Discovering The Clown Or The Funny Book Of Good Acting
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Discovering the Clown, or The Funny Book of Good Acting by Christopher Bayes Pdf
“Christopher Bayes is a master, an extraordinary visionary who has done more to liberate young American actors over the last two generations than I can possibly express. His classes in Clowning are philosophical manifestos; the power of his laughter inextricable from the depth of his spirit. This book is a treasure. Nothing can replace the experience of being in the room with a master teacher, but this practical, playful, brilliant book is the next best thing. Read it. It is indispensable.” —Oskar Eustis, Artistic Director, The Public Theater Discovering the Clown, or The Funny Book of Good Acting is a unique glimpse into the wild world of the Clown, unveiling “the playful self, the unsocialized self, the naive self…the big stupid who just wants to have some fun with the audience.” An essential guide for artists and actors wanting to set free the messy and hilarious Clown within.
The Art of Clowning is the first book on clowning technique and offers a step-by-step process for actors and other theatrical enthusiasts to discover their inner clown. This fun and accessible guide expands on theories and exercises to help students and beginners develop solo and group performances. Now with even more ways to find your inner clown!
The Moving Body (Le Corps Poetique) by Jacques Lecoq Pdf
'In life I want students to be alive and on stage I want them to be artists' Jacques Lecoq Jacques Lecoq was one of the most inspirational theatre teachers of our age. The International Theatre School he founded in Paris remains an unrivalled centre for the art of physical theatre. In The Moving Body, Lecoq shares his unique philosophy of performance, improvisation, masks, movement and gesture which together form one of the greatest influences on contemporary theatre. Neutral mask, character mask, and counter masks, bouffons, acrobatics and commedia, clowns and complicity: all the famous Lecoq techniques are covered here - techniques that have made their way into the work of former collaborators and students inluding Dario Fo, Julie Taymor, Ariane Mnouchkine, Yasmina Reza and Theatre de Complicité. This paperback edition contains a Foreword by Simon McBurney, Artistic Director of Complicité and an Afterword by Fay Lecoq, Director of the International Theatre School in Paris.
CLOWN YOURSELF is a useful manual for both clown students and facilitators. Within its pages Caroline shares what she has been exploring with her students since publishing her first book, The Clown In You. The first part is packed with valuable information, exercises and examples, whilst the second offers ideas on how to practice different aspects of the art of clowning in your daily life. Clown Yourself aims to reinforce and broaden your understanding of clown technique, as well as encourage you to think and behave in clown-like ways in your daily life. Part 1 is full of useful and interesting information such as: why it's so important to keep digging into the depths of our stupidity, the clown games that never fail to work, how having problems can enhance the comedy, why telling lies is so vital to creativity, what strategies to apply when things aren't going as planned, etc. All, of course, peppered with exercises, examples and quotes. Part 2 offers four weeks of "clown practices", fun experiments you can make in your everyday life. They are designed for you to maximize your clown creativity during the week so as not to lose momentum between courses or performances. PART 1 Chapter 1 gives you an overall view of the book's content and an explanation of how the daily life clown practices came into being. Chapter 2 contains a whole stack of persuasive reasons why to clown and keep practising regularly. Chapter 3 tackles the thorny issue of identity and explains in depth why maintaining a concrete idea of "who you think you are" will only limit your clown's ability to be generous with who you really are. Chapters 4 to 7 cover specific areas of clown technique . Each chapter contains explanations of the reasons for, and reasoning behind, each element of the technique, plus exercises and examples of how it all works on a practical level. Chapter 8 details the many challenges you face when improvising and offers a series of blueprints to facilitate your ability to make better, bolder and more comic choices. PART 2 Four weeks of Monday to Friday clown practice options to keep you homing in on your clown skills and throwing yourself into the