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Fred D'Aguiar and Caribbean Literature by Leo Courbot Pdf
With Fred D'Aguiar and Caribbean Literature: Metaphor, Myth, Memory, Leo Courbot offers the first research monograph entirely dedicated to a comprehensive reading of the verse and prose works of Fred D'Aguiar, prized American author of Anglo-Guyanese origin.
The Imagery of Sea and Land in Fred D’Aguiar’s Feeding the Ghosts by Marco Sievers Pdf
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Hannover (Englisches Seminar), course: HS Caribbean Literature and Culture, language: English, abstract: (...) The novel belongs to the genre of the Caribbean novels, and, as a historical fiction about the slave trade, provocatively combines historical and imaginative elements. Thus, it can be subsumed under the term “revisionist historical novel”, which, according to Ansgar Nünning, denotes novels that maintain a positive tension between their status as literature and their status as history (cf. Thieme, 1121; Pichler, 6, 11). Feeding the Ghosts is based on the infamous “Zong Massacre” which took place in 1781. It was an incident in which 133 slaves were thrown overboard an English slave ship, leading to a civil action in the same year by the ship’s owners, who sued their insurers for compensation for the dead slaves. The publicity about the law suit and the concluding verdict, which confirmed the legal status of slaves as cargo, fostered abolitionist support and made them a landmark of the battle against British slave trade in the 18th century. Due to growing public indignation a parliamentary act was finally passed in 1790, which ruled out insurance claims resulting from slave mortality or the jettison of slaves on any account (cf. Low, 106 et seq.; Pichler, 6; Philp, 245; Baucom, 61 et seq., Frias 421, Schatteman, 234; James, 327). In order to recreate the trauma of the Middle Passage D’ Aguiar’s fictionalised treatment of the Zong Massacre and of the subsequent trial mainly focuses on the reconstruction of the events from a slave girl’s point of view, (cf. Schatteman, 234, Phil, 245; Carr, Pichler, 11). Since the most prominent feature of D’ Aguiar’s fiction is his poetic style, which is an object of acclaim as well as of critical reprimand (cf. Steward, 68; Figueredo, 211; Frias, 418; James, 327; Bovenschen; Low, 110; Schatteman, 234; Carr), the paper at hand chooses the novel’s imagery as its subject-matter and examines the principal dichotomy of sea and land. By elucidating their meanings the analysis will show that these images are multilayered metaphors which mutually influence each other, and explain other imagery they are connected to. Subsequently, sea and land will analysed in the light of the concept of writing back in Postcolonial Criticism in order to point out that they are part of a distinctive, reconciling approach, which aims at understanding history by personality and at recompense by remembrance
From memories of a childhood in Guyana through an elegiac exploration of the shootings at Virginia Tech University in 2006, this poetry collection journeys from youth to maturing and from continent to continent. Celebrating individuals and the histories embedded in places, this compilation recollects the smell of bitumen, the local hero who came in last in the National Cycle Championship, and the 33 unique individuals who perished in Virginia. Powerful and intimate, this examination argues that alongside grief there is still delight in the world.
