Emergence Of The Image

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The Rise of the Image

Thomas Frangenberg
The Rise of the Image Book PDF

Author : Thomas Frangenberg
Publisher : Routledge
Page : 291 pages
File Size : 50,5 Mb
Release : 2017-07-05
Category : Design
ISBN : 9781351540919

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The Rise of the Image by Thomas Frangenberg Pdf

The Rise of the Image reveals how illustrations have come to play a primary part in books on art and architecture. Italian Renaissance art is the main focus for this anthology of essays which analyse key episodes in the history of illustration from the sixteenth to the twentieth century. The authors raise new issues about the imagery in books on the visual arts by Leonardo da Vinci, Giorgio Vasari, Sebastiano Serlio, Andrea Palladio, Girolamo Teti and Andrea Pozzo. The concluding essays evaluate the roles of reproductive media, including photography, in Victorian and twentieth-century art books. Throughout, images in books are considered as vehicles for ideas rather than as transparent, passive visual forms, dependent on their accompanying texts. Thus The Rise of the Image enriches our understanding of the role of prints in books on art.

Likeness and Presence

Hans Belting
Likeness and Presence Book PDF

Author : Hans Belting
Publisher : University of Chicago Press
Page : 692 pages
File Size : 41,7 Mb
Release : 1994
Category : Art
ISBN : 0226042154

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Likeness and Presence by Hans Belting Pdf

Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover

The Technical Image

Horst Bredekamp,Vera Dünkel,Birgit Schneider
The Technical Image Book PDF

Author : Horst Bredekamp,Vera Dünkel,Birgit Schneider
Publisher : Unknown
Page : 209 pages
File Size : 41,8 Mb
Release : 2015
Category : Art
ISBN : 9780226258843

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The Technical Image by Horst Bredekamp,Vera Dünkel,Birgit Schneider Pdf

The use of images has been critical to the pursuit of science for centuries. This book explores, within an art historical framework how to comprehend images not as illustrative representations, but as productive agents and distinctive multi-layered elements of the epistemic process. If scientific images play a constructive role in shaping the findings and insights they illustrate, the representation of an observation in images, however mechanical, however detached from the individual researcher s choices their appearance may be, likewise becomes an instance of the style of a period, a mindset, a research collective, and a device. The Technical Image emerges from an institute in Germany, which has married art and historical analysis of technical images, and serves as a methodological reference and inspiration for visual representation in the sciences. The work opens with a series of methodological chapters that introduce a set of questions about representations in sciences and medicine, and the core of the work consists of historical case studies around specific images that in turn illustrate themes ranging from "objectivity and evidence" to "digital images." Within these case studies are also definitions and elaborations of selected terms that have in recent years become key concepts in the analysis of scientific imagery."

Act and Image

Warren Colman
Act and Image Book PDF

Author : Warren Colman
Publisher : Routledge
Page : 421 pages
File Size : 53,6 Mb
Release : 2021-10-01
Category : Psychology
ISBN : 9781000407488

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Act and Image by Warren Colman Pdf

How did humans develop the capacity for symbolic imagination? In this ground-breaking book, Warren Colman provides a reformulation of archetypal symbols as emergent from humans’ embodied and affective engagement with their social and material environment. Beginning with the oldest known figurative image in the world, the 40,000-year-old Lion Man of Hohlenstein-Stadel in Germany, he traces the emergence of symbolic imagination through the origins of language, the growth of human sociality and co-operation, and the creative use of material objects, from the earliest stone tools through the cave paintings and figures of Upper Paleolithic Europe and beyond. This leads to a consideration of how the imaginal world of the spirit may have come into being, not as separate from the material world but through active participation within a world alive with meaning.

The Surviving Image

Georges Didi-Huberman
The Surviving Image Book PDF

Author : Georges Didi-Huberman
Publisher : Penn State University Press
Page : 0 pages
File Size : 46,8 Mb
Release : 2018-01-09
Category : Art
ISBN : 0271072091

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The Surviving Image by Georges Didi-Huberman Pdf

Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.

The Image of the City

Kevin Lynch
The Image of the City Book PDF

Author : Kevin Lynch
Publisher : MIT Press
Page : 212 pages
File Size : 54,9 Mb
Release : 1964-06-15
Category : Architecture
ISBN : 0262620014

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The Image of the City by Kevin Lynch Pdf

The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

'Photos of the Gods'

Christopher Pinney
Photos of the Gods Book PDF

Author : Christopher Pinney
Publisher : Reaktion Books
Page : 254 pages
File Size : 51,8 Mb
Release : 2004
Category : Art
ISBN : 1861891849

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'Photos of the Gods' by Christopher Pinney Pdf

Chris Pinney demonstrates how printed images were pivotal to India's struggle for national and religious independence. He also provides a history of printing in India.

