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Exploring U2: Is This Rock 'n' Roll? features new writing in the growing field of U2 studies. In keeping with U2's own efforts to remove barriers that have long prevented dialogue for understanding and improving the human experience, this collection of essays covers such disciplines as literature, music, philosophy, and theology.
U2 Above, Across, and Beyond by Scott D. Calhoun Pdf
This book offers new essays from interdisciplinary perspectives on U2’s career-long dynamic of resisting conventional boundaries in order to erase barriers that inhibit growth, understanding, and progress.
U2 and the Religious Impulse examines indications in U2's music and performances that the band work at conscious and subconscious levels as artists who focus on matters of the spirit, religious traditions, and a life guided by both belief and doubt. U2 is known for a career of stirring songs, landmark performances and for its interest in connecting with fans to reach a higher power to accomplish greater purposes. Its success as a rock band is unparalleled in the history of rock 'n' roll's greatest acts. In addition to all the thrills one would expect from entertainers at this level, U2 surprises many listeners who examine its lyrics and concert themes by having a depth of interest in matters of human existence more typically found in literature, philosophy and theology. The multi-disciplinary perspectives presented here account for the durability of U2's art and offer informed explanations as to why many fans of popular music who seek a connection with a higher power find U2 to be a kindred spirit. This study will be of interest to scholars and students of religious studies and musicology, interested in religion and popular music, as well as religion and popular culture more broadly.
U2 planted the seeds for The Joshua Tree during an existential journey through America. As Irishmen in the 1970s, the band grew up with the belief that America was a place of freedom and prosperity, a symbol of hope and a refuge for all people. However, global politics of the 1980s undermined that impression and fostered hypocritical policies that manipulated Americans and devastated people around the world. Originally conceived as "The Two Americas," The Joshua Tree was U2's critique of America. Rather than living up to the ideal that the country was "an idea that belongs to people who need it most," the band found that America sacrificed equality and justice for populism and fascism. This book explores the political, social, and cultural themes rooted in The Joshua Tree when it was originally released in 1987 and how those themes resonated as a response to the election of Donald Trump when U2 toured for the album's 30th anniversary. The author juxtaposes the band's existential journey through America with his own journey connecting with his Irish roots by becoming a citizen in the age of Trump and places U2's and The Joshua Tree's relevance in context with the current political climate.
U2’s significant career far exceeds that of most average successful rock bands, with a prolific output of thirteen well-received studio albums and a sometimes relentless touring schedule. The band is famous for uniquely drawing together music, art, faith, and activism, all within a lucrative career that has given each of these elements an unusual degree of social and cultural resonance. Broad-minded musically and intellectually, U2’soutput is thematically rich, addressing a slew of topics, from questions of faith to anxieties about commercialism to outright political statements. With one of the largest fan bases in the history of rock music, U2 and their work require contextualization and exploration. In U2: Rock ’n’ Roll to Change the World, Timothy D. Neufeld takes up this challenge. Neufeld explores U2’s move from the youthful idealism of a band barely able to play instruments through its many phases of artistic expression and cultural engagement to its employment of faith and activism as a foundation for its success. This book outlines how U2 reshaped the very musical and even political culture that had originally shaped it, demonstrating through close readings of its musical work the dynamic interplay of artistic expression and social engagement.
Popular music has long been a subject of academic inquiry, with college courses taught on Elvis Presley, Bob Dylan, and the Beatles, along with more contemporary artists like Beyonce and Outkast. This collection of essays draws upon the knowledge and expertise of instructors from a variety of disciplines who have taught classes on popular music. Topics include: the analysis of music genres such as American folk, Latin American protest music, and Black music; exploring the musical catalog and socio-cultural relevance of specific artists; and discussing how popular music can be used to teach subjects such as history, identity, race, gender, and politics. Instructional strategies for educators are provided.
The Irish rock band U2, and especially its frontman Bono, are among the most effective activists ever. U2 has convinced wealthy governments to forgive tens of billions of dollars in loans while spreading its activist messages to billions of people, helping save millions of lives. So how did four boys from one of the poorest countries in the West achieve this? Who and what influenced them? What strategies did they use to succeed as much as they did as activists, and how did those strategies change over time? In particular, how did lead singer Bono make the leap into superstar lobbying? And, with so much attention on him, how has he handled critics who have taken to task his work on behalf of developing countries? In The World and U2: One Band’s Remaking of Global Activism, Alan McPherson trains a historian’s eye on the evolution and influence of the band’s activism from its formation in 1976 to its most recent album and concert tour. Throughout its nearly four decades, the band has held up a mirror to the increasing selfishness in the world while at the same time working to fill the void left by those who have abandoned the world’s poor to their plight. From raising awareness about war and human rights in the 1980s to engaging in direct action in the 1990s to moving mountains of cash for the planet’s poorest in the twenty-first century, the band, and especially Bono, have both raised the bar and set the example for other celebrity activists. But it is also a success that has brought a greater scrutiny to bear on U2’s activism and initiated a healthy debate about the merits of Western development aid. The World and U2: One Band’s Remaking of Global Activism tells this story of U2’s successful storming of the world’s philanthropic stage. It will enchant the band’s fans, engage its critics, and offer lessons—and warnings—to activists seeking to change things for the better.