The Imagery of Sea and Land in Fred D'Aguiar's Feeding the Ghosts by Marco Sievers Pdf
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Hannover (Englisches Seminar), course: HS Caribbean Literature and Culture, language: English, abstract: (...) The novel belongs to the genre of the Caribbean novels, and, as a historical fiction about the slave trade, provocatively combines historical and imaginative elements. Thus, it can be subsumed under the term "revisionist historical novel", which, according to Ansgar Nünning, denotes novels that maintain a positive tension between their status as literature and their status as history (cf. Thieme, 1121; Pichler, 6, 11). Feeding the Ghosts is based on the infamous "Zong Massacre" which took place in 1781. It was an incident in which 133 slaves were thrown overboard an English slave ship, leading to a civil action in the same year by the ship's owners, who sued their insurers for compensation for the dead slaves. The publicity about the law suit and the concluding verdict, which confirmed the legal status of slaves as cargo, fostered abolitionist support and made them a landmark of the battle against British slave trade in the 18th century. Due to growing public indignation a parliamentary act was finally passed in 1790, which ruled out insurance claims resulting from slave mortality or the jettison of slaves on any account (cf. Low, 106 et seq.; Pichler, 6; Philp, 245; Baucom, 61 et seq., Frias 421, Schatteman, 234; James, 327). In order to recreate the trauma of the Middle Passage D' Aguiar's fictionalised treatment of the Zong Massacre and of the subsequent trial mainly focuses on the reconstruction of the events from a slave girl's point of view, (cf. Schatteman, 234, Phil, 245; Carr, Pichler, 11). Since the most prominent feature of D' Aguiar's fiction is his poetic style, which is an object of acclaim as well as of critical reprimand (cf. Steward, 68; Figueredo, 211; Frias, 418; James, 327; Bovenschen; Low, 110; Schatteman, 23
A literary venture into the economic shadow that slavery cast, Feeding the Ghosts, based on a true story, lays bare the raw business of the slave trade. The Zong, a slave ship packed with captive African “stock,” is headed to the New World. When illness threatens to disable all on board and cut potential profits, the ship’s captain orders his crew to throw the sick into the ocean. After being hurled overboard, Mintah, a young female slave taken from a Danish mission, is able to climb back onto the ship. From her hiding place, she rouses the remaining slaves to rebel and stirs unease among the crew with a voice and conscience they seem unable to silence. Mintah’s courage and others’ reactions to it unfold in a suspenseful story of the struggle to live even when threatened by oblivion.
In this piercing and unforgettable memoir, the award-winning poet reflects on a year of turbulence, fear, and hope. For acclaimed British-Guyanese writer Fred D’Aguiar, 2020 was a year of personal and global crisis. The world around him was shattered by the impact of the Covid-19 pandemic, Black Lives Matter protests erupted across the United States, California burned, and D’Aguiar was diagnosed with stage 4 cancer. Year of Plagues is an intimate, multifaceted exploration of these seismic events. Combining personal reminiscence and philosophy, D’Aguiar confronts profound questions about the purpose of pursuing a life of writing and teaching in the face of overwhelming upheavals; the imaginative and artistic strategies a writer can bring to bear as his sense of self and community are severely tested; and the quest for strength and solace necessary to help forge a better future. Drawn from two cultural perspectives—his Caribbean upbringing and his American lifestyle—D’Aguiar’s beautiful and challenging memoir is a paean of resistance to despotic authority and life-threatening disease. In his first work of nonfiction, D’Aguiar subverts the traditional memoir with highly charged language that shifts from the lyrical to the quotidian, from the metaphysical to the personal. While his experience could not be darker, its rendering is tinged with light and joy, captured in prose that unfolds in wonderful, unexpected ways. Both tender and ferocious, Year of Plagues is a harrowing yet uplifting genre-bending memoir of existence, protest, and survival.
Every once in a while, a new poet appears who makes us feel that the contours of contemporary poetry have been significantly changed. Fred D'aguiar is such a poet. Although still in his early twenties, he already has a wholly independent voice, and a powerful grasp of original and strange subjects. Many of these arise from his childhood in Guyana: the first section of Mama Dot comprises a series in which these early years are recalled with a passionately lyrical evocation of landscapes, incidents and family relations. They are sensuous celebrations, but are nevertheless touched with melancholy and nostalgia – qualities which are more fully evident elsewhere in the book, in poems which address the life D’Aguiar now leads in England, and which concentrate on themes of exile. In the final section, ‘Guyanese Days’, he returns once again to the scenes and memories of his childhood. Mama Dot is one of the most exciting first collections to have been published for many years: exhilarating, haunting and restlessly inventive.