The Rise of the Image, the Fall of the Word

Mitchell Stephens
The Rise of the Image the Fall of the Word Book PDF

Author : Mitchell Stephens
Publisher : Oxford University Press
Page : 272 pages
File Size : 45,9 Mb
Release : 1998-10-08
Category : Performing Arts
ISBN : 9780199880072

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The Rise of the Image, the Fall of the Word by Mitchell Stephens Pdf

For decades educators and cultural critics have deplored the corrosive effects of electronic media on the national consciousness. The average American reads less often, writes less well. And, numbed by the frenetic image-bombardment of music videos, commercials and sound bites, we may also, it is argued, think less profoundly. But wait. Is it just possible that some good might arise from the ashes of the printed word? Most emphatically yes, argues Mitchell Stephens, who asserts that the moving image is likely to make our thoughts not more feeble but more robust. Through a fascinating overview of previous communications revolutions, Stephens demonstrates that the charges that have been leveled against television have been faced by most new media, including writing and print. Centuries elapsed before most of these new forms of communication would be used to produce works of art and intellect of sufficient stature to overcome this inevitable mistrust and nostalgia. Using examples taken from the history of photography and film, as well as MTV, experimental films, and Pepsi commercials, the author considers the kinds of work that might unleash, in time, the full power of moving images. And he argues that these works--an emerging computer-edited and -distributed "new video"--have the potential to inspire transformations in thought on a level with those inspired by the products of writing and print. Stephens sees in video's complexities, simultaneities, and juxtapositions, new ways of understanding and perhaps even surmounting the tumult and confusions of contemporary life. Sure to spark lively--even heated--debate, The Rise of the Image, the Fall of the Word belongs in the library of millennium-watchers everywhere.

Image Objects

Jacob Gaboury
Image Objects Book PDF

Author : Jacob Gaboury
Publisher : MIT Press
Page : 323 pages
File Size : 46,7 Mb
Release : 2021-08-03
Category : Computers
ISBN : 9780262045032

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Image Objects by Jacob Gaboury Pdf

How computer graphics transformed the computer from a calculating machine into an interactive medium, as seen through the histories of five technical objects. Most of us think of computer graphics as a relatively recent invention, enabling the spectacular visual effects and lifelike simulations we see in current films, television shows, and digital games. In fact, computer graphics have been around as long as the modern computer itself, and played a fundamental role in the development of our contemporary culture of computing. In Image Objects, Jacob Gaboury offers a prehistory of computer graphics through an examination of five technical objects--an algorithm, an interface, an object standard, a programming paradigm, and a hardware platform--arguing that computer graphics transformed the computer from a calculating machine into an interactive medium. Gaboury explores early efforts to produce an algorithmic solution for the calculation of object visibility; considers the history of the computer screen and the random-access memory that first made interactive images possible; examines the standardization of graphical objects through the Utah teapot, the most famous graphical model in the history of the field; reviews the graphical origins of the object-oriented programming paradigm; and, finally, considers the development of the graphics processing unit as the catalyst that enabled an explosion in graphical computing at the end of the twentieth century. The development of computer graphics, Gaboury argues, signals a change not only in the way we make images but also in the way we mediate our world through the computer--and how we have come to reimagine that world as computational.

Image, Knife, and Gluepot: Early Assemblage in Manuscript and Print

Kathryn M. Rudy
Image Knife and Gluepot Early Assemblage in Manuscript and Print Book PDF

Author : Kathryn M. Rudy
Publisher : Open Book Publishers
Page : 269 pages
File Size : 44,5 Mb
Release : 2019-07-14
Category : Literary Criticism
ISBN : 9781783745197

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Image, Knife, and Gluepot: Early Assemblage in Manuscript and Print by Kathryn M. Rudy Pdf

