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An indispensable guide for editors, would-be editors, and especially writers who want to understand the publishing process. In this classic handbook, top professionals write about the special demands and skills necessary for particular areas of expertise--mass market, romance, special markets, and more.
Author : Peter Ginna Publisher : University of Chicago Press Page : 319 pages File Size : 49,7 Mb Release : 2017-10-06 Category : Language Arts & Disciplines ISBN : 9780226300030
Essays from twenty-seven leading book editors: “Honest and unflinching accounts from publishing insiders . . . a valuable primer on the field.” —Publishers Weekly Editing is an invisible art in which the very best work goes undetected. Editors strive to create books that are enlightening, seamless, and pleasurable to read, all while giving credit to the author. This makes it all the more difficult to truly understand the range of roles they inhabit while shepherding a project from concept to publication. What Editors Do gathers essays from twenty-seven leading figures in book publishing about their work. Representing both large houses and small, and encompassing trade, textbook, academic, and children’s publishing, the contributors make the case for why editing remains a vital function to writers—and readers—everywhere. Ironically for an industry built on words, there has been a scarcity of written guidance on how to approach the work of editing. Serving as a compendium of professional advice and a portrait of what goes on behind the scenes, this book sheds light on how editors acquire books, what constitutes a strong author-editor relationship, and the editor’s vital role at each stage of the publishing process—a role that extends far beyond marking up the author’s text. This collection treats editing as both art and craft, and also as a career. It explores how editors balance passion against the economic realities of publishing—and shows why, in the face of a rapidly changing publishing landscape, editors are more important than ever. “Authoritative, entertaining, and informative.” —Copyediting
Writers write—but what do they do for money? In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.
Author : Susan L. Greenberg Publisher : Mass Communication and Journalism Page : 0 pages File Size : 42,6 Mb Release : 2015 Category : Book editors ISBN : 1433120038
Editors Talk about Editing by Susan L. Greenberg Pdf
The work of «editing» is by and large something that happens behind the scenes, noticed only when it is done badly, or not done at all. There is not much information about what editors do. The result is that editing is not often talked about in its own right - not even by the people who do it. This collection of interviews attempts to fill some of the gaps. The author, a former editor herself, interviews practitioners at the top of their game - from newspapers, magazines, broadcast news, book publishing, scholarly editing, academic publishing and digital curation. The interviewees think out loud about creativity and human judgment; what they have in common and what makes them different; how editing skills and culture can be shared; why editing continues to fascinate; and why any of this might matter.
Self-Editing for Fiction Writers, Second Edition by Renni Browne,Dave King Pdf
Hundreds of books have been written on the art of writing. Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories. In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manuscript. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited.
The Subversive Copy Editor by Carol Fisher Saller Pdf
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
Interviews with 21 prominent feature film editors highlight this long-overdue look at the role of film editors, the importance of their work, and the nature of their craft. Organized to provide historical continuity and to trace professional collaborations among the subjects, Selected Takes features editors whose credits include such diverse films as Ben Hur, The French Connection, The Godfather, and E.T. Each chapter includes a brief introduction to the artist, background information, a filmography of feature-length works, and personal recollections of specific films, producers, and directors, as well as helpful comments on editing techniques. A glossary of terms commonly used in film editing and pertinent references found in the interviews complement the work. Film students, scholars, and educators, as well as film industry professionals and moviegoers, will find Selected Takes both entertaining and instructive.
"Midnight sweatlodge tells the tale of a group of strangers and family gathered together to partake in this ancient aboriginal ceremony. Each seeks healing from the ceremony and each character gives us a glimpse into their lives that is tearful and true"--P. [4] of cover.
This anthology assembles the comments of prestigious editors to provide an introduction to the multifaceted responsibilities of the working editor. The book portrays the editor as an individual and a skilled professional and reveals the editors' various personalities and temperaments, their attitudes toward literature, their educational backgrounds and thei r involvement with or detachment from their authors. The editors also detail how manuscripts are obtained and selected, criteria used in evaluating a manuscript, and the revising and rewriting of the manuscript, and the intricacies of dealing with authors and agents. Well-known editors offer opinions on the philosophy of editing and discuss the specific skills involved in being a science fiction editor, a literary editor and a mass-market-paperback editor. Also displays the art of editorial letter-writing by some of its classic practioners such as Maxwell Perkins, John Farrar and Pascal Covici. ISBN 0-06-091120-4 (Pbk.) : $14.95.
At last, direct from the trenches, here's the book technical editors have been waiting for. Unlike other guides which review grammar and spelling—but don't address the special challenges of technical editing—this lively, practical book deals with the real-world problems, issues, and decisions that face technical editors and writers.In this book you'll get tips for preparing a style guide technical writers will want to use. You'll find checklists of what to look for during different types of editorial reviews, learn how to make the transition from traditional to desktop publishing, and see how you can build true usability into printed and online documentation. Enhanced by real examples, case studies, and practical techniques, these flexible and pragmatic solutions go far beyond the mechanics of marking up manuscripts. You get guidance that will help you decide how heavily to edit, how to manage and track large projects, and even how to position yourself for the future when software will handle the copy editing.Whether you edit technical documentation for a living, write technical material, or review the work of others, this book helps you improve your skills and your understanding of the technical editing function.