A History of Literature in the Caribbean: English- and Dutch-speaking countries by Albert James Arnold,Julio Rodríguez-Luis,J. Michael Dash Pdf
For the first time the Dutch-speaking regions of the Caribbean and Suriname are brought into fruitful dialogue with another major American literature, that of the anglophone Caribbean. The results are as stimulating as they are unexpected. The editors have coordinated the work of a distinguished international team of specialists. Read separately or as a set of three volumes, the History of Literature in the Caribbean is designed to serve as the primary reference book in this area. The reader can follow the comparative evolution of a literary genre or plot the development of a set of historical problems under the appropriate heading for the English- or Dutch-speaking region. An extensive index to names and dates of authors and significant historical figures completes the volume. The subeditors bring to their respective specialty areas a wealth of Caribbeanist experience. Vera M. Kutzinski is Professor of English, American, and Afro-American Literature at Yale University. Her book Sugar's Secrets: Race and The Erotics of Cuban Nationalism, 1993, treated a crucial subject in the romance of the Caribbean nation. Ineke Phaf-Rheinberger has been very active in Latin American and Caribbean literary criticism for two decades, first at the Free University in Berlin and later at the University of Maryland. The editor of A History of Literature in the Caribbean, A. James Arnold, is Professor of French at the University of Virginia, where he founded the New World Studies graduate program. Over the past twenty years he has been a pioneer in the historical study of the Négritude movement and its successors in the francophone Caribbean.
Written in taut, poetic language, THE LONGEST MEMORY is set on a Virginian plantation in the 19th century, and tells the tragic story of a rebellious, fiercely intelligent young slave who breaks all the rules: in learning to read and write, in falling in love with a white girl, the daughter of his owner, and, finally, in trying to escape and join her in the free North. For his attempt to flee, he is whipped to death in front of his family, and this brutal event is the pivot around which the story evolves.
This book investigates the problematical historical location of the term 'religion' and examines how this location has affected the analytical reading of postcolonial fiction and poetry. The adoption of the term 'religion' outside of a Western Enlightenment and Christian context should therefore be treated with caution. Within postcolonial literary criticism, there has been either a silencing of the category as a result of this caution or an uncritical and essentializing adoption of the term 'religion'. It is argued in the present study that a vital aspect of how writers articulate their histories of colonial contact, migration, slavery, and the re-forging of identities in the wake of these histories is illuminated by the classificatory term 'religion'. Aspects of postcolonial theory and Religious Studies theory are combined to provide fresh insights into the literature, thereby expanding the field of postcolonial literary criticism. The way in which writers 'remember' history through writing is central to the way in which 'religion' is theorized and articulated; the act of remembrance can be persuasively interpreted in terms of 'religion'. The title 'Memory and Myth' therefore refers to both the syncretic mythology of Guyana, and the key themes in a new critical understanding of 'religion'. Particular attention is devoted to Wilson Harris's novel Jonestown, alongside theoretical and historical material on the actual Jonestown tragedy; to the mesmerizing effect of the Anancy tales on contemporary writers, particularly the poet John Agard; and to the work of the Indo-Guyanese writer David Dabydeen and his elusive character Manu.
Africa and the Americas [3 volumes] by Richard M. Juang,Noelle Morrissette Pdf
This encyclopedia explores the many long-standing influences of Africa and people of African descent on the culture of the Americas, while tracing the many ways in which the Americas remain closely interconnected with Africa. Ranging from the 15th century to the present, Africa and the Americas: Culture, Politics, and History explores the many ways Africa and African peoples have shaped the cultural life of the Americas—and how, in turn, life in the Americas reverberates in Africa. This groundbreaking three-volume encyclopedia offers hundreds of alphabetically organized entries on African history, nations, and peoples plus African-influenced aspects of life in the Americas. It also features authoritative introductory essays on history, culture and religion, demography, international relations, economics and trade, and arts and literature. In doing so, it traces the complex and continuous movement of peoples of African descent to the West, the mechanics and lingering effects of colonialism and the slave trade, and the crucial issues of cultural retention and adaptation that are essential to our understanding of the effects of globalization.
