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A first-ever monograph featuring the work of the Ethiopian artist Elias Sime, who brilliantly explores the impact of life in a post-consumerist world. Sime's brightly-colored sculptural tableaus feature found objects including thread, buttons, electrical wires, and computer detritus. This book highlights the artist's work from the last decade, much of which comprises the series entitled "Tightrope." Repurposing salvaged electronic components, such as circuits and keyboards, Sime incorporates the refuse that are the byproducts of technological advancement, and points to the urgency of sustainability. The resulting abstractions reference landscape and the figure as well as traditional Ethiopian textiles. "Tightrope" refers to the precarious balance between the progress technology has made possible and its detrimental impact on the environment. Published with the Ruth and Elmer Wellin Museum of Art
In the past few decades, Western studies of Afrofuturism have grown to encompass examples deriving from multiple sites across the diaspora, as well as from the African continent. However, an increasing number of Africans and Africanists have voiced their concerns about grouping African work under the larger umbrella of Afrofuturism without distinction and have emphasized the need to investigate the differences between African American and African production. This book offers an introduction to Africanfuturism—a body of African speculative works that is distinguishable from, albeit related to, US-based Afrofuturism. Kimberly Cleveland uses Africanfuturism as an intellectual lens to explore works that embody combinations of possibilities, challenges, and concerns related to what lies ahead for the continent and its peoples. This book highlights twenty-first-century film, video, painting, sculpture, photography, tapestry, novels, short stories, comic books, song lyrics, and architecture by African creatives of different nationalities, races, ethnicities, genders, and generations. Cleveland analyzes the ideas and opinions of African intellectuals and cultural producers, combining interviews with historical research. Each chapter features one of Africanfuturism’s most common themes: space and time exploration, creation of worlds, technology and the digital divide, Sankofa and remix, and mythmaking. This investigation of Africanfuturism is geared toward students, academics, and Afrofuturism enthusiasts, and its included discussion questions facilitate classroom use. The book illuminates Africa’s place in the worlds of science fiction and fantasy and how Africanfuturist work builds on the continent’s own traditions of speculative expression. Because these creative works disrupt the history of Western domination in Africa, Cleveland also connects Africanfuturism with the process of decolonization and addresses specific ways in which African creatives (re)center indigenous beliefs, strategies, and approaches in their production. Africanfuturism encourages both imaginative possibilities and potential real-world outcomes, highlighting the rich contributions of Africans to the vision of future worlds.
Ethiopia in Transit by Pietro Toggia,Abebe Zegeye Pdf
The writings in this edition explore historical and contemporary issues in Ethiopia as the country underwent change and celebrated its new millennium. However, despite the recognizance of socio-economic and political changes, Ethiopia still faces enduring problems and challenges to its stability and continuity. The political past haunts the country while it is facing the future with optimism and hope. The contributors in this edition examine historical and contemporaneous issues with different lenses; they investigate the multiplicity and complexity of the contradictions that define traditional and modern Ethiopia. The contributions highlight the significance of the instability, dislocation, conflict and transformation inherent in any society. None of these writings, however, celebrate the forces that create the conflict; they are cautious not to glorify the present and romanticize the past. On the contrary, they seek to contextualize the challenges which the country faces with a view to open a dialogue, not exclusively among Ethiopians, but with scholars and social activists in the rest of Africa, as well as the international community. The contributions cover and examine such important topics as historiography, political power and legitimacy, ideology and radical views, knowledge transmission and modernity, emigration and the Ethiopian Diaspora, ethnic and linguistic identity, patriarchy and feminist discourses in a traditional society, public policies and economic development, traditional and modern art and culture, and neo-liberalism and globalization. This book was published as a special issue of African Identities.
