The book traces the development of Didi-Huberman's visual thought towards a cinematic sensibility already inherent in his early work on images in relationship to each other. After exploring his increasingly political understanding of the vital role of cinematic montage, it traces his growing understanding of cinema as a medium for expressing a dynamic representation of peoples' memory and experience, and documents his engagement with contemporary filmmakers such as Laura Waddington and Vincent Dieutre.

Didi-Huberman and the Image

Chari Larsson
Didi Huberman and the Image Book PDF

Author : Chari Larsson
Publisher : Unknown
Page : 208 pages
File Size : 44,9 Mb
Release : 2022-12-13
Category : Electronic
ISBN : 1526167107

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Didi-Huberman and the Image by Chari Larsson Pdf

This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today.

Georges Didi-Huberman and Film

Alison Smith
Georges Didi Huberman and Film Book PDF

Author : Alison Smith
Publisher : Bloomsbury Publishing
Page : 183 pages
File Size : 55,8 Mb
Release : 2020-12-10
Category : Performing Arts
ISBN : 9781350160415

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Georges Didi-Huberman and Film by Alison Smith Pdf

Georges Didi-Huberman is a philosopher of images whose work is overdue for attention from English-language readers. Since the publication of his first book in 1982, he has published 46 essays, mostly with the prestigious Editions de Minuit, on topics ranging from monographs on individual artists to critical excursions into political philosophy. He is recognised in France and elsewhere in Europe as one of the foremost philosophers of the image writing today. In Georges Didi-Huberman and Film, Alison Smith concentrates on how Didi-Huberman's work has been informed by cinema, especially in his major (and ongoing) recent work L'Oeil de l'Histoire (The Eye of History). The book traces the development of Didi-Huberman's visual thought towards a cinematic sensibility already inherent in his early work on images in relationship to each other. After exploring his increasingly political understanding of the vital role of cinematic montage, it traces his growing understanding of cinema as a medium for expressing a dynamic representation of peoples' memory and experience, and documents his engagement with contemporary filmmakers such as Laura Waddington and Vincent Dieutre.

Confronting Images

Georges Didi-Huberman
Confronting Images Book PDF

Author : Georges Didi-Huberman
Publisher : Penn State Press
Page : 354 pages
File Size : 55,7 Mb
Release : 2005
Category : Philosophy
ISBN : 0271024712

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Confronting Images by Georges Didi-Huberman Pdf

According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.

Literary Representations of Precarious Work, 1840 to the Present

Michiel Rys,Bart Philipsen
Literary Representations of Precarious Work 1840 to the Present Book PDF

Author : Michiel Rys,Bart Philipsen
Publisher : Springer Nature
Page : 324 pages
File Size : 50,8 Mb
Release : 2022-01-03
Category : Literary Criticism
ISBN : 9783030881740

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Literary Representations of Precarious Work, 1840 to the Present by Michiel Rys,Bart Philipsen Pdf

Literary Representations of Precarious Work, 1840 to the Present sheds new light on literary representations of precarious labor from 1840 until the present. With contributions by experts in American, British, French, German and Swedish culture, this book examines how literature has shaped the understanding of socio-economic precarity, a concept that is mostly used to describe living and working conditions in our contemporary neoliberal and platform economy. This volume shows that authors tried to develop new poetic tools and literary techniques to translate the experience of social regression and insecurity to readers. While some authors critically engage with normative models of work by zooming in on the physical and affective backlash of being a precarious worker, others even find inspiration in their own situations as writers trying to survive. Furthermore, this volume shows that precarity is not an exclusively contemporary phenomenon and that literature has always been a central medium to (critically) register forms of social insecurity. By retrieving parts of that archive, this volume paves the way to a historically nuanced view on contemporary regimes of precarious work.

The Surviving Image

Georges Didi-Huberman
The Surviving Image Book PDF

Author : Georges Didi-Huberman
Publisher : Penn State University Press
Page : 0 pages
File Size : 52,8 Mb
Release : 2018-01-09
Category : Art
ISBN : 0271072091

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The Surviving Image by Georges Didi-Huberman Pdf

Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.

Invention of Hysteria

Georges Didi-Huberman
Invention of Hysteria Book PDF

Author : Georges Didi-Huberman
Publisher : MIT Press
Page : 387 pages
File Size : 53,5 Mb
Release : 2004-09-17
Category : Psychology
ISBN : 9780262541800

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Invention of Hysteria by Georges Didi-Huberman Pdf

The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.

Dynamis of the Image

Emmanuel Alloa,Chiara Cappelletto
Dynamis of the Image Book PDF

Author : Emmanuel Alloa,Chiara Cappelletto
Publisher : Walter de Gruyter GmbH & Co KG
Page : 394 pages
File Size : 51,9 Mb
Release : 2020-05-05
Category : Art
ISBN : 9783110530544

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Dynamis of the Image by Emmanuel Alloa,Chiara Cappelletto Pdf

Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.

How to Do Things with Affects

Anonim
How to Do Things with Affects Book PDF

Author : Anonim
Publisher : BRILL
Page : 289 pages
File Size : 42,5 Mb
Release : 2019-04-09
Category : Literary Criticism
ISBN : 9789004397712

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How to Do Things with Affects by Anonim Pdf

Shifting the focus from human interiority toward the agency of cultural objects, social arrangements and aesthetic matter, How to Do Things with Affects examines the affective operations and transmissions triggered by various aesthetic forms, media events and cultural practices.

