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Domenico Brucciani and the Formatori of 19th-Century Britain

Rebecca Wade

Author : Rebecca Wade
Publisher : Bloomsbury Publishing USA
Page : 215 pages
File Size : 47,9 Mb
Release : 2018-10-18
Category : Art
ISBN : 9781501332203

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Domenico Brucciani and the Formatori of 19th-Century Britain by Rebecca Wade Pdf

Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture. Based in Covent Garden in London, Brucciani built a network of fellow Italian émigré formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible. Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.

Domenico Brucciani and the Formatori of 19th-Century Britain

Rebecca Wade

Author : Rebecca Wade
Publisher : Bloomsbury Publishing USA
Page : 215 pages
File Size : 43,9 Mb
Release : 2018-10-18
Category : Art
ISBN : 9781501332197

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Domenico Brucciani and the Formatori of 19th-Century Britain by Rebecca Wade Pdf

Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture. Based in Covent Garden in London, Brucciani built a network of fellow Italian émigré formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible. Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.

Domenico Brucciani and the Formatori of 19th-Century Britain

Rebecca Wade

Author : Rebecca Wade
Publisher : Bloomsbury Publishing USA
Page : 216 pages
File Size : 50,9 Mb
Release : 2018-10-18
Category : Art
ISBN : 9781501332210

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Domenico Brucciani and the Formatori of 19th-Century Britain by Rebecca Wade Pdf

Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture. Based in Covent Garden in London, Brucciani built a network of fellow Italian émigré formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible. Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.

Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries

Annetta Alexandridis,Lorenz Winkler-Horaček

Author : Annetta Alexandridis,Lorenz Winkler-Horaček
Publisher : Walter de Gruyter GmbH & Co KG
Page : 620 pages
File Size : 55,7 Mb
Release : 2022-09-05
Category : Art
ISBN : 9783110757965

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Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries by Annetta Alexandridis,Lorenz Winkler-Horaček Pdf

Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.

Expanding Classics

Arlene Holmes-Henderson

Author : Arlene Holmes-Henderson
Publisher : Taylor & Francis
Page : 106 pages
File Size : 41,5 Mb
Release : 2023-04-18
Category : History
ISBN : 9781000844764

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Expanding Classics by Arlene Holmes-Henderson Pdf

This volume explores innovative ways of expanding classical languages and cultures to educational and museum audiences. It shows that classical subjects have an important role to play within society and can enrich individuals’ lives in many different, and perhaps surprising, ways. Chapters present projects covering literacy and engagement with reading, empowering students to understand and use new types of vocabulary, discovering the personal relevance of ancient history and the resonance of ancient material culture and stories. Contributors demonstrate that classical subjects can be taught cost-effectively and inclusively by non-specialist teachers and in non-traditional settings. In their various ways, they highlight the need to rethink the role of Classics in twenty-first-century classrooms and communities. Recommendations are made for further development, including ways to improve research, policy and practice in the field of Classics education. Expanding Classics presents an important series of case studies on classical learning, of interest to museum educators, teacher trainers, school leaders and curriculum designers, as well as those teaching in primary, secondary and further education settings in the UK and worldwide.

Italy for Sale

Anonim

Author : Anonim
Publisher : BRILL
Page : 501 pages
File Size : 51,5 Mb
Release : 2023-08-14
Category : Art
ISBN : 9789004680449

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Italy for Sale by Anonim Pdf

In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.

My Life as a Replica

Sally Foster,Sian Jones

Author : Sally Foster,Sian Jones
Publisher : Windgather Press
Page : 224 pages
File Size : 43,9 Mb
Release : 2020-05-31
Category : Art
ISBN : 9781911188629

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My Life as a Replica by Sally Foster,Sian Jones Pdf

In 1970 a concrete replica of the St John’s Cross arrived in Iona sitting incongruously on the deck of a puffer delivering the island’s annual supply of coal. What is the story behind this intriguing replica? How does it relate to the world’s first ringed ‘Celtic cross’, an artistic and technical masterpiece, which has been at the heart of the Iona experience since the eighth century? What does it tell us about the authenticity and value of replicas? In this fascinating book, Foster and Jones draw on extensive interdisciplinary research to reveal the composite biography of the St John’s Cross, its concrete replica, and its many other scale copies. They show that replicas can acquire rich forms of authenticity and value, informed by social relations, craft practices, creativity, place and materiality. Thus, the book challenges traditional precepts that seek authenticity in qualities intrinsic to original historic objects. Replicas are shown to be important objects in their own right, with their own creative, human histories — biographies that people can connect with. The story of the St John’s Cross celebrates how replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.

Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age

Emma M. Payne

Author : Emma M. Payne
Publisher : Bloomsbury Publishing
Page : 279 pages
File Size : 46,8 Mb
Release : 2021-04-08
Category : Social Science
ISBN : 9781350120365

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Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age by Emma M. Payne Pdf

Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism.

Michelangelo’s Vatican Pietà and its Afterlives

Lisa M. Rafanelli

Michelangelo s Vatican Piet and its Afterlives Book PDF

Author : Lisa M. Rafanelli
Publisher : Taylor & Francis
Page : 234 pages
File Size : 50,5 Mb
Release : 2022-12-30
Category : Art
ISBN : 9781000833782

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Michelangelo’s Vatican Pietà and its Afterlives by Lisa M. Rafanelli Pdf

This book offers a fresh perspective on Michelangelo’s well-known masterpiece, the Vatican Pietà, by tracing the shifting meaning of the work of art over time. Lisa M. Rafanelli chronicles the object history of the Vatican Pietà and the active role played by its many reproductions. The sculpture has been on continuous view for over 500 years, during which time its cultural, theological, and artistic significance has shifted. Equally important is the fact that over its long life it has been relocated numerous times and has also been reproduced in images and objects produced both during Michelangelo’s lifetime and long after, described here as artistic progeny: large-scale, unique sculpted variants, smaller-scale statuettes, plaster and bronze casts, and engraved prints. The book will be of interest to scholars working in art history, Renaissance studies, early modern studies, religion, Christianity, and theology.