comic fray... day after day. ____FAQ_____IS IT FOR ME? This book is for clown and theatre students, clown teachers, voluntary hospital clowns, professional clowns, comedians, actors, laughter therapists, anyone interested in clowns or clowning and anyone looking to understand in greater depth the techniques, games and practices contemporary clowns are using to, win over their audiences and create laughter. WHY BUY IT? Caroline has worked with clowning from the inside out and the outside in. She writes from the perspective of a life spent investigating her art, both as a professional clown and as an international clown teacher. After writing her first clowning manual, she created many new courses offering students different chunks of information regarding technique. The insights she gleaned from leading these courses and the students who took them proved too compelling not to be documented. This manual took six years to write and it may take you the same amount of time to assimilate all that it contains!CREDITSFirst edition, November 2020Barcelona, Spain(c) Caroline Dream, 2020Published by Ediciones Clownplanetwww.clownplanet.com/edicioneswww.theclowninyou.comGeneral Editor: Álex NavarroLayout & design: Álex NavarroText Revision: Richard LesliePrinted by AmazonISBN-13: 978-84-09-24848-3MAYBE YOU'RE ALSO INTERESTED IN CAROLINE DREAM'S FIRST BOOK: THE CLOWN IN YOU
Clowns: In Conversation with Modern Masters is a groundbreaking collection of conversations with 20 of the greatest clowns on earth. In discussion with clown aficionados Ezra LeBank and David Bridel, these legends of comedy reveal the origins, inspirations, techniques, and philosophies that underpin their remarkable odysseys. Featuring incomparable artists, including Slava Polunin, Bill Irwin, David Shiner, Oleg Popov, Dimitri, Nola Rae, and many more, Clowns is a unique and definitive study on the art of clowning. In Clowns, these 20 master artists speak candidly about their first encounters with clowning and circus, the crucial decisions that carved out the foundations of their style, and the role of teachers and mentors who shaped their development. Follow the twists and turns that changed the direction of their art and careers, explore the role of failure and originality in their lives and performances, and examine the development and evolution of the signature routines that became each clown’s trademark. The discussions culminate in meditations on the role of clowning in the modern world, as these great practitioners share their perspectives on the mysterious, elusive art of the clown.
Acting -- Make It Your Business by Paul Russell Pdf
Acting: Make It Your Business, written by an award-winning, veteran casting director, puts the power to land jobs and thrive in any medium - stage, film, TV, or the Internet - directly into the hands of the actor. This blunt, wise, and often hilarious guide overflows with cutting-edge audition, marketing, and networking strategies, combining traditional techniques with those best suited for the digital age. Well-known actors and powerful agents make cameos throughout, offering newcombers and working professionals alike a clear-eyed, uncensored perspective on survival and advancement within the entertainment industry. "Huorous and witty . . . Actors everywhere who are trying to succeed in the business, young or old, on stage or on camera, in New York or anywhere in the world, take note: This is your road map." - Bernard Telsey, casting director (Rent, Sex & The City: The Movie, Wicked) "All the right questions asked and answered . . . and with a generous portion of good humor." - Suzanne Ryan, casting director (Law & Order) "Paul's book made me proud to be a part of the acting community in this business we call 'show.'" - Karen Ziemba, actress, Tony and Drama Desk Award Winner From the Trade Paperback edition.
Theatre of Movement and Gesture by Jacques Lecoq Pdf
Published in France in 1987, this is the book in which Lecoq first set out his philosophy of human movement, and the way it takes expressive form in a wide range of different performance traditions. He traces the history of pantomime, sets out his definition of the components of the art of mime, and discusses the explosion of physical theatre in the second half of the twentieth century. Interviews with major theatre practitioners Ariane Mnouchkine and Jean-Louis Barrault by Jean Perret, together with chapters by Perret on Étienne Decroux and Marcel Marceau, fill out the historical material written by Lecoq, and a final section by Alain Gautré celebrates the many physical theatre practitioners working in the 1980s.
