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Association of College and Research Libraries. Rare Books and Manuscripts Section. Bibliographic Standards Committee,Library of Congress,Library of Congress. Cataloging Policy and Support Office
Author : Association of College and Research Libraries. Rare Books and Manuscripts Section. Bibliographic Standards Committee,Library of Congress,Library of Congress. Cataloging Policy and Support Office Publisher : Library of Congress Page : 239 pages File Size : 42,7 Mb Release : 2007 Category : Literary Criticism ISBN : 0844411620
Descriptive Cataloging of Rare Materials (books) by Association of College and Research Libraries. Rare Books and Manuscripts Section. Bibliographic Standards Committee,Library of Congress,Library of Congress. Cataloging Policy and Support Office Pdf
Third in direct descent from Bibliographic Description of Rare Books (BDRB) -- from preface.
Author : Gregory A. Pass Publisher : Association of College & Research Libraries Page : 159 pages File Size : 42,9 Mb Release : 2002 Category : Language Arts & Disciplines ISBN : 0838982182
Association of College and Research Libraries. Rare Books and Manuscripts Section. Bibliographic Standards Committee
Author : Association of College and Research Libraries. Rare Books and Manuscripts Section. Bibliographic Standards Committee Publisher : Unknown Page : 235 pages File Size : 42,7 Mb Release : 2007 Category : Cataloging of rare books ISBN : 0844411620
Descriptive Cataloging of Rare Materials (books) by Association of College and Research Libraries. Rare Books and Manuscripts Section. Bibliographic Standards Committee Pdf
Graphic Materials: Rules for Describing Original Items and Historical Collections was compiled by Elisabeth Betz Parker in 1982 to provide guidelines for cataloging a wide variety of visual materials from photographic prints, negatives, and albums to posters, cartoons, popular and fine prints, and architectural drawings. These rules are a national standard supplement to Chapter 8 of the Anglo-American Cataloguing Rules, which focuses on modern, published audiovisual materials. For groups of pictures as well as individual items, the guidelines cover transcribing and devising titles; stating creators, producers, and dates; expressing quantities, media, and dimensions; and writing subject, user advisory, and other kinds of notes. There are also sample catalog records, a glossary, and an index.
The Special Collections Handbook by Alison Cullingford Pdf
This comprehensive and no-nonsense guide to working with special collections and rare books is an essential day-to-day companion. Working with special collections can vary dramatically from preserving a single rare book to managing and digitizing vast mixed-media archives, yet the role of the information professional is always critical in tapping into the potential of these collections, protecting their legacy and bringing them to the attention of the wider public. This book offers up-to-date guidance which pulls together insights from best practice across the heritage sector to build innovative, co-operative and questioning mind-sets that will help them to cope in turbulent times. The Handbook covers all aspects of special collections work: preservation, developing collections, understanding objects, emergency planning, security, legal and ethical concerns, cataloguing, digitization, marketing, outreach, teaching, impact, advocacy and fundraising. New to this edition: coverage of new standards and concepts including unique and distinctive collections (UDCs), The Leeds Typology, Archive Accreditation, PD 5454:2012 and PAS 197 discussion of the major changes to laws affecting special collections including UK copyright law relating to library/archive exception and orphan works and forthcoming changes to data protection in the EU exploration of new trends in research including the rise of digital humanities, open access, the impact agenda and the REF updates to the sections on marketing, audience development and fundraising to include social media, customer journey mapping and crowdsourcing and more consideration of impact and indicators, digitization and new skills frameworks from CILIP and RBMS. This is the essential practical guide for anyone working with special collections or rare books in libraries, archives, museums, galleries and other heritage organizations. It is also a useful introduction to special collections work for academics and students taking library and information courses.
