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"Fairy Tale: A True Story" tells the tale of two little girls who set out to prove the existence of fairies. Starring Peter O'Toole as Sir Arthur Conan Doyle and Harvey Keitel as Harry Houdini, "Fairy Tale: A True Story" is sure to become a family favorite.
Russian literature for children and young people has a history that goes back over 400 years, starting in the late sixteenth century with the earliest alphabet primers and passing through many different phases over the centuries that followed. It has its own success stories and tragedies, talented writers and mediocrities, bestsellers and long-forgotten prize winners. After their seizure of power in 1917, the Bolsheviks set about creating a new culture for a new man and a starting point was children's literature. 70 years of Soviet control and censorship were succeeded in the 1990s by a re-birth of Russian children's literature. This book charts the whole of this story, setting Russian authors and their books in the context of translated literature, critical debates and official cultural policy.
In this mischievous and utterly original debut, Hansel and Gretel walk out of their own story and into eight other classic Grimm-inspired tales. As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches. Fairy tales have never been more irreverent or subversive as Hansel and Gretel learn to take charge of their destinies and become the clever architects of their own happily ever after.
Rare edition with unique illustrations. Along with the collections of Andersen, Lang, and the Brothers Grimm, the Fairy tales of Charles Perrault is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, waiting to be enjoyed again. "Blue beard" is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passe. The tale tells the story of a violent nobleman in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors.
An introduction to fairy folklore shares historical tales of fairy sightings from various cultures, from the West African forest fairies to Scotland's magical brownies.
Named to the Evanston Public Library's Blueberry List: Kids' Book that Inspire Love of Nature and Action for Planet Earth Selected for the Notable Social Studies 2022 list Named to the ALA Notable Children's Books 2022 “Wowww!”—– Raina Telgemeier, #1 NY Times, #1 USA Today, #1 Publishers Weekly bestselling author/illustrator KIRKUS STAR: Lustrous illustrations and meditative text reflect on the role of smoke in nature and civilization... Smoke dissipates quickly, but this poetic text will linger. KIRKUS'S LIST OF 150 MOST ANTICIPATED FALL 2021 BOOKS Smoke itself acts as narrator, telling us how it has served humankind since prehistoric times in signaling, beekeeping, curing and flavoring food, religious rites, fumigating insects, and myriad other ways. Smoke speaks in mesmerizing riddles: “I lack a mouth, but I can speak…. I lack hands, but I can push out unwanted guests…. I’m gentler than a feather, but I can cause harm…". This rhythmically powerful narration is complemented by illustrations in which swirling smoke was captured on art paper held over smoky candle flames, and the dancing smoke textures were then deepened and elaborated with watercolors and Photoshop finishes. With this unique method, Merce López “let the smoke decide how the idea I had in mind would dance with it, giving freedom to the images.” The resulting illustrations are astounding, and they resonate with the otherworldly text.
The famous fairy tales of the Brothers Grimm - stories like Snow White , Red Riding Hood , and Rumplestiltskin - are know to millions of people around the world and are deeply embedded in the collective psyche. In this charming account, writer and scholar Valerie Paradiz reveals the true story of how the fairy tales came to be. Jacob and Wilhelm Grimm, collectors and editors of more than 200 folk stories, were major German intellects of the nineteenth century, contemporaries of Goethe and Schiller. But as Paradiz reveals here, the romantic image of the two brothers traveling the countryside, transcribing tales told to them by peasants, is a far cry from the truth. In fact, more than half the fairy tales the Grimm brothers collected were actually contributed by their educated female friends from the bourgeois and aristocratic classes. While German folkloric scholars-all of them male-fancied themselves the keepers of the cultural flame, it was a handful of women who ensured that millions would know the stories of Sleeping Beauty and Cinderella by heart. Set against the backdrop of the chaotic Napoleonic wars and the years of high German romanticism, Clever Maids chronicles one of the most fascinating literary collaborations in European history and brilliantly captures the intellectual spirit of the men and women of the age. Even more, it illuminates the ways in which the Grimm tales, with their mythic portrayals of courage, sacrifice, and betrayal, still speak so powerfully to us today.
INTRODUCTION It is not without diffidence that the editor offers The True Story Book to children. We have now given them three fairy books, and their very kind and flattering letters to the editor prove, not only that they like the three fairy books, but that they clamour for more. What disappointment, then, to receive a volume full of adventures which actually happened to real people! There is not a dragon in the collection, nor even a giant; witches, here, play no part, and almost all the characters are grown up. On the other hand, if we have no fairies, we have princes in plenty, and a sweeter young prince than Tearlach (as far as this part of his story goes) the editor flatters himself that you shall nowhere find, not in Grimm, or Dasent, or Perrault. Still, it cannot be denied that true stories are not so good as fairy tales. They do not always end happily, and, what is worse, they do remind a young student of lessons and schoolrooms. A child may fear that he is being taught under a specious pretence of diversion, and that learning is being thrust on him under the disguise of entertainment. Prince Charlie and Cort�s may be asked about in examinations, whereas no examiner has hitherto set questions on 'Blue Beard,' or 'Heart of Ice,' or 'The Red Etin of Ireland.' There is, to be honest, no way of getting over this difficulty. But the editor vows that he does not mean to teach anybody, and he has tried to mix the stories up so much that no clear and consecutive view of history can possibly be obtained from them; moreover, when history does come in, it is not the kind of history favoured most by examiners. They seldom set questions on the conquest of Mexico, for example.That is a very long story, but, to the editor's taste, it is simply the best true story in the world, the most unlikely, and the most romantic. For who could have supposed that the new-found world of the West held all that wealth of treasure, emeralds and gold, all those people, so beautiful and brave, so courteous and cruel, with their terrible gods, hideous human sacrifices, and almost Christian prayers? That a handful of Spaniards, themselves mistaken for children of a white god, should have crossed the sea, should have found a lovely lady, as in a fairy tale, ready to lead them to victory, should have planted the cross on the shambles of Huitzilopochtli, after that wild battle on the temple crest, should have been driven in rout from, and then recaptured, the Venice of the West, the lake city of Mexico-all this is as strange, as unlooked for, as any story of adventures in a new planet could be. No invention of fights and wanderings in Noman's land, no search for the mines of Solomon the king, can approach, for strangeness and romance, this tale, which is true, and vouched for by Spanish conquerors like Bernal Diaz, and by native historians like Ixtlilochitl, and by later missionaries like Sahagun. Cort�s is the great original of all treasure-hunters and explorers in fiction, and here no feigned tale can be the equal of the real....
