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A guide to all things wacky, weird, curious, and bizarre in the U.S.A., featuring approximately 1,000 festivals, attractions, tours, shopping, restaurants, hotels, and eccentric environments. photos. 51 maps.
Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity.
"You don't just visit Edinburgh; you fall in love with the place." The best-selling author of Eccentric Britain takes you away from the obvious tartanalia and into Auld Reekie's hidden corners to find spooky stories, weird buildings, mad judges and strange customs. Benedict le Vay also asks the pressing questions that others avoid: Is the Scottish Parliament a monumental cock-up? Was the Stewart dynasty really useless? Should you eat deep-fried Mars Bars...?
So you think eccentric France means frogs' legs and pigs' trotters? Think again. Piers Letcher takes you to places where you can feast on forgotten vegetables, saddle up for national donkey day, or gorge yourself at the world tripe championships. He also reveals the truth behind France's most colorful characters, including Coco Chanel, Joan of Arc, Mata Hari and the Marquis de Sade. This latest addition to the Bradt eccentric series makes fascinating reading for those looking to discover the hidden side of France, as well as for armchair travelers who delight in the extraordinary. Feeling adventures? Try your hand at pig-squealing, or brave the Rhone Valley's Crocodile Farm; Romantic? Visit the Lovers' Wall in Montmartre, or Provence's hidden Paradise; Festive? Indulge yourself at the Palais du chocolat, or take a Champagne cure; Or just plain curious? Check out the country's most unusual towns, gardens, hotels and restaurants.
What if we ascribe significance to aesthetic and social divergences rather than waving them aside as anomalous? What if we look closely at what does not appear central, or appears peripherally, or does not appear at all, viewing ellipses, outliers, absences, and outtakes as significant? Eccentric Modernisms places queer demands on art history, tracing the relational networks connecting cosmopolitan eccentrics who cultivated discrepant strains of modernism in America during the 1930s and 1940s. Building on the author’s earlier studies of Gertrude Stein and other lesbians who participated in transatlantic cultural exchanges between the world wars, this book moves in a different direction, focusing primarily on the gay men who formed Stein’s support network and whose careers, in turn, she helped to launch, including the neo-romantic painters Pavel Tchelitchew and writer-editor Charles Henri Ford. Eccentric Modernisms shows how these “eccentric modernists” bucked trends by working collectively, reveling in disciplinary promiscuity and sustaining creative affiliations across national and cultural boundaries.
Jan Friedman's Eccentric America proved that the most unlikely events and landmarks could become tourist attractions. This award-winning title is dedicated to the sheer lunacy of California and her citizens, covering the biggest, the best, the wackiest and weirdest of the state's people and places. From art-car and golf-cart parades to the Valentine's Day Sex Tour at the San Francisco Zoo; from a festival that moons Amtrak to a town with its own language; from obsessed collectors of Pez, yo-yos, and bananas to kitschy theme motels and a man who built a three-storey mountain out of hay, adobe, and old paint. Eccentric California takes an in-depth look at one very peculiar place.
In America during the 1960s, sculpture as an artistic practice underwent a series of radical transformations. Artists including Lee Bontecou, Claes Oldenburg, Lucas Samaras, H. C. Westermann, and Bruce Nauman offered alternative ways of imagining the three-dimensional object. The objects they created were variously described as erotic, soft, figurative, aggressive, bodily, or, in the words of the critic Lucy Lippard, "eccentric." Looking beyond the familiar and canonic artworks of the 1960s, the book challenges not only how we think about these artists, but how we learn to look at the more familiar narratives of 1960s sculpture, such as Pop and Minimalism. Ambivalent and disruptive, the work of this decade articulated a radical renegotiation—rejection, even—of contemporary paradigms of sculptural practice. This invigorating study explores that shift and the ways in which the kinds of work made in this period defied established categories and questioned the criteria for thinking about sculpture.