How to Write what You Want and Sell what You Write by Skip Press Pdf
Not loaded with theory, Skip's invaluable book contains concise, easily understood and applied advice for both writing and marketing any kind of book, article, story, play, screen-play, report, proposal or anything else you can think of.How to Write What You Want and Sell What You Write is for every writer or wannabe who needs to sort out his or her desires, capabilities and strengths and, even more importantly, learn the particular formats for the kind of writing in which he or she is interested.
"Irreverent." "Funny." "Essential." Read this book before you publish your book. You just wrote your first book. And there you are. Stark naked. Vulnerable. Wondering what to do next to get your masterpiece published. This is the one book you need to read and follow if you're writing a book for the first time. Why? Because you've never written a book before. This is new territory. To write a successful book, you need to find and work with an editor who shares your passion for your work and your message and who will help you make your book sing. And sing a smash hit. A blockbuster of a message, clearly and carefully constructed so readers love you and your work and leave you five-star Amazon reviews only because they don't have more stars to give. This is a toolkit for tinkering under the hood of your working manuscript so you, the author, can take your work as far as you can before an edit and production such as cover design and not dump a half-baked chocolate cake on some poor schlub of an editor to "fix." Don't make first-time author mistakes. No matter what you think, you do need an edit. Not the English teacher next door. You can't self-edit either. A professional editor knows how to navigate those thorny commas and can solve your organizational questions. An editor can guide you through the murky waters of modifiers and passive sentences, correct typos, and get your book manuscript polished and on its way to production. Even if you slept through English class, never turned in book reports, and don't know a thing about publishing the book of your dreams, your name is on the cover and you don't want to be embarrassed. Turn your vulnerability into confidence with these insider secrets to publishing success when working with an editor. No, this is not a grammar book (ick) or a guide to self-editing (can't be done well). This is not a dry, boring book about usage or sentence structure. Although the author, a veteran nonfiction editor, specializes in memoir, true crime, business/leadership, and self-help, her advice holds true for fiction writers as well. Get your questions answered (and more): Why do I need an editor? How do I find an editor? What do editors do? And how much do they cost? What are the levels of edit? Developmental? Line edit? Copy edit? Proofreading? How do I know what level of editing my manuscript needs? Will an editor tell me if my manuscript sucks? Why do words make a difference? Which words do I overuse? Which words should I never use? How do I know when I'm done writing? How can I work with a cover designer and audiobook engineer? Can my local bookstore help me? Do I need beta readers? BONUS Checklist for Authors to Fine-Tune a Manuscript before Editing Begins BUY a copy today, because you need to know these insider secrets to successfully work with an editor on your way to publishing success.
Editing Fact and Fiction by Leslie T. Sharpe,Irene Gunther Pdf
Editing Fact and Fiction is a concise, practical guide for people interested in book publishing or already working as editors who want to learn more about the opportunities in various kinds of book editing. Writing in a lively, informal style, two editors with extensive experience in a wide variety of fields--fiction and nonfiction, trade and reference, academic and commercial publishing--explain what editors in different jobs really do. The authors take the reader step by step through the editing process, from manuscript to bound book. They discuss the principles of sound editing and provide many specific examples of how to--and how not to--edit copy. They also give examples of how to deal tactfully with authors and show when editorial restraint is the best intervention. Editing Fact and Fiction is a book to be read, not just referred to. It will be an indispensable guide for anyone thinking about a career in book publishing, a valuable resource for working editors who want to enlarge their knowledge, and a useful tool for senior editors training staff. Leslie T. Sharpe and Irene Gunther are both editors and writers. An experienced trade book editor, Leslie T. Sharpe teaches editing and writing at New York University and Columbia University. She is also a regular contributor to New York Newsday. Irene Gunther was a senior editor at Macmillan Publishing and has extensive experience in reference and college book editing. She is the author of a teenage biography and a contributor to various publications.
Author : Susan L. Greenberg Publisher : Peter Lang Incorporated, International Academic Publishers Page : 0 pages File Size : 55,6 Mb Release : 2015 Category : Book editors ISBN : 1433120046
Editors Talk about Editing by Susan L. Greenberg Pdf
The work of «editing» is by and large something that happens behind the scenes, noticed only when it is done badly, or not done at all. There is not much information about what editors do. The result is that editing is not often talked about in its own right - not even by the people who do it. This collection of interviews attempts to fill some of the gaps. The author, a former editor herself, interviews practitioners at the top of their game - from newspapers, magazines, broadcast news, book publishing, scholarly editing, academic publishing and digital curation. The interviewees think out loud about creativity and human judgment; what they have in common and what makes them different; how editing skills and culture can be shared; why editing continues to fascinate; and why any of this might matter.