In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and afterlife of a Netherlandish book of hours made in 1500. Image, Knife, and Gluepot painstakingly reconstructs the process by which this manuscript was created and discusses its significance as a text at the forefront of fifteenth-century book production, when the invention of mechanically-produced images led to the creation of new multimedia objects. Rudy then travels to the nineteenth century to examine the phenomenon of manuscript books being pillaged for their prints and drawings: she has diligently tracked down the dismembered parts of this book of hours for the first time. Image, Knife, and Gluepot also documents Rudy’s twenty-first-century research process, as she hunts through archives while grappling with the logistics and occasionally the limits of academic research. This is a timely volume, focusing on questions of materiality at the forefront of medieval and literary studies. Beautifully illustrated throughout, its use of original material and its striking interdisciplinary approach, combining book and art history, make it a significant academic achievement. Image, Knife, and Gluepot is a valuable text for any scholar in the fields of medieval studies, the history of early books and publishing, cultural history or material culture. Written in Rudy’s inimitable style, it will also be rewarding for any student enrolled in a course on manuscript production, as well as non-specialists interested in the afterlives of manuscripts and prints. The Royal Society of Edinburgh has generously contributed to this Open Access publication. Due to the number and quality of the images in this book, we have provided the option of a more expensive hardback edition, printed on the best quality paper available, in order to present the images as clearly and beautifully as possible. We hope this range of options — the freely available PDF, HTML and XML editions; the economically priced EPUB, MOBI and paperback editions; and the more expensively printed hardback — will satisfy everyone. Furthermore the HTML edition allows readers to magnify the images of the manuscripts displayed in the book.

The Buddha Image

Yuvraj Krishan
The Buddha Image Book PDF

Author : Yuvraj Krishan
Publisher : Bharatiya Vidya Bhavan
Page : 176 pages
File Size : 48,8 Mb
Release : 1996
Category : Art
ISBN : 8121505658

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The Buddha Image by Yuvraj Krishan Pdf

Illustrations: 247 b/w illustrations Description: This book deals with crucial though controversial questions in Buddhist art: the origin of the Buddha image and the iconography of the Buddha images. The earliest Buddhist art of Sanchi and Bharhut is aniconic : The Buddha is represented in symbols only. In the later Buddhist art of Gandhara and Mathura, the Buddha is represented in human form: he is the principal subject of sculptural art. The book seeks to explore the geographical area in which the image of the Buddha first emerged and whether the Buddhist doctrines-Hinayana or Mahayana-had anything to do with this transformation. The Buddha image, as developed eventually at Sarnath, became the model for the Buddha images in whole of Asia, south-east, central and eastern Asia. The iconographic features of the Buddha image are superficially an aberration, being in apparent conflict with the doctrine. The Buddha had cut off his hair at the time of his renunciation; the rules of the order enjoin that a monk must be tonsured and must discard and eschew all riches. However, in his images, the Buddha has hair on his head; later he is also endowed with a crown and jewels. After an exhaustive examination of the views of various scholars, the book answers these questions and resolves the controversies on the basis of literary, numismatic and epigraphic sources. More importantly it makes use of the valuable evidence from the contemporaneous Jaina art : Aniconism of early Jaina art and the iconographic features of Jaina images. The implications of this study are also important : Does India owe idolatry to Buddhism? Was this of foreign inspiration? Was the Buddha image fashioned after the Vedic Brahma and whether the Buddha's usnisa and Buddhist art motifs are rooted in the Vedic tradition? The book is profusely illustrated and provides rich and stimulating fare to students of Indian art in general and of Buddhist art in particular.

The Uncertain Image

Ulrik Ekman,Daniela Agostinho,Nanna Bonde Thylstrup,Kristin Veel
The Uncertain Image Book PDF

Author : Ulrik Ekman,Daniela Agostinho,Nanna Bonde Thylstrup,Kristin Veel
Publisher : Routledge
Page : 189 pages
File Size : 42,5 Mb
Release : 2020-04-28
Category : Religion
ISBN : 9780429787973

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The Uncertain Image by Ulrik Ekman,Daniela Agostinho,Nanna Bonde Thylstrup,Kristin Veel Pdf

Citizens of networked societies are almost incessantly accompanied by ecologies of images. These ecologies of still and moving images present a paradox of uncertainties emerging along with certainties. Images appear more certain as the technical capacities that render them visible increase. At the same time, images are touched by more uncertainty as their numbers, manipulabilities, and contingencies multiply. With the emergence of big data, the image is becoming a dominant vehicle for the construction and presentation of the truth of data. Images present themselves as so many promises of the certainty, predictability, and intelligibility offered by data. The focus of this book is twofold. It analyses the kinds of images appearing today, showing how they are marked by a return to modern photographic emphases on high resolution, clarity, and realistic representation. Secondly, it discusses the ways in which the uncertainty of images is increasingly underscored within such reiterated emphases on allegedly certain visual truths. This often involves renewed encounters with noise, grain, glitch, blur, vagueness, and indistinctness. This book provides the reader with an intriguing transdisciplinary investigation of the uncertainly certain relation between the cultural imagination and the techno-aesthetic regime of big data and ubiquitous computing. This book was originally published as a special issue of Digital Creativity.