This deluxe hardcover survey, featuring profiles of 50 artists on the rise, is the definitive guide to contemporary African art. With African artists attracting sizable audience numbers to museums, setting sky-high auction records, and appearing in mainstream press, it has become impossible to overlook the cultural significance of contemporary African art today. Author and curator Osei Bonsu's engaging profiles of leading African artists—along with gorgeous full-color reproductions of their work—introduce readers to a generation of movers and shakers whose innovative artwork reflects on Africa as both an idea and an experience. Using diverse forms, languages, and expressions to articulate what it means to be a part of the world, these artists generate alternate histories and imaginative futures—work that is both personal and political, universal and incredibly specific. Their work helps define contemporary African art as a vast artistic and cultural movement. STELLAR ROSTER OF ARTISTS: Amoako Boafo, Njideka Akunyili Crosby, Tunji Adeniyi-Jones, Bronwyn Katz—from household names to up-and-coming artists, African Art Now features some of the most exciting artists working today. IMPORTANT AND TIMELY: Over the past two decades, contemporary African art has become part of the global mainstream, inspiring countless exhibitions, fairs, and auctions around the world. And yet, African art remains overlooked as an area of dedicated study due to continued academic and cultural bias. This book shines a spotlight on the artists whose wide-ranging accomplishments represent the shifting dynamics and boundless possibilities of African art today. Perfect for: Artists, art collectors, art lovers, and museumgoers Educators and students Anyone interested in learning about contemporary African art
Social and Ecological System Dynamics by Krystyna Stave,Goraw Goshu,Shimelis Aynalem Pdf
This book is a social—ecological system description and feedback analysis of the Lake Tana Basin, the headwater catchment of the Upper Blue Nile River. This basin is an important local, national, and international resource, and concern about its sustainable development is growing at many levels. Lake Tana Basin outflows of water, sediments, nutrients, and contaminants affect water that flows downstream in the Blue Nile across international boundaries into the Nile River; the lake and surrounding land have recently been proposed as a UNESCO Biosphere Reserve; the basin has been designated as a key national economic growth corridor in the Ethiopian Growth and Transformation Plan. In spite of the Lake Tana Basin’s importance, there is no comprehensive, integrated, system-wide description of its characteristics and dynamics that can serve as a basis for its sustainable development. This book presents both the social and ecological characteristics of the region and an integrated, system-wide perspective of the feedback links that shape social and ecological change in the basin. Finally, it summarizes key research needs for sustainable development.
"Ludwig Mason is the only marine to have survived an explosion that reduced his military Humvee to a smoldering wreck in war-torn Fallujah. Back home on American soil, the 28-year-old Iraq War vet struggles through the traumatized, booze-and drug-addled aftermath. He fears that he's lost his family, his friends, and his last chance at anything when something like fate intervenes in the form of a mysterious stranger named Mrs. S. The old fortune-teller tells Ludwig about an heirloom seized from her family by Nazis decades ago--a fabled tarot deck that has 23 major arcana cards instead of the customary 22. A deck that she believes is now located somewhere in Mobile, Alabama. Whatever it was that brought Ludwig to Mrs. S.--be it chance, or fate-- now draws him into an hallucinatory odyssey fraught with arcane symbols, danger, and paranoia as he ventures to retrieve the missing tarot deck and, with any luck, a piece of his own lost soul"--Page 4 of cover.
Through painting, sculpture, installation, and film, Jeffrey Gibson brings together overlapping and conflicting cultures, histories, and aesthetics. Most recently he has explored notions of cultural and personal identity as they are communicated through aspects of adornment and dress.
An important investigation of the complicated relationship between canonical African art and the practices of contemporary African artists Recognizing the second lives of historical African artworks when they enter museum collections and addressing them in dialogue with the works of six established and emerging African artists, this book represents how today's practitioners are reformulating the continent's artistic traditions to respond to the contemporary landscape. Historically, African art objects such as masks and sculptures were composed of a matrix of materials that included medicine bundles, raffia assemblage, hides, and metal, some or all of which were repurposed: a "second career" for the materials. This practice of transforming materials has wider cultural resonance in Africa today, where electronics, discarded engines, and rubber tires are incorporated by artisans into domestic and personal items. The contemporary African artists featured here--El Anatsui (Ghana), Nnenna Okore (Nigeria), Zohra Opoku (Ghana), Elias Sime (Ethiopia), Tahir Carl Karmali (Kenya), and Gonçalo Mabunda (Mozambique)--reflect these dual traditions, reviving conceptual elements of historical African art by creating work that responds to the evolution of Africa's artistic traditions. Distributed for the Cleveland Museum of Art Exhibition Schedule: Cleveland Museum of Art (November 1, 2020-March 15, 2021)
Architecture Constructed explores the central, open secret of architecture: the long-suppressed conflict between arche and teckton-between those who design, and those who build. This unresolved tension has a centuries-old history in the discipline, persisting through Classical and Renaissance times to the present day, and yet it has rarely been addressed through a historical and theoretical lens. In this book, acclaimed architectural theorist Mark Jarzombek examines this tension head-on, and uses it to rethink the nature of the history of architecture. He reveals architecture to be a troubled, interconnected realm, incomplete and unstable, where labor, craft, and occupation are the 'invisible' complements to the work of the architect. Erudite, entertaining, and full of surprising and thought-provoking juxtapositions and challenges, Architecture Constructed is packed with novel insights into the internal conflicts and paradoxes of architecture, and is rich with examples from modern and contemporary practice-including Mies, Koolhaas, Potrc, Hadid, Bawa, Diller + Scofidio-which demonstrate how contemporary architecture inhabits the very same tensions that have riven the discipline since the days of Alberti. This provocative book will stimulate conversations among students, researchers, and designers, as it pushes the boundaries on how we define the professional discipline of architecture and overturns entrenched assumptions about the nature of architectural history and theory.
Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.
How science changed the way artists understand reality Exploring the Invisible shows how modern art expresses the first secular, scientific worldview in human history. Now fully revised and expanded, this richly illustrated book describes two hundred years of scientific discoveries that inspired French Impressionist painters and Art Nouveau architects, as well as Surrealists in Europe, Latin America, and Japan. Lynn Gamwell describes how the microscope and telescope expanded the artist's vision into realms unseen by the naked eye. In the nineteenth century, a strange and exciting world came into focus, one of microorganisms in a drop of water and spiral nebulas in the night sky. The world is also filled with forces that are truly unobservable, known only indirectly by their effects—radio waves, X-rays, and sound-waves. Gamwell shows how artists developed the pivotal style of modernism—abstract, non-objective art—to symbolize these unseen worlds. Starting in Germany with Romanticism and ending with international contemporary art, she traces the development of the visual arts as an expression of the scientific worldview in which humankind is part of a natural web of dynamic forces without predetermined purpose or meaning. Gamwell reveals how artists give nature meaning by portraying it as mysterious, dangerous, or beautiful. With a foreword by Neil deGrasse Tyson and a wealth of stunning images, this expanded edition of Exploring the Invisible draws on the latest scholarship to provide a global perspective on the scientists and artists who explore life on Earth, human consciousness, and the space-time universe.
New Spaces for Negotiating Art (and) Histories in Africa by Kerstin Pinther,Berit Fischer,Ugochukwu-Smooth C. Nzewi Pdf
In the 1990s, a new wave of globalization changed the field of cultural production in many African countries and paved the way for major new cultural events. In particular, during the last two decades, an ever growing series of art and cultural centers were and still are being established - often against the background of broader national (art) histories and the historic prominence of the state as the primary patron of the arts. In considering the historical genealogy of these 'new spaces, ' this book examines: the infrastructures and public spaces they create, the theoretical discourses they tap into and explore, the aesthetic and (cultural) political debates they stir, the role they play in the field of cultural institutions and cultural activism, and their relations with state and municipal institutions. (Series: African Art and Visual Cultures - Vol. 2) [Subject: African Studies, Cultural Studies, Art
Author : Terry Smith Publisher : University of Chicago Press Page : 345 pages File Size : 41,8 Mb Release : 2012-08-10 Category : Art ISBN : 9780226131672
Who gets to say what counts as contemporary art? Artists, critics, curators, gallerists, auctioneers, collectors, or the public? Revealing how all of these groups have shaped today’s multifaceted definition, Terry Smith brilliantly shows that an historical approach offers the best answer to the question: What is Contemporary Art? Smith argues that the most recognizable kind is characterized by a return to mainstream modernism in the work of such artists as Richard Serra and Gerhard Richter, as well as the retro-sensationalism of figures like Damien Hirst and Takashi Murakami. At the same time, Smith reveals, postcolonial artists are engaged in a different kind of practice: one that builds on local concerns and tackles questions of identity, history, and globalization. A younger generation embodies yet a third approach to contemporaneity by investigating time, place, mediation, and ethics through small-scale, closely connective art making. Inviting readers into these diverse yet overlapping art worlds, Smith offers a behind-the-scenes introduction to the institutions, the personalities, the biennials, and of course the works that together are defining the contemporary. The resulting map of where art is now illuminates not only where it has been but also where it is going.