Benedict le Vay reveals London's most bizarre and macabre secrets with his novel approach, which doubles both as a thematic guide to the hidden attractions of the streets of London and a compelling insight into the citizens and culture of this historic city.
A delightful romp around the British Isles searching out the mad marquess, the eccentric earl, the barmy baron, and the daft duke and gathering a fair collection of crackpot inventors, weird adventurers and fascinatingly and not to mention insanely curious customs along the way. All of which make this rainy little island home to that remarkable breed of individual - the British eccentric.This expanded book still doesn't tell you where Stonehenge is, but it does tell you where ten spookier stone circles are where there will be no crowds, no admission charges and no parking problems... This is a book for the intelligent, humorous, curious tourist who doesn't go with the crowd. It is also a great armchair read that has been known to have readers weeping with mirth at the weird ways of the British.
This guide to all things eccentric in Cambridge provides a behind-the-scenes look at this old English university city's people and places. Also included are the essentials of how to get there, unusual places to stay, and oddities aplenty.
Bruce Springsteen, Cultural Studies, and the Runaway American Dream by Dr Kenneth Womack,Mr Jerry Zolten,Mr Mark Bernhard Pdf
There is little question about the incredible power of Bruce Springsteen's work as a particularly transformative art, as a lyrical and musical fusion that never shies away from sifting through the rubble of human conflict. As Rolling Stone magazine's Parke Puterbaugh observes, Springsteen 'is a peerless songwriter and consummate artist whose every painstakingly crafted album serves as an impassioned and literate pulse taking of a generation's fortunes. He is the foremost live performer in the history of rock and roll, a self-described prisoner of the music he loves, for whom every show is played as if it might be his last.' In recent decades, Puterbaugh adds, 'Springsteen's music developed a conscience that didn't ignore the darkening of the runaway American Dream as the country greedily blundered its way through the 1980s' and into the sociocultural detritus of a new century paralysed by isolation and uncertainty. Bruce Springsteen, Cultural Studies, and the Runaway American Dream reflects the significant critical interest in understanding Springsteen's resounding impact upon the ways in which we think and feel about politics, religion, gender, and the pursuit of the American Dream. By assembling a host of essays that engage in interdisciplinary commentary regarding one of Western culture's most enduring artistic and socially radicalizing phenomena, this book offers a cohesive, intellectual, and often entertaining introduction to the many ways in which Springsteen continues to impact our lives by challenging our minds through his lyrics and music.
Author : Mario Del Pero Publisher : Cornell University Press Page : 203 pages File Size : 54,6 Mb Release : 2013-07-02 Category : History ISBN : 9780801459771
In The Eccentric Realist, Mario Del Pero questions Henry Kissinger's reputation as the foreign policy realist par excellence. Del Pero shows that Kissinger has been far more ideological and inconsistent in his policy formulations than is commonly realized. Del Pero considers the rise and fall of Kissinger's foreign policy doctrine over the course of the 1970s-beginning with his role as National Security Advisor to Nixon and ending with the collapse of détente with the Soviet Union after Kissinger left the scene as Ford's outgoing Secretary of State. Del Pero shows that realism then (not unlike realism now) was as much a response to domestic politics as it was a cold, hard assessment of the facts of international relations. In the early 1970s, Americans were weary of ideological forays abroad; Kissinger provided them with a doctrine that translated that political weariness into foreign policy. Del Pero argues that Kissinger was keenly aware that realism could win elections and generate consensus. Moreover, over the course of the 1970s it became clear that realism, as practiced by Kissinger, was as rigid as the neoconservativism that came to replace it. In the end, the failure of the détente forged by the realists was not the defeat of cool reason at the hands of ideologically motivated and politically savvy neoconservatives. Rather, the force of American exceptionalism, the touchstone of the neocons, overcame Kissinger's political skills and ideological commitments. The fate of realism in the 1970s raises interesting questions regarding its prospects in the early years of the twenty-first century.