The Ground of the Image

Jean-Luc Nancy
The Ground of the Image Book PDF

Author : Jean-Luc Nancy
Publisher : Fordham University Press
Page : 176 pages
File Size : 49,7 Mb
Release : 2009-08-25
Category : Philosophy
ISBN : 9780823238460

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The Ground of the Image by Jean-Luc Nancy Pdf

If anything marks the image, it is a deep ambivalence. Denounced as superficial, illusory, and groundless, images are at the same time attributed with exorbitant power and assigned a privileged relation to truth. Mistrusted by philosophy, forbidden and embraced by religions, manipulated as “spectacle” and proliferated in the media, images never cease to present their multiple aspects, their paradoxes, their flat but receding spaces. What is this power that lies in the depths and recesses of an image—which is always only an impenetrable surface? What secrets are concealed in the ground or in the figures of an image—which never does anything but show just exactly what it is and nothing else? How does the immanence of images open onto their unimaginable others, their imageless origin? In this collection of writings on images and visual art, Jean-Luc Nancy explores such questions through an extraordinary range of references. From Renaissance painting and landscape to photography and video, from the image of Roman death masks to the language of silent film, from Cleopatra to Kant and Heidegger, Nancy pursues a reflection on visuality that goes far beyond the many disciplines with which it intersects. He offers insights into the religious, cultural, political, art historical, and philosophical aspects of the visual relation, treating such vexed problems as the connection between image and violence, the sacred status of images, and, in a profound and important essay, the forbidden representation of the Shoah. In the background of all these investigations lies a preoccupation with finitude, the unsettling forces envisaged by the images that confront us, the limits that bind us to them, the death that stares back at us from their frozen traits and distant intimacies. In these vibrant and complex essays, a central figure in European philosophy continues to work through some of the most important questions of our time.

Into the White

Christopher P. Heuer
Into the White Book PDF

Author : Christopher P. Heuer
Publisher : Zone Books
Page : 265 pages
File Size : 55,7 Mb
Release : 2019-05-14
Category : Art
ISBN : 9781942130147

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Into the White by Christopher P. Heuer Pdf

How the far North offered a different kind of terra incognita for the Renaissance imagination. European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, sun-drenched populations for Europeans to mythologize or exploit. Yet, as Christopher Heuer explains, between 1500 and 1700, one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North—a different kind of terra incognita for the Renaissance imagination—offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “non-site,” spurring dozens of previously unknown works, objects, and texts—and this all in an intellectual and political milieu crackling with Reformation debates over art's very legitimacy. In Into the White, Heuer uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates over perception and matter, representation, discovery, and the time of the earth—long before the nineteenth century Romanticized the polar landscape. In the far North, he argues, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and impossible to be mastered, something beyond the idea of image itself.

ACT and Image

Warren Colman
ACT and Image Book PDF

Author : Warren Colman
Publisher : Unknown
Page : 338 pages
File Size : 50,5 Mb
Release : 2016-07
Category : Psychology
ISBN : 1935528769

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ACT and Image by Warren Colman Pdf

In this groundbreaking book, Warren Colman provides a reformulation of archetypal symbols as emergent from humans¿ engagement with their social and material environment. This view is rooted in a phenomenological perspective that sees psychic life as emergent from embodied action in the world. How then might humans first have developed the capacity for symbolic imagination, epitomized by the oldest known figurative image in the world, the 40,000 year old Lion Man of Hohlenstein-Stadel in Germany? Colman traces the emergence of symbolic imagination through the origins of language, the growth of human sociality and cooperation, and the creative use of material objects from the earliest use of stone tools through the first flowering of figurative imagery in the cave paintings and figurines of Upper Paleolithic Europe. Drawing on recent developments in cognitive archaeology, he argues that the social use of material objects play an active role in the constitution of symbols which enact a distinctively human imaginal mind. This leads to a consideration of how the imaginal world of the spirit may have come into being, not as separate from the material world but through active participation within a world that is alive with meaning. Thus, the psychic, social, and physical aspects of our being are all part of one world which, for humans, is always a symbolic world.