U2’s Songs of Trauma and Hope by Ingunn Røysland Pdf
In U2’s Songs of Trauma and Hope: “Between the Midnight and the Dawning", Ingunn Røysland and Charles Ivan Armstrong show that trauma is an important theme for U2. While this leads the band to confront extreme instances of grief and suffering, this does not prevent them to cross (in the words of their song “A Sort of Homecoming”) “the fields of mourning to a light that's in the distance.” Theories from trauma and memory studies are deployed in the examination of song lyrics and performances by U2, spanning from the early days of the band to more recent times. In their exploration of light and dark, of hope and trauma within the U2 catalogue, Røysland and Armstrong acknowledge the complexity of the songs, addressing different layers, including romantic as well as divine allegory. The authors also address the band’s troublesome lyrics, with an entire chapter devoted to “Sunday Bloody Sunday,” as well as the role of multidirectional memory and significant places, so-called lieux de mémoire, in U2’s dealings with a ranger of historical conflicts and crises. They further examine how music plays an important part in the path of healing from traumatic wounds, analysing the reception of the songs. Ultimately, it is suggested, U2 shows us how to get “through the night.”
The Counter-Narratives of Radical Theology and Popular Music by M. Grimshaw Pdf
In this unique collection, theologians born and formed during the Cold War offer their insights and perspectives on theological relationships with such musical artists and groups as Joy Division, U2, Nick Cave, and John Coltrane. These essays demonstrate that one's personal music preferences can inform and influence professional interests.
Rock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2 explores how rock and roll is a Romantic phenomenon that sheds light, retrospectively, on what literary Romanticism was at its different points of origin and on what it has become in the present.
The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American-from Alaskan hip hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to country rap, and from Steve Earle to the Trans Chorus of Los Angeles.
(Book). One constant of popular culture is its value of celebrities and public figures. Some icons transcend divides and appeal to all kinds of individuals for various reasons. They are leaders in their own ways, using their celebrity platforms to make a difference. Regardless of any religious or nonreligious stance, their actions and insights can highlight for us particular universally spiritual concepts. This series taps into that cultural value of celebrity and presents, in a balanced and secular fashion, words of wisdom such celebrities have spoken. Series editor Nicholas Nigro weaves together insightful quotes and gathers them by theme ("Creativity," "Passion," "Intention"), offering texts from which readers can extrapolate their own meanings and, in turn, find added inspiration to live their best day-to-day lives. The Spirituality of Bono is a rich compendium of the singer's most thought provoking, uplifting, and persuasive words. Bono's insights, zeal, and good humor, too, are revealed in introspective, frank, and occasionally salty language. His spirituality and humanitarianism are heartfelt and will most definitely make readers think and, if Bono has his way, act to make this world a more just and humane place to live in.
The Bible tells Christians not to grieve as the world grieves and to rejoice in their sufferings. Yet when author Kevin Ott lost his mother unexpectedly in 2010, he sank into a wintry depression. When life seemed the darkest, something surprising happened. While exploring eighteen C. S. Lewis books and thirteen U2 albums, he experienced tremendous “stabs of joy”—the unusual heaven-birthed joy that Lewis wrote about—in the midst of grief. This revelation not only pulled Kevin out of depression, it forever changed the way he experienced the love and joy of Christ. In Shadowlands and Songs of Light, you will:Learn fascinating details about C. S. Lewis, discover his unique definition of joy, understand how to apply his revelations about joy to suffering, and learn to recognize and cooperate with God’s strategic use of joy.Enjoy a grand tour of U2’s discography, with a special emphasis on their exploration of joy and suffering.Clearly understand, from the perspective of music theory explained in common terms, why the music of U2 is so emotionally powerful and how it serves as a perfect analogy for Lewis’s concepts of joy and the Christian ability to rejoice in suffering.Find inspiration from the personal stories of U2, especially the tragedies that engulfed their youth in Dublin, and see how they worked through that grief and discovered a joy that has kept the band together for over thirty-five years.When the out-of-control nature of the world and your weaknesses throw you off-balance, you can experience God’s grandeur and joy— discovering heaven’s perspective until it becomes your instinctive, default vantage point every day.
Putting the New Materialist figure of diffraction to use in a set of readings – in which cultural texts are materially read against their contents and their themes, against their readers or against other texts – this volume proposes a criticalintervention into the practice of reading itself. In this book, reading and reading methodology are probed for their materiality and re-considered as being inevitably suspended between, or diffracted with, both matter and discourse. The history of literary and cultural reading, including poststructuralism and critical theory, is revisited in a new light and opened-up for a future in which the world and reading are no longer regarded as conveniently separate spheres, but recognized as deeply entangled and intertwined. Diffractive Reading ultimately represents a new reading of reading itself: firstly by critiquing the distanced perspective of critical paradigms such as translation and intertextuality, in which texts encountered, processed or otherwise subdued; secondly, showing how all literary and cultural readings represent different ‘agential cuts’ in the world-text-reader constellation, which is always both discursive and material; and thirdly, the volume materializes, dynamizes and politicizes the activity of reading by drawing attention to reading’s intervention in, and (co)creation of, the world in which we live.
For many, U2’s Bono is an icon of both evangelical spirituality and secular moral activism. In this book, Chad E. Seales examines the religious and spiritual culture that has built up around the rock star over the course of his career and considers how Bono engages with that religion in his music and in his activism. Looking at Bono and his work within a wider critique of white American evangelicalism, Seales traces Bono’s career, from his background in religious groups in the 1970s to his rise to stardom in the 1980s and his relationship with political and economic figures, such as Jeffrey Sachs, Bill Clinton, and Jesse Helms. In doing so, Seales shows us a different Bono, one who uses the spiritual meaning of church tradition to advocate for the promise that free markets and for-profits will bring justice and freedom to the world’s poor. Engaging with scholarship in popular culture, music, religious studies, race, and economic development, Seales makes the compelling case that neoliberal capitalism is a religion and that Bono is its best-known celebrity revivalist. Engagingly written and bitingly critical, Religion Around Bono promises to transform our understanding of the rock star’s career and advocacy. Those interested in the intersection of rock music, religion, and activism will find Seales’s study provocative and enlightening.