Welcome to the world in which fairy tales are true, where the prominent scientists of the day join together to seek wisdom from a great sage of the Himalayas at the fabled Kumbha Mela. Guided by a trusted myth-spinning storyteller, their journey and its preparation are peppered with tales of metaphysical adventures. From the bohemian Shangri-La of the Oceano Dunes to the ancient Ganges flowing from Himalayan heights, the group travels and discovers the realm of "silent reach." In the tradition of metaphysical fiction that was popular in the 1920's and 30s, Fairy Tales are True sweeps the reader into a vortex of yogis, scientists, spies and fools. Unlike most of those forgotten novels of secret universal Buddhist brotherhoods and mystical Tibetan quests, this book is more than partly true. Bryn Beorse, who was known to the Sufis as Shamcher, was the real deal: an actual world-travelling yogi-sufi who also was an esteemed economist and engineer. Here he has created a fantastical autobiographical allegory in a book that defies categorization. As one long teaching story comprised of nested teaching stories, Beorse's book may take liberties with facts to illustrate truths, but not as often as you might think. It is not only autobiographical, it is also a novelized or storified account of concepts that cannot be easily grasped by the literal mind. From California pre-hippy communes of eighty years ago, to the mysterious convening of the sages in modern-day India, this story sweeps the reader along following the secret thread whose strands have held mankind together for the last few thousand years. Visits to simple villagers with amazing powers alternate with the adventures of an expedition of the world's most important scientists, as Bryn Beorse takes us into the "inner sanctums" of our own everyday world.
A CBC BOOKS BEST NONFICTION OF 2020 AN ENTROPY MAGAZINE BEST NONFICTION 2020/21 A NEW YORK PUBLIC LIBRARY BOOK OF THE DAY (07/23/2022) Fairy tales shape how we see the world, so what happens when you identify more with the Beast than Beauty? If every disabled character is mocked and mistreated, how does the Beast ever imagine a happily-ever-after? Amanda Leduc looks at fairy tales from the Brothers Grimm to Disney, showing us how they influence our expectations and behaviour and linking the quest for disability rights to new kinds of stories that celebrate difference. "Historically we have associated the disabled body image and disabled life with an unhappy ending” – Sue Carter, Toronto Star "Leduc persuasively illustrates the power of stories to affect reality in this painstakingly researched and provocative study that invites us to consider our favorite folktales from another angle." – Sara Shreve, Library Journal "She [Leduc] argues that template is how society continues to treat the disabled: rather than making the world accessible for everyone, the disabled are often asked to adapt to inaccessible environments." – Ryan Porter, Quill & Quire "Read this smart, tenacious book." – The Washington Post "A brilliant young critic named Amanda Leduc explores this pernicious power of language in her new book, Disfigured … Leduc follows the bread crumbs back into her original experience with fairy tales – and then explores their residual effects … Read this smart, tenacious book." – The Washington Post "Leduc investigates the intersection between disability and her beloved fairy tales, questioning the constructs of these stories and where her place is, as a disabled woman, among those narratives." – The Globe and Mail "It gave me goosebumps as I read, to see so many of my unexpressed, half-formed thoughts in print. My highlighter got a good workout." – BookRiot "Disfigured is not just an eye-opener when it comes to the Disney princess crew and the Marvel universe – this thin volume provides the tools to change how readers engage with other kinds of popular media, from horror films to fashion magazines to outdated sitcom jokes." – Quill & Quire “It’s an essential read for anyone who loves fairy tales.” – Buzzfeed Books "Leduc makes one thing clear and beautifully so – fairy tales are fundamentally fantastic, but that doesn’t mean that they are beyond reproach in their depiction of real issues and identities." – Shrapnel Magazine "As Leduc takes us through these fairy tales and the space they occupy in the narratives that we construct, she slowly unfolds a call-to-action: the claiming of space for disability in storytelling." – The Globe and Mail "A provocative beginning to a thoughtful and wide-ranging book, one which explores some of the most primal stories readers have encountered and prompts them to ponder the subtext situated there all along." – LitHub "a poignant and informative account of how the stories we tell shape our collective understanding of one another.” – BookMarks "What happens when we allow disabled writers to tell stories of disability within fairytales and in magical and supernatural settings? It is a reimagining of the fairytale canon we need. Leduc dares to dream of a world that most stories envision is unattainable." – Bitch Media