Atlas, or the Anxious Gay Science

Georges Didi-Huberman,Shane B. Lillis
Atlas or the Anxious Gay Science Book PDF

Author : Georges Didi-Huberman,Shane B. Lillis
Publisher : University of Chicago Press
Page : 379 pages
File Size : 50,7 Mb
Release : 2018-10-11
Category : Art
ISBN : 9780226439471

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Atlas, or the Anxious Gay Science by Georges Didi-Huberman,Shane B. Lillis Pdf

Aby Warburg’s Mnemosyne Atlas (1925–1929) is a prescient work of mixed media assemblage, made up of hundreds of images culled from antiquity to the Renaissance and arranged into startling juxtapositions. Warburg’s allusive atlas sought to illuminate the pains of his final years, after he had suffered a breakdown and been institutionalized. It continues to influence contemporary artists today, including Gerhard Richter and Mark Dion. In this illustrated exploration of Warburg and his great work, Georges Didi-Huberman leaps from Mnemosyne Atlas into a set of musings on the relation between suffering and knowledge in Western thought, and on the creative results of associative thinking. Deploying writing that delights in dramatic jump cuts reminiscent of Warburg’s idiosyncratic juxtapositions, and drawing on a set of sources that ranges from ancient Babylon to Walter Benjamin, Atlas, or the Anxious Gay Science is rich in Didi-Huberman’s trademark combination of elan and insight.

What Is a People?

Alain Badiou,Judith Butler,Georges Didi-Huberman,Sadri Khiari,Jacques Rancière,Pierre Bourdieu
What Is a People Book PDF

Author : Alain Badiou,Judith Butler,Georges Didi-Huberman,Sadri Khiari,Jacques Rancière,Pierre Bourdieu
Publisher : Columbia University Press
Page : 176 pages
File Size : 50,9 Mb
Release : 2016-05-03
Category : Philosophy
ISBN : 9780231541718

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What Is a People? by Alain Badiou,Judith Butler,Georges Didi-Huberman,Sadri Khiari,Jacques Rancière,Pierre Bourdieu Pdf

What Is a People? seeks to reclaim "people" as an effective political concept by revisiting its uses and abuses over time. Alain Badiou surveys the idea of a people as a productive force of solidarity and emancipation and as a negative tool of categorization and suppression. Pierre Bourdieu follows with a sociolinguistic analysis of "popular" and its transformation of democracy, beliefs, songs, and even soups into phenomena with outsized importance. Judith Butler calls out those who use freedom of assembly to create an exclusionary "we," while Georges Didi-Huberman addresses the problem of summing up a people with totalizing narratives. Sadri Khiari applies an activist's perspective to the racial hierarchies inherent in ethnic and national categories, and Jacques Rancière comments on the futility of isolating theories of populism when, as these thinkers have shown, the idea of a "people" is too diffuse to support them. By engaging this topic linguistically, ethnically, culturally, and ontologically, the voices in this volume help separate "people" from its fraught associations to pursue more vital formulations. Together with Democracy in What State?, in which Giorgio Agamben, Alain Badiou, Daniel Bensaid, Wendy Brown, Jean-Luc Nancy, Jacques Rancière, Kristin Ross, and Slavoj i ek discuss the nature and purpose of democracy today, What Is a People? expands an essential exploration of political action and being in our time.

Contact Zones

Justin Carville,Sigrid Lien
Contact Zones Book PDF

Author : Justin Carville,Sigrid Lien
Publisher : Leuven University Press
Page : 362 pages
File Size : 42,6 Mb
Release : 2021-06-17
Category : Photography
ISBN : 9789462702523

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Contact Zones by Justin Carville,Sigrid Lien Pdf

Since the mid-nineteenth century photography has played a central role in cultural encounters within and between migrant communities in the United States. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as ‘contact zones’ through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography’s role in shaping migrant experiences of cultural transformation, and how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.

Compelling Visuality

Claire J. Farago
Compelling Visuality Book PDF

Author : Claire J. Farago
Publisher : U of Minnesota Press
Page : 239 pages
File Size : 47,7 Mb
Release : 2003
Category : Art
ISBN : 0816641153

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Compelling Visuality by Claire J. Farago Pdf

Takes up the commonly unexplored question of what is actually present in art--what aspects have survived the vicissitudes of time. International and interdisciplinary, this volume conducts readers into a discussion of the significance of personal response to works of art.

Art History after Deleuze and Guattari

Sjoerd van Tuinen ,Stephen Zepke
Art History after Deleuze and Guattari Book PDF

Author : Sjoerd van Tuinen ,Stephen Zepke
Publisher : Leuven University Press
Page : 281 pages
File Size : 54,8 Mb
Release : 2017-11-14
Category : Art
ISBN : 9789462701151

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Art History after Deleuze and Guattari by Sjoerd van Tuinen ,Stephen Zepke Pdf

At the crossroads of philosophy, artistic practice, and art history Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a ‘Deleuzo-Guattarian art history’ could be today. ContributorsÉric Alliez (Kingston University, Université Paris VIII), Claudia Blümle (Humboldt Universität zu Berlin), Jean-Claude Bonne (École des Hautes Études en Sciences Sociales), Ann-Cathrin Drews (Humboldt Universität zu Berlin), James Elkins (School of the Art Institute of Chicago), Sascha Freyberg (Max Planck Institute for the History of Science), Antoine l’Heureux (independent researcher), Vlad Ionescu (Hasselt University), Juan Fernando Mejía Mosquera (Pontificia Universidad Javeriana), Gustavo Chirolla Ospina (Pontificia Universidad Javeriana), Bertrand Prévost (Université Bordeaux Montaigne), Elisabeth von Samsonow (Akademie für bildende Künste Wien), Sjoerd van Tuinen (Erasmus University Rotterdam), Kamini Vellodi (Edinburgh College of Art), Stephen Zepke (independent researcher)