The Sculptural in the (Post-)Digital Age

Mara-Johanna Kölmel,Ursula Ströbele

Author : Mara-Johanna Kölmel,Ursula Ströbele
Publisher : Walter de Gruyter GmbH & Co KG
Page : 242 pages
File Size : 49,6 Mb
Release : 2023-06-19
Category : Art
ISBN : 9783110775143

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The Sculptural in the (Post-)Digital Age by Mara-Johanna Kölmel,Ursula Ströbele Pdf

Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies. How can we rethink the artistic medium in relation to our technological present and its historical precursors? A number of theoretical approaches discuss the implications of the so-called ‘Aesthetics of the Digital’, referring, above all, to screen-based phenomena. For the first time, this publication brings together international and trans-historical research perspectives to explore how digital technologies re-configure the understanding of sculpture and the sculptural leading into the (post-)digital age. Up-to-date research on digital technologies’ expansion of the concept of sculpture Linking historical sculptural debates with discourse on the new media and (post-)digital culture

The Handbook of Visual Culture

Ian Heywood,Barry Sandywell

Author : Ian Heywood,Barry Sandywell
Publisher : Berg
Page : 964 pages
File Size : 44,9 Mb
Release : 2014-01-21
Category : Art
ISBN : 9781847885753

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The Handbook of Visual Culture by Ian Heywood,Barry Sandywell Pdf

Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.

Touring and Publicizing England's Country Houses in the Long Eighteenth Century

Jocelyn Anderson

Author : Jocelyn Anderson
Publisher : Bloomsbury Publishing USA
Page : 384 pages
File Size : 40,5 Mb
Release : 2018-02-22
Category : Art
ISBN : 9781501334986

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Touring and Publicizing England's Country Houses in the Long Eighteenth Century by Jocelyn Anderson Pdf

Over the course of the long 18th century, many of England's grandest country houses became known for displaying noteworthy architecture and design, large collections of sculptures and paintings, and expansive landscape gardens and parks. Although these houses continued to function as residences and spaces of elite retreat, they had powerful public identities: increasingly accessible to tourists and extensively described by travel writers, they began to be celebrated as sites of great importance to national culture. This book examines how these identities emerged, repositioning the importance of country houses in 18th-century Britain and exploring what it took to turn them into tourist attractions. Drawing on travel books, guidebooks, and dozens of tourists' diaries and letters, it explores what it meant to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Kedleston and Burghley in the tumultuous 1700s. It also questions the legacies of these early tourists: both as a critical cultural practice in the 18th century and an extraordinary and controversial influence in British culture today, country-house tourism is a phenomenon that demands investigation.

Photography and the Arts

Juliet Hacking,Joanne Lukitsh

Author : Juliet Hacking,Joanne Lukitsh
Publisher : Bloomsbury Publishing
Page : 379 pages
File Size : 49,8 Mb
Release : 2020-10-29
Category : Photography
ISBN : 9781350048553

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Photography and the Arts by Juliet Hacking,Joanne Lukitsh Pdf

Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written? Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualised for art and re-contextualised for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic'? Photography and the Arts revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the essays examine the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts.

Plaster Monuments

Mari Lending

Author : Mari Lending
Publisher : Princeton University Press
Page : 296 pages
File Size : 53,6 Mb
Release : 2022-06-14
Category : Architecture
ISBN : 9780691239620

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Plaster Monuments by Mari Lending Pdf

We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.

Art, Time and Technology

Charlie Gere

Author : Charlie Gere
Publisher : Berg
Page : 202 pages
File Size : 41,7 Mb
Release : 2006-07-09
Category : Art
ISBN : 9781845201357

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Art, Time and Technology by Charlie Gere Pdf

Breaking the time barrier -- Morse's inventions -- The writing of Van Gogh -- Taking off -- John Cage's early warning system -- Art in real time -- Is it happening? -- Short films about flying -- Bibliography -- Index

Domenico Brucciani And The Formatori Of 19th Century Britain

Domenico Brucciani and the Formatori of 19th-Century Britain by Rebecca Wade Pdf

Domenico Brucciani and the Formatori of 19th-Century Britain by Rebecca Wade Pdf

Domenico Brucciani and the Formatori of 19th-Century Britain by Rebecca Wade Pdf

Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries by Annetta Alexandridis,Lorenz Winkler-Horaček Pdf

Expanding Classics by Arlene Holmes-Henderson Pdf

Italy for Sale by Anonim Pdf

My Life as a Replica by Sally Foster,Sian Jones Pdf

Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age by Emma M. Payne Pdf

Michelangelo’s Vatican Pietà and its Afterlives by Lisa M. Rafanelli Pdf

The Sculptural in the (Post-)Digital Age by Mara-Johanna Kölmel,Ursula Ströbele Pdf

The Handbook of Visual Culture by Ian Heywood,Barry Sandywell Pdf

Touring and Publicizing England's Country Houses in the Long Eighteenth Century by Jocelyn Anderson Pdf

Photography and the Arts by Juliet Hacking,Joanne Lukitsh Pdf

Plaster Monuments by Mari Lending Pdf

Art, Time and Technology by Charlie Gere Pdf

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