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Fictional Matter argues that chemical definitions of particulate matter shaped eighteenth-century British science and literature. In this lucid, revisionary analysis of corpuscular science, Helen Thompson advances a new account of how the experimental production of empirical knowledge defined the emergent realist novel.
NEW YORK TIMES BESTSELLER • COMING SOON TO APPLE TV+ • A “mind-blowing” (Entertainment Weekly) speculative thriller about an ordinary man who awakens in a world inexplicably different from the reality he thought he knew—from the author of Upgrade, Recursion, and the Wayward Pines trilogy “Are you happy with your life?” Those are the last words Jason Dessen hears before the kidnapper knocks him unconscious. Before he awakens to find himself strapped to a gurney, surrounded by strangers in hazmat suits. Before a man he’s never met smiles down at him and says, “Welcome back, my friend.” In this world he’s woken up to, Jason’s life is not the one he knows. His wife is not his wife. His son was never born. And Jason is not an ordinary college professor but a celebrated genius who has achieved something remarkable. Something impossible. Is it this life or the other that’s the dream? And even if the home he remembers is real, how will Jason make it back to the family he loves? From the bestselling author Blake Crouch, Dark Matter is a mind-bending thriller about choices, paths not taken, and how far we’ll go to claim the lives we dream of.
Dark Matter is the first and only series to bring together the works of black SF and fantasy writers. The first volume was featured in the "New York Times," which named it a Notable Book of the Year.
A discussion of Philip Sidney as a creator of fictions, a critic, and a poet, who adopted a variety of personae to teach his readers how they could fool themselves into forgetting who they were, both in the context of the psychic inner world and in the outer realm of social position. Included in this study are Sidney's court entertainments now known as The Lady of May, the Defence of Leicester, Defence of Poetry, and the Arcadias.
Fictional Objects by Stuart Brock,Anthony Everett Pdf
Eleven original essays discuss a range of puzzling philosophical questions about fictional characters, and more generally about fictional objects. For example, they ask questions like the following: Do they really exist? What would fictional objects be like if they existed? Do they exist eternally? Are they created? Who by? When and how? Can they be destroyed? If so, how? Are they abstract or concrete? Are they actual? Are they complete objects? Are they possible objects? How many fictional objects are there? What are their identity conditions? What kinds of attitudes can we have towards them? This volume will be a landmark in the philosophical debate about fictional objects, and will influence higher-level debates within metaphysics, the philosophy of mind, and the philosophy of language.
Fictional Immorality and Immoral Fiction by Garry Young Pdf
It is commonplace for fictional content to depict immoral activities: the kidnapping of a politician, for example, or the elaborate theft of a national treasure, or perhaps the gruesome proclivities of a sadistic murderer. These and similar depictions can be found across a range of media, and in varying degrees of detail and realism. Fictional Immorality and Immoral Fiction examines potential conditions for transforming fictional immorality into immoral fiction, in order to establish what makes a depiction of fictional immorality and/or one’s engagement with it immoral. To achieve this aim, Garry Young analyzes fictional content, its meaning, one’s motivation for engaging with it, and the medium in which the fiction is presented (such as film, literature, theatre, video games) using philosophical inquiry. The end result is a systematic examination of fictional immorality, which contributes toward debates on the morality of depicting and engaging with fictional immorality, as well as the reach of censorship and other forms of prohibition, especially when the act depicted is of the kind that would be most egregious if carried out in reality.
Fictional Traces: Receptions of the Ancient Novel Volume 1 by Marília Futre Pinheiro,S. J. Harrison Pdf
"The study of the reception of the ancient novel and of its literary and cultural heritage is one of the most appealing issues in the story of this literary genre. In no other genre has the vitality of classical tradition manifested itself in such a lasting and versatile manner as in the novel. However, this unifying, centripetal quality also worked in an opposite direction, spreading to and contaminating future literatures. Over the centuries, from Antiquity to the present time there have been many authors who drew inspiration from the Greek and Roman novels or used them as models, from Cervantes to Shakespeare, Sydney or Racine, not to mention the profound influence these texts exercised on, for instance, sixteenth-to eighteenth-century Italian, Portuguese and Spanish literature. Volume I is divided into sections that follow a chronological order, while Volume II deals with the reception of the ancient novel in literature and art. The first volume brings together an international group of scholars whose main aim is to analyse the survival of the ancient novel in the ancient world and in the Middle Ages, in the Renaissance, in the 17th and 18th centuries, and in the modern era. The contributors to the second volume have undertaken the task of discussing the survival of the ancient novel in the visual arts, in literature and in the performative arts. The papers assembled in these two volumes on reception are at the forefront of scholarship in the field and will stimulate scholarly research on the ancient novel and its influence over the centuries up to modern times, thus enriching not only Classics but also modern languages and literatures, cultural history, literary theory and comparative literature."--
Thea Astley's Fictional Worlds by Paul Genoni,Susan Sheridan Pdf
'This landmark contribution to Australian literary studies is the first collection of critical responses to the work of one of our most important novelists, Thea Astley. As well as essays from leading Australian and international critics, dating from 1967 to the present, it includes three essays by Astley herself, a major interview with her and the first Thea Astley lecture, given by Kate Grenville in 2005.' Professor Elizabeth Webby Sydney University
Fictional Discourse: A Radical Fictionalist Semantics combines the insight of linguistic and philosophical semantics with the study of fictional language. Its central idea is familiar to anyone exposed to the ways of narrative fiction, namely the notion of a fictional teller. Starting with premises having to do with fictional names such as 'Holmes' or 'Emma', Stefano Predelli develops Radical Fictionalism, a theory that is subsequently applied to central themes in the analysis of fiction. Among other things, he discusses the distinction between storyworlds and narrative peripheries, the relationships between homodiegetic and heterodiegetic narrative, narrative time, unreliability, and closure. The final chapters extend Radical Fictionalism to critical discourse, as Predelli introduces the ideas of critical and biased retelling, and pauses on the relationships between Radical Fictionalism and talk about literary characters.
