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Compiling the hardcover horror collections Masques III and Masques IV, this volume contains nightmarish tales from the farthest reaches of twisted imaginations to the deepest, most intimate recesses of tortured minds. Such horror masters as Ray Bradbury, Graham Masterton, Dan Simmons, F. Paul Wilson, and others contribute. Original.
Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.
This companion provides a two-part introduction to best-selling author Stephen King, whose enormous popularity over the years has gained him an audience well beyond readers of horror fiction, the genre with which he is most often associated. Part I considers the reception of King’s work, the film adaptations that they gave rise to, the fictional worlds in which some of his novels are set, and the more useful approaches to King’s varied corpus. Part II consists of entries for each series, novel, story, screenplay and even poem, including works never published or produced, as well as characters and settings.
The Masque of the Red Death by Edgar Allan Poe Pdf
In Edgar Allan Poe's "The Masque of the Red Death", Prince Prospero isolates himself and his wealthy guests to avoid a deadly plague. Despite his efforts to escape death, it invades his masked ball, proving that no one can escape fate.
The "Ethiope," the "tawny Tartar," the "woman blackamoore," and "knotty Africanisms"—allusions to blackness abound in Renaissance texts. Kim F. Hall's eagerly awaited book is the first to view these evocations of blackness in the contexts of sexual politics, imperialism, and slavery in early modern England. Her work reveals the vital link between England's expansion into realms of difference and otherness—through exploration and colonialism-and the highly charged ideas of race and gender which emerged. How, Hall asks, did new connections between race and gender figure in Renaissance ideas about the proper roles of men and women? What effect did real racial and cultural difference have on the literary portrayal of blackness? And how did the interrelationship of tropes of race and gender contribute to a modern conception of individual identity? Hall mines a wealth of sources for answers to these questions: travel literature from Sir John Mandeville's Travels to Leo Africanus's History and Description of Africa; lyric poetry and plays, from Shakespeare's Antony and Cleopatra and The Tempest to Ben Jonson's Masque of Blackness; works by Emilia Lanyer, Philip Sidney, John Webster, and Lady Mary Wroth; and the visual and decorative arts. Concentrating on the sixteenth and seventeenth centuries, Hall shows how race, sexuality, economics, and nationalism contributed to the formation of a modern ( white, male) identity in English culture. The volume includes a useful appendix of not readily accessible Renaissance poems on blackness.
The Psychology of Infancy (Psychology Revivals) by Victoria Hazlitt Pdf
Originally published in 1933, this volume was the result of many years’ careful first-hand study of child psychology enriched by the author’s unusually wide experience in dealing with the subject with students. It was intended to follow the development of children from infancy to adolescence, but was cut short due to the author’s untimely death. The book makes available the results of modern experimental work of the time, much of which was published in scattered journals. Chapters deal with the development of sensory and muscular control, including walking and talking, and with the development of the intellectual, emotional and social life of children up to three years of age. A pioneer in the development of experimental psychology Hazlitt’s work can now be enjoyed again in its historical context.
Experience the fantasy and adventure of #1 New York Times bestselling author Patricia Brigg's first published novel—the thrilling start of the Sianim series... After an upbringing of proper behavior and oppressive expectations, Aralorn fled her noble birthright for a life of adventure as a mercenary spy. But her latest mission involves more peril than she ever imagined. Agents of Sianim have asked her to gather intelligence on the increasingly popular and powerful sorcerer Geoffrey ae'Magi. Soon Aralorn comes to see past the man's striking charisma—and into a soul as corrupt and black as endless night. And few have the will to resist the sinister might of Geoffrey and his minions. So Aralorn, aided by her enigmatic companion, Wolf, join the growing rebellion against the ae'Magi. But in a war against an enemy armed with the powers of illusion, how do you know who the true enemy is—or where he will strike next?
Led by Peter Octavian, the Shadows continue their battle against the ruthless Hannibal and his vampiric minions, who mean to enslave humanity-and devour all in their path.
Birth of a Notion; Or, the Half Ain't Never Been Told by Bill Harris Pdf
"Bill Harris's look at comedy as an integral part of the black aesthetic focuses on minstrelsy; however, it is simply a metaphor for his dissecting all the complex avenues of humor in so many corners of black America from D. W. Griffith's Birth of a Nation to the present."---Woodie King, producing director of New Federal Theatre in New York and author of The Impact of Race --Book Jacket.
Giants of the Genre by Michael McCarty,Dean R. Koontz,Neil Gaiman Pdf
Michael McCarty interviews masters of the fantastic, including: Forrest J Ackerman, Ray Bradbury, Poppy Z. Brite, P.D. Cacek, Douglas Clegg, Dan Curtis, Alan Dean Foster, Charles de Lint, Neil Gaiman, Barry Hoffman, Charlee Jacob, Dean Koontz, Bentley Little, Graham Masterton, Frederik Pohl, Dan Simmons, Peter Straub, William F. Nolan, J.N. Williamson, Connie Willis, and The Amazing Kreskin.
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.