This volume celebrates Wilson Harris’s eightieth birthday and more than fifty years of creative writing. The most original and profound writer of the Caribbean, he has revolutionized the art of fiction and its language. He has himself contributed to this volume, and several Caribbean writers of a younger generation – Cyril Dabydeen, Fred D’Aguiar, Andrew Jefferson-Miles, Mark McWatt, Caryl Phillips, Lawrence Scott – pay tribute here to his genius. The essays are by critics from the Caribbean, Britain, the United States and continental Europe who have long admired and explored his work. They cover the various genres of Harris’s writing, his poetry, fiction and criticism, and deal with major aspects of his work, bringing out its relevance to the contemporary context of violence in the world, its modernity, and its contribution to the renewal of the humanities.
The Routledge Companion to Anglophone Caribbean Literature by Michael A. Bucknor,Alison Donnell Pdf
The Routledge Companion to Anglophone Caribbean Literature offers a comprehensive, critically engaging overview of this increasingly significant body of work. The volume is divided into six sections that consider: the foremost figures of the Anglophone Caribbean literary tradition and a history of literary critical debate textual turning points, identifying key moments in both literary and critical history and bringing lesser known works into context fresh perspectives on enduring and contentious critical issues including the canon, nation, race, gender, popular culture and migration new directions for literary criticism and theory, such as eco-criticism, psychoanalysis and queer studies the material dissemination of Anglophone Caribbean literature and generic interfaces with film and visual art This volume is an essential text that brings together sixty-nine entries from scholars across three generations of Caribbean literary studies, ranging from foundational critical voices to emergent scholars in the field. The volume's reach of subject and clarity of writing provide an excellent resource and springboard to further research for those working in literature and cultural studies, postcolonial and diaspora studies as well as Caribbean studies, history and geography.
A Caribbean country on the verge of collapse. A small town called Boundary. A rambling house inhabited by three generations of the Abrahams family. And a little girl who is trying to make sense of it all. Bethany Bettany is five years old when her father dies and her mother leaves her to fend for herself in the Abrahams household. The place simmers with resentment: her uncles and aunts think her mother killed her father; her grandmother refuses to leave her room. Bethany is the scapegoat for it all. In Bethany, D'Aguiar has created both a loveable character and a symbol for the search of a nation to make itself whole. If Boundary is Guyana, then Bethany Bettany - a girl torn between two names - is the spirit of its people poised for flight.
Caribbean Literature in English by Louis James Pdf
Caribbean Literature in English places its subject in its precise regional context. The `Caribbean', generally considered as one area, is highly discrete in its topography, race and languages, including mainland Guyana, the Atlantic island of Barbados, the Lesser Antilles, Trinidad, and Jamaica, whose size and history gave it an early sense of separate nationhood. Beginning with Raleigh's Discoverie of...Guiana (1596), this innovative study traces the sometimes surprising evolution of cultures which shared a common experience of slavery, but were intimately related to individual local areas. The approach is interdisciplinary, examining the heritage of the plantation era, and the issues of language and racial identity it created. From this base, Louis James reassesses the phenomenal expansion of writing in the contemporary period. He traces the influence of pan-Caribbean movements and the creation of an expatriate Caribbean identity in Britain and America: `Brit'n' is considered as a West Indian island, created by `colonization in reverse'. Further sections treat the development of a Caribbean aesthetic, and the repossession of cultural roots from Africa and Asia. Balancing an awareness of the regional identity of Caribbean literature with an exploration of its place in world and postcolonial literatures, this study offers a panoramic view that has become one of the most vital of the `new literatures in English'. This accessible overview of Caribbean writing will appeal to the general reader and student alike, and particularly to all who are interested in or studying Caribbean literatures and culture, postcolonial studies, Commonwealth 'new literatures' and contemporary literature and drama.