Association of College and Research Libraries. Rare Books and Manuscripts Section. Bibliographic Standards Committee,Library of Congress. Cataloging Policy and Support Office
Author : Association of College and Research Libraries. Rare Books and Manuscripts Section. Bibliographic Standards Committee,Library of Congress. Cataloging Policy and Support Office Publisher : Johns Hopkins University Press Page : 231 pages File Size : 51,7 Mb Release : 2008-01-01 Category : Cataloging of rare library materials ISBN : 0844412171
Descriptive Cataloging of Rare Materials (serials) by Association of College and Research Libraries. Rare Books and Manuscripts Section. Bibliographic Standards Committee,Library of Congress. Cataloging Policy and Support Office Pdf
Music Description and Access: Solving the Puzzle of Cataloging is both a textbook for students and a handbook and reference source for practicing catalogers. The bulk of the book is a step-by-step guide to cataloging music materials, with dozens of examples showing images of published scores or audio recordings. Content and encoding are treated separately, using RDA and MARC21. Interspersed in the chapters on practical cataloging are short Historical Asides, essays putting particular devices or conventions into context. These essays supplement a chapter on cataloging history, which follows an introductory chapter that sets the stage for the task at hand. The book ends with a chapter by Maristella Feustle on describing and providing access to music special collections, using both archival and rare-music-cataloging standards. Aids in navigating the book include an index plus multiple lists and tables. A bibliography and a list of cataloging tools that are available online are also given.
This book is an introduction, ‘handy’ and authoritative guide to the principles of cataloguing for librarians, information scientists and information managers. It is intended to be used in conjunction with an internationally recognised standard to show how, firstly, cataloguing underpins all the other activities of an information service and, secondly, how to apply best practice in a variety of different situations. Relates theory to practice, which is not the case with many other books on the topic Includes guidance on subject cataloguing as well as descriptive cataloguing Written in an easy-to-read style Covers the use of ISBD and Dublin Core in descriptive cataloguing, rather than being tied exclusively to using AACR
In a visual and artifact-filled world, cataloging one-of-a-kind cultural objects without published guidelines and standards has been a challenge. Now for the first time, under the leadership of the Visual Resources Association, a cross-section of five visual and cultural heritage experts, along with scores of reviewers from varied institutions, have created a new data content standard focused on cultural materials. This cutting-edge reference offers practical resources for cataloging and flexibility to meet the needs of a wide range of institutions—from libraries to museums to archives. Consistently following these guidelines for selecting, ordering, and formatting data used to populate metadata elements in cultural materials' catalog records: Promotes good descriptive cataloging and reduces redundancy Builds a foundation of shared documentation Creates data sharing opportunities Enhances end-user access across institutional boundaries Complements existing standards (AACR) This is a must-have reference for museum professionals, visual resources curators, archivists, librarians and anyone who documents cultural objects (including architecture, paintings, sculpture, prints, manuscripts, photographs, visual media, performance art, archaeological sites, and artifacts) and their images.
The Intellectual Foundation of Information Organization by Elaine Svenonius Pdf
Integrating the disparate disciplines of descriptive cataloging, subject cataloging, indexing, and classification, the book adopts a conceptual framework that views the process of organizing information as the use of a special language of description called a bibliographic language. Instant electronic access to digital information is the single most distinguishing attribute of the information age. The elaborate retrieval mechanisms that support such access are a product of technology. But technology is not enough. The effectiveness of a system for accessing information is a direct function of the intelligence put into organizing it. Just as the practical field of engineering has theoretical physics as its underlying base, the design of systems for organizing information rests on an intellectual foundation. The subject of this book is the systematized body of knowledge that constitutes this foundation. Integrating the disparate disciplines of descriptive cataloging, subject cataloging, indexing, and classification, the book adopts a conceptual framework that views the process of organizing information as the use of a special language of description called a bibliographic language. The book is divided into two parts. The first part is an analytic discussion of the intellectual foundation of information organization. The second part moves from generalities to particulars, presenting an overview of three bibliographic languages: work languages, document languages, and subject languages. It looks at these languages in terms of their vocabulary, semantics, and syntax. The book is written in an exceptionally clear style, at a level that makes it understandable to those outside the discipline of library and information science.
Rare Books and Special Collections by Sidney E. Berger Pdf
Entrusted with the responsibility of preserving the records of history and culture, these institutions enable access to millions of source materials. Berger offers a landmark examination of this field, aimed at practitioners, instructors, booksellers, private collectors, historians, bibliophiles, and others involved in rare and unique materials.