• How to cope with the realities of life as an actor—if you don’t laugh, you'll cry • In-depth interviews with actors, agents, casting directors. In this hip, warts-and-all look at acting, author Jason Pugatch shares his insights as a working "day player" to give an unvarnished look at theater, film, and television: how to be "discovered," what to expect from training programs, the grunt work of starting a career, how to keep going despite constant rejection, and much more. Packed with myth-shattering anecdotes and told in an intriguing personal tone, Acting Is a Job is the backstage guide that every aspiring actor must read. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
"THE CLOWN IN YOU" is a clowning manual for students, teachers and practitioners. It contains all kinds of valuable clown knowledge; both practical and theoretical. Within its pages readers will find all the basic principles of clowning, first-hand clowning experiences, tried and tested clown games and exercises, quotes from interviews Caroline held with professional clowns, examples of clown improvisations, and explanations of the clown philosophy underlying all the comic techniques used by clowns. The book thus provides an unprecedented insight into the heart of clowning and throws a fresh light on all the skills, audacity and dedication needed to encounter, encourage and set free one's clown. Caroline has worked with clowning from the inside out and the outside in. She writes from the perspective of a life spent investigating her art, both as a professional clown and as an international clown teacher. This is a must read for anyone wanting to learn more about the art and practice of clowning, or for anyone simply interested in becoming a healthier, happier and less inhibited person. ""Discovering your clown and allowing yourself complete freedom of expression is an addictive experience; an adventure sport, whose only drawback is that when you're on your way home you feel an urgent desire to keep on practising it."" CONTENTS The first three chapters introduce the reader to the art and craft of clowning as practiced by professional clowns throughout the world today. They also clarify all the misconceptions that have arisen around the clown that in reality hinder a student's ability to be funny. Chapters four to ten tackle specific areas of clown technique. Each chapter contains explanations of the reasons for, and reasoning behind, each element of the technique, plus guidelines and examples of how it all works on a practical level. Chapter eleven explores one of the least discussed aspects of clowning; the most common fears students face and how they can be dealt with. The final chapter examines the necessary ingredients for clowning success. It also covers the phenomenon of "flying," finding one's own unique comic wings. WHAT THE PROFESSIONALS HAVE SAID ABOUT THIS BOOK: " The Clown in You cuts past all the jargon and unhelpful generalizations about clowns and tackles the clown's creative process with the kind of insight that can only come from a seasoned performer. Highly recommended for both beginners and experienced clowns." "JOHN TOWSEN, author of "Clowns," director of The (Very) Physical Comedy Institute, U.S.A." "Caroline Dream's superbly documented 30 years of experience as a performer and trainer is an invaluable source of reference for professionals, hobbyists and teachers. One of the most illuminating and insightful clown development guidebooks that I have read." "ROB FLORENCE, physical theatre teacher at The Arts & Entertainment College, NL" "Every clown, aspiring or professional, should have this book in their library. It's a great resource for helping clowns discover deeper layers of their character and creating powerful material. Packed with invaluable gems for understanding and creating in the art of clowning." "ROB TORRES, clown, The Big Apple Circus, U.S.A." "In this book I've found fantastic exercises and material which will inspire clowns to play and, most importantly, help keep their idiot present." "AITOR BASAURI, Spymonkey, UK" "This book is a shortcut to your inner clown, a seductive invitation to joy and freedom, a lodestar for highly effective human development."" ANDRES AGUILAR, Clown, Founder of Risaterapia.org, MEX" "Caroline offers us her 30 years of clowning experience, disclosing a clown philosophy I fully concur with. I wholeheartedly recommend this book."" ANTON VALEN, clown with Cirque du Soleil (Alegria & Kurios), ESP
This rich collection of readings offers a wide-ranging and authoritative survey of clown practices, history and theory, from the origins of the word clown through to contemporary clowning. Covering clowns in theatre, circus, cinema, TV, street and elsewhere, the author's stimulating narrative challenges assumptions and turns orthodoxy on its head.
The Origin of Consciousness in the Breakdown of the Bicameral Mind by Julian Jaynes Pdf
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.
The Art of Clowning is the first book on clowning technique and offers a step-by-step process for actors and other theatrical enthusiasts to discover their 'inner clown.' This fun and accessible guide expands on theories and exercises to help students and beginners develop solo and group performances.
(Book). This unique exploration of the principles and practice of physical comedy starts with a discussion of the various types of laughter that can be provoked by performance. It then presents graduated sequences of over a hundred games and exercises devised to demonstrate and investigate the whole range of comic possibilities open to a performer. The result is an intensely practical and thoroughly stimulating investigation of how comedy works in physical terms.