The Identifying Fictions of Toni Morrison by J. Duvall Pdf
Although all published biographical information on Toni Morrison agrees that her birth name was Chloe Anthony Wofford, John Duvall's book challenges this claim. Using new biographical information, he explores the issue of names and naming in Morrison's fiction and repeatedly finds surprising traces of the Nobel Prize-winning author's struggle to construct a useable identity as an African American woman novelist. Whatever the exact circumstances surrounding her decision to become Toni, one thing becomes clear: the question of identity was not a given for Morrison.
The controversial, almost mythic Louisiana politician Huey P. Long inspired not just one but six American novels, published between 1934 and 1946. And he continues to resonate in American cultural memory, appearing in a 1995 work of historical fiction. The Kingfish in Fiction offers the first study of all six “Hueys-who-aren’t-Hueys” as they strut and bluster their way across the literary page, each character with his own particular story, each towing a different authorial agenda. Keith Perry carefully dissects the intertwining of documented history and artistic invention in Sinclair Lewis’s It Can’t Happen Here, Hamilton Basso’s Cinnamon Seed and Sun in Capricorn, John Dos Passos’s Number One, Adria Locke Langley’s A Lion Is in the Streets, and Robert Penn Warren’s All the King’s Men. Perry explains that Lewis cast his version of the Kingfish as a totalitarian menace, a sort of homegrown Hitler, in what Lewis later admitted was an unapologetic attempt to sabotage Long’s designs on the White House. Basso, one of Long’s most vocal detractors, created two Long-based characters, each a rabble-rousing affront to what remained of the Old South order. To warn readers of the dangers hidden in the politician-constituent contract, Dos Passos transformed Long into a shameless manipulator of the gullible American masses. Langley’s rendition suffers complete condemnation by its creator for personal as well as public transgressions. Warren’s spellbinding Willie Stark, almost as much philosopher as politician, ironically bears the least resemblance to Long though for almost six decades Stark has been Long’s best-known fictional embodiment. Exploring how and why these five authors—among them, a Nobel laureate, one of America’s most celebrated political novelists, and a two-time Pulitzer Prize winner—turned one politician into six fictional characters leads Perry to conclude that Huey P. Long’s lasting impression may well be a composite of both historical and imaginative interpretation.
Brad Meltzer--author of the #1 New York Times bestseller The Book of Fate--returns with his most thrilling and emotionally powerful novel to date. In Chapter Four of the Bible, Cain kills Abel. It is the world's most famous murder. But the Bible is silent about one key detail: the weapon Cain used to kill his brother. That weapon is still lost to history. In 1932, Mitchell Siegel was killed by three gunshots to his chest. While mourning, his son dreamed of a bulletproof man and created the world's greatest hero: Superman. And like Cain's murder weapon, the gun used in this unsolved murder has never been found. Until now. Today in Fort Lauderdale, Florida, Cal Harper comes face-to-face with his family's greatest secret: his long-lost father, who's been shot with a gun that traces back to Mitchell Siegel's 1932 murder. But before Cal can ask a single question, he and his father are attacked by a ruthless killer tattooed with the anicent markings of Cain. And so begins the chase for the world's first murder weapon. What does Cain, history's greatest villain, have to do with Superman, the world's greatest hero? And what do two murders, committed thousands of years apart, have in common? This is the mystery at the heart of Brad Meltzer's riveting and utterly intriguing new thriller
How to Live Safely in a Science Fictional Universe (Enhanced Edition) by Charles Yu Pdf
This enhanced eBook includes video, audio, photographic, and linked content, as well as a bonus short story. Hear TAMMY talk. Learn the origins of Minor Universe 31. See the TM-31. Take a trip in it. Photos and illustrations appear as hyperlinked endnotes. Video and audio are embedded directly in text. *Video and audio may not play on all readers. Check your user manual for details. National Book Foundation 5 Under 35 Award winner Charles Yu delivers his debut novel, a razor-sharp, ridiculously funny, and utterly touching story of a son searching for his father . . . through quantum space–time. Minor Universe 31 is a vast story-space on the outskirts of fiction, where paradox fluctuates like the stock market, lonely sexbots beckon failed protagonists, and time travel is serious business. Every day, people get into time machines and try to do the one thing they should never do: change the past. That’s where Charles Yu, time travel technician—part counselor, part gadget repair man—steps in. He helps save people from themselves. Literally. When he’s not taking client calls or consoling his boss, Phil, who could really use an upgrade, Yu visits his mother (stuck in a one-hour cycle of time, she makes dinner over and over and over) and searches for his father, who invented time travel and then vanished. Accompanied by TAMMY, an operating system with low self-esteem, and Ed, a nonexistent but ontologically valid dog, Yu sets out, and back, and beyond, in order to find the one day where he and his father can meet in memory. He learns that the key may be found in a book he got from his future self. It’s called How to Live Safely in a Science Fictional Universe, and he’s the author. And somewhere inside it is the information that could help him—in fact it may even save his life. Wildly new and adventurous, Yu’s debut is certain to send shock waves of wonder through